COLLECTION OF CORRESPONDENCE, FAMILY TREE AND HISTORY, WEICKHARDT FAMILY1. TYPE WRITTEN LIST DESCENDANTS OF JOHANNES WEICKHARDT 1824-1909. 2. TYPE WRITTEN COPY FAMILY TREE JOANNES WEICKHARDT 1824-1912 3. PHOTO COPY, RECORDS JOANN HENRICH WEICKHARDT 1690-1777 4. PRIVATE LETTER, WEICKHARDT FAMILY 5. COPY OF CERTIFICATE OF MARRIAGE WEICKHARDT PARENTS 6. LETTER WRITTEN IN GERMAN LANGUAGE 9.6.1989 TO MRS A MIELKE 7. LETTER WRITTEN IN ENGLISH LANGUAGElocal history, weickhardt family

191p.; vocab. list; The author arrived in Victoria at the age of 10 years in 1839. His family gave their name to the Victorian town. He and his brother settled at 'Tyntynder' outside Swan Hill in 1845. His brother was killed by Aborigines. Brought into daily contact with the Aborigines of the area he gradually acquired their language and was permitted to learn much denied to other whites. By 1883 he had amassed a large amount of information which he put into the form of a Paper, read before the Royal Society of New South Wales. This paper may be regarded as the skeleton of the volume now publishjed. Victoria -- RiverinaAboriginals, Victoria -Swan Hill region. Lifestyle; customs and beliefs. Tyntynder(Vic)Aboriginals - Murray River tribes; language; magic; religion and practices.aboriginal australians -- victoria. | aboriginal australians -- murray river valley (n.s.w.-s.a.)

p.226; notyes; dictionary; appendices; bibliography.In this book are described the general features of Yorta Yorta and provide a compsite vocabulary of about 1,000 words. Vocabulary items documented for particular groups/clans can be identified by the source references against individual words. There is a separate section with a brief description of Yabula Yabula and a specific vocabulary list for that clan language. The book uses early historical records and spoken resources to document the language heritage of the Yorta Yorta ; includes Yorta Yorta grammar and English to Yorta Yorta and Yorta Yorta to English dictionaries ; also includes a Yabula Yabula grammar and vocabulary list ; Yorta Yorta language revival project.language - linguistics - vocabulary and grammar | language - vocabulary - dictionaries and glossaries | language - vocabulary - word lists | language - linguistics - language elicitation - sentences | language - vocabulary - place names ||yorta yorta / yota yota language (d2) (nsw si55-13) | yabula yabula language (s38) (vic sj55-01)

xiii, 325 p. : figs., map. index; Barabool dialect list; names of the tribe, about 1841-43; ; 22 cThe letters record events which will recall to many persons still living old Vctorian memories, and will have a great value for the future historian of Victoria, as narrating the experiences of actual movers in the early scenes of our colonization, while they will also possess interest as incidental contributions to the biographies of the men who half a century ago beagan to encounter the hardships and perils which beset the pioneer in every part of this continent. These papers also contain interesting contributions to our knowldge of the aborigines-their languages, customs , and conflicts with the white men; and although some of the incdents narrated have found their way into print before, they are now for the first time given in their entirety to the public. frontier and pioneer life -- victoria. | victoria -- history -- 1834-1900 -- sources.

237 P.; ill,; figs.; tables; notes; reviews; 24 cm.This volume of 'Australian History' is devoted to studies of the south-eastern corner of the Australian continent. The papers arose from a series of meetings convened with Professer R. W. Dixon in 1981. They involved scholars from the disciplines listed, all concerned with the south-east. A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | settlement and contacts - colonisation - 1788-1850 | race relations - violent - massacres, murders, poisonings etc. - to 1900 | sex relations | indigenous knowledge - world view | language - personal names | language - semantics | social identity | language - sociolinguistics | government policy - state and territory - new south wales | socioeconomic conditions - living conditions | language - linguistics - language classification | language - vocabulary - word lists | language - linguistics | geography - territories and boundaries | art - rock art - painting | art - production - materials / techniques | art - art motifs |

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu