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Federation University Historical Collection
Article - Invitation package, Line, 2005
The small packs, laser printed black on white paper, were wrapped and stapled to a cellophane bag and blue polycarbonate. The first pack (not in collection) contained a fishing hook. The second contains a small quantity of fishing line, the third houses a sinker. LINE: "we are dropping you a line." Recipients were asked to save the date, Tuesday 29 November, 2005, for the Graphic Design / Multimedia graduate show. Barcode on reverse. SINKER: "it's all about depth" Recipients invited to the University of Ballarat, Graphic Design / Multimedia "End of Year Event" at the Melbourne Aquarium on Tuesday 29 November at 7.00pm, and asked to bring the three pieces of tackle they had received. Barcode on reverse.Second of three teaser packs, including piece of fishing line, 2005. Created as Save the Date by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2005.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy -
Federation University Historical Collection
Article - Invitation package, Sinker, 2005
The small packs, laser printed black on white paper, were wrapped and stapled to a cellophane bag and blue polycarbonate. The first pack (not in collection) contained a fishing hook. The second contains a small quantity of fishing line, the third houses a sinker. LINE: "we are dropping you a line." Recipients were asked to save the date, Tuesday 29 November, 2005, for the Graphic Design / Multimedia graduate show. Barcode on reverse. SINKER: "it's all about depth" Recipients invited to the University of Ballarat, Graphic Design / Multimedia "End of Year Event" at the Melbourne Aquarium on Tuesday 29 November at 7.00pm, and asked to bring the three pieces of tackle they had received. Barcode on reverse.Third of three teaser packs, including a fishing sinker, 2005. Created as Save the Date by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2005.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy -
Federation University Historical Collection
Flyer - Exhibition invitation, graphic design 08 graduate exhibition evening, 2008
... University Graphic Design Multimedia Camp Street Campus Bachelor ...Exhibition opening held Thursday 27 November, 2008 at Loop Bar, 23 Meyers Place, Melbourne.Uncoated brown card, printed single colour (black).university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy -
Federation University Historical Collection
Book - Catalogue, Graphic Design Graduates Two Thousand and Eleven, 2011
... with single colour silver print. Graphic Design Graduates Two Thousand ...Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2011. Foreword by Chrissie Smith and Gavin Nash (lecturers). Student names listed on back cover.Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2011. Full colour offset print throughout, black textured card cover with single colour silver print.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy -
Federation University Historical Collection
Book - Catalogue, Hype – GD/MM – Federation University Australia 2015, 2015
The Hype 'zine (magazine" accompanied a projection project of the same title, projected onto the Ballarat Town Hall, Sturt Street, every night between 1 and 11 October 2015. Student names: Callum Bennier, Renee Bevan, Maddie Durie, Ben Hall, Callum Jenkins, Shannon Johnstone, Mel Negri, Brad O'Loughlin, Jess Powell, Jake Richardson, Chenae Smith, James Stuart, Elaine Tso, Laura Wright. Acknowledgments on final page. Lecturers and supporters: Alistair Heighway, Ben Mangan, Chrissie Smith, Debbie Hill, Travis Price, Jennifer Jones-O'Neil, Jill Orr, Jimmy Pasakos, John McDonald, Justin Weyers, Luke Keys, Paul Mah, Peter Gaulke, Peter Pilven, Phillip Berry, Roberta Crisci-Richardson. "A further thank you to the guidance and contribution to our final year: Ben Mangan, Peter Gaulke, Phillip Berry." Sponsors listed on final page and inside back cover.Promotional catalogue created by Federation University, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2015. 