Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White cotton camisole with lace edging at neck, arms and front. Lace inserts over breast area. 4 covered buttons on front opening. 1 modern button at top. 1 uncovered button.Front: Red EMB label inside front. Initials F.M.G.clothing, underwear, womens history

Camisole. Delicate cotton patterned fabric with lace inserts and pintucks, front and back. Small cap sleeves. Machine made. Cotton tape ties at neck and waist. Square neckline. Lace edging at bottom.costume, female, underwear

Clothing. Woman's cream coloured long sleeved linen smock blouse. Front opening with V shaped front neckline. RHS of front opening edged with 3 cm floral lace that continues around neckline to crossover point. Blouse is yoked front and back with floral lace inserts and vertical pin tucks. Below the yoke is a horizontal band of ribbon insert lace (3cm). Lower sections of the blouse are gathered into the lace insert. The front sections have vertical strips of inserted lace alternating with vertical pin tucks. The front opening is fastened with five press-studs covered by a placket. Long sleeves are gathered into the arm holes and gathered at the wrist into two bands of lace - one floral and one ribbon insert lace. At the wrist the hem has a 5 cm lace frill.costume, female, woman's cream coloured blouse

Clothing. Camisole. Fine cotton, fine cotton lace at neck and circular lace inserts front and back, Cotton tie through casing above 5 cm peplum. Embroidered lines above and below lace inserts on front and back. Side opening for 13 cm above peplum. Cotton tape through the casing tied on the LHS at the waist. U shaped neckline edged with lace. Fine cotton tie through lace around neckline. Tied at front. Sleeveless. Arm holes edged with 15 cm lace.costume, female, underwear

This baby’s long cotton gown is an example of the dressmaking and lacework skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the skill and craftsmanship of the women of these families A baby's long, fine white cotton christening dress with short sleeves, lace bodice ,and lace inserts on front panel. Pin tucks and lace form the lower part of gown and the cuffs and neckline have lace edgingclothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

A Lady's white, long, cotton half petticoat with a gathered flounce and lace insert at hem. The petticoat has a placket on the side seam and is fastened with bone buttons, The pioneer families had to be self sufficient making their own tools, clothing, while developing their market gardens, fruit orchards and dairy farms in Moorabbin Shire The pioneer women in Moorabbin Shire had to make and repair the clothes for themselves and their families and were accomplished in dressmaking, needlework , craftwork and knitting A Lady's white, long, cotton half petticoat with a wide flounce lace edging and bone buttons at side seam clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire blackburn nance, dairy farms, fruit orchards

This camisole was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.Camisole, machine sewn, cotton with lace insert panels and lace trim around armholes and neck. Drawstring waist tie and button closure on back - 2 buttons. Inscription, handwritten in pencil on back opening "19428 - - - " c. 1900Handwritten in pencil "19428 - - - " flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, camisole c 1900, handmade lingerie

Clothing, white cotton baby's petticoat. Shoulder openings, no fastenings. Neckline and arm openings edged with 1cm scalloped lace.Lower edge has two horizontal tucks, a 1cm lace insert and the hem is edged with 1cm scalloped lace.costume, children's, baby's petticoat

These gloves were donated by Miss E. Kerr of Warrnambool and were probably worn by her. The Ponting family has been prominent in the timber and building business in Warrnambool since the 1920s and still operate today. Miss Kerr was a member of the Warrnambool and District Historical Society in the 1970s and donated many items, especially household goods. Many women in the early to mid 20th century owned leather gloves which they wore mostly with suits and coats in the winter time. They can still be purchased today. These gloves are of interest as an example of the type of gloves worn by women in the 20th century. They will be useful for display.These gloves are made of a light brown leather. They have a leather string lace inserted as a decorative pattern on the wrist openings and the same lacing on the upper sides of the gloves but in this area the leather string is missing. The gloves have been much worn and are stained. women’s accessories, history of warrnambool

