black and white postcard. On top of card ' Brooklands, View from Public Enclosure' Image taken from the perspective of the public enclosure. Two trees in foreground, people walking. Racetrack in background, pavilions visible.Valentine's Series, printed in Great Britainevent, sports, brooklands motor course, weybridge, uk

Two colour photogrphs of Bendigo Town Hall, 9A Hargreaves Street frontage facing Bull Street, taken in 1991 9B view of Bendigo Town Hall perspective of Hargreaves Street & parkland facades, taken 1996Estelle Hewston

Laminated screenprint of Portland harbour from the perspective of a boat looking back towards the shore. In the foreground is the front of the boat and four birds about to take flight from the water. The background features a few boats and the buildings along Bentinck Street.

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: GOLDEN CASTLE BAGGED RICE 13-4-76 (centre, pencil)port of portland archives

Norm Harris Collection charcoal sketch of Post Office & Court House, by R. Heddle. The sketch features the left side, with the clock tower and includes the front and partial left side of the building.The sketch is perspective ,with the tower to the left of centre to incorporate the entire front of the building .R. Heddledrawing, charcoal, post office and court house

Two colour photographs of a well which remains on vacant land at front of Living and Learning Centre, Eltham. 1. Perspective showing well with Main Road and Eltham Hotel in background 2. Looking into the bottle shaped well which is approx. 3m deep and 2m diameterwells, eltham, living and learning centre, main road

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Chapters: Language & Communication; Historical Perspective: Learning; Language use in Multilingual Malaysia; Language Impairment; Descriptions of Linguistic Categories; Effects of Language Impairment; Strategies to enhance Early Communication Skills; Teaching your Child; Suggested Activities that can promote Language Development; Frequently Asked QuestionsB&w illustrationslanguage and learning, language impairment, sociolinguistics

This article references 'The Great Great Australian Dream' by Robin Boyd and other references to Boyd's ideas and perspectives.Handwritten at top left in pencil "Boyd Meanjin". Robin Boyd is underlined in the first and second column of text.the great great australian dream, austrophobia, robin boyd, walsh st library

Page from Shopell's Modern Houses catalogue of October 1886, entitled 'PERSPECTIVE VIEW OF DESIGN NUMBER 398', featuring a lithograph depicting a large house in a clearing and people playing tennis on the lawn in front of it. Photocopy of magazine cover is adhered to backing of frame. Materials: Paper, Ink, Wood, Cardboard, Glasstennis

The River Yarra was a popular subject for photographic postcards. The postcards provide an interesting perspective of plantings on the banks of the Yarra at various periods. Small, sepia coloured real photo postcard of the River Yarra at Kew. The bird's eye view, presumably taken from Victoria Street Bridge shows the banks of the Yarra in the foreground densely planted with weeping willows. There is also canoe in the foreground. The expanse of lawn in the middle ground is that of 'Swinton', the tower of which can faintly be seen at the top centre of the view. "RIVER YARRA AT KEW / REAL PHOTO SERIES M. 2908 "real photo postcards, yarra river -- kew (vic.), postcards -- 1920s

Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 1. Aerial perspectiveSketch, Dyeline

DVD of First Australian, The Untold Story of Australia. The white settlement of Australia from a first nations perspective. Based on an SBS program.DVD in plastic caseindigenous australians, aborigines, first nations

Also one other photograph, size 15 x 10, different perspective, with lake and sanddunes in background, donated by Vera BennettColour photograph of the Lakes Entrance War Memorial when situated on south side of Esplanade, west of Bank Jetty. Shows monument with inscriptions and tall four-sided pillar on concrete forecourt, two flagpoles and low seating. Lakes Entrance Victoriaworld war 1914-1918, memorials

SoftcoverTo Dad: With best writer for Christmas and 1978 - I do hope that you enjoy this book, which is arguably (and in my reading experience certainly) the best and most perspective book about Australia and Australians and their ways. Regards, John 26-xii-77fiction, walsh st library

A soft covered book of 64 pages, produced for the education of school children about the practical aspects of energy from the Australian perspective. Book citation from TROVE: Murray, Peter R & Rosier, Malcolm & Vulcan Industries Limited (1974). Energy Australia. J. & D. Burrows [for] Vulcan Industries Limited, Blackburn, Vic energy, education, school books, basic science

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.photograph - fading evidentwest sydney; australia; waterfalls; women; holidays

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.1935 Mum in beret, Aunt Elizabeth in black, me in front inberetwaterfalls; west sydney; australia; women; second world war

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.west sydney; australia; mum: holiday; jenolan caves: 1940's; second worldwar

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.photographW139.11 Me, Mum G. McGrath PS HER MAJESTY'S ARCADE, SYDNEY extra copies are obtainable by quoting numberwest sydney; mcgrath; mum; australia; 1940s; second world war

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographFriend and Mum at Randwick races 1940's; west sydney; australia; randwick races

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographJim, me, mum,George, 19361930's; west sydney: brothers; sisters; family

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographMe, Mumwest sydney; australia; 1940s; 1930s

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.PhotographDec 1940 LEICA-FLASH No.4 ROYAL ARCADE, SYDNEY QUOTE No. FOR EXTRA COPIES1940's; second world war; australia; west sydney

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Mum, me, Tony ? + Kay 1939west sydney; australia; second world war;