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Federation University Historical Collection
Book, Mount Helen campus Development Plan 1970, 1970
Green and white soft covered booklet of 48 pages. SMB Crest is on the front cover. The content include the Mt Helen site, site planning, student residences, sporting facilities, roads and parking, pedestrian circulation, engineering services, and landscaping. Illustrations include: Plan of Mt Helen Site (July 1969, existing buildings, Functional relationship, Roads and Parking, Pedestrian Circulation, engineering Services, Landscaping, Development Plan, Plan of Academic area, Library and union Courtyards, Birds Eye View of Academic Area from north-west, etc. the master plan projects student numbers.non-fictionuniversity of ballarat, ballarat institute of advanced education, mount helen, master plan, landscape, harrison, vernon, great hall, geoff harrison, john vernon, m.b. john, contour map, student accomodation, landscaping, development plan, campus plan -
Federation University Historical Collection
Document, Samuel Huyghue, How 'The Camp' saw 'The Riot': The hitherto unpublished story of a Camp Official - Samuel Douglas Smyth Huyghue, 1884
Samuel Huyghue was a Camp official at Ballarat during the Eureka Stockade. He was Canadian by birth. The manuscript was written some years after the Eureka Stockade and gives person views of what happened on the goldfields at that time. Typed transcript of a manuscript held in the Mitchell Library, Sydney, and transcribed from the original by Paul O'Brien.samuel huyghue, eureka stockade, ballarat government camp, ballarat riots, james bentley, military, riot act, digger hunt, gilbert amos, robert nickle, 12th regiment, 40th regiment, john king, eureka flag, michael roney, joseph wall, william webb, felix boyle, george webster, timothy hayes, henry wise, peter lalor, john basson humffray, j.b. humffray -
Federation University Historical Collection
Book - Ledger, Ballarat Technical Art School and Ballarat School of Mines Rough Cash Book, 1896-1901
... . lloyd p. papenhager h.j. waller k. malcolm esther daniel john ...The Ballarat Technical Art School was a division of the Ballarat School of MinesA hard covered ledger with marbled cover and brown tape spine. It includes students names. A selection of names can be found in the keywords.ballarat technical art school, frank young, r. hager, g.w. kelly\drawing, carpentry, smelting, treatment, assay, w. wilson yong, treatment of pyrites, g.m. vare, alfred seely, t. trengrove, w. pearce, c.v. day, john heinz, m. ditchburn, d. ditchburn, w. baragwanath, g. cornell, chemistry, w. wardle, j.j. carroll, julia carroll, h. murphy, d.m. lenehan, joh caley, h. fleahy, alfred gordon, effie dulfer, b. lloyd, p. papenhager, h.j. waller, k. malcolm, esther daniel, john watson, harry leggo, r. john allan, basil reid, e. wasley, w. richard, edgar lamb, rita webb, sophia mccartney, arnold cowdell, thomas glover, m. hamburger, r. allan, r.w. holmes, a. dobbie, a. slade, w. pepper, r. gilpin, w.a. gossman, james a. bass, w.t. bass, thomas lynch, stanley batten, murial hart, essie herbert, david o. nightingale, george p. hayes, j.a. powell, w. amor, c.f. wilson, bertram g. wheal, thomas wade, h. woodward, v. symons, robert j. allan, thomas woolcock, john w. williams, r. shand, william caldwell, charles lyons, ruby webb, a. trehowan, nicholas white, thomas commons, otto rieglhuth, james kidd, james bass, justus angwin, john munro, james ronaldson, a.b. osborne, g.j. boudry, john sprague, leslie c. langsford, john don, waller e. hearman, j.c. pickford, edwinn penn, w.g. price, thomas mann, william brokenshire, john blayney, arthur mccooey, samuel walmsley, matilda lees, e.w. campbell, ernest wiliams, william john pearce, w.l. bailleu, thomas proctor, daisy ditchburn, maurice hamburger, james dando, nelson humphrey, james pyke, james c. pickford, john coad, george richard pratt, ferguson boyce, ernest whettle, william lamb, john cawley, christina watson, ivor davies, percy la gerche, norman gaunt, william bolte, leonard p. seal, alex young, george penny, w. caircross, harold frew, robert allan, james h. holst, george green, herbert semmens, john ronaldson, william robinson, james paterson, walter douglas, louisa roberts, james swenson, austin woods, herbert hillman, william cairncross, harry blyth, john craford, william h. callister, clare gartery, daisy batten, j. attenborough, herbert o'neilk, j.f. lynch, fred holst, a. doepel, horace giles, john perry, samuel morrow, thomas hawthorn, george britnall, alan j. acton, jessie cantwell, franci a. horsfall, william stubbs, john sutherland, percy russell, richard walsh, oliver jager, garfield bolton, thomas vincent, james holst, j.a. hill, william charles hughes, a. vale, james lonie, karl moore -
Federation University Historical Collection
Document, Ballarat Identities Research Notes
