Black and white photograph, 'Hibernia Hotel' printed over windows. Left and right of corner entrance 'Bar' also in script, circular plaque above door. 'Licensed to sell' 'fermented' and 'spiritous' liquor, P. McGrath painted over entrance. P. McGraths ball court to side. 4 male figures in foreground of two storey brick building, gas lamp obscuring one figure. 1 black and 1 white dog. 1 adult female in dark long frock with adolescent female, lighter toned mid calf length frock with cape. 264 Bridge St., Bendigo.cottage, miners, d. walker 5.11.1999 : suggested hibernian hotel, cnr. bridge and cemetry st, had bowling alley'

black and white photograph. Brick building, 3 or 4 storey, 2 chimneys, 1 square, 1 round. Lower brick building at front partially painted with 1 window and 1 double door. The door set into partially filled in brick arch. Main building has decorative brick work above windows and at corners of building. 2 vehicles in foreground, 1 sedan, 1 panel van. Corrugated iron roof, finial at each end above gable. Ball point pen on back 'Friedrich and Bassemeir Bakery, FSP/1204.organization, business, friedrich and bassemeir bakery

Black and white photograph in cream folder with card frame inside. Tray truck with display on back, consisting of large model tomato sauce bottle on box. Brick building in background painted with advertising sign. Inscriptions: in image on wall 'Quick to Quench, Cohn's, est. 1857'. On truck 'Say Cohns Please:, '100 years', 'Cohn Limited, Sw3an Hill', 'Cohn's Tomato Sauce', Truck number plate 'GNA 665'. Hand written BR corner 'Reg V Brock'. Rubber stamp front BR corner, 'Reg V Brock of Bendigo'. History: Prev. Acc. No. MP201topic, transport

Black and white photograph: streetscape of Harvey Town, Eaglehawk. Dirt road, with dirt footpath. Two stone cottages on RH side of photo, white painted stone ( ? ) cottage with a verandah on LH side of photo. Cottages have iron roof, brick chimneys. A wire fence runs across the front of the cottages. A. Doney photo ?place, streetscape, harvey town

Four coloured photographs of an advertising sign painted on theside of a red brick building occupied by A.M. Motorcyles 67 Bridge Street Bendigo.buildings, commercial, painted sign, cohn brothers

Watercolour and black pen, painted by Alf Perry 1954. Painting shows elevated weather board house, two brick chimneys. Stairs up to front verandah. Written across the top :'The late Jacob Perry's residence. Jobs Gully.Written on bottom of artwork ' As it was 1920, Alf Perry 1954. Written by Alf Perry, in pencil on the back, is the following: ' Drawn from the house in March 1954 but as I knew it in 1920. A verandah is built at the right hand side of the house now. The window below floor level at the right let in light to the little workshop my grandfather used. I used to go up and make (?) little bone knives and forks out of ordinary bones. Alf Perry 1954'.house, private, jacob perry, jobs gully

Colour photograph of brick building at Redesdale. Brickwork is painted white, red iron roof. Written on rear of photo ' Grocery (l), Butchers (R). Building has three windows and two doorways on the front. Photo taken during a BHS tour, possibly 1990's.buildings, commercial, redesdale

High St Charlton, centre, southside. ANZ Bank, formerly Bank of Australasia built in 1892. State Bank building rebuilt in 1940. Part of Shire of Charlton 1987 series.Colour photo graph of ANZ Bank and State Bank buildings in High St Charlton. The ANZ building is single storey and is painted blue and white. The State Bank building is a two storey brick building with red bricks on the lower half of the building and cream bricks above. A blue and white station wagon is parked in front of the ANZ building.high st charlton, anz bank, bank of australasia, state bank

Victoria Hall, Armstrong St Charlton was built for E. Miles in 1884. Sid Rosewall's house is on the right. This photo taken c. 1960.Colour photograph of a single storey, triple fronted red brick building. The front of the building is painted. There are double doors for the main entrance and three single doors - one to the left and two to the right of the main doors. There is a large, ornamental parapet wall on the front of the building with a flag pole. A wide verandah runs the length of the front of the building with a pitched section over the main entrance. The LH side of the building is unpainted and has four windows high on the wall. A red brick building is partially visible on the RH side of the photo. It has two chimneys and iron roof.victoria hall armstrong st charlton, e. miles, s. rosewall

