Showing 197 items
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Flagstaff Hill Maritime Museum and Village
Functional object - Weight, Jabez & John Whitehouse Phoenix Foundry, Mid 19th to early 20th century
This cast iron weight was made in England by Jabez and John Whitehouse ironfounders of Tipton and who founded the company in 1848. J. Whitehouse owned and operated the Phoenix Foundry, in Castle Street, Tipton, Staffordshire, England. The Whitehouse family at the Phoenix Foundry produced cast-iron goods including this weight from the mid 1800s until the early 1900s. John Whitehouse died in 1893.An item made by one of the many ironfounders that operated foundries in the West Midlands of England giving a snapshot into the history of making cast iron objects at a time before plastics and other modern materials when most utilitarian items were made of cast iron by ironfounders.Weight, metal, 14 pound or 1 stone weight with a lifting handle. Three round indentations underneath."Whitehouse" inscribed at one end, "14" at the other flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, weight, stone weight, weights and measures, j & j whitehouse, phoenix foundry, tipton uk, cast iron weight -
Flagstaff Hill Maritime Museum and Village
Domestic object - Knife
From the early days of our race, the knife represented one of the first and most important tools that enabled rise of our technology, military, culture, science and all other things that brought us to this point of modern civilisation. As a vital tool for survival, combat, construction and food preparation, the knife quickly became the most basic tool from which all others were born. In those ancient times, 500,000 years ago, sharpened stones started slowly evolving, becoming more and more like their modern counterpart. Before the time when fire enabled the melting of the various metals, and forging them into modern knives, their stone counterparts received several visual upgrades. Double bladed knives were most popular, and their wooden or stone hilts were decorated with animal skins and feathers. Those knives represented a great deal of pride for the warriors and elders who owned them, and that tradition continued to be practised with the arrival of the Bronze Age. The appearance of metallurgy brought the ability to create knives from softer types of metal. Even though knives from bronze did not provide durability over longer periods of time [easily dulled, and susceptible to corrosion), their sharpness and slim designed proved to be superior to any stone knife tool. As the centuries went on, iron and then steel became commonplace across the entire world. Knives created from those materials were much more durable and easier to maintain their sharpness after prolonged use. During medieval times in Europe, steel metallurgy managed to evolve knives from small single or double-bladed edges to larger sizes - swords, spears and axes. Even with all those advancements, the use of knives as an eating utensil continued to be used in some small circles. Even as early as the 15th century, wealthy circles of people started carrying personal knives, intended for double use - both eating and defending against threats. During those times the host were not obliged to provide their guest with any kind of eating utensil in addition to plates, so wealthy males used their eating knives for cutting their own meals, and the meals of nearby female guests. Slim double-bladed knives were good for cutting and piercing foods. As the use of forks became widespread in the whole of Europe by the late 17th century, most people used this kind of small knife on a regular basis (a combination of two knives, one for stabilising and other for cutting the meal). http://www.eatingutensils.net/history-of-cutlery/knife-history/The knife is one of the most important items that has enabled the development of civilisation over thousands of years.Carving knife with wooden handle and rusted slender metal blade.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, knife, kitchen equipment, dining -
Flagstaff Hill Maritime Museum and Village
Domestic object - Clothes Iron, last quarter of the 19th century
Blacksmiths started forging simple flat irons in the late Middle Ages. Plain metal irons were heated by a fire or on a stove. Some were made of stone. Earthenware and terracotta were also used, from the Middle East to France and the Netherlands. Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. This stayed cool while the metal bases were heated and the idea was widely imitated. Cool handles stayed even cooler in "asbestos sad irons". The sad in sad iron (or sadiron) is an old word for solid, and in some contexts this name suggests something bigger and heavier than a flat iron. Goose or tailor's goose was another iron name, and this came from the goose-neck curve in some handles. In Scotland people spoke of gusing (goosing) irons. At least two irons were needed on the go together for an effective system, one would be in use, and the other re-heating. Large households with servants had a special ironing-stove for this purpose. Some were fitted with slots for several irons, and a water-jug on top.An early domestic object that gives an insight into how the ironing of clothes was done before the electric type irons we use and take for granted today.Clothes Iron, wedge shaped, cast iron painted black with cylindrical handle small funnel through centre of handle.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, iron, flat iron, laundry equipment, sad iron, domestic object -