... Smith, Henry B. De La Poer Wall, William C. Weir, John Winter..., George Clendinning, John Hepburn, Elizabeth Hepburn, Smeaton ...A folder of notes relating to the Ballarat Biographies including Martha Clendinning, George Clendinning, John Hepburn, Elizabeth Hepburn, Smeaton Estate, William Bailey, Egerton Mine, Redmond Barry, Thomas Bath, Graham Berry, Francis Cane, Thomas Bury, Thomas Carpenter, Charles Gavan Duffy, Henry Dunnsford, Charles Dyte, Stanley Elder, Archibald Fisken, Alexander Greenfield, William Henderson, William Irwin, King Billy, Mullawullah, Kopke, Rod Lacey, Peter Lalor, John Dunmore Lang, George Long, Thomas Learmonth, Evan Rowlands, Robert Lewis, F.W. Niven, Ochiltree, Alexander Ocheltree, W.B, Ochiltree, Edward G. Ochiltree, Lal Lal Estate, Count O'Loughlin, Martin O'Loughlin, Isiah Pearce, John Permewan, Emanual Steinfeld, James Pinnock, A.J. Pittard, J. Deardem, Rochlitz, William Henry Shaw, William Collard Smith, Henry B. De La Poer Wall, William C. Weir, John Winter, Lauderdale housedianne campbell goldfields lawyers collection, martha clendinning, george clendinning, john hepburn, elizabeth hepburn, smeaton estate, william bailey, egerton mine, redmond barry, thomas bath, graham berry, francis cane, thomas bury, thomas carpenter, charles gavan duffy, henry dunnsford, charles dyte, stanley elder, archibald fisken, alexander greenfield, william henderson, william irwin, king billy, mullawullah, kopke, rod lacey, peter lalor, john dunmore lang, george long, thomas learmonth, evan rowlands, robert lewis, f.w. niven, ochiltree, alexander ocheltree, w.b, edward g. ochiltree, lal lal estate, count o'loughlin, martin o'loughlin, isiah pearce, john permewan, emanual steinfeld, james pinnock, a.j. pittard, j. deardem, rochlitz, william henry shaw, william collard smith, henry b. de la poer wall, william c. weir, john winter, lauderdale house -
Federation University Historical Collection
Film - Microfilm Rolls, Microfilm of the Ballarat School of Mines Minute Books, 1870- 1883, 12/2020
The Ballarat School of Mines was established in 1870, the first of its kind in Australasia. It later became a part of the University of Ballarat , then Federation University Australia.A roll of microfilm containing digitised images of each page of the first four Ballarat School of Mines Minute Books. 26 October 1870 ... The originl intention of the founders of the School - as per resolution of the Mining Bord was to hold the School at the Mechanics Institite Ballaarat and to have special rooms in that building set apart for this purpose. The reasons for this was that the Mechanics Institute had already rooms which could be used for these purposes and the pupils had easy access to the Libary and Museum belonging to that instituions, but after more mature consideration it was deemed advisabke to establish an indpependent institution and obtain a seperate buidling for the School. His Honor J.W. Rogers suggested that an effort should be made to obtain from the Government a lease of teh Old Court House at a pepper corn rent. The building at that time being out of repait and not used by the Government ...ballarat school of mines, minute books, annual report, microfilm, former ballarat circuit court, redmond barry, james flude, mining laboratory, james bickett, william stawell, judge rogers, constitution, mining board of ballarat, duncan gillies, william mclennan, ballarat mechanics' institute, judge warrington rogers, pepper corn rent, harrie wood, professor mccoy, james mcculloch, john alexander macpherson, williammclellan, master, arithmatic, mensuration, surveying, drawing, book-keeping, algebra, euclid, mining, chemistry, somerville learmonth, somerville livingstone learmonth, robert lewis, j.m. bickett, walter cotchett, usher, john cumming, philip russell, andrew anderson, a.h. king, william robertson, band of hope and albion consols, robert gibbs'james mcdowall, r.w. newman, jphn edward bakman, thomas gray, borough council of clunes, h.r. caselli, henry richards caselli, borough council of ballarat west, f.c. downes, l.s. christie, j.d. wanliss, francis summers, thomas whitelaw, h.b. de la poer wall, library donations, roderick murchison, robert brough smyth, museum donation, j.e. crocker, p.c. fitzpatrick, opening address, j.f. usher, edwin trenery, c.s. reeves, t.d. wanliss, john edward bathman, architect, robert davidson -
Bendigo Military Museum
Album - PHOTOGRAPHS WW1, 1) Ruskin Perth et al, 1) 22.12.14; .3) 1918.4.1916; .7) 14.4.17
.2) WA 22.12.14 Dear Mother, wishing you all the Compliments of the Season, your loving son Roy. (John Roy NEILSON, Bendigo). .3) What do you think of this little lot, Roy 1918. .4) Bruce Neilson (Melbourne) yours truly Bruce. .5) Xmas 1916 Palamountain. .7) E Holtham 14.4.17.1) Photo album fold out cardboard, maroon colour, containing 6 photos. .2) Photo post card, black & white, portrait of a soldier, no hat. .3) Photo post card, black & white, soldier, Corporal, sitting on an ornamental wall. .4) Photo post card, sepia, soldier, Sergeant, sitting on an ornamental wall. .5) Photo post card, black & white, soldier in uniform standing with coat over arm. .6) Photo post card, black & white, young soldier standing in militia uniform. .7) Photo post card, black & white, young soldier standing in militia uniform.photography-photographs, documents - postcards, military history, albums -