Colour photo: Royal Mail Hotel, Corner Williamson and Hargreaves Streets, Bendigo. Three storey hotel, the bottom in brown and grey bricks, the top two storeys painted in grey. The name Royal Mail Hotel in red letters above main entrance.bendigo, hotel, royal mail

Photograph of a two storied brick factory with the words ' Gripes Foundry' painted below the gable. To the left of this building is a wide gateway and a single story wooden building with an iron roof. Above the gateway there is a large sign with ' Gripes Timber yard Iron &c on sale ' painted twice. There are two workmen standing in the doorway of the foundry and a large pile of earth in front of them. A picket fence can be seen running off to the right of the foundry Building.Batchelderbuildings, commercial, gripes foundry, gripes foundry, gripes timber yard, batchelder

Photograph of a two storied brick building, Norfolk Brewery, Bridge Street, Bendigo. Later taken over by William Bruce and became the BB Brewery. There are two large arched doorways in which there are several workmen and a number of barrels. There are several smaller wooden buildings flanking the main one. There is a dovecote centre left of the photo. Outside the log fence there is a workman holding a horse and cart on which there are several Barrels. On the side of the cart is the painted sign ' Sayer Bros ' and on the left of the gateway can be seen Batchelders photographic cart.Batchelderbuildings, commercial, sayer bros. brewery, sayer bros. brewery, bridge street, dovecot

Photograph of a brick building with a part iron roof. The sign 'Hunters General Store' is painted on the front of the building, there is a veranda with wooden posts on the right hand side . Above the veranda there is a faded painted sign with the words 'Serpentine Store' Just visible. In front of that and to the left there is a water tank. There are four women, five men and a child posing in front of the building, all are in casual clothes.buildings, commercial, general store, hunters general store, serpentine store

Rev. Thomas Williams was grandfather of the Lindsay children. He is credited with encouraging his grandchildren in their artistic talents. Both Lionel and Normam learnt their model making skills from him. Creswick Hospital was foundation stone was laid in 1863. It operated as a hospital until 1911 when it was sold to the government as part of the School of Forestry (now University of Melbourne). The model shows it as a red brick building. In the 1870s it was painted as a white building. The Museum has b/w photos of the building taken prior to rendering. The people of Creswick collected fund for the project and obtained a government grant. The 1857 survey map of the proposed township shows the area at Eastern Hills reserved for a hospital and Benevolent SocietyThe model's unique association with the Lindsay Artist of Creswick. Model of Creswick Hospital before rendering. Made of paper with painted background and framed.model, creswick hospital, rev t. williams, lindsay family

The two girls in the painting are Hedwig Vollmer and Aline Zollinger of Camp 3. The painting is believed to be by J Wolfgarten a German Wooolbuyer. Colour photograph of this painting is filed in the V internee file.Water colour painting of camp huts. Hut painted blue surrounded by gardens. The garden are outlined with bricks. The two window are open. One window has white curtains. Two girls are standing at the door. Both in pale dresses. One girl with blond hair standing on the threshold facing the other girl with dark hair girl who is standing just outside the doorway. 1942 Tatura (a mark before the date perhaps a stylised R)camp 3, german internees, german woolbuyer, camp huts, internment camp gardens, camp water colours

The Aitken Gap Gaol was originally constructed at the Gap Settlement on the Calder Highway in 1857 for the gold escorts. It was relocated to its present site outside the Sunbury Police Station in Macedon Street between 1989 and 1991.A coloured photograph of the relocated Aitken Gap Gaol. It has bluestone walls and a moss covered slate roof. with 2 solid stained wooden doors and blue painted wooden trims. A small cell window is on the side of the building and a paved brick area surrounds the gaol.aitken gap gaol, gap village, sunbury police station, george evans collection