Flagstaff Hill Maritime Museum and Village
Domestic object - Flat Iron, 1890-1935
Blacksmiths started forging simple flat irons in the late Middle Ages. Plain metal irons were heated by a fire or on a stove. Some were made of stone. Earthenware and terracotta were also used, from the Middle East to France and the Netherlands. Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. This stayed cool while the metal bases were heated and the idea was widely imitated. Cool handles stayed even cooler in "asbestos sad irons". The sad in sad iron (or sadiron) is an old word for solid, and in some contexts this name suggests something bigger and heavier than a flat iron. Goose or tailor's goose was another iron name, and this came from the goose-neck curve in some handles. In Scotland people spoke of gusing (goosing) irons. At least two irons were needed on the go together for an effective system, one would be in use, and the other re-heating. Large households with servants had a special ironing-stove for this purpose. Some were fitted with slots for several irons, and a water-jug on top.An early domestic object that gives an insight into how the ironing of clothes was done before the electric type irons we use and take for granted today. Flat iron cast iron with traces of original black finish on handle. Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, iron, flat iron, laundry, clothes ironing, sad iron, tailors goose -
Kiewa Valley Historical Society
Photograph - Building of Myrtleford Ski Club
Myrtleford Ski Club is a non-commercial, family friendly club. It was one of the earliest lodges to be built at Falls Creek and was one of the earliest ski clubs formed and celebrated its 75th anniversary in 2013. In 1949, Myrtleford Ski Club obtained permission for occupancy and began planning the MSC Lodge. There were only three other huts on the mountain, Bogong Ski Club in an old Army hut, Skyline as the Ski Club of Victoria lodge and the Albury Ski Club lodge. The lodge was built mostly from donated materials. The basement was dug out and lined with stone from the Ruined Castle area, timber was cut (using cross-saws) from the Walpole properties and was milled then carted up to Falls Creek on either the Walpole or Calvert trucks. The iron on the roof was originally a tobacco kiln on Billy McNamara's property. The lodge has undergone many improvements over the years including a second storey added in the 1950’s, updating of accommodation, shower and toilet facilities to meet the changing needs of members. The lodge now caters for 38 people in a variety of shared rooms from two to eight beds per room. Toilet and shower facilities are also shared. The club has a Lodge Managers for the winter season. Myrtleford Ski Lodge was one of the earliest ski lodges built in the Falls Creek area in 1938. It is an excellent example of early sporting and community activities in the Upper Kiewa Valley area. Photograph shows family members, including women, involved in the construction.Sepia photograph of the building of the Myrtleford Ski Club about 1948Handwritten on the back of photograph in black pen - Building Myrtleford Ski Club (about 1948) Stamped on back of photograph - 6 2511myrtleford ski club, skiing, snow sports, victorian alps, falls creek -
Cheese World Museum
DVD, On our selection: the women's story
This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery' -
The Beechworth Burke Museum
Geological specimen - Basalt, Unknown
Basalt is a common igneous rock that composes most of the Earth's surface and can be found on the Moon and other rocky planets of the Solar System. It is generally composed minerals such as calcic plagioclase, clinopyroxene and iron ore which form grains that are indistinguishable to the naked eye. It can be dark grey or black in colouring and sometimes may contain holes left by gas bubbles. Most of the Earth's basalt was produced in environments such as oceanic divergent boundaries, oceanic hotspots, and mantle plumes and hotspots beneath continents. Basalt is commonly used in construction where it is crushed and used for multiple purposes such as concrete aggregate, road base, or railroad ballast. Thin slabs of basalt can also be cut and used for floor tiles, stone monuments, and building veneer. This particular specimen was excavated from Talbot in Victoria, which was a small gold mining town established in 1852. As basalt is a common rock, it is not specific to Talbot. However, this specimen can be assumed to be of the Cainozoic age due to previous geomorphic surveys of the area. This particular type of Basalt was used mainly for roads due to the durability of the rock.Basalt holds significance due to the continued use of the rock from historic until present times. The rock has been utilised for many types of construction and is still used for the same purposes today. Basalt also has significance to the Earth and other rocky planets of the Solar System as it makes up most of the planet's surface. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A smaller than hand sized rock specimen which is dark grey in colour with small holes and white deposits across its surface.Geological survey / [illegible] /burke museum, beechworth, geological specimen, geology, basalt, basalt specemin, indigo shire, talbot, cainozoic, igneous rock -
The Beechworth Burke Museum
Geological specimen - Slate (Metamorphic), Unknown
This particular specimen was found in the Moorabool Slate quarries in Victoria. The Moorabool Slate quarries was established in the 1860’s by a company of Welshmen with a crew of six who purchased land by the riverside to mine for slate. Under the promise of adding to existing recourses the crew mined the slate which was used for paving and roofing. Slate is a fine-grained, low-grade metamorphic rock that is formed by the transformation of mudstone, shale or sometimes volcanic ash under low pressure and temperatures. It dark colour is due to carbonaceous material or to finely divided iron sulphide. It is believed that Evan Rowlands and Theophilus Williams of Ballarat were the first to discover the slate veins. Slate is a one of the most common natural stones in general use. Being used as paving, flooring, roofing and more. However, its history of being mined in Australia is not common as it is considered that the best places to mine slate is Spain and parts of the United Kingdom. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A somewhat rectangular foliated metamorphic rock composed of quartz, sericite and minerals from the chlorite group that make up the compounds of slate. The rock is dark grey almost black.Geological survey / R S / Loc Moorabool /Slate quarries / 1/4 sheet | 78 | Roofing Slate /burke museum, beechworth, geological, slate, metamorphic, slate (metamorphic), geological specimen, slate specimen, indigo shire -
The Beechworth Burke Museum
Geological specimen - Ropy Lava
‘Ropy lava’ is known for its sculptural and layered qualities. It occurs in specific lava flows that are slow moving and slow cooling, allowing for unique formations to be created out of the motion. Ropy Lava is a flow that has a hardened crust with molten material underneath, the tension between these states is what creates its characteristic form. The brown/red hue of the stone is an indication of age, as it is oxidised iron deposits. This rock deposit is thought to be sourced from the area by Talbot, in western Victoria. This area has a rich mineral history and experienced the gold rush in the 1850's. The traditional owners of this area are the Dja Dja Wurrung people.This geological specimen shows the conditions in which the Australian landscape was created as well as provides an indication as to how these events occurred. It is representative of a common natural process that contextualises the formation of Australia with the formation of other landmasses. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Hand sized specimen in brown/red hues42 / victoria, talbot, lava, ropy, ropy lava, mineral, geological specimen, geological, geological heritage, natural stone, natural history -
Warrnambool and District Historical Society Inc.
Building Marerial, Slate & Nails, mid 19th century
These slates and nails were recovered from the roof of Christ Church, Warrnambool when the slates were replaced recently. The foundations of the Anglican Christ Church in Warrnambool were laid in 1855 in Henna Street. The south nave was completed in 1857, a porch was added in 1859 and in 1862 the north nave was completed. The chancel was erected in 1877 and the tower completed in 1882. The church is a stone building. The Hammond Centre for community functions was added in the early 21st century. These items are of interest as they demonstrate the type of building materials used in the 19th century. They are also of interest as they come from a prominent building in Warrnambool, the Anglican Christ Church.These are three irregular-shaped pieces of grey slate and seven iron nails from the slate roof of Christ Church, Warrnambool. The nails have a round head and are slightly rusted. christ church warrnambool, history of warrnambool -
Tatura Irrigation & Wartime Camps Museum
Photograph - Army Hut
Army Hut that was used at the Tatura Racecourse after the war. The gumtree plantation was plated by Tatura Primary School students.Long Grey corrugated iron hut with corrugated iron roof. Six wood framed windows painted white and one black framed possibly aluminium window in centre of the hut. Four wooden doors with stone steps. A row of gumtree behind the hut. Lawn and gravel road around the hut.racecourse, hut, army, war, tatura primary school, plantation -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Memorial