Kiewa Valley Historical Society
Photograph - Folder of Photographs – Photocopied set of black and white photographs (pages 49 -58) from the display folder put together by KVHS to document life on the Kiewa Valley Hydro-electric Scheme
Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centred around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Workmen working inside one of the tunnels. 2-Workman drilling in West Kiewa Tunnel 3-Junction Dam wall construction 4&5-2B&W photographs Kiewa House residents ready to go to a ball in Mt Beauty 6-Workmen warming up in front of a fire at No 1 bench 7-Workmen being hauled in at No 4 P.S Shaft 8-No 4 Power Station – Drilling 9-Workmen eating a hot meal in the tunnel. 10-2 photographs (a)Pretty Valley camp showing workman’s huts and construction materials & (b)Worker in Langford Gap Basalt Hill Tunnel face 11-Tunnel entrance (unlabelled) with rail tracks in foreground 12- Workmen drilling at No 1 Head race tunnel-Drilling face 13- No 1 Power Station 14-Workmen at the entrance to one of the SECV tunnels under construction 1-SECV number at bottom of picture Half obscured possibly K8461 Page number 53 2-In West Kiewa Tunnel Page number 54 3- Construction of Junction Dam wall – approximately 1941 Page number 55 4&5- Residents of Kiewa House at Bogong ready to go to the ball at Mt Beauty-1946. Handwritten on a copy of the photo on opposite page Mrs Lorna Crosset filled out the names *Dad was Des Crossett – his daughter is Gael Petcopoulis Greta engaged to John broke it off. Charlie, Rosalind, Bill, Priscilla, Max Lawrence-Dad’s Boss, Mary & Max married, Mary, Kay, Gwen McPherson Mum’s boss, John McCluskey (c) At No. 5 Bench Page number 56 6- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 27.2.51 Time:2.15pm No K6373 Kiewa Hydro Electric Works No. 4 P.S. Shaft – Haulage of men in buckets (b) As above Handwritten at top of photo Appendix 4 page number 57 7- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 6.6.52 Time:… No K7122 Kiewa Hydro Electric Works No. 4 POWER STATION – DRILLING page number 58 8-No markings page number 59 9-(a)Handwritten under photograph Approx. 1948/49 (b) STATE ELECTRICITY COMMISSION OF VICTORIA Date: 28.10.54 Time:.. No K7860 Kiewa Hydro Electric Works LANGFORD GAP BASALT HILL TUNNEL FACE Page number 49 10-(a) No markings 11- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 20.3.52 Time: No K6979 Kiewa Hydro Electric Works No. 1 HEAD RACE TUNNEL – DRILLING FACE (E.E.E. CONTRACT) ‘The Frenchies’ (E.E.E) as they were affectionately known Page number 50 12-31.5.56 No. 1 Power Station Aggregate Stock Piles. Page number 51 13&14-No markings Page number 52 secv; kiewa hydro electric scheme; bogong; mt beauty; construction area -
Ringwood and District Historical Society
Plaque, Waverley Trophies, Ringwood Probus Club Presidents 2004 - 2019, 2004-2018
Wooden curved top Probus Club of Ringwood Inc. wall plaque with carved Probus logo and names of club presidents and years of office from 2004 to 2019.Probus Club of Ringwood Inc. Presidents - 2004-2005 Alan Marshall, 2005-2006 Ken Johnston, 2006-2007 David Gibb, 207-2008 Hedley Deacon, 2008-2008 (sic.) Ted Brewster, 2009-2010 John Ulrik, 2010-2011 Ron Hallett, 2011-2012 Alan Marshall, 2012-2013 Alan Marshall, 2014-2015 Ron Hallett, 2015-2016 Derek Williams, 2016-2017 Norm Wensor, 2017-2018 Norm Wensor, 2018-2019 Norm Wensor. -
Orbost & District Historical Society
black and white photograph, July 1922
Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald -
Orbost & District Historical Society
black and white photograph, early 20th century
The children in this photograph are Frank abd Ivy Warren. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white studio portrait photograph of a young boy and girl standing against an outdoor wall. The girl is wearing a long white dress and has a ribbon bow in her hair.The boy a tunic with a wide belt and lace collar. His long sleeved have wide cuffs. The photograph is an oval shape on a grey / white background.warren-frank warren-ivy -
Orbost & District Historical Society
black and white photograph, late 19th century - early 20th century
Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling ) During the 19th century bullock teams were the most effective means of transporting people and goods inland, as the roads were badly made and in poor condition. The better roads were closer to the towns, and the further away from the town, the worse the conditions of the roads. Bullock teams drew heavily laden carts full of provisions, equipment and people from town to town and into the countryside to isolated homes. This item is associated with that era. It is also associated with James Sterling a very early settler of Marlo.A black / white photograph of a bullock team with a man standing beside it.on front - J STIRLING S BULLOCK TEAMstirling-james marlo-history bullock-team transport -