36pp full colour text pages and 4pp saddle-stitched cover, Uncoated stock. Cover of this version includes three unprinted circular stickers, and two printed stickers (one silver featuring word "wow?" and a fluorescent orange saying "real fake").university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, callum bennier, renee bevan, maddie durie, ben hall, callum jenkins, shannon johnstone, mel negri, brad o'loughlin, jess powell, jake richardson, chenae smith, james stuart, elaine tso, laura wright., alistair heighway, ben mangan, chrissie smith, debbie hill, travis price, jennifer jones-o'neil, jill orr, jimmy pasakos, john mcdonald, justin weyers, luke keys, paul mah, peter gaulke, peter pilven, phillip berry, roberta crisci-richardson. -
Federation University Historical Collection
Book - Catalogue, Disruption By Design: Intentional Catalyst for Change, 2012
This publication accompanied the exhibition of UB Bachelor of Visual Arts (Graphic Design) graduate students which ran from 23 November to 2 December 2012. Foreword by Professor John McDonald, Dean, School of Education and Arts, and by "Inkahoots" design studio. Student list: Christopher Frith, James Croft, Jesse Mason, Andrew Cox, Daniel Roache, Jenna Locket, Aaron Croft, Emily Phillips, Caitlin Heimeier, Maddy Collicoat, Brayden Waight, Elisa Micallef, Danii Zecevic, Zoe-Lee Scriven, Carla Ellis, Bryce Holywell, Lindsay Sewart, Megan Sutherland, Steven Fiume, Brianna Wines, Matt Sullivan, Alyssa Roberts, Hayley Burman, Jacqui Leutenmayr, Jessica Weston, Kimberley Wilson, Georgia Clarke, Josh Fry, Breanna Dignan, Lucy-Ann Moore, Tom Miatke, Daniel Howard, Matt Watts. 33 students. Inside back cover, thanks supporters, lecturers and sponsors. Lecturers: Ben Mangan, Chrissie Smith, Gavin Nash, Luke Keys, Glen Bellman, Travis Price, Sam Harmer, Damian Lentini, Jennifer Jones-O'Neill, Jimmy Pasakos, Pete Swan and Peter Pilven. Book layout and design by Aaron Croft, James Croft and Daniel Howard. Note: "Multimedia" has been removed from the degree title here.Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design) third year, graduating students, 2012. 40pp text pages (printed orange, silver and black) and 4pp saddle stitched cover (printed orange and silver), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, christopher frith, james croft, jesse mason, andrew cox, daniel roache, jenna locket, aaron croft, emily phillips, caitlin heimeier, maddy collicoat, brayden waight, elisa micallef, danii zecevic, zoe-lee scriven, carla ellis, bryce holywell, lindsay sewart, megan sutherland, steven fiume, brianna wines, matt sullivan, alyssa roberts, hayley burman, jacqui leutenmayr, jessica weston, kimberley wilson, georgia clarke, josh fry, breanna dignan, lucy-ann moore, tom miatke, daniel howard, matt watts, ben mangan, chrissie smith, gavin nash, luke keys, glen bellman, travis price, sam harmer, damian lentini, jennifer jones-o'neill, jimmy pasakos, pete swan and peter pilven -
Federation University Historical Collection
Book - Catalogue, End. Bachelor of Communication Design 2016, 2016
In this catalogue / Zine, students are responding to the theme of "End". Students: Nathan Burke, Leroy Cassar, Steven Curcio, Shaun Dewitte, Shayla Gibson, Joe Halliwell, Nikki Luitjes, Stephanie Martin, Claudia Prendergast, Adam Trethowan, Cheyenne Monaghan, Caitlin Wytkamp. 12 students. Thank you to lecturers and supporters, Alistair Heighway, Ben Mangan, Chrissie Smith, Claire Blake, Debbie Hill, Ewen Ross, Jason Grace, Jimmy Pasakos, John McDonald, Justin Weyers, Paul Mah, Peter Gaulke, Peter Pilven, Phillip Berry, Roberta Crisci-Richardson, Sam Harmer, Travis Price. Thank you to final year staff, Ben Mangan, Chrissie Smith, Nicholas Mau, Peter Gaulke, Phillip Berry.Promotional catalogue created by Federation University third year, graduating students, 2016. 24pp full colour text pages and 4pp saddle stitched cover (printed dark orange and blue), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, nathan burke, leroy cassar, steven curcio, shaun dewitte, shayla gibson, joe halliwell, nikki luitjes, stephanie martin, claudia prendergast, adam trethowan, cheyenne monaghan, caitlin wytkamp, alistair heighway, ben mangan, chrissie smith, claire blake, debbie hill, ewen ross, jason grace, jimmy pasakos, john mcdonald, justin weyers, paul mah, peter gaulke, peter pilven, phillip berry, roberta crisci-richardson, sam harmer, travis price -
Federation University Historical Collection
Article - Compact Disc, Blue in the Nineties, 1999
Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionElectronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.university of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george -
Federation University Historical Collection
Article - Compact Disc, Blue in the Nineties, 1999
Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.A collaboration between Loris Button (Lecturer in Drawing, Artworks), Ross Morgan (Tutor in Graphic Design/Multimedia, Design & visual concept) and Amanda George (Ceramics student, Research assistant).Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionuniversity of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george -
Federation University Historical Collection
Article - Catalogue package, Creativity Released, Advanced Diploma of Graphic Design, 2010, 2010
Unprinted, forme-cut black folder, triangular window, sealed with triangular sticker containing a suite of A5 (148 x 210mm) cards promoting works of University of Ballarat, Advanced Diploma of Graphic Design (2 years) students. Contains 15, two-sided A5 cards, most featuring student work. Reverse of first card lists 12 graduates for 2010. Introduction by Paul Mah (co-ordinator / teacher). Teaching staff listed as Sam Harmer, Jill Hyatt, Slena Shillito, Travis Price, Ben Sanders, Anthony Woodward, Paul Mah, Alister Heighway, Peter Lambert, James Baker. Printed by Sovereign Press. Pack by Bennet-Meyer Packaging. One card features supporting sponsors Unprinted, forme-cut black folder, triangular window, sealed with triangular sticker containing a 15 A5 cards promoting student work.Promotional catalogue (pack of A5 cards) for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design. Unprinted, forme-cut black folder, triangular window, sealed with triangular sticker containing a 15 A5 cards promoting student work.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Federation University Historical Collection
Article - Catalogue package, Creativity Released, Advanced Diploma of Graphic Design, 2010, 2010
Unprinted, forme-cut black folder, triangular window, sealed with triangular sticker containing a suite of A5 (148 x 210mm) cards promoting works of University of Ballarat, Advanced Diploma of Graphic Design (2 years) students. Contains 15, two-sided A5 cards, most featuring student work. Reverse of first card lists 12 graduates for 2010. Introduction by Paul Mah (co-ordinator / teacher). Teaching staff listed as Sam Harmer, Jill Hyatt, Slena Shillito, Travis Price, Ben Sanders, Anthony Woodward, Paul Mah, Alister Heighway, Peter Lambert, James Baker. Printed by Sovereign Press. Pack by Bennet-Meyer Packaging. One card features supporting sponsors Unprinted, forme-cut black folder, triangular window, sealed with triangular sticker containing a 15 A5 cards promoting student work.As per parent record, but opened. Promotional catalogue (pack of A5 cards) for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design. Unprinted, forme-cut black folder, triangular window, sealed with triangular sticker containing a 15 A5 cards promoting student work.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Federation University Historical Collection
Book - Catalogue, ADGD, Advanced Diploma of Graphic Design, MMXII, 2012
Introduction by Paul Mah, Co-ordinator/Teacher. Staff listed as Kim Anderson, James Baker, Jason Grace, Sam Harmer, Alister Heighway, Paul Mah, Kate Neal, Selena Shillito, Natalie Trofimiuk. Cover design by Ashley "Cax-One" Skewes. Printed by Sovereign Press. Students have two, double-page spreads each. Final page features sponsors. Inside cover used to promote ADGD course: "The program can be completed in two years full time study, with a pathway option to the Arts Academy Graphic Design Degree program, or direct employment in the industry."Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design, 2012. Perfect/burst bound book. Black double fold cover, printed full colour plus silver foil emboss and possible matt varnish. 72-page full-colour inside pages.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Mission to Seafarers Victoria
Booklet, Geelong Harbour Trust Commission, Port of Geelong 1964, 1964
Presents an overview of shipping and freight statistics for the Port of Geelong 1964Provides a statistical overview for a single year during a time of transition and change in shipping practice and the move to containerisation.A blue two-colour booklet with red colour title 'Port of Geelong 1964' features a graphic of a globe of the world. Along the top border of the booklet is a narrow sepia photo of a port. Two-page booklet also contains printed information on the inside of both cover pages. Pages are unnumbered. In the lower right corner; 'Trade Statistics...'.shipping, statistics, port of geelong, ports, freight -
Mission to Seafarers Victoria
Card - Brochure, The Jointless firebrick Company: PLIBRICO, mid 20th
Found in the G. W. Duncan collection donated to the Mission to Seafarers in 2017 see also comments on manufacturing history. This particular company was associated with the use of asbestos.Mariner Duncan had a particular regard for the Mission to Seafarers. A plate for display on a commissioned new table at the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. White cover multipage commercially printed promotional brochure or booklet with ochre line graphic and black printing on white ground. Features small logo integrated with lettering between Jointless and Firebrick. There is a typed name and address of recipient / owner in lower left corner.Typed address: G.W. Duncan esq / Fifth Mechanical Engineer / ...Docks / Liverpoolplibrico, firebricks, coal fired engines, george winfield duncan (1922-2017), ship engineer, s.s. athenic, liverpool -
Montmorency/Eltham RSL Sub Branch
Tool - FPL-3000 Military Field Pocket Light
Small rectangular cardboard box containg a black cylindrical metal and rubber flashlight or torch. The outside of the cardboarch container has black ink markings for identification and manufacture. A white printed ID label containing a barcode is attached to the bottom of the box. The pocket light has a metal attachment clip on its side and a rubber covered on/off switch on the bottom of the light. The body of the light has a knurled section for grip. The lens top section of the field pocket light unscrews of the body to enable the top of the pocket light to be unscrewed to enable battery insertion.FPL-3000 Military Pocket Light Made in Australia NSN no: 6230 66 139 1304 Ocean Graphic Pty. Ltd. Melbourne, Victoria, AUSTRALIA. *6230661391304023* FPL-3000 Black/Green Filter The field pocket light has the NSN marking 6230-66-139-1304 with the Department of Defence arrow marking at the side of the top of the flashlight.fpl-3000, military, field pocket light, australian military -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Community Hospital, Artist labelled a winner, 09/10/2013
After winning the "Moment in Monty" art competition, artist Roma McLaughlin has her work printed on wine labels to promote the suburb.News article, text and colour graphic.montmorency, roma mclaughlin, moment in monty, were street -
Glenelg Shire Council Cultural Collection
Souvenir - Envelopes - Australia Post Portland's 150th Anniversary, Nov-84
Two identical Australia Post souvenir envelopes, for Portland's/Vic's 150th Anniversary. Cream, full colour illustration of Edward Henty superimposed over Portland Bay, small pier, 'Thistle', left hand side of envelope. reverse has printed explanation of event. a. has a 30c and 3c stamp postmarked 1985, date illegible b. not stampedFront: a. 'Miss B. Vivian Box 103 Portland 3305' - handwritten, black biro b. 'Miss Betty Vivian 22 Otway St Portland 3305' - handwritten, blue biro -
Australian Queer Archives
Poster, Child custody : the rights of the lesbian mother : public forum : Friday 16th November 1979, 1979
Graphic illustration of two women and two childrenin red against a grey background, printed on white paper.Additional text: "Child custody : the rights of the lesbian mother : a public forum, George Hunt Room, Trades Hall, 4 Goulburn Street, City. Followed by film: In the best interest of the children". -