Memorial erected at Murchison Camp 13 for the crew of the German Auxiliary Cruiser Kormoran who lost their lives in battle with HMAS Sydney. Erected by survivors.HistoricColour photograph of the Kormoran memorial, made from stone. The memorial is a rectangular block with a smaller block on top. On the top block, on the front, is an German iron cross. One the front of the bigger block is a plaque with German writing "Unferen gefallenen Kameraden". Blocks sit on a plymth of stone. White gravel surrounds three sides with a path leading up to it. Monument has posts surrounding it with wire in between. Backdrop is trees. "Unferen gefallenen Kameraden" murchison camp 12, kormoran, german auxiliary cruiser kormoran, kormoran deceased, kormoran survivors, kormoran memorial -
Stawell Historical Society Inc
Photograph, Log Cabin c 1930's with Iron roof
... with a lattice porch way, stone chimney's and iron roof. On the iron roof... porch way, stone chimney's and iron roof. On the iron roof ...Log Cabin built by Mr. J. Wharrie c 1930’s. Originally the Log cabin had a bark roof. The roof was replaced with iron. The home is located in Darlington Road Stawell. The Wharrie family lived in the cabin for many years during the 1940's and owned a doll factory. Black & white photograph depicting a home built of logs with a lattice porch way, stone chimney's and iron roof. On the iron roof is a weather vane decorated on top by a carriage and 2 horses. The house is set in a garden with a stone fence in the foreground. There are 2 black & white prints one an enlargement of the smaller photograph.stawell dwelling -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
... stone and wrought iron (open) gate/ entrance to Pugh's artist... and white lithograph on paper depicting the elaborate stone ...Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
... stone and wrought iron (open) gate/ entrance to Pugh's artist... on paper depicting the elaborate stone and wrought iron (open) gate ...Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Memorial, 1941
Camp 13 memorial to Kormoran crew.Black and white photograph of the memorial at Camp 13. The German iron cross atop Waranga Basin stone. Built by German POW's. Kormoran memorial.camp 13, kormoran crew memorial -
Puffing Billy Railway
grinding wheel, Blacksmith
... of stone and wrought iron... Museum volunteers Wheel made of stone and wrought iron ...Blacksmith grinding wheel - stone is original but stand has been made by Puffing Billy Museum volunteers stand scrapped - damaged - Feb 2018Historic -Industrial Tool - Grinding wheel Blacksmith grinding wheel - stone is original but stand has been made by Puffing Billy Museum volunteers Wheel made of stone and wrought ironblacksmith grinding wheel, puffing billy -
Stawell Historical Society Inc
Photograph, Heatherlie Quarry with Geoff Sudholz standing in doorway of the stone building -- Coloured
... of a stone building with an iron roof in a bushland setting. Building... of GeoffSudholtz standing in a doorway of a stone building with an iron ...Heatherlie Quarry colour photo of stone building. Geoff Sudholz standing in doorway.Coloured Photograph of GeoffSudholtz standing in a doorway of a stone building with an iron roof in a bushland setting. Building is at Heatherlie Quarrystawell grampians industry -
Puffing Billy Railway
Blackstone Oil Engine, 6 November 1908
8HP Blackstone Lamps Start Oil Engine engine number 71076 Engine Details Maximum operating RPM of 240. Fitted with a 3'9" Flywheel Tested on the 6th of November 1908. Shipped to Cluter buck South Australia for installation on concrete base. Recovered and restored during the 80's in South Australia Purchased privately in 2013 in Tailem Bend South Australia and transported to Victoria. Currently on loan to the Puffing Billy Museum at Menzies Creek as an operating exhibit. Blackstone & Co. was a farm implement maker at Stamford, Lincolnshire, United Kingdom. In 1896 they built lamp start oil engines. The Lamp or hot-bulb engine (also hotbulb or heavy-oil engine) is a type of internal combustion engine. It is an engine in which fuel is ignited by being brought into contact with a red-hot metal surface inside a bulb, followed by the introduction of air (oxygen) compressed into the hot-bulb chamber by the rising piston. There is some ignition when the fuel is introduced, but it quickly uses up the available oxygen in the bulb. Vigorous ignition takes place only when sufficient oxygen is supplied to the hot-bulb chamber on the compression stroke of the engine. Most hot-bulb engines were produced as one-cylinder, low-speed two-stroke crankcase scavenged units Historic - Industrial - single cylinder, horizontal, 4 stroke, hot-bulb ignition oil engine Blackstone 8HP Oil Engine made from steel, wrought iron and brassOval Plate with Black Stones and Clutter Buck Brass Plaque engine number 71076blackstone, oil engine, clutter buck, black stone, puffing billy, hit and miss, engine, blackstone & co -