Orbost & District Historical Society
black / white photograph, early 20th century
... ; Paul Hocking; Waller; JasHossack; Jim Cameron; John Cameron...; John Draffin; W. Fisher; D.R. Norris; Paul Hocking; Waller ...This photograph shows an early Orbost Agricultural Show committee. Included in the photograph are: Phil Nixon; John Johnston; Percy Morris; Harry Richardson; Arthur Saunders; Archie Rodwell; Geo. Nixon; J. Warren; John Draffin; W. Fisher; D.R. Norris; Paul Hocking; Waller; JasHossack; Jim Cameron; John Cameron. The first meeting to form an Agricultural society in Orbost was convened by the then Orbost Progress Association and held in the Mechanics Hall on Saturday, 10th October 1891. Its first show was held on 3rd March 1904...on a site alongside the Bonang Road where the present Golf Club stands. It is currently held at the Recreation Reserve at Newmerella. (Ref: In Times Gone By-Deborah Hall) This item is associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history. A large black / white photograph of a large group of men outside a wooden building. There is a tank on the left side. Some men are standing, some sitting and the man if front is lying , leaning on his elbow. There is a smaller copy of same photograph.on front - "show committee"orbost-agricultural-show-committee -
Orbost & District Historical Society
black and white photograph, late 19th century - early 20th century
This is a photograph of the home of Hamilton Reed who was an early settler at Goongerah. In 1868 Hamilton Reed and John Locke both of Bendoc secured a grazing area of 60,000 acres at Goongerah. About the year 1878 Hamilton Reed and C. W. Nicholson decided to, if possible, to go from Bendoc to Orbost via Goongerah, they accomplished the task in 4 days from Goongerah. (more info. Newsletter September 2004) Councillor Hamilton Rutherford Reed represented North Riding 1918 - 1936.This item is associated with Hamilton Reed an early settler of Goongerah who was a long -time member of Orbost Shire Council.A black / white photograph of a settler's wooden home surrounded by a garden. The house is made of upright slabs for the walls and has a stringy bark roof.reed-hamilton goongerah -
Orbost & District Historical Society
brass plaque, 1939
This is a memorial plaque for John Scott Tomlinson, a member of Tomlinson family who were amongst the first settlers in the Lake Curlip/Tabbara area, along with the Richardsons.A rectangular brass plaque which can be screwed to a wall with screws at each corner. Written on the plaque are the words IN MEMORY OF JOHN SCOTT TOMLINSON. SECRETARY OF LOYAL ORBOST LODGE M.U.I.O.O.F. FOR 21 YEARS. DIED APRIL 16TH 1938. LOVED AND ESTEEMED BY ALL. as above.memorial-plaque john-tomlinson-plaque m.u.i.o.o.f.-lodge -
The Beechworth Burke Museum
Photograph - Photograph - Reproduction, W. D. Gibbon, Early 1900s
This photograph was taken in 1911 at Three Mile Creek, about five kilometers south of Beechworth town. Significant digging took place at this location from late 1855, which led to a flood of workers and stores to follow, though daily earnings were slim compared to the nearby Woolshed site. This remained the case even after workers at Three Mile Creek attempted to protest around Beechworth during an election in November 1855. Three Mile Creek was one of seven significant divisions of the Beechworth Mining District formalised by the Governor-in-Council in 1858, though by the time this photograph was taken, the boundaries of the original seven districts had shifted to create seventeen divisions. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund (a man second from the left in the back row of this photograph shares this surname) recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund would later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. The eleven miners in this photograph are: Back row: Led Guthrie, P. Pund, F. Beel, [Unknown] Miller Front row: Paddy McNamara, J. King, W. Beel, [Unknown] Garland, J. Clarke, J. Ryan, H. Bartsh In the background of the photograph is a huge dirt wall that appears to suffer damage caused by hydraulic sluicing. Hydraulic sluicing is a specialised mining technique that involves directing high pressure water flows at dirt to uncover gold. The technique played a significant role in shaping Beechworth's landscape during the gold rush to create the topography seen today.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1911. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Black and white / sepia rectangular reproduced photograph printed on glossy photographic paper mounted on board.beechworth, beechworth museum, mining, mining team, three mile creek, sluicing, hydraulic sluicing, photography, gold sluicing, gold mining, pund mining -
Warrnambool and District Historical Society Inc.
Flag, WarrnamboolDistrict Bowles Club 1975-76, 1976
This is a pennant from the Warrnambool District Bowls Association. This association is a division of the West Coast Bowls Association and the members are the Bowls Clubs of Dennington, Koroit, Lawn Tennis Club, Mortlake, Terang, Port Fairy, Timboon, Warrnambool and City Memorial. This pennant was awarded for the premiers of 1975/76 and, as the pennant came from St.John’s Bowls Club (Presbyterian Church Warrnambool) it is presumed that this club was the winner of this pennant. St. John’s Bowls Club, in Princess Street, Warrnambool, was prominent in the 20th century but has now been disbanded (early 21st century) with the land sold in 2014. The maker of the flag, Evan Evans Pty Ltd, is a well-known Australian flag-making business. It was founded in 1877 and a member of the family was a co-designer of the Australian flag in 1901. This pennant is of some interest as it was awarded by the Warrnambool District Bowls Association to St. John’s Bowls Club in Warrnambool. As the St. John’s Club no longer exists it is an important memento of this Warrnambool sports club. Bowls is a popular sport in Warrnambool. This is a large triangular-shaped pennant from the Warrnambool District Bowls Association (1975-6). It is a white cloth pennant made in two sections with stitched hems on the edges and through the centre. The side holding the cord is made of thicker folded cloth with a white plaited cord inserted. The lettering is made of blue cloth and machine stitched on to the pennant. The material is nylon and wool. There are some dirt smudges and rust marks where the pennant has been attached to a wall. ‘W.D.B.A. Premiers 1975-6’warrnambool district bowls association, st. john’s bowls club, warrnambool, warrnambool -
Eltham District Historical Society Inc
Photograph, Tom Prior, Methodist Church, Eltham
Situated at 810 Main Road on the corner of John Street. The Church was surrounded by a picket fence and tall pine trees. The Church was built by George Stebbings in the 1850s and is an example of fine craftmanship. Formerly Wesleyan, Methodist then Uniting church; the foundations of the church building were constructed with stone from the walls of the first Eltham State Primary School (No. 209) building which collapsed in 1874 and were purchased by Robert David Taylor. The Reynolds/Prior Photograph Collection, Presented to the Eltham District Historical Society, 14 June 2006 by Ross McDonald. A second copy was also presented to the Andrew Ross Museum, Kangaroo Ground The Reynolds family were early settlers in Research. Reynolds Road is named after this family. RERVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G). - Victorian Heritage Database The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham."Methodist Church" reynolds prior collection, eltham, methodist church -
Eltham District Historical Society Inc
Photograph, Eltham Methodist Church, 1909
Situated at 810 Main Road on the corner of John Street. The Church was surrounded by a picket fence and tall pine trees. The Church was built by George Stebbings in the 1850s and is an example of fine craftmanship. Formerly Wesleyan, Methodist then Uniting church; the foundations of the church building were constructed with stone from the walls of the first Eltham State Primary School (No. 209) building which collapsed in 1874 and were purchased by Robert David Taylor. REVISED STATEMENT OF SIGNIFICANCE, CONTEXT, 2010 via Victorian Heritage Database What is significant? The 1880 bichromatic brick church and the surrounding site to the title boundaries. How is it significant? The church is architecturally, historically, socially and spiritually significant to the Shire of Nillumbik. Why is it significant? The church is architecturally significant as a finely detailed example of a brick 19th century rural community church, one of only four in the Shire (Criteria E & B). The church is historically significant as an important link with the time when Eltham was a small, insular country settlement. Also for the historical evolution visible in the complex, with the modest 1880s church and larger red brick rear hall from the early 20th century as a reflection of population growth in the area (Criterion A). The church is historically, spiritually and socially significant because it has played, and continues to play, an important part in the spiritual and social life of the community (Criterion G).Sepia postcard of Eltham Methodist Church, 1909eltham, methodist church, church, state school no. 209, eltham state school, robert david taylor, eltham uniting church, uniting church, wesleyan church -
Eltham District Historical Society Inc
Folder, Ingram
Folder Contents 1. Pam Thoonan (nee Ingram) 1.1. Family tree of Pamela Thoonan; Descendant of Teagle and Ingram 1.2. Descendants of George Ingram 1747 1.3. Descendants of William Ingram 1836 1.4. Family of William George Grove Ingram 1861 1.5. Family of Evan Thomas Ingram 1867 1.6. Family/descendants of Henry Teagle 1838 1.7. Family of John Thomas Teagle 1.8. Notes on Esau Key 1.9. Descendants of John Key 1687 1.10. Descendants/family of Robert Fielding 1817 1.11. Descendants of Margaret Crenny, died 1946 1.12. My grandpa John Ingram (Written by Grace Burrows) 1.13. Ten in the bed; story of William Ingram family of Birmingham, England 1.14. Copies of newspaper articles about Harry Ingram, Baker of Kidderminster, England 1.15. Copy (2000) In Memory of Lester Neil Ingram, Commonwealth War Graves Commission 1.16. Recollections by Pam Thoonen regarding her stepfather Eddy Fielding and father Kenneth Douglas Ingram including information about the 39th Australian Infantry Battalion (1941-1943) and the Kokoda Track 1.17. Copy of letter to Jack and Ada Ingram from mother P Ingram of Kidderminster – transcript sent to Pam Thoonen by Grace Burrows, 2006 1.18. Letter from Val (Waller nee Feldbauer) to Tom Fielding 30 June 2016 1.19. Notes handwritten believed to be about guests attending Rose Fieldings 62nd birthday at Bentleigh Public Hall, Centre Road, East Bentleigh in 1973 – see photo EDHS_05850 1.20. Copy of photo of Wedding Party of Margaret Rose to Kenneth Douglas Ingram 1935 and newspaper report “Romantic Circle; Ingram – Teagle” The Advertiser 26 July 1935, p2 1.21. Five pages of photocopied photos and recollections by Pam Thoonen of attending a concert at Festival Hall 1.22. Three photos of headstones for John Thomas Teagle and Margaret Teagle, Violet Feldbauer, Edna May and Charles Louis Layfield 1.23. Two pages typed of trivia concerning old expressions and their origins from the 1500s 2. Grace Burrows (nee Ingram – now deceased) contact details at Dunolly with notes that Ingrams arrived at Research around 1900 Item 1 held in digital format onlyFolder of information on Ingram family of Research in mix of digital and hard copy formatgrace ingram, grace burrows, ingram family, pam thoonen (nee ingram), ingram's bakery, research (vic.), john ingram, ingrams road, keith ingram, kenneth ingram, teagle family, crenny, key family, feldbauer family -
Eltham District Historical Society Inc
Photograph, Ruins of Coulstocks Mill, Janefield, South Morang
Mill Park Farm at Janefield on the Plenty River was established around 1840 by George Coulstock where he grew wheat. His flour mill was one of the first in Victoria, under construction as early as 1841. After bushfires and Coulstock's early death in 1842, the farm and its mill were taken over by local landowners Henry Miller and John Brock. Peter Hurlestone took charge of the mill. With water diverted from the Plenty River to fill the newly built Yan Yean Reservoir which opened in 1857, the Hurlestone family quit and that was the demise of the mill.Four colour photographs showing the ruins of Coulstocks Flour Mill (Janefield Mill), Janefield. 1. Stone wall 2. Old mill 3. Stone remains of old mill 4. Tree near old mill sitemills, flour mills, coulstock, janefield, plenty river, ruins, stone walls, plenty gorge, bundoora -
Eltham District Historical Society Inc
Photograph, Ruins of Coulstocks Mill, Janefield, South Morang
Mill Park Farm at Janefield on the Plenty River was established around 1840 by George Coulstock where he grew wheat. His flour mill was one of the first in Victoria, under construction as early as 1841. After bushfires and Coulstock's early death in 1842, the farm and its mill were taken over by local landowners Henry Miller and John Brock. Peter Hurlestone took charge of the mill. With water diverted from the Plenty River to fill the newly built Yan Yean Reservoir which opened in 1857, the Hurlestone family quit and that was the demise of the mill.Five colour photographs of ruins of Coulstocks Mill, Janefield (Mill Park - Bundoora)mills, flour mills, coulstock, janefield, plenty river, ruins, stone walls, bundoora, plenty gorge -
Warrnambool and District Historical Society Inc.
Functional object - Brick, 94 Merri Street Warrnambool, Circa 1850
The building at 94 Merri St is amongst the earliest buildings in Warrnambool. It was possibly constructed before 1854 and maybe as early as 1848. The original building consisted of four main rooms under a hip roof. The outer walls were masonry , apparently rubble The Heritage Council indcate that on the balance of probabilities this was the general store of Richard Osbourne and John Moffat Chisholm built in 1847-48.The building at 94 Merri Street had historical and architectural significance to the state of Victoria. It was a rare example of surviving, pre separation building with associated interest in its materials and components It is associated with Richard Osbourne who founded the Warrnambool Examiner(1851_1889) and the town’s first historian. Architecturally, the significance of the house lay in the hand -wrought timber framing. All the major timbers in this building had been hand sawn. The Gold rush of the 1850’s saw this process mechanised. A kitchen fireplace in the rear skillion included a large block of Merri Creek Mudstone, a combination of “tufa” and clay that was used in the Warrnambool District as an excellent substitute for fire bricks. The house was demolished in 2011 and items of significance were salvaged, this brick being one. While some bricks were imported, there is evidence that there were a number of brick burning businesses in operation around this time. However it is difficult to ascertain to which group this brick belongs. Red clay rectangular brick. Contains some small gravel like material, possibly ferrous buckshot, grey mortar remnants on side and diagonal crack along one side.warrnambool, 94 merri street, richard osbourne, john moffat chisholm, hand sawn timber, brick, building materials -
Warrnambool and District Historical Society Inc.
