"Costumes of Europe in Wool- Austria" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Austria" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Holland" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series"Costumes of Europe in Wool- Holland" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- France" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series"Costumes of Europe in Wool- France" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Italy" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Italy" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Spain" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Spain" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Sweden" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series"Costumes of Europe in Wool- Sweden" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Germany" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Germany" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Denmark" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Denmark" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Switzerland" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Switzerland" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

"Costumes of Europe in Wool- Belgium" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series."Costumes of Europe in Wool- Belgium" - Dept of Education, International Wool Secretariat, part of the "Costumes of Europe in Wool" Series.Prepared by the Department of Education, International Wool Secretariat, Dorland House, 18-20 Regent St Londonwool marketing, international wool secretariat, dept of education

The Aquarian Esoteric Group Melbourne made the robe as an entry in the 'In the Tracks of Hercules' exhibition in London December 2005. See attached notes.Front cover of the exhibition catalogue for "In the Tracks of Hercules" Entry for 'Minerva's Robe' in exhibition catalogue "In the Tracks of Hercules" Promo card for exhibition "In the Tracks of Hercules" First page of "Triangles Bulletin" which contains an article about the exhibition "In the Tracks of Hercules". Concept sketch of the front of 'Minerva's Robe' Concept sketch for back of 'Minerva's Robe' Minerva's Robe Back of Minerva's Robe Detail of Minerva's Robe Detail of Minerva's Robe Comments on making the robe by the group Poem "Minerva's Robe" by Helen Baxter Articles offered form for 'Minerva's Robe' The history of 'Minerva's Robe' Document "In the Tracks of Hercules 'Minerva's Robe' The Journey" 'The Process of Creating "Minerva's Robe"'knitting handicrafts textile art, aquarian esoteric group, costume, heywood, mrs anne, knitting, handicrafts, textile art

Men's woollen swimming costume, c.1930s, made in Australia by Jantzen. Jantzen were originally an American company; they were founded as the Portland Knitting Company (Oregon, USA) in 1910 and changed their name to Jantzen Knitting Mills in 1918. An Australian mill was opened in Sydney in c.1928.mens bathersfashion, jantzen knitting mills

Weaving sample folder: "RANGE 4 LADIES WORSTED COSTUMING", "C. URQUHART". Booklets contains the following 2 paged inserts: "WEAVE REPEAT AND PEGGING FOR PATTERN 1" sheet with ochre/red/brown patterned cloth sample; "WEAVE REPEAT AND PEGGING FOR PATTERN 2" sheet with pink/grey patterned cloth sample; "PATTERN REPEAT AND PEGGING FOR PATTERN 3" sheet with orange/yellow/grey patterned cloth sampleRANGE 4 LADIES WORSTED COSTUMING C. URQUHART WEAVE REPEAT AND PEGGING FOR PATTERN 1 WEAVE REPEAT AND PEGGING FOR PATTERN 2 PATTERN REPEAT AND PEGGING FOR PATTERN 3textile production weaving, textile production, weaving

Part of the womens formal uniform for the 2002 Winter OlympicsAUSTRALIAfashion, costume, leather, sport, salt lake city

Part of the womens casual "sportwool" uniform for the Winter Olympics, 2002.AUSTRALIA SALT LAKE 2002fashion, costume, shoes, wool, sport, salt lake city

Par tof the womens casual 'sportwool' uniform for the Winter Olympic games, 2002LAND ROVER GO EVERYWHERE FOOTWEAR Du Pont certified Thermolite Thin insulation LAND ROVER GO EVERYWHERE FOOTWEARfashion, shoes, costume, sport, salt lake city

part of the womens casual "sportwool' uniform for the Winter Olympics, 2002AUSfashion, wool, costume, sport, salt lake city

Part of the uniform for the Winter Olympic Games, 2002 worn by men and women.Pair of leather gloves worn by both men and women. This'pair' is two left gloves.HESTRA HESTRA SHELL; ELK lEATHER LINING: 100% POLYESTER 8fashion, gloves, leather, costume, sport, salt lake city

Part of the Winter Olympic Uniform, 2002 and worn by both sexes.Salt Lake City 2002 WOOLMARKfashion, costume, sport, salt lake city

Part of the casual Winter Olympic uniform, 2002 as worn by both sexes. (This item is sized 'L' most likely worn by a man.)WOOLMARK WOOLMARK SALT LAKE 2002fashion, sportwool, costume, sport, salt lake city

Worn as part of the femal formal Winter Olympic uniform, 2002WOOLMARK MERINO SELECT PURE NEW WOOL WOOLMARK 100%MERINO WOOL DRY CLEAN ONLY WARM IRON MADE IN INDIA LIC. NO.: 5345AA97Wfashion, weaving, costume, sport, salt lake city

Part of the mens formal uniform for the 2002 winter OlympicsWOOLMARK MERINO SELECT PURE NEW WOOL WOOLMARK 100% MERINO WOOL DRY CLEAN ONLY WARM IRON MADE IN INDIA LIC. NO.: 5345AA97Wfashion, weaving, wool, costume, sport, salt lake city

The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial

Louis Kahan (1905-2002) is best known in Australia for his skill as an artist. As Independent Fashion Curator, Laura Jocic has observed, ‘It is less known though that Kahan had a career in theatre and fashion in Vienna and Paris during the 1920s and 1930s that continued when he came to Australia in 1947. He signed his fashion illustration with the initials 'nac', a phonetic interpretation of his surname spelled backwards. In this illustration on newspaper we can see Kahan playing with the graphic effects of line and text, while communicating the cut and drape of late-1950s fashions.’ Kahn was born in Vienna in 1905 and first travelled to Australia in 1947. He moved to Melbourne in 1950 where he became friends with artist George Bell, writer Alan McCulloch who introduced him to Clem Christensen, editor of the literary journal Meanjin, where many of his portraits of Australian writers were published. His 1962 portrait of the author Patrick White won the Archibald Prize, bringing him national recognition. He also designed sets and costumes for the Elizabeth Theatre Trust (Opera Australia) and the Melbourne Theatre Company. In 1993 his contribution to Australian cultural life was recognised when he was made an Officer in the Order of Australia (AO). He died in Melbourne, at the age of 97 in 2002. Ann Carew 2018Fashion illustration on newsprint. Drawing depicts two women. Women in foreground is wearing a long green coat and hat.Woman at rear is wearing a green and white evening dress with white gloves.Signed lower right in ink, 'nac 1958'.fashion illustration, fashion design

Page layout for Costume of Australia book, by Marion Fletcher.Page layout features sketch of twe 1870s , including bodice detail of the second dress: 1. Day Dress c.1873, from the National Gallery of Victoria; 2. Afternoon or Dinner Gown, 1877, from the National Trust of Australia (Victoria).Inscribed in blue pencil, bottom left: '64% in grey ink, bottom left: 'P2' in blue ink, bottom left: '<-----------------------164mm--------------------------->/ OUP 102[cricled]'; bottom left [running horizontally]: <---------------------187.5mm----------ink, paper

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.These shoes are significant as they are part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. Pair of ivory silk shoes, worn by Edith Mary Betteridge at her marriage to George Weir in Broken Hill in 1891. The shoes were worn with her ivory silk wedding dress.edith mary (betteridge) weir, 84 princess street (kew), footwear, women's shoes, wedding shoes