Ringwood and District Historical Society
Card - Commemorative Stationery, Printeam, Ringwood Primary School 2997: cards and etching of 1921 school. 1989, 1989
Card printed for the centenary celebration of Ringwood Primary School 1889-1989. Original site in 1898 Ringwood Street. The school moved to Greenwood Avenue site in 1921.Four buff coloured cards and envelopes with etching in red ink of 1921 Ringwood School no. 2997.Graphic by Nerrelle Williamson -
Flagstaff Hill Maritime Museum and Village
Container - Kitchen Canister set, 1850-1870
In early civilization's cereal grains such as maize, wheat, barley etc. were stored in large airy buildings, often raised up from the ground to reduce infestation by pests and vermin. Ancient Egyptian and early Hebrew writings include reference to such buildings. Smaller quantities of food were stored in baskets made from woven grasses or leaves. In more recent times but prior to the invention of the refrigerator many food products were stored in the home as preserves or pickles, often in heat sealed jars. Dry food items were stored in vermin proof metal containers and could be found in any early colonial kitchen. Items such as coffee, tea, rice and sago were stable food types and needed longer term storage and a higher degree of protection from vermin and the elements, a common material used during this time was sheet metal or tin such as is used today in a common form of storage the biscuit tin. An early example of colonial food storage used in a domestic setting, it is interesting to note the subject items have provision to be locked. This indicates the value early colonial settlers placed on the contents and used to prevent pilfering. The subject items are now sought by collectors. Canister set; set of four canisters. Cylindrical matching kitchen storage tins with hinge lid that has a latch closure, and a folding handle on top of lid. Canisters are painted brown and the body has a graphic of a scroll in gold with printed label of contents. The canisters range from small to large, "COFFEE", "TEA" , "SAGO", " RICE" (respective RNs 163.1, 163.2, 163.3, 163.4)Respectively labelled "COFFEE," "TEA," "SAGO," "RICE" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, canister, canister set, rice canister, kitchen canister, food storage, domestic item -
Flagstaff Hill Maritime Museum and Village
Book, The Graphic et al, The Graphic Illustrated Newspaper, June 1893, at the earliest date
This book of illustrated copies of The Graphic, a London weekly newspaper, was once part of the book collection of the Warrnambool Mechanics Institute and Free Library, Warrnambool.Book, titled “The Graphic”, January to June 1893, Volume 47. Large, hard covered, book with purple coloured canvas cover, leather spine and corners. The book holds issues of a weekly London illustrated newspaper. It once belonged to The Warrnambool Mechanics’ Institute and Free Library (their accession number 6639). Marked "The Graphic" "Vol XLVII (47)" "Jan to June 1893". "John Leighton FSA". Label inside front cover “The Warrnambool Mechanics’ Institute and Free Library”. Penciled on the label’s heading Accession Number “6639”. Label at bottom of inside front cover is printed "Thos Smith, Bookbinder and Printer, Warrnambool"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the graphic illustrated newspaper, the graphic london 1893, warrnambool mechanics institute and free library -
Flagstaff Hill Maritime Museum and Village
Book - Bound Newspapers, Edward Joseph Mansfield, Publisher, The Graphic Volume 23, January to June 1881, Jan. - June 1881
The book is a bound volume containing the weekly publications of The Graphic, an illustrated newspaper. The volume, No. 23, includes newspapers from January to June 1881. It was published and printed in London, England. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century, there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 per cent of the reading population. The collection of books was made up of around 60 per cent reference and 40 per cent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items have become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850s to the late 1950s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Graphic, an Illustrated Newspaper, Vol 23 Publisher: Edward Joseph Mansfield, at The Strand, London Date: January to June, 1881 The bound book of newspaper editions has a hardcover with a leather spine and brown/orange/blue pattern on the covers. The spine has gold embossed lettering. Inscriptions; sticker on the front end paper from Warrnambool Mechanics Institute and Free Library, and a purple, oval stamp on the fly from Warrnambool Mechanics Institute and Free Library.Embossed in gold on the spine; "THE GRAPHIC", "VOL. XXIII", "JAN. TO JUNE. / 1881" Sticker [identifies the Warrnambool Mechanics Institute and Free Library] Stamp; concentric ovals with "WARRNAMBOOL" "MECHANICS'" "INSTITUTE" flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the graphic illustrated newspaper vol 23, edward joseph mansfield, the graphic, illustrated newspaper, volume 23 -
Port Melbourne Historical & Preservation Society
Book, Mary Mason, 'Linking us Together: A history of transport in the Port Phillip community', 11 Oct 2001
A Centenary of Federation-funded project of South Port Day Links, coordinated, directed and designed by Mary MASON, written by Pat GRAINGER on behalf of PMH&PS'Linking us Together: A history of transport in the Port Phillip community' Soft cover, 72pp teal blue cover with '2001'graphic, brown spine. A Centenary of Federation Project printed Oct 2001transport, transport - tramways, transport - shipping, transport - railways, transport - aviation and aerodrome, transport - horse, transport - motor vehicles, transport - ferries, workers, industry, royal visits and occasions, piers and wharves - station pier, piers and wharves - princes pier, immigration, flood, business and traders - dairies, south port day links, wilbraham frederick evelyn liardet, wfe liardet, frank liardet, caroline frederica liardet, hector liardet, frederick liardet, liana thompson, r graham carey, swallow & ariell ltd, melbourne and metropolitan tramways board, mmtb, general motors-holden, gmh, faram brothers hardware, bert turner, james mcnab, eli (dick) edwards, jacob edwards, vincent 'ben' edwards, claude butcher, leonard george 'dugga' beazley, bicycles, cable trams, mary mason, pat grainger, frederick william maskell, linking us together -
Coal Creek Community Park & Museum
Tin, tobacco
... . Has print and graphic for "City Lights" tobacco in blue.... Has print and graphic for "City Lights" tobacco in blue ...5 rectangular metal canisters for tobacco with hinge lid. Has print and graphic for "City Lights" tobacco in blue and gold.Marked on lid "CITY LIGHTS FINE CUT TOBACCO" and other. -
Churchill Island Heritage Farm
Photograph - Photograph of Robert Ingpen
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site. Robert Ingpen is a renowned graphic designer and book illustrator who was born in Geelong in 1936. In 1968 he became the only Australian to be awarded the Hans Christian Andersen Medal for his International contribution to book illustrations. Robert Ingpen did a classic set of drawings of Churchill Island (circa 1976), before the farm restoration. They were originally sold to raise funds for the conservation of Churchill Island and can still be seen as prints or depicted on place mats and coasters. Black and White photograph of Robert IngpenCatalogue number written on reverse in pencil. Handwritten on reverse 'Artist Robert Ingpen' churchill island -
Cobram Historical Society Inc
Icing set
Rectangle boxed set of icing tools.Tala Icing set, box contains five metal pipping nozzles that attach to leather piping bag, three plastic piping nozzles, one acrylic piping bag, one leather piping bag one. Box is predominately Blue and Yellow with graphic of a person holding a piping bag..blue and Red graphic writing, Tala, Icing Set. no 1703. Printed in England. -
Ballarat Base Hospital Trained Nurses League
Midwifery Windcheater - "Midwifery Team, BBH, We Deliver" - early to mid 1980's, plus Courier newspaper - new Director of Nursing, Lorraine Broad, 1995