Print, Relic from St John’s Fire, Pre 1920
A small card at the back of the picture reads,’ This Picture was a teaching aid used in St. John’s Kinderg S.S and was found in the Church Ruins after the fire in July 1920 by Nancy McC(Absalom). Later framed by Grandma. St. John’s Presbyterian Church was built in 1875 and was burned down July 21st 1920. A volunteer fireman Mr T Spicer discovered the fire and despite the prompt arrival of the fire brigade, after an hour only the walls and tower remained. Some items were salvaged including vestry furnishings and church register. A bible which had been given to the Church in 1895 was rescued by an unknown young man whose identity remained a mystery until1976 when a Mr Stan Williams of Ballarat told his story. The Church was rebuilt in 1922. The event of this fire remains one of the most significant in the history of Warrnambool. Framed print of kookaburra on branch in natural setting. The bird is coloured blue, green and tan. Background is in muted greens. The light wooden frame is covered in fabric in pinks and green. A patterned metal edge sits atop the fabric. On back of picture, ‘ From Grandmother to Nancy on her 5th Birthday, Aug 20th 1920. This is a relic of the burning of St John’s Church July 21st 1920. Picked up by Nancy and framed by E Black.” warrnambool, st.john's presbyterian church, st john's fire warrnambool, st john's fire relic -
Warrnambool and District Historical Society Inc.
Functional object - Clock Sambell Chemist, Early 20th century
This clock was over the door of the shop of Sambell’s pharmacy at 90 Fairy Street. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous experience in Great Britain and Victoria. His shop had been conducted by Edward Griffiths in the 1880s. By 1919 John Sambell’s son, Herbert, had joined the business, trading as Sambell and Son, though John Sambell had died in 1906. This shop was located at 151 Fairy Street. The Sambells then built new shops on the north eastern corner of Koroit and Fairy Streets and occupied the corner position. In the late 1930s the Sambell business moved to 90 Fairy Street and the business was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. This Sambell clock had previously been at the shops of Brocks and Mainlands, both jewellers. This clock is of considerable importance as it was connected to the pharmacy business of the Sambell family, a business that was prominent in Warrnambool for many years. It is an example of the 19th and early 20th centuries practice of placing a large clock outside a business. This is a large oval clock with a gilded wooden frame and a metal face. The hour and second hands and the Roman figures are made of metal. The clock is designed to be placed on a wall or frame of some sort and to be used outside on a shop or other commercial building. The outside frame is somewhat dented.sambell pharmacy, warrnambool -
Kew Historical Society Inc
Archive (series) - Subject File, Artists II (Kew), 1958
Various partiesReference, Research, InformationKHS OrderThe second of two reference files on artists in Kew, this file including research and printed copies of a publication by Elizabeth Mackie, ‘The Artists of Kew’ (self-published 1981 - ISBN 0 9594081 0 X). The publication is attached to this record as a PDF file, but it should be noted that copyright is still held by the descendants of the author, but may be used and quoted for research purposes. One of the copies in the file of the publication is an ex-library copy and includes an index. The other unpublished material/research is held in copyright by the Kew Historical Society Inc. The files include descriptions, addresses and or dates relating to artists mentioned in the file. Within the file, there is also detailed correspondence and notes from and relating to Gwen Walker, Marguerete Mahood, Stanley Ballard, and Kathlyn Margaret Ballard. Index - ‘The Artists of Kew’ (Mackie E, 1981): Louis Abrahams, Edith Alsop, William Nichols Anderson, Louis Anquetin, Dorothy Baker, Alice [Marion Emily] Bale, Kaye Ballard, Stan Ballard, George Bell, Leila Bell, Charles Bennett, A Bolam, Shirley Bourne, Arthur Boyd, John Brack, Louis Buvelot, Donald Cameron, Robert Camm, Sir Hugh Casson, S Cochrane, Alexander Colquhoun, Amalie Colquhoun, Archibald D Colquhoun, Beatrice Colquhoun, Elizabeth Colquhoun, George Colville, Charles Conder, Colin Coulihan, Noel Counihan, David Cox, Sir William Dargie, Isobel Davies, Miss De Mole, L Dunn, Frank Emery, Albert Enes, Alma Figuerola, W H Fitchett, Paul Fitzgerald, George Frederick Folingsby, E Phillips Fox, William Frater, John Frith, Miss Fullwood, Alistair Cameron Gray, Harley Griffiths, Gilda Gude, Nornie Gude, Dora Hake, Elsie Bernard Hall, Robert Hannaford, John Hassell, Carl Hempel, Harold Herbert, June Hobart, Kenneth Jack, Jean Jeffery, Cliff Judge, Lois Kahan, William Kearney, Percy Leason, Bastien Le Page, J Lewis, Norman Lindsay, Percy