Robert Lamb was connected with this company.Two receipt books relating to Lamb's Ballarat Knitting Co. Pty Ltd. The book has holes down the centre to enable a copy to be given to the customer. The 100 receipts in each book have been hand numbered. .1) One receipt used made out to the Ballarat Polo Crosse Club .2) All 24 used receipts in the book have been made out to Miss Oxlade, ballarat polo crosse club, lamb's knitting co, edwin rash, rash, robert lamb, lamb

Robert Lamb was associated with Lamb's Ballarat Knitting Co.Two exercise books with hand written dates, names and work undertaken for Lamb's Ballarat Knitting Co. The names include Chrissie, Phylis, Annie Haymes, Janie H., May B., Glady, May B., Meta F., J. Hogan, P. McBride, Lily Billman, O. Jolly, V. Bowen, ballarat, lamb, lamb's ballarat knitting co, rash, hogan, mcbride, haymes, jolly, bowen, billman

This baby’s bonnet is an example of the skills and craftwork of the women of the pioneer families in Moorabbin Shire A fine wool baby’s bonnet, hand -knitted with crocheted edges and hand sewn flowers at crown and around face edge. C1900 knitting, crochetwork, craftwork, clothing, pioneers, early settlers, moorabbin brighton bentleigh, embroidery

When celluloid was invented and first came to prominence in the 1870s, dolls were nearly all breakable and fragile--bisque and china dolls were easily shattered and papier mache and wax easily ruined. So doll companies started experimenting with celluloid to mould dolls. By the early 1900s, celluloid dolls were plentiful, since celluloid was easily moulded and generally inexpensive. Celluloid is one of the first synthetic plastics. It is a plastic created from wood products that includes cellulose nitrate and camphor. However Celluloid is flammable and deteriorates easily if exposed to moisture, and can be prone to cracking and yellowing with certain formulations. Celluloid dolls were produced as late as the 1950s, but the vast majority were produced from 1900 through the 1940s. The knitted outfit was made by an unrecorded home knitter probably as a present for a child. A very small celluloid doll dressed as a boy in fine hand -knitted hat, vest, jacket and pants.celluloid, dolls, knitting, wool, craftwork, moorabbin, bentleigh, cheltenham, toys

Baby Layette consisting of hand knitted woolen dress, coat, hat and bootees with satin ribbons that was worn in City of Moorabbin c1960. Women were accomplished knitters, craft workers and dressmakers as they cared for their families. Typical hand knitted woollen clothes for a baby c1960 in City of Moorabbin Baby Layette consisting of hand knitted cream woollen dress, coat, hat and bootees for baby 1956clothing, baby layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Women in the City of Moorabbin knitted, sewed and crocheted clothes for their babies as they established their families in the new settlements in Ormond, Bentleigh and Moorabbin that followed World War 11. Typical of a Baby Layette of hand knitted woollen dress, coat , hat, and bootees with satin ribbon worn in City of Moorabbin c 1960 Women were accomplished knitters, craft workers and dressmakers as they cared for their families Baby Layette consisting of cream woollen hand knitted dress, coat, hat and bootees with ribbon knitting, craftwork, baby clothes, baby layette, sharp valma, wool, city of moorabbin, ormond, bentleigh, moorabbin, post war settlers, world war 11 1939-40, baby boomers,

Child's cream silk dress with lace inserts and hand sewn flowers and press stud fasteners made from 'bits and pieces' in 1937 by the family of Mrs Valma Sharp . This child's cream silk dress was made in the austere time after the Depression 1930 - 34 and shows the practical ingenuity of a mother to make a pretty dress for her child from 'bits and pieces' of material c1937 a child's cream silk dress made from ' bits and pieces' ,hand sewn flowers, with lace, press studs clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Photo of Hanro Knitting Mills: On Cream card with 6cm border is a photo of the Hanro Knitting Mills building in Hargreaves Street Bendigo. Of brick construction with doors either end. Four steps lead up to the doors and 10 windows along the front facing Hargreaves Street. A path with open gutters of blue stone block runs along the front of the building. Out from the path are three established trees on the nature strip. The view in the photo also shows part of the right hand side of the building. On the top written in black ink is *MP386*. Box 116ABartlett Bros., Bendigohanro, clothing, hanro knitting mill building, hanro knitting mill building. hargreaves street.