Puffing Billy Railway
George and George multi tube under fired boiler, 1929
Boiler purchased by Malvern city council to supply steam to a stationary vertical engine that drove a stone crusher. Built by George and George Pty. Ltd., Melbourne in 1929, it is an external under-fired return-flue type 18 tube boiler capable of supplying steam at 100 pounds per square inch (600 kPa). This boiler can be occasionally seen in steam at the Museum supplying steam for the operation of stationary engines on display near by. Donated by Malvern City Council in 1969. Historic - Industrial Steam Boiler EquipmentSteel, Cast IronGeorge and George Pty Ltd, Melbourne 1929george and george, malvern, steam, boiler, stone crusher, puffing billy -
Puffing Billy Railway
V. R. Krupp 1888. IV. Rail, 1888
60lbs rail that was used throughout the Victorian rail network. In 1887 Gibbs, Bright and Co. had a contract with Victorian Railways for railway and canal construction and supply of Krupp Rails. Gibbs, Bright and Co were merchant bankers and shipping agents and merchants who where also Directors of the GWR ( Great Western Railway ) and the Ship The "Great Britain" in England Gibbs, Bright and Company had principally been involved in shipping and trading, mainly in the West Indies, but following the discovery of gold in Victoria they established an office in Melbourne and soon became one of the leading shipping agents and merchants in the Colony. They expanded into passenger shipping and soon established offices in Brisbane, Sydney, Newcastle, Adelaide and Perth as well as launching passenger services between England, Mauritius and New Zealand. Gibbs, Bright also held a number of financial agencies from British mortgage, finance and investment companies as well as representing several British insurance companies in Australia. In addition they conducted a growing import business as well as an export business that included livestock, dairy produce, wool and flour. Also the company played a substantial part in the development of Australia's mineral resources, starting with lead in 1895, and later venturing into tin, gold, copper, cement and super phosphates. In Australia, after WWI, many of the larger companies were managing their own import and export so Gibbs, Bright and Company tended to focus its Agency business on smaller companies while expanding their interest into other markets such as timber, wire netting, zinc, stevedoring, road transport, marine salvage, gold mining as well as mechanical, structural, electrical and marine engineering. The Company's shipping interests continued to grow as well and still formed a major part of its business. In 1948 the parent company in England took the major step from tradition when they changed the business from a partnership into a private limited company. The name was the same, Antony Gibbs and Sons Limited, and in practice the effect of the change was very little. Some of the firm's branches and departments had already become limited companies and the formation of a parent company simplified the structure. The Australian operation was in time changed to Gibbs Bright & Co Pty Ltd in 1963. In 1848 Alfred Krupp becomes the sole proprietor of the company which from 1850 experiences its first major growth surge. In 1849 his equally talented brother Hermann (1814 - 1879) takes over the hardware factory Metallwarenfabrik in Berndorf near Vienna, which Krupp had established together with Alexander Schöller six years earlier. The factory manufactures cutlery in a rolling process developed by the brothers. Krupp's main products are machinery and machine components made of high-quality cast steel, especially equipment for the railroads, most notably the seamless wheel tire, and from 1859 to an increased extent artillery. To secure raw materials and feedstock for his production, Krupp acquires ore deposits, coal mines and iron works. On Alfred Krupp's death in 1887 the company employs 20,200 people. His great business success is based on the quality of the products, systematic measures to secure sales, the use of new cost-effective steel-making techniques, good organization within the company, and the cultivation of a loyal and highly qualified workforce among other things through an extensive company welfare system. From 1878 August Thyssen starts to get involved in processing the products manufactured by Thyssen & Co., including the fabrication of pipes for gas lines. In 1882 he starts rolling sheet at Styrum, for which two years later he sets up a galvanizing shop. The foundation stone for Maschinenfabrik Thyssen & Co. is laid in 1883 with the purchase of a neighboring mechanical engineering company. In 1891 August Thyssen takes the first step toward creating a vertical company at the Gewerkschaft Deutscher Kaiser coal mine in [Duisburg-]Hamborn, which he expands to an integrated iron and steelmaking plant on the River Rhine. Just before the First World War he starts to expand his group internationally (Netherlands, UK, France, Russia, Mediterranean region, Argentina). info from The company thyssenkrupp - History https://www.thyssenkrupp.com/en/company/history/the-founding-families/alfred-krupp.htmlHistoric - Victorian Railways - Track Rail - made by Krupp in 1888Section of VR Krupp 1888 Rail mounted on a piece of varnished wood. Rail made of ironpuffing billy, krupp, rail, victorian railways -
Hume City Civic Collection
Photograph, Late 1980's
'Dunhelen' is situated on the Mickleham Road at Greenvale. The rear of the homestead was constructed in the 1850's and the original owners were Richard and George Sinclair Brodie who emigrated from Scotland.A coloured photograph of part of a porchway of a house. The verandah roof is constructed from wooden beams and corrugated iron. The walls are bluestone with granite stone quions around the corners and window frames. The verandah was paved with stone pavers done in a diamond pattern.dunhelen, brodie, george sinclair, richard sinclair, george evans collection -
Hume City Civic Collection
Photograph
This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and its weatherboard and corrugated iron out building. A valley between two sections of the building suggests it has been built in stages. Three chimneys are visible and the cottage has three 12 paned sash windows with a doorway in the centre of the front. There is a cyclone wire fence and gate across the front and the garden is overgrown.stone structures, shingle roofs, george evans collection -
Hume City Civic Collection
Photograph, c late 1980s
The series of photographs show a number of sites included in the Rupertswood Estate. By 1851 William Clarke had acquired 31,375 acres of land in the Sunbury district. The foundation stone for Rupertswood Mansion was laid on 29th August 1874 by Mrs. W. J. Clarke, daughter-in-law of 'Big Bull'. The Salesian Fathers bought the Rupertswood property in June 1927 and established Salesian College.A coloured photograph of the bluestone and iron rail bridge over the Jacksons Creek on the Rupertswood Estate. One stone pylon at the top of the embankment and an iron pylon are visible along with the stone wall at the base of the embankment and part of the iron span. A post and wire fence is in the foreground.rupertswood estate, clarke, william j. t. 'big bull', salesian brothers, george evans collection -
Hume City Civic Collection
Photograph, late 1990s
The bridge constructed from bluestone, brick and iron over the Jacksons Creek at Sunbury is an important structure on the Melbourne-Echuca rail line. The foundation stone for the bridge was laid on 13 January 1859 and the bridge opened in July 1861. It is of state significance.A coloured photograph of the bluestone and iron railway bridge which is ove the Jacksons Creek. The bridge has 3 bluestone pylons and three iron pylons with 3 sections of the iron spans visible across the top.transport, bridges, rail transport, darbyshire, g. c., jacksons creek, george evans collection -
Hume City Civic Collection
Photograph, early 1990s
The Rupertswood Gatehouse, iron fence and gates are of state historical and architectural importance as they are probably the most distinctive structures of their type in Victoria.A coloured photograph of the Rupertswood Lodge, iron fence and gates. At the gateway there are double gates and two single gates on either side. The four gateposts are stone with a decorative finish on the top. The double gates are open so the roadway into the Rupertswood estate is visible.clarke, william john (sir), rupertswood gatehouse, salesian college, george evans collection -
Hume City Civic Collection
Photograph, St. Andrews Uniting Church gates, 8th September 2001
These are the original wrought iron gates which served as the entrance to St. Andrews Uniting Church, formerly St.Andrews Presbyterian Church. They were erected there in 1922 and were made at H.V.McKay's Sunshine Harvester foundry, at Sunshine. H.V McKay was a member of the Presbyterian Church in Sunbury. Originally the gates opened onto Stawell Street, which ran at an angle between O'Shanassy and Barkly Streets. Apart from a small area leading to the Memorial Hall the rest of Stawell Street has been incorporated in the Village Green in Sunbury.The gates were restored and erected on their original site in 2000. A scanned coloured photograph of white painted wrought iron double gates with two smaller gates on either side and supported by stone pillars. A church building is just beyond a grassed area.st. andrews church, st. andrew's uniting church, wrought iron gates -
Queen Victoria Women's Centre
Newspaper excerpt, The Sunday Age, Car Chaos fear at Queen Victoria Site: Lonsdale Street's Greek quarter feels threatened by development plans, 29 October 2000
... of blue-stone and cast-iron wall which was to be demolished... colour photo of blue-stone and cast-iron wall which ...Newspaper excerpt from The Sunday Age. Page 5 and a smaller introduction probably from the front page. Smaller excerpt colour photo of blue-stone and cast-iron wall which was to be demolished. Larger excerpt, a black and white aerial view of QVWC and the block where it is situated. building construction, building permits, historic building -
Surrey Hills Historical Society Collection
Photograph, 5 York Street, Mont Albert, May 1985 (1), 1985
This is the home of Ernest Augustus Young (1891-1985) and Ruby Nichell Whitby (1892-1984) and their son Ernest Lance Young. Lance was born 24 March 1915 in Surrey Hills; after he married Beryl Mair. Electoral roll for 1937 gives the house name as 'Whitby Lodge'. Ernest and Ruby also had twins Clive and James who died in infancy. Buried at Box Hill Cemetery - M-*-0867 (family plot) This is part of a large collection relating to the Mair, Deakin and Young families. REF: Memoir of Laurie Newton (nee Young) - Her grandfather bought the land and had the house built. She remembers it as having pressed ceilings in some rooms and ornate fireplaces and tiles and leadlight windows in some rooms and doors with leadlight panels. Her grandfather was a keen gardener with an ornamental front garden and many vegetables and fruit trees in the back yard. Her grandfather sold the adjoining block (No 3 York Street), which had been used for growing flowers and vegetables, to John and Edna Jean. Reid. She also remembered that he extended the house and divided it into 2 flats, renting out the northern side for 20 years. Sold by Jellis Craig on 24 December 2010 - With formal living, dining, 3 bedrooms, 2 bathrooms, garage/ample OSP. Land: 18.2m x 40.8m (60' x 134') approx. Large 2 storey house replaced the house.Colour photo of the street view of 5 York Street, Mont Albert. The house is Edwardian in style, constructed from weatherboard painted white with a red corrugated iron roof with simple finials. There is a small veranda with simple fretwork, lead-light feature windows to one, possibly two front rooms, one of which has a bay window. There is a garage set back at the side of the house with a concrete driveway on the south side of the house towards Mont Albert Road. The fence is low and constructed from roughly faced stone. The garden contains mature shrubs.In blue biro on rear: "1985 / POP'S" ; "5 YORK ST / E.A. YOUNG". Red photographic processing stamp "PROCESSED BY / KODAK / MAY 85M"ernest augustus young, ruby nichell whitby, ruby nichell young, ernest lance young, box hill cemetery, whitby lodge, house names, mont albert -
Surrey Hills Historical Society Collection
Photograph, 5 York Street, Mont Albert, November 1999 (1), 1999
This is the home of Ernest Augustus Young (1891-1985) and Ruby Nichell Whitby (1892-1984) and their son Ernest Lance Young. Lance was born 24 March 1915 in Surrey Hills; after he married Beryl Mair. Electoral roll for 1937 gives the house name as 'Whitby Lodge'. Ernest and Ruby also had twins Clive and James who died in infancy. Buried at Box Hill Cemetery - M-*-0867 (family plot) This is part of a large collection relating to the Mair, Deakin and Young families. REF: Memoir of Laurie Newton (nee Young) - Her grandfather bought the land and had the house built. She remembers it as having pressed ceilings in some rooms and ornate fireplaces and tiles and leadlight windows in some rooms and doors with leadlight panels. Her grandfather was a keen gardener with an ornamental front garden and many vegetables and fruit trees in the back yard. Her grandfather sold the adjoining block (No 3 York Street), which had been used for growing flowers and vegetables, to John and Edna Jean. Reid. She also remembered that he extended the house and divided it into 2 flats, renting out the northern side for 20 years. Sold by Jellis Craig on 24 December 2010 - With formal living, dining, 3 bedrooms, 2 bathrooms, garage/ample OSP. Land: 18.2m x 40.8m (60' x 134') approx. Large 2 storey house replaced the house. Adjacent house (No 7 York Street) has been renovated. This is part of a large collection relating to the Mair, Deakin and Young families. Colour photo of the street view of 5 York Street, Mont Albert. Taken from the verge, it is a good view of the front of the house. The house is weatherboard with a red corrugated iron roof with simple finials. It is Edwardian in style with simple chimneys in brick and stucco. There is a small veranda with simple fretwork on the southern corner of the house and a bay window to one of the front rooms. There are striped canvas blinds, which are down, on the windows of the 2 front rooms, above which are small lead light windows. The house is partly screened by a mature shrubs. The garden is set behind a fence low fence and constructed from dressed stone. In black permanent marker on rear: "5 YORK ST / NOV. 1999" ernest augustus young, ruby nichell whitby, ruby nichell young, ernest lance young, box hill cemetery, whitby lodge, house names, mont albert