Lindsay, Sir John Longstaff, John Loxton, Arthur Loureiro, Gordon McCrae, Frederick McCubbin, Herchfield Mack, Alan Martin, Karlis Mednis, Max Meldrum, Bertha Merfield, Anne Montgomery, David Moore, Lillian Morrison, Carl Nelson, Sydney Nolan, Ambrose Patterson, Lawrence Scott Pendelbury, John Percival, John Perry, W Pinderson, Marie Pinschoff, John Piper, J Reverdy, Tom Roberts, James Robertson, John Russell, Jan Hendrik Scheltema, Arnold Shore, Joseph Simpson, Joy Stewart, Sir Arthur Streeton, Jane Sutherland, Ruth Sutherland, Evelyn Syme, Eric Thake, Isobel Thorn, Albert Tucker, Tudor St George Tucker, Isobel Tweddle. Other artists noted in file include: Marguerete Mahood, Leopoldine Mimovich, Julius Wentscher, Tina Wentscher, Sigismonde Zacutti, Napier Waller, Percy Gair, Stuart Warmington, Len Annois, Margaret Baskerville, Clara Southern, Andre Maszaros, Michael Maszaros, Walter Withers, Edith Ussher, Arthur Wills, Douglas Annand, and Gwen Walker.artists - kew (vic)artists - kew (vic) -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Gardens (Kew), 1979
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Correspondence and newspaper articles/clippings relating to historic gardens in Kew. The oldest item is a letter from the National Trust Victoria announcing their two-year garden study and seeking information on gardens in Kew. Mavis Rolley, Secretary of the Society, made handwritten notes in response, which are kept in the file. She refers to: the pear trees planted by William Oswin in c. 1845 near what is now the Burke Road Bridge (she notes that a search for the trees at the time of the construction of the Eastern Freeway was unsuccessful), a camellia planted by the Dannocks near the corner of Derby and High Street, a c.1876 pine tree in Field Place, Henty Court, an 1875 Moreton Bay fig at Tarring, Ruyton, a Moreton Bay fig at Roxeth, Trinity Grammar, an 1840s oak tree and a 120-year old olive tree at Fairholme, Barry Street, 1870 pine trees at D’Estaville, Barry Street, trees at Turinville, Barnard Grove, dating to 1846, pine trees dating from 1845-6 on the Willsmere Farm, red gums in Victoria Park, pine trees in the Cemetery dating from the 1860s, trees in the Alexandra Gardens and at Kew Primary School, palm trees at La Verna, Sackville Street dating from the 1890s, the trees and gardens at Ross House (Charleville), and the trees at Merridale, Sackville Street which date from the 1880s, a magnolia at Lalla Rookh. These dates are probably highly contestable. Other handwritten notes from 1979 about significant gardens included: 5 Molesworth Street, Red Bluff - Redmond Street (garden now destroyed), Campion House, Studley Park Road, Raheen, Studley Park Road, Ross House, Cotham Road (Charleville), 7 Adeney Avenue, 20-21 Belmont Avenue, 52 Mary Street, an Edna Walling garden on the corner of Argyle Road and Victor Avenue, Merridale, Sackville Street, Roseneath, and Reno, St John’s Parade.gardens - private - kew (vic), garden design - kew (vic), kew horticultural societygardens - private - kew (vic), garden design - kew (vic), kew horticultural society -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Announcing the end of the glass box and the birth of a new 3D city architecture, 1965
Discussion of the history of the 'glass box', i.e. the glazed curtain wall skyscraper and its appearance and demise in Australia. Also discusses the phenomenon of multi-storey car parks, and RMIT student designs for Victoria Market.Published as "Death notice: The End of the Glass Box/Birth Notice: A New 3-D Style for a City" in 'The Australian' on 13/11/1965.Typewritten (c copy), quarto, 8 pagesaustralia square, bates, smart & mccutcheon, john a la gerche, walter gropius, ici house, mcconnel, smith and johnson, harry seidler, sydney opera house, un secretariat, bogle and banfield, peter mcintyre, robin boyd, manuscript -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Age, Behind These Hallowed Walls, 2011
Article about John Fordham's (President Friends of Burnley Gardens) involvement with the trees in the Melbourne Club garden.Article in the "Saturday Age" 12.02.2011 gardening section by Denise Gadd.the age, denise gadd, john fordham, fobg, melbourne garden club -
Kew Historical Society Inc
Decorative object - Cotton chintz applique on linen wall hanging [Broderie Perse], 19th Century
This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration -
Tatura Irrigation & Wartime Camps Museum
Photograph, Fortuna Children 1941
Fortuna family were internees in Camp 3A during WW2. Photograph is of (left to right) Mafalda, John and Con Fortuna and taken in 1941. Second copy of picture in file.Black and white photograph of three children standing in the middle of the photograph. One child of to the right. A woman and child to the left. Wall of hut directly behind the 3 children and hut of to the right.john fortuna, con fortuna, camp 3a rushworth, mafalda fortuna