This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is English and is number 117 in Leach's Sixpenny Knitting and Handcraft Series. It contains patterns for baby clothes.LEACH'S / MATINEE COATS / AND / BONNETS / IN KNITTING / & CROCHET / 6D. / DAINTY DESIGNS FOR THE MODERN BABY / LEACH'S SIXPENNY KNITTING & HANDCRAFT SERIES No. 117knitting handicrafts - history crochet, leach's publications ltd, knitting, handicrafts - history, crochet

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is part of a series and is called "The Lux Book 1937". It contains numerous knitting patterns.The / LUX / BOOK / KNITTING / FOR 1937knitting handicrafts - history crochet, lux, knitting, handicrafts - history, crochet

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Madame Weigel Pty Ltd contains patterns for tea cosies and egg cosies and other small knitted and crocheted novelties.SERIES No. 1. / COSIES / AFGHANS / Cushions / Wool / Novelties / Price / 6 1/2d. / MADAME WEIGEL / Pty. / Ltd. / FASHION DESIGNERS AND PUBLISHERSS / PAPER PATTERN MANUFACTURERS / 229-233 LENNOX ST. RICHMOND, VICknitting handicrafts - history crochet, madame weigel pty ltd, knitting, handicrafts - history, crochet

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is one of five issues of "Madame Weigel's Journal of Fashion" owned by Mrs Boyle's family.Fashion and craft magazine, paper cover printed in green and black with four drawings of jumpers/jackets and gloves being modelled. Contents include patterns for sewn, knitted and crocheted clothes, articles re: cooking, gardening, fashion and general interest, and a loose pattern in four pieces made from tissue paper.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII, No. 681. / NOV. 2, 1936. / TINY JACKET, IN KNITTING. /knitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is a monthly journal of fashion, craft and general interest published by Madame Weigel's Pty Ltd.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII., No. 682. / DEC. 1, 1936. / 57th. Year of Publication.knitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is a monthly journal of fashion and patterns produced by Madame Weigel's Pty Ltd in Melbourne.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII., No. 683. / JAN. 1, 1937. / 57th Year of Publication. /knitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is a journal of fashion and general interest that was produced monthly by Madame Weigel's Pty Ltd.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII., No. 684. / FEB. 1, 1937. / Free / Pattern / GIRL'S / Mknitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is a monthly journal of fashion published by Madame Weigel's Pty Ltd.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVIII., No. 686. / APRIL 1, 1937. / Illustrated at Right:- /knitting handicrafts - history fashion crochet, madame weigel pty ltd, knitting, handicrafts - history, fashion, crochet

From the Betty Jones collection. Doily would have been used during the 1900's as a decorative itemSmall round white hand-crocheted doily with white damask centre. Crochet is attached to centre with feather stitchdomestic items, ornaments / decorative

During 1930s ladies made their own clothes and accessories were a big feature of dresses. The collar was an important item and great pride was taken in hand work and crochet was on of the skills of that era.White cotton hand made hairpin crochet collar. Collar is made of seventeen daisy pattern sewn to form a semi-circle. Each daisy is crochet into a daisy wheel pattern.costume accessories, collar accessories, handcrafts, crocheting or crochet work

Hand crocheted with crystal beadsdomestic items, food storage & preservation, handcrafts, crocheting or crochet work

Hand crochet and decorated with blue glass beads with one in centre.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Fine cotton, hand crochet milk jug cover.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Item donated anonymously to a teacher of the Australian Lace Guild. The lady who was about 80 years old said the lace originally belonged to her aunt who worked in a dressmakers in Flinders Lane in the 1930s where she acquired the pieces of lace.Cream square tablecloth edged in hand made tape lace with hand crocheted edge. Centre fabric has been replaced with fine organza and lace has been attached by hand. Design is flowers around centre and leaves around the outside.handcrafts, lacemaking

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Hand-made crocheted or lace reticule with a long cord and a flap opening. The bag is lined with cream voile. It relies on different kinds of stitching for its decorative effects as well as rosettes and round pom-poms.fashion accessories, clothing accessories, women's clothing -- accessories, bags -- handbags, bags -- reticules, bags -- purses

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing

One of a group of items including lace and crochet collars and pelerines, a jabot, a chid's dress and a wedding dress donated by KHS member, Kathryn (Kate) Gwynne Reeve (nee Marx) that belonged to members of her family. Tape lace is either a hand made (with a bobbin) or a machine woven tape. The tape is folded into the required design and then fixed and embellished with connecting lace or embroidery stitches of various kinds.Tape lace collar. L 17 cm / W 39 cm / Circumference 98 cmaccessories, tape lace, lace collars

This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover

This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing

This bonnet was made to be worn by Patricia Kathleen Grant. She was born in1925, the daughter of Dr Frank John Audas Grant and Kathleen Josephine Dixon. Dr Frank Grant gave many years of service to the Wodonga community both as its doctor and on several community organisations and committees. He was born in South Yarra, Victoria in 1897 and after finishing school he began Medical Studies at Melbourne University. In 1915 he enlisted in the Australian Army and was assigned to the Hospital Transport Corps and later with the 8th Field Artillery Brigade aboard HMAT Medic. He was wounded in action with gunshot wounds to the arm and back. After time in hospital in England, Frank was returned to Melbourne where he was discharged as medically unfit on 24th October 1917. During World War II Dr Frank Grant served as an Honorary Captain in the Australian Army Medical Corps. His records show that he was accidentally “Mustard Gassed” at Bandiana. Dr Frank Grant commenced practice in Wodonga in 1923, entering into a partnership with Dr Rudolph Schlink. This marked the beginning of a long career dedicated to the Wodonga community. By 11 August 1926 he held the role of Public Vaccinator with the Commission of Public Health in Wodonga. Apart from long years of dedication to health in Wodonga, Dr Grant also took on numerous roles within Wodonga. This included being a Commissioner of the Wodonga Waterworks Trust from 6 April 1932 until 29 July 1963. He was a strong advocate for the development of the Wodonga Base Hospital which opened in 1954. Doctor Grant passed away on 14 January 1964.This item is significant because it is representative of crocheted handcraftsA small hand crocheted baby's bonnet made of silk cotton thread and lined with silk. A silk ribbon is attached.crocheted items, dr frank grant, handcraft

An example of a pair of pillowcases from the early 1900s. The item is of significance socially as an example of decorative domestic objects in the early 1900s.Pair of pillowcases made from soft white cotton and machine stitched. Cotton ties are sewn into the back of each pillowcase. A combination of material and hand crocheted lace forms the edging of each pillowcase.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pillowcase, decorative lace edging, domestic object, pair of pillowcases, cotton, crochet lace, warrnambool, textile