Hanro Bendigo Factory Print. On cream card printed in brown ink is a pencil drawing of the factory front in Hargreaves Street. Single story with *Hanro Austral, Bendigo Knitting Mills Pty Ltd* on the face. Two doors either end with a man standing in the right hand door . 11 windows facing Hargreaves Street. The picture has a car of the day, two people walking along the path and a lady in the foreground. Trees either side. Underneath the Print is Proposed New Mills In Bendigo, William Bockli. C.E. Melbourne. On the back is a blue stamp with *Reproduced by Commercial Copying Company, Temple Court, 422 Collins Street Melbourne. Phones: P2373, P2381 and at 8A Castlereagh St., Sydney Box 116AProduced by: Commercial Copying Company Temple Court, 422 Collins Street Melbourne. Phones F2373, F2381 and at 8a Castlereagh Street, Sydneyhanro, clothing, hanro knitting mill building, hanro knitting mills. hargreaves street. william bockli.c.e. melbourne

Hand written list on names on Hanro (Aust) knitting mills ltd paper. Names include: L. Ansett, E. Bryan, L. O'Mara, R Gibbs, G. Thompson, M. Boyle, G. Donaldson, E. Thompson, J. Onico, R. Pell, F. Arthur, R. Miles, M. Glenn, M. Robertson, B. Kelly, F. Moroni, H. McCaig, W. Leed, T. Cahillhanro, clothing, stationary

One hand written and four typed copies of notes on the Garden Gully United Mine and a spare last typed page. Notes include depth of shafts, locality, early history,plant, leading mine, gold production, references on typed copies. One typed copy, with Typed at Mines Dep't written at the top has a number of corrections/inclusions and a hand drawn locality map attached to the back.mine, gold, garden gully united mine, garden gully united mine, garden gully line of reef, paddy's gully line, economic now crestknit knitting mills, roberts & sons, ladam's reef, tribute companies, possum shaft, rainbow shaft, gold production, leading mine, pandora reef, rosalind park, dr h l atkinson, i e dyason, w hunter, g lansell, e mueller, bendigo amalgamated company, bendigo city council, w h taylor, mines dept booklet 'bendigo goldfields' geo brown 1936, annals of bendigo 1873 & 1874, annals of bendigo dividend records from 1873 to 1935, a richardson, bendigo minicipal library booklet 'healthy golden bendigo'

Black and white photograph of a young man, operating/adjusting a knitting machine. This is a close up shot and only the young mans head and hands are visible. Six threads are visible coming into the machinecottage, miners

Event, Bendigo Y.M.C.A., Y's Workbox, Display & Demonstration of Hand Crafts, at The Y.M.C.A. Stadium, Mundy Street, Bendigo, Sunday October 27, 1985, 10am - 5pm. Admission: Adults $2.00 , Children 50c, Devonshire Teas $1.20. Crafts include: Plate Decorations, Wood Carving, Tatting, Bonsai, Filet Crochet, Patchwork, Jigsaws, Model Ships in Bottles, Knitting from Fleece, Soft Toys, Silversmithing, Christmas Decorations, Floral Art, Wood Turning, Pickled People, Padded Baskets, Machine Embroidery, Applique, Knitting, Overlocking, Latchhook Rugs, Make-Up (TV & Films), Bobbin Lace, Printing, Golden North Centre.event, exhibition, bendigo y.m.c.a.

