Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Paintings undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, flora, alumni, mount cassel, mount william creek

Hardcovered illustrated book of 414 pages. Between pages 286-287 letterhead for " Don" Mig. Co furniture manufacturers. Between pages 56-57 cardboard sight piece"Brookeville Rounder's Club.FOUNDER'S PRIZE 1874.WON BY SAMUEL GREVILLE 18th. July 1874." Master Samuel Greville with the best wishes donor J. Edwards [missing] 18 July 18 [missing] 1874brookeville founder's club, samuel greville, aye-aye, dinornis, horizontorium

Ruby Wilson was related to the Wieland family through the marriage of her sister Amy Ellen Thelma to Stanley Wieland.Blue covered book with black stenciled picture of gum tree , koala , kangaroo and kookaburras.All pages filled with hand writing and drawn pictures In ink on back the name Wilson.

Purchased through the Horsham Art Gallery Trust Fund, 1977 Cibachrome photograph

Dr Gary Presland, Librarian at the Field Naturalists Club of Victoria Launched his latest book, 'Understanding our natural World' at the club's headquarters in Blackburn on Jul 8, 2016Dr Gary Presland, Librarian at the Field Naturalists Club of Victoria. presland, gary dr., field naturalists club of victoria

emu, parrot and peacock feathers, silk thread, cottonbasket, woven, indigenous, lisa waup, peacock, emu, feather, handcraft

This volume formed part of the private library of Malcolm Carkeek, former Archivist of the Royal Society of Victoria, and was donated by him to the Kew Historical Society. 1839 edition with a life of the author, an introductory discourse, notes, and supplemental dissertations by J. R. M'Cullochadam smith, economics - theory

Soft Cover A 5 size book, Front cover has a photo of Bimblebox trees with a small inset of a tree beside a large rock. The back cover is crimson with bimblebox flowers & a blurb in white On inside front cover is a map with the location of the Bimblebox refuge location 120 pages

Alec Chisholm was born in Maryborough in 1890. He became a journalist, and a prominent ornithologist and conservationist.The book forms part of the small Chisholm archive held by the M.M.H.S. The author is one of the town's most famous "exports".Blue, hard cover book, 96 pages. A general introduction to the avifauna of the Sydney district by noted ornithologist Alec H. Chisholm. Black and white illustrations throughout.chisholm birds maryborough

Kees HOS In 1956 Kees and his wife Tina made a new life with their two children in the arts community of New Zealand. In Australia Kees established the art school at Gippsland College of Advanced Education in 1971 with a radical multidisciplinary approach to art education. He generously delivered encouragement and opportunities to many people including lecturers, visiting artists and students. His small team literally built an art school from zero. Temporary accommodation in an old factory and service station in Morwell moved to three student-built studios on the Gippsland Campus. His highest recognition was 1997 when the names of Kees and Albertine Hos were added to the Wall of Honour in the Garden of the Righteous at Yad Vasheem in Jerusalem along with many others who put their lives on the line against the biggest killing machine the world had known. The ‘hiding-place’ in Kees and Tina’s home was discovered but Tina managed to rescue a baby as her own while the Jewish parents were transported to Auschwitz and Dachau. Kees was on the run using his printmaking skills to forge passports but was eventually captured and jailed, the war’s end saving his life. Gippsland Director's Collection, Acquired 1973.Signed and dated lower right in pencil "Kees Hos '64"artist, artwork, kees hos, gippsland campus, gippsland director's collection, printmaking, wall of honour in the garden of the righteous

Jessie McCleverty had a private ladies school in 2 locations in Surrey Hills in the early 1900s. She is not registered in teacher records at PROV. According to Jocelyn Hall's notes her school was located at 12 Durham Road from 1903-1905/6 and from then until 1933 at 44 Windsor Crescent.The earliest date in Sands & MacDougall is c1902 and according to the Victorian Government Gazette 1924, the school closed in 1923. [1933 may be a typo.] She was born in Melbourne in 1862 daughter of George McCleverty and Mary Gill. She had a brother William Edward, b1858, Ballarat East. Her parents may have migrated independently from Ireland. They married in 1856. By 1931 she was retired but still living in Surrey Hills. It is unclear exactly when she moved to Queensland, but she is listed on the electoral roll there for 1943 living with her niece Frances Victoria Shepperd and she died on 26 Jul 1943. She is buried in Toowoomba Cemetery. Fanny Wridgway (1890-1956) was born in Box Hill, the daughter of Frederick Wridgway and his wife Mary Ann (nee Young). She had an older brother Alfred and a younger sister Mary Ann. Box Hill Reporter entry gives her attending Banff Ladies' College in Box Hill in 1904 and she was dux of the school in 1905. Although the original donor indicated that Fanny was a teacher, she is not registered on the PROV Victorian Teachers' Roll. Electoral roll entries consistently indicate that her occupation was 'clerk'. She is buried in Box Hill Cemetery, along with her sister Mary Ann. No information found regarding W M Nance.This a fine example of the standard of work required of a senior student for examination purposes in 1907/1908.An exercise book with alternating lined and plain paper. The cover is beige in colour with a stamped illustration in the top LH corner. The binding is navy coloured cloth tape. it has rounded corners. The pages are numbered in neat black pen in the upper outside corner. An index on the front page indicates the scope of entries and the page number. The book is almost full. Each completed page has been signed by W M Nance. Illustrations and executed in black ink and the detail is very fine. in 2 places there are pressed rose leaves.Front cover in faded black ink: "(No. 1118 Passed in 1907) / Fanny Wridgway / Ladies' High School / Surrey Hills. / N0. 1366. present Exam. Dec. 1908" Back page in faded black ink: "J. M'Cleverty / Principal / Ladies' High School. Surrey Hills" jessie mccleverty, fanny wridgway, nature study, schools, private schools, w m nance, box hill cemetery

Aunty Frances Gallager is a respected Elder who was born in Bendigo in 1926 and is proudly from the Gunditjmara people of Western Victoria. Aunty Frances studied at RMIT and received her Diploma at the age of 87. She has her work represented in numerous public collections.aboriginal, gunditjmara

Al Stark is a well- known artist who works exhibiting in galleries and also producing many murals in public spaces. His works have been acquired into numerous public collections and private collections throughout Australia and overseas. Many of his works focus on environmental themes and social issues including climate change, technology and surveillance.environmental issues, climate change and surveillance

Unknown year

Ill, p.196.non-fictionA collection of photographs from around the worldgeography - pictorial works, photography

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment