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Wangaratta RSL Sub Branch
Postcard, 1917
From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with rising sun and two flags above attached cutout in the shape of a gum leaf.To My Dear Daddie at the Front A Gum Leaf from Australiaalbum, photo album, newspaper clippings, postcard, wwi, gumleaf, gum leaf -
Churchill Island Heritage Farm
Photograph - Black and white photograph of tractor shed, c.1940s
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a tractor shed with gum tree.Catalogue number written in pencil on reverse. On reverse in pen 'The tractor shed Note - Gum Tree'churchill island, tractor, shed, amess house -
Wangaratta RSL Sub Branch
Shield, Original punt was made in the mid 1800s. shield was made by Jim Sloan in early 1970s
Red gum shield was made from a piece of the Ovens River punt which served as a river crossing at the Sydney Hotel two centuries ago and which had lain on the river bed for approximately 100 years. The punt was raised by members of the Royal Australian Engineers whose names, unit and badge apear on the shield in the early 1970s.Red gum shield was made from a piece of the Ovens River punt which served as a river crossing at the Sydney Hotel two centuries ago and which had lain on the river bed for approximately 100 years. The punt was raised by members of the Royal Australian Engineers whose names, unit and badge appear on the shield in the early 1970s. In 2019, after nearly 70 years at Balcke House, the Wangaratta RSL Sub Branch will take up new residence at the Sydney Hotel.Red Gum timber in shape of shield with crest and plaque.Crown of Australian Engineers above a list of the soldiers who worked on the project. Attached is a card which states :- This red gum shield was made from a piece of the Ovens River punt which served as a river crossing at the Sydney Hotel two centuries ago and which had lain on the river bed for approximately 100 years. The punt was raised by members of the Royal Australian Engineers whose names, unit and badge appear on the shield in the early 1970s. It was made and presented to the Wangaratta RSL by Jim Sloan of Wangaratta.ovens river, sydney hotel wangaratta -
Greensborough Historical Society
Container - Bottle, Bell Shaped Clag Bottle, c1910
This bottle held clag or gum to be used to seal envelopes. Glass bell shaped clag bottle. This type of clag or gum would have been for sale in newsagents and stationery outlets for the sealing of envelopes. Prior to the invention of the pre-gummed envelopes a sealing agent was needed and sold separately. This bottle would have had a paper label detailing the clag manufacturer and amount contained. The wide base was to add stability in use to avoid it tipping over. The bottle has a faint AGM monogram on the base so it would date to the 1940/50s period.Bell Shaped Glass gum bottle.AGM monogram, '338 and M' pressed into base. #-piece mold with attached base.glass bottles, gum bottles -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Phillip Island and District Historical Society Inc.
Book, BEVERIDGE, Mitchell Kilgour, Gatherings among the gum-trees, 1863
Labelled 'Cowes Free Public Library', 'Phillip Island Historical Society, Cleeland Bequest'.australia poetry, 19th century -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nicholas John Caire, "Amidst the Gum Trees." "The Bush Hermit, Marysville.", 1858-1918
A postcard of a photograph taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD A.G.J. AFFIX/ STAMP THIS SPACE MAY BE USED/ FOR COMMUNICATION. THE ADDRESS ONLY TO BE/ WRITTEN HERE. Printed in Saxony COPYRIGHT. To Dear Emily/ With every loving/ Wish for many/ happy birthday/ with love from me/ Myrtlemarysville, victoria, george, george locke, nicholas john caire, cumberland valley, hermit, postcard, souvenir -
Ringwood and District Historical Society
Photograph, Quambee and shed c.1912 before the orchard was planted. Coombes' paddock at rear left two gum trees; Arnson's land at rear
Written on back of photograph, "Quambee and shed before orchard was planted. Coomb's paddock at rear, left of two gumtrees. Arnson's land at rear." -
Eltham District Historical Society Inc
Photograph - Black and White Print, George W. Bell, Dead Red Gum, Eltham Templestowe Area
Black and white print on photo paper 35mm Black and white slide copy Mount - white 7 dots (Technodia Italy)george w bell collection, significant tree -
Eltham District Historical Society Inc
Photograph, George W. Bell, Red Gum, Eltham-Templestowe area
Black and white photograph of dead redgum treetrunk near Fitzsimons Lane Elthamtrees, eltham, fitzsimons lane, george w bell collection -
Eltham District Historical Society Inc
Article, Bill Tindale, Fencing with a gum tree' by David Aldridge; Photographer Bill Tindale
Article on construction of timber fencing by Eddie Andersoneddie anderson, fences -
Federation University Art Collection
Work on paper, Jack, Kenneth, 'Swamp Gum' by Kenneth Jack, 1961
Kenneth JACK (1924 - 2006)Framed limited edition print of a landscape of gnarled trees. Donated through the Australian Gifts Programme by Katherine Littlewood. kenneth jack, printmaking, trees, landscape -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Red Gum Firewood
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, Charles Douglas Richardson, Gum trees, Oakleigh, 1908
oil on canvas on boardlandscape, oakleigh, cows, gum trees, charles douglas richardson, cd richardson, c douglas richardson, grazing, farm, fence -
Castlemaine Art Museum
Painting, Harold Herbert, Gum Trees, 1907-1930
Gift of the artist, 1930 -
Benalla Art Gallery
Painting, Penleigh BOYD, Gum trees, Not dated
Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923ImpressionismLedger Gift, 1981Rural landscape with large trees and small figure with gold brushed timber frame.Recto: Signed "Penleigh Boyd." in red oil in l.r.c of composition; Not dated; Not titledpainting, landscape, trees, figure -
Malmsbury Historical Society
Photograph (Item), Gum Tree In Ground Of St John's Church Showing Axe Marks, Malmsbury ca1980/90
Buildings - St John's Church -
Beechworth Honey Archive
Publication, Gum: the story of the eucalypts and their champions (Hay, A.), Sydney, 2002
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Beechworth Honey Archive
Publication, River Red Gum forests investigation: draft proposal paper for public comment (Victorian Environmental Assessment Council), East Melbourne, 2007
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Beechworth Honey Archive
Publication, Effects of logging on nectar-producing eucalypts: Spotted Gum and Grey Ironbark. (Law, B. & Chidel, M.). Canberra, 2007
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Creswick Campus Historical Collection - University of Melbourne
Ephemera, The Gum Tree. A journal devoted to the conservation, propogation and utilisation of Australian Trees, 1917 -1956
Various copies of the Journal of the Australian Forest League, Victorian Branch. Incomplete set. V.1 -18 1917 - 1940. NS V1 -V.14 mp 3 1941 - July 1956. stored in ex Herbarium box.Documents -
Swan Hill Regional Art Gallery
Print, CUMPSTON, Nici, Flooded Gum, 2016
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Gippsland Art Gallery
Print, Lindsay, Lionel, The Great Red Gum, 1922
Purchased, 2019Aquatint on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Photograph, THOMPSON, Christian Bumbarra, Australian Graffiti (Black Gum I), 2008
C-Type Print -
Kingston Arts
Painting, Judith Wills, Gum Blossom, 1981
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Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Manna Gum, Main Road, Eltham South, 8 Sep. 2021
This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Manna Gum, Main Road, Eltham South, 8 Sep. 2021
This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Manna Gum, Main Road, Eltham South, 8 Sep. 2021
This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Manna Gum, Main Road Bridge, Eltham South, 8 Sep. 2021
This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat. The original timber bridge over the Diamond Creek was built around 1840. It was destroyed by floodwaters in October 1923. A temporary bridge was rigged up but further damaged in April 1924. A new concrete bridge was built and opened in October 1926. The bridge decking was widened along with Main Road to Dalton Street by the Road Construction Authority in 1984., The uygraded bridge was opened in October 1984, 78 years after its original opening.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Manna Gum, Main Road Bridge, Eltham South, 8 Sep. 2021
This significant tree located near the Main Road Bridge and Diamond Creek Trail footbridge over the Diamond Creek at Eltham dates back to the early 1900s. The original timber bridge over the Diamond Creek was built around 1840. It was destroyed by floodwaters in October 1923. A temporary bridge was rigged up but further damaged in April 1924. A new concrete bridge was built and opened in October 1926. The bridge decking was widened along with Main Road to Dalton Street by the Road Construction Authority in 1984., The uygraded bridge was opened in October 1984, 78 years after its original opening.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree, diamond creek trail