Un-issued Hanro [Australia] Knitting Mills Limited 100 share scrip No 1661. Authorised Capital £400,000 divided into 15,000 cumulative preference shares £1 each, 178,332 ordinary shares of £1 and 206,668 unclassified shares of £1. Registered Office 163-175 Hargreaves Street Bendigo. Miss Parry hand written on reverse.bendigo, industry, knitting mill, hanro knitting mills {australia]

Eight Art Union tickets raising money for 'Children's Hospital Bazaar. Hand stamped Childrens hospital Bazaar in circle with 1900 date. Entry ticket costing one shilling to Fete & Art Union held at Exhibition Building Melbourne. Reverse Wertheim's advertising. Sewing Machines, Mangles and Knitting Machines, pianos, Electra Cycles. Illustration of 'The Gnome' trademark. Head Office. 173 William St Melbourne.Numbered 30272 to 30281Troedel & Co Printorganization, institution, hospital, hospital fund raising

Made by internee, Rosa Rubitschung, at Internment Camp 3, Tatura.Handknitted woollen black dress , with belt. black shank buttons & white material collar. Plain knitting with full length centre panel which is patterned.rosa rubitschung, ladies dresses, internment camp hand crafts

Made by Inge Cammans in 1998 initially to see if she could create an outfit made entirely of wool. The outfit was then entered in the National Wool Awards competition in 1999 and won first prize.Hand knitted cream and brown outfit consisting of a skirt (kilt), jumper, hat (beret), scarf, socks and bag. Outfit is made using hand spun wool from local East Gippsland area, Perendale and Mohair. An artist tag and rosette award accompany the outfit.tag [front]: [handwritten] SCOTTISH OUTFIT / DESIGNED HAND- / SPUN + KNITTED OUT / OF PERRIDALE + / MOHAIR BY / Inge Cammans / [printed] BUCHAN / BLACK MARBLE HUT / GALLERY / Main Street, Box 9, / Buchan, Vic. 3885 / (051) 55 9296 / AUSTRALIA tag [back]: Theo Cammans / is an exceptionally talented individual. / He is responsible for not only / the beautiful paintings and / woodwork throughout the / shop, but also fashions the / unique Buchan Marble / into many varied and / stunning designs. / Inge Cammans / using her own hand spun / wool she has made multi / award winning garments / and wall hangings. / Each item in unique and / renowned world wide / She has taken first prize at - / National Wool Awards, / Melbourne, Lakes, Bairnsdale, Omeo / Paris Exhibitor front [rosette]: OMEO & DIST. A.&P. SOCIETY / WOOL DESIGN AWARDS / 1stknitting handicrafts, cammans, mr theo, knitting, handicrafts, east gippsland

The scarf in the photograph was made by participants of the Children of the World Longest Hand Knitted Scarf project.knitting

The scarf in the photograph was made by participants of the Children of the World Longest Hand Knitted Scarf project coordinated by the Lara Primary School.knitting

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party", designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmingsagricultural shows handicrafts textile art knitting weaving, geelong handweavers and spinners guild inc., spinning - hand, felting, weaving, ingeme, mrs val inglis, jean - geelong handweavers and spinners guild inc. rickards, anneli - geelong handweavers and spinners guild inc. donnan, mary - geelong handweavers and spinners guild inc., melbourne, victoria, agricultural shows, handicrafts, textile art, knitting

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

This book was produced by the Lincoln Mills in Coburg, Victoria. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.LINCOLN / Hand Knit / STYLE LEADERS / for / Milady / BOOK No. 145 / 6D. / LINCOLN / Model No. L1008handicrafts - history knitting, lincoln mills (australia) limited, handicrafts - history, knitting

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by the magazine "Womans World" and contains patterns for baby clothes.BABY'S wardrobe / EVERYTHING THE NEW BABY NEEDS / 6D. / LAYETTE / Approved by / Infant Welfare Dept. / (see page 4) / 33 / KNITTEDS / LAYETTES / SHAWLS / PRAM COVERS / FROCKS, Etc. / PUBLISHED / BY / WOMAN'S WORLDknitting handicrafts - history, victoria; department of public health (infant welfare department) woman's world, knitting, handicrafts - history

This card and a number of other knitting books were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War.THE / Lili / KNITTING & CROCHET CARDS / HAND / BAG / SIZE / A MODERNISED CARD SYSTEM FOR / CONVENIENCE. A BIG IMPROVEMENT ON / THE 'PAGE TORN FROM A BOOK' METHOD / DESIGN NO / 39 / PRICE / 4d. / PUBLISHED BY / DEMARET & CO. / 28-30 DERBY ST / COLLINGWOODknitting handicrafts - history, knitting, handicrafts - history