The brick building was constructed in 1911/1912 and replaced an earlier school building. In 1942/43 the school building was extended to cope with the increased population in Sunbury. The State School remained on the Macedon Street site until 1999 when it was relocated to the restored former Industrial School at Jacksons Hill.A coloured photograph of the former Sunbury State School No. 1002. It is a red brick Federation building with a red terracotta tiled roof and wooden white painted trims. There are two stepped brick chimneys with terracotta chimney pots and six air vents protruding from the roof. There is a small porch at the front of the building.carirns, j. f. dr., eadie, peter, education department, george evans collection

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield.

Front view of Stawell Shire Hall in Longford Street with wrought iron fence and 1920's motor vehicle parked outside. The photograph taken in 1949 was donated by Mr. F. M. Mortyn who was Secretary of the Stawell Shire from 1947 - 1960. A small black & white photo of the Stawell Shire Hall with its brick facade with a parapet top. The entrance doorway in the centre with windows each side. In front a wrought iron fence. The gate of the fence is painted white. A 1920's motor vehicle is parked out the front to the right of the Shire Hall. Stawell Shire Hall 1949.stawell

Two Stawell Shire Hall colour photos showing the changes over time to the landscape around the Shire building. In 2011 the two Norfolk Island hibiscus trees were removed. In the photo with the trees removed the building is painted a brown colour and has the Australian flag flying on the flag post. Two colour photographs of Stawell Shire Hall showing how the landscape around the building has changed over time. In 2011 the Norfolk Island Hibiscus trees were removed. The building was painted white in one photo and when the trees removed painted a brown colour similar to the initial brick of the building. stawell

Three photos showing Stawell Shire Hall after trees removed in 2011. The building is painted a brown colour and in all 3 photos the Australian flag is flying on the flag post out the front. The three photos show different views of the building. One of the photos on page 29 Album 14 shows a deciduous tree also planted on the right side of the building. Three colour photos of Stawell Shire Hall taken in 2011 showing the building without the Norfolk Island Hibiscus trees. The Shire Hall is painted a brown colour and show the brick veneer addition on the left. The three photos are in Album 14 pages 26 & 29 showing the new deciduous tree planted out the front and the brick veneer addition on the left of the Shire Hall. stawell

Scallan St - Mrs McClureColour photograph showing a red brick house, with tiled roof and with red brick fence with painted top. The house is hidden by treet and plants. Town hall to the left of house.streetscape

Literary Institute at Pleasant Creek, Stawell West. The 1862 building has had many renovations over time. These 3 black & white photos show small changes over time. 3 B/W Photographs of two story brick building at Pleasant Creek, Stawell Literary Institute. Photos (found in Album 13, p.81) show three different views of the building and taken at different times judging by the vegetation around the building. One of the photos has a different fence what looks to be freshly painted. stawell

Literary Institute at Pleasant Creek, Stawell West. Showing Extensions at Rear. Verandah painted Marone and white strips. Picket fence around the building.Colour Photograph (Album 13, P82) of two story brick building at Pleasant Creek, Stawell. Literary Institute. Large Flowering bush at front. Photo also shows back room addition. Mostly likely an addition when the building was used as a cafe. Verandah painted in different stripes.August 1985stawell

Central Park timber Ticket Box. The two photos show the portable white weather board box with blue roof. The timber box was moved at Easter and placed in front of the Town Hall where tickets for the Stawell Gift were sold. This relieved the work load of the ticket boxes at Central Park. Information regarding the ticket boxes from news papers can also be found on catalogue worksheets folder.Two photos of the portable Ticket box constructed of weather board painted white with a blue roof. The Photo's shows the wheels under the box but also supported by a brick block. stawell

Diamond House Stawell Built by John HearneClose up B/W photo showing Different coloured stones, painted wooden slats in diamond pattern all over exterior of house. Diamond house restaurant sign in a diamond shape on chimney with wooden fence.c. 1982. Diamond House Restaurant sign on brick chimney stawell