Windcheater which the midwives in old E1 had made and were sold to staff to fund raise. Some proceeds were to assist midwives attend state conferences. Other fundraising activities were also undertaken at that time to modify the stark hospital environment of E1 to a more homely environment. Graphic artist and seamstress, Geraldine Roberts of Wendouree, made the windcheaters as well as screen printed the logo which the staff designed. Geraldine also did the graphics for an educational booklet the staff produced for expectant parents. These activities were initiated by the enthusiastic staff of E1 during the early to mid 1980s."Midwifery Team, BBH, We Deliver"midwifery, 1980s, windcheater, logo, courier, new, director of nursing, broad, 1995 -
Duldig Studio museum + sculpture garden
Advertising card, Card, Kosmetik Institut, Wien ( Cosmetic Institute, Vienna) c. 1932, c.1932
This advertising card was designed by Slawa Horowitz-Duldig. It was printed by 'Frisch, Wein 1'. Slawa undertook a number of sculpture commissions after graduating from the Akademie der Bildenden Künste Wien (Viennese Academy of Art) where she studied under Professor Hans Bitterlich from 1925-1929. She also undertook design commissions such as this card for the Cosmetic Institute which sold beauty creams. Reminiscent of the work of Austrian painter, designer and ceramic artist Berthold Löffler, in Slawa’s card her stylish typography, colour and design unite to create a unique work.This is an example of Austrian graphic design work between the wars and is of historical and artistic significance. Grey card front with print of single tone line stylised drawing of woman with red lips holding flowers - inside printed inscription in grey and red highlights Back logo - Printer's name (Frisch, Wien, 1) and artist's name ( S Duldig) credited -
Nillumbik Shire Council
Print (etching): Dean BOWEN, The Offering, 1997
Dean Bowen is renowned for his charming, child-like aesthetic and unique thematic interplay between the urban and rural as well as humans and animals. Bowen has developed a distinctive and humorous symbolic language that filters through each work. His highly charismatic and whimsical renderings of animals, human characters and Australian environments celebrate the vicissitudes of life, evincing the simple pleasures of human habitation within the artificial and the natural world. The work and thoughts of Jean Dubuffet, particularly those which focus on the philosophy of 'Art Brut', give support to Dean's belief that untrained artists are more honest, that artists interested in emulating the art of children are trying to regain the pure expression they lost with childhood. 'The Offering' was a finalist in the Nillumbik Art Awards in 1997. The work refers to the act of giving back, rather than taking which Bowen sees as more prevalent in our Western society. While the image is childlike, the expression of the boy is a mixture of sadness and happiness, knowing and naivety, youth and age. The smile has a Mona Lisa quality and the earthy and sensuous colours suggest landscape. When realising the images he relies on memory rather than observation so that the struggle with drawing and representation sometimes doesn't work. The style of the drawing and the flat space relates to the graphic style of cartoons and caricature. The intuitive and the imaginative are essential elements in his work. lower right 'Dean Bowen '97' -
National Wool Museum
Book - Knitting Pattern Book, WM Briggs & Co. Ltd, Be Knitwise: Penelope helps you to produce the perfect woollie, c1930
The book was published in the UK. This book was purchased with the help of Mrs E. C. Baker, c/o John Pook and Co, 68 Fenchurch St, London EC3 - from The Needlewoman Shop, Specialists in Needlework, 146 Regent Street London W.1. Then posted to Mrs G R (Joan) Horridge at ICI in Hong Kong. Book was owned and used by Joan Francis Horridge.Paper booklet bound with two rusted metal staples on spine. Cover is in colour and depicts a woman knitting. Prominent colours are black, green, blue and cream. Inside covers contains pages which are smaller than the covers. Pages contain printed black text detailing various knitting patterns and knitting information. Back cover has a ruler graphic for measuring.knitting, pattern, joan francis horridge, the needlewoman shop, london, honk kong, g r (joan) horridge, mrs e. c. baker, penelope