This item is one of many 19th century items donated to Flagstaff Hill Maritime Village by the Giles Family, and known as the “Giles Family Collection”. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook and worked as a student teacher at Mailor’s Flat Secondary School. The Giles family lived at The Maam, Wangoom in the late 19th century, before moving to New South Wales in 1895, where Henry built bridges. Henry died in 1933 and Mary Jane died seven years later. Flagstaff Hill holds a number of objects associated with the Giles family, which were donated by Flagstaff Hill volunteers Vera and Aurelin Giles (Henry and Mary Jane’s daughter and granddaughter respectively). These are predominantly located in the Lighthouse Keeper’s Cottage and include: Living room • Cloths (made by Vera Giles) • Portraits of Mary and Henry Giles • 1 x dresser • Covers on dresser • 1 x bellows Baby’s room • 1 x blessing (in the baby’s room) • 1 x picture of boy and girl • 1 x rocking chair • 1 x cushion (made by V Giles) • 1 x chest (belonging to Mary Jane Giles’s mother, Jane Fleming who migrated to Australia from Ireland in 1843) • 1 x chest cover • Bed materials Bedroom • 1 x knitted bedspread and cushion cover (knitted by V Giles) • Pillow shams and covers (Mrs Catherine King) • Pillow cases (Mary Giles) • 1 x wash stand (Mary Giles) • Towels (lace knitted by Aurelin Giles) • 1 x washstand cover • 1 x white ceramic dog • Shaving items • 1 x dressing table mirror • 1 x dressing table cover (made by Aurelin Giles) • 1 x framed motto • 2 x texts • 1 x settee (sofa) • 1x wardrobe (Vera Giles donated the wardrobe in the Lighthouse Keeper’s Cottage to Flagstaff Hill. According to Aurelin Giles, it was originally owned by William Swinton junior and was later given to a friend of the Giles family.) Kitchen • Settee covers (made by V Giles) • 1 x sideboard • 1 x butter churner • 2 x pictures • 1 x white cheese dome • 1 x wash-up tray • 2 x jugs • 1 x vegetable bowl and dish • 1 x willow pattern dinner set • Glass butter and jam dishes. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Calico bag of assorted fabrics, trims and sewn pieces (originally donated together with sewing machine). Items include clothing, lace, tablecloth, tray cloth, collars, oversleeves, trims, jug cover, lace inserts. (part of the Giles Collection)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, linen, fabric, dressmaking, sewing materials, 19th century sewing, 19th century fashion, giles family, 19th century hand craft, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century clothing, 19th century linen, 19th century handcraft

Worn by mother of a Miss Pownall who taught science at MCEGGS. Unsure of connection to AHUncertain.Hand made half petticoat. Cream cotton lawn fabric. 3 hand knitted cotton lace insert panels, machine pin tucking panels between lace. Satin ribbon panel. Tie gathered waistband. Tear in side. Ink inscription 333.01 worn by Mrs Pownall C1900

This child's white batiste apron was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1911.This child's apron is representative of ladies fashion of the 1910s.Child's white batiste apron. Hand sewn, open back, ties to close, sleeveless, pintuck and lace bodice, lace insert border above hem. Circa 1911. Worn by Robert Barnard son of Mrs W N Barnard of Portland.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s batiste apron c. 1911, child’s clothing c 1911, protective clothing

Cream sleeveless nightdress with round neckline. Fine lace insert on front of neckline and around arm holes and extending to back of neckline. Panels of ten pin tucks on each side of front lace panel and twelve pin tucks at centre of neckline.costume, female nightwear

Clothing. Camisole. Ivory coloured fine cotton with lace inserts front and back. Front opening with two button holes and one button. Sleeveless. Square neckline front and back. Small peplum. Cotton tape threaded through casing above peplum.costume, female, underwear

Bodice from donor's mother. Her parents lived in Camberwell and then Box Hill from 1950's.Long sleeved, cream square necked, cotton blouse with a lace insert. Sheer, geogette sleeves gathered in at cuff and with a frill over hand, the bodice is gathered at the bottom. A sheer geogette tie at the waist is anchored at each side of bodice and has tasseled ends on the corners.cotton, blouse, georgette, long sleeved

A fine example of Maltese Lace.Square doyley, machine made lace with cotton insert.manchester, table linen

Brown men's wig. Made from acrylic hair with mesh and lace (brown) insert with two clips - elasticised100% modacrylic fibre Japan Origin. Hair goods Made in Koreawig

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing

Clothing. Girl's white long sleeved waisted linen jacket. Front opening jacket with 4 cm band from shoulder to waist forming V shaped neckline. Bodice of jacket has 8 cm vertical lace inserts next to the edge of the bands, continuing over the shoulders and down the back of the bodice to the waist. A 16 cm lace insert runs at right angles to the bodice inserts along the top of the kimono cut long sleeves. The sleeves have an 8.5 cm turned back fabric cuff. From the waistline is an ungathered skirt widening slightly at the hem. The front opening is fastened at the waist with one metal hook and cotton loop.Stitched in red cotton inside back of neck 2/4.costume, children's, girl's white waisted linen jacket

Wedding dress or Bridal Gown c. 1860, comprising wedding dress and veil. Gown of very fine cotton has long sleeves, high neck and waist. Lace insert in neckline and in body of dress, decorative panel in front, train at back. Hooke and eye closure. Veil is silk.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bridal clothing, wedding gown, wedding dress, silk bridal veil, 19th century wedding dress

White cotton full length long sleeved ladies nightgown. Front yoke of lace panels with diagonal patterns and gathered lace edges. Gathered lace frill around neckline (5cm). Fabric yoke at back with gathered back panel. Set in sleeves with 5cm lace edge at hem. Decorative lace insert above lace edge. Front opening with two white buttons.''A.Chafer'' wriitten in texta on inside back of yoke.costume, female, white ladies nightgown

Camisole. Cream coloured fine cotton. High V neck. Fine lace insert at neckline front and back. Short lace sleeves. Peach coloured ribbon threaded around neckline and around sleeves. Front opening. Two buttons. Small peplum. Cotton tape tie around waist.costume, female, underwear

Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1.5 cm dark pink and white lace. Front has three vertical tab sections (6-7 cm wide0 of dark pink and cream ribbon and lace insert. Underneath the tabs is a diagonal pattern of ribbon and pin tucks. front opening (24 cm) left of centre is fastened with two 1 cm plastic buttons and cotton loops. Long straight sleeves gathered into a cuff of dark pink and white ribbon and lace inserts. Fabric yoke across shoulders at back with body of nightgown pleated at centre back below fabric yoke. ''A'' shaped garment widening to hem.costume, female, women's cream colored linen nightgown

Fine cotton camisole with round neckline edged with 2 cm cotton lace. Sleeveless, edged with lace. Lace insert 10 cm deep at centre front shaped into a double shape over the bust line and across the shoulders at the back. It has had elastic in casing at waistline but this has now perished.costume, female, underwear

Clothing. Infant's ivory coloured nightdress. Front yoke with 1 cm X 14 cm centre lace insert. Lace trim around neckline. Centre back opening(24cm) with tape ties at neck and waist. Lace trimmed 58cm fabric ties attached at waist at centre front. Eyelet lace trim around waist. Ribbon missing. Skirt gathered at waist. Long sleeves with lace trim at wrist. French seams.costume, children's, infants ivory coloured nightdress

Clothing. Pink cotton full slip petticoat with shoe string shoulder straps. Straight edge along top (unshaped) trimmed with 2.5 cm coffee coloured lace. At centre front are three V shaped lace inserts (13 cm deep). Item trimmed with 2.5 cm coffee coloured lace.costume, female underwear, pink cotton full slip petticoat

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, fine white cotton christening gown. The short bodice includes a v-shaped lace insert bordered by a scalloped collar. Lace is also used on the neckline, short sleeves, and hem. The lace on the sleeves is attached in rows of overlapping fabric. The fabric below the high waistline is gathered to produce a full long skirt.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life