Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour

Watercolour painting done by internee Baron von Brandenstein whilst an internee in Camp 1 Tatura.small water colour painting of gum trees, blue sky and white clouds in light coloured timber frame with glass.on back: painted by Baron von Brandenstein 1945 in Tatura German Internment Camp. Signed on front left bottom - CB 1945baron von brandenstein, camp 1 art work, watercolour painting, ww2 internee art work

Designed by Dunera internee, Teltscher, and printed by Riverine grazier at Hay internment campFacsmilie. Encapsulated/laminated bank note to the value of six pence, with blue colour design(s) on white background with black printing. Features emblem of kangaroo, emu and merino ram above banner of the words "Camp seven bank". Display in plastic stand frameC41937, Printed on back of bank note "This note is valid only within the boundaries of Camp 7 Internment Camp Hay" "The bank is under no obligation to honour this note if presented by holder outside the Camp".tatura, numismatics, notes

Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour Painting of Tatura Internment Camp 4 tree plantation with approaching dust storm.Tatura No 4 Camp (Victoria), Dust Storm 8th Dec 41tatura, dunera, internee camps, illustrations, watercolour

Plan drawn from documents and memory by former internees Helmut Ruff and Manfred Haering. Sketch plan of Camp 3 Tatura layout as in 1945. Camp contained members of Palestine, Singapore/Straits Settlement & New Guinea Groups.Copy of black ink and coloured A3 plan mounted on hardboard showing layout of buildings and perimeter fencing of camp 3 Tatura. Original hand drawn.palestine group, singapore group, new guinea group, helmut ruff, manfred haering, camp 3 layout

The orchestra consisted of German male civilians interned as "Enemy Aliens" during World War 2. Those interned in 1941 were former Australian residents and New Guinea missionaries.The program indicates the caring attitude of the Australian authorities in permitting the acquisition of musical instruments, and the encouragement offered to the internees in order to produce the concert. Original single page paper program with printed list of orchestral items to be performed by the camp orchestra,19th.and 20th. July 1941, in Internment Camp 1, Tatura. Also lists the names of the members of the orchestra and their instruments.Nil.

During the construction of the Kiewa Hydro Electric Scheme at Bogong Junction camps of tents were built from 1935. These were replaced by houses for the workers in 1940 when the Bogong township was built.The SECV constructed the Bogong township to house workers on the Kiewa Hydro Electric SchemeA plastic Folder with a black spiral spine and black back cover. 3 pages typed on one side naming and describing the camps at Bogong Junction in the 1930s.miners camp, staff camp, reservoir camp, bogong township, lewis construction camp, albion quarry camp

Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of barracks and perimeter fencing in Tatura Internment Camp 2. The evening sky is blue with a full moon. Lights are on in the barracks.Leonhard Adam. Camp 2 Victoria, Australien, 18.iii.42tatura, dunera, internee camps, illustrations, watecolour

Made by POW at Dhurringile Internment Camp, Tatura.Green painted plaster cast wall hanging of Dhurringile (mansion) Internment Camp Tatura. Shows the mansion, a hand to the left and trees on right. wording on bottom.Kdhurringile, plaque, pow

3 ply wood cut into the shape of a luggage label with a hole for cord. One side has German address, the other side an internment camp address - Tatura.PWGM 36583 Internment & PW Camp Tatura Vic Aust. 11 Gunter Knop LongeoogerslatzsI 23 in a circle. Bremen 8 Germany Brit Zoneluggage label, travel, camp, internee, handmade

Compiled from articles submitted by member societies of the Association [regional] Historical Societies. A collection of stories about holidays, camping, picnics, sporting carnivals and more. How people enjoyed their leisure time n the early 1900's. Empire Day train services to Surrey Hills 24th May 1907 by Jack McLean is of particular local interest on page 23.A collection of stories about holidays, camping, picnics, sporting carnivals and more. How people enjoyed their leisure time n the early 1900's. Empire Day train services to Surrey Hills 24th May 1907 by Jack McLean is of particular local interest on page 23.scouts, doncaster, empire day, surrey hills, 1907, (mr) jack mclean, trains, box hill, sports and recreations

The American fleet camps at Warburton Negative Black white Scanned at 600 dpi

Image of a Charles Conder painting on front of soft covered book titled The Artists' Camps: Plein Air Painting In Melbourne 1885-1898. FOREWORD by Margaret Plant - Department of Visual Arts, Monash University. The paintings of the 'Heidelberg school" are the best loved group of works in Australian art. The affection is linked in the national mind with a recognition that the authentic Australian landscape had been discovered and colonial bonds broken. The painting activity of the 1880s and 1890s was by no means confined to Heidelberg. Helen Topliss painstakingly presents the variety of sites around Melbourne, in the bush and on the coast, reconstructing their original character and the history of their accessibility. The major figures are well known — Roberts, McCubbin, Streeton and Conder — but there were a number of 'minor' artists associated with the various painting spots that have been too long neglected. A research programme is here initiated in the hope that some of these figures might be more fully returned to us. The restoration of the sites provokes a more extensive roll-call of artists involved in the plein air phenomenon. Various expressions of nationalism in the late nineteenth century have been accorded attention: the painters contributed in varying degrees. But it is, finally, the quality of the painting, the freshness, the particularity of nuance, the calculated aesthetic angles that have governed response and inspired affection. The elegant relaxation themes of many of the paintings have in fact been overlooked in the intellectualization of the quest for 'national identity'. The orchards and the beaches, the ladies promenading a la mode on the beach at Mentone or in the grasses of Box Hill are as important to our artistic tradition and social history as the shearers of rams.

There were 7 camps in the area during World War II which held about 4,000-8,000 people at any one time. 3 camps housed Prisoners Of War who were enemy servicemen captured in various theatres of war around the world and transported to Australia for the duration of the war. The remaining 4 camps held Internees who were civilians living in Australia or other Allied territories and countries at the outbreak of war and were deemed to be a security risk because of their nationality. The camps were situated in the Goulburn Valley as food was plentiful here and there was a good supply of water from the Waranga Basin.A coloured sketch showing all the compounds at Tatura War and Internment Camp.internment, ww2, world war two, tatura, goulburn valley, war camps, prisoner of war, prisoner of war camps

Painting of Camp 3 showing the layout of the compounds and fences. Done by internee (not sure) with initial J A K.Photograph of a painting of the layout of huts, fences, compounds of Camp 3. Sky and trees in background. Photograph has been laminated.J A K bottom right corner On back sticker: "Bird's eye view of Internment camp 3 J A K"camp 3 compound