Showing 252 items
matching portland photography
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Federation University Art Collection
Painting - Artwork, Lainey Beavis, 'The Enchanted Forest' by Lainey Beavis, 2015
... - ) Born Portland Lainey Beavis completed a Bachelor of Visual ...Lainey BEAVIS (1994- ) Born Portland Lainey Beavis completed a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy in 2015. She won the 2015 Art Acquisition Award. The work 'The Enchanted Forest' has been exhibited in the 2015 Federation University End of Year (EYE) Exhibition, and at Brunswick Street Gallery.Framed digital print featuring imagery of Portland's Enchanted Forest. Artist's statement: The photograph captures a dreamlike landscape where one can lose themselves within. It portrays a figure with significant connection to the landscape that it transcends into a sense of euphoria. The image emphasises the beauty of the landscape and the figures passion for it. The figure in the landscape is Rayhna Puche.lower left side '1/5' lower centre 'The Enchanted Forest' lower right side 'L. Beavislainey beavis, artwork, artist, alumni, figure, portland, enchanted forest, photography, rayhna puche, art acquisition award -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lifeboat, n.d
... photography Portland Lifeboat Admella ...Built in 1858 at the Port and Harbour Master's yard in Williamstown Victoria, the Portland Lifeboat was overseen by Harbour Master Charles Ferguson. It is understood to have been constructed from the same moulds used to build the Port Fairy Lifeboat, designed by William White, in 1857. Both boats are similar to the lifeboats designed in England by James Peake and adopted by the Royal National Lifeboat Institution (RNLI) in the UK. The Portland Lifeboat's 9.14 m (30 ft) long hull is double diagonally planked in New Zealand kauri, and many of the planks run from gunwale to gunwale in one piece under the inner keel section. Eucalyptus and oregon were used elsewhere and the local blacksmith made the iron work. The fastenings are copper. There are two flotation or buoyancy tanks at either end, with prominent whaleback style decking. Under the thwarts is a deck with scuppers so that the craft is both buoyant and self draining whenever large waves are taken aboard in rough conditions. The lifeboat was oar-powered with a sailing rig. The original rig was a lug mainsail, but this was replaced with a lug and headsail rig taken from a fishing boat in 1903. The lifeboat was manned by volunteer crews, mostly local fishermen from Portland. They maintained this service until 1915 when the boat was replaced with a new motorised craft. The lifeboat's most outstanding service was to the steamer ADMELLA in 1859 when the ship grounded on a reef off Cape Banks in South Australia, 150 km to the west of Portland. Survivors clung to the rigging in heavy seas for over a week and 89 people lost their lives in the shipwreck. Taken to the scene by the steamer LADY BIRD, the Portland Lifeboat was unable to assist until eight days after the ADMELLA's grounding when the seas abated enough for the lifeboat to manoeuvre close to the ship and rescue the last 19 survivors. Since its retirement in 1915 the lifeboat has been a memorial to those who manned it and those it rescued. For a long period it was on display in the Portland Gardens, first in the open and then under a canopy. In 2008 it was on display inside the Portland Maritime Discovery Centre, still in original condition complete with the rig from 1915. It is one of the oldest vessels of its type in Australia, and the world.Portland LifeboatPhotograph showing the Portland Lifeboatphotography, portland lifeboat, admella -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Public Baths, Portland, 1930s
... ', black print, lower border photography Portland Baths pier ...Black and white photo, white border. View of the baths, Ocean Pier, Railway Pier with steamer at berth. Fishermen's Breakwater, Battery Point in background. Taken from ground level, looking east.'THE PIERS AND BATTERY POINT PORTLAND', black print, lower borderphotography, portland baths, pier, battery point, portland, fishermans breakwater -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Beach, n.d
... Cliff Street Portland great-ocean-road Photograph - Portland ...Photograph of Portland Beachportland beach, coastal photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial photo of Portland, n.d
... of Portland Archives aerial photography Bentinck Street Portland ...Port of Portland AuthorityBack: fdou3 - pencilport of portland archives, aerial photography, bentinck street, portland railway station, ocean pier -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland Harbour, 1958
... of Portland Archives 1950s 1958 aerial photography Portland Harbour ...Port of Portland Authority ArchivesBack: Purple Stamp - 14 Jun 1958 Harb-009 L 49 pencilport of portland archives, 1950s, 1958, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph, 1992
... Archives Port of Portland Archives portrait photography ...Port of Portland Authority ArchivesBack: Black stamp- Feb 92 c/off "JA & JIWAN" - blue biroport of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coastline, 1954
... border aerial photography Portland Harbour south west coastline ...Black and white aerial photo of coastline around Portland. Black border, scale on all sides, 5 rows of 3 't', at regular intervalsFront: '607 -102' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph, 1934
... Celebrations in Portland. Esther Winifred Hall photography Portland ...Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print - Portland Botanical Gardens, n.d
... Cliff Street Portland great-ocean-road Contact Print - Portland ...Black and white contact print from glass plate negative. Image shows a young woman sitting on, and two others standing near a bridge in Portland Botanical Gardens. Dress is late 19th, early 20th century.portland botanic gardens, photography, 19th century, 20th century -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative, 1890-1910
... on verandah of house in background. photography Portland ...Glass plate negative. Informal portrait in a garden. Vine on verandah of house in background.photography, portland -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print, 1970s
... 20th century. Back: 'Mellons' - blue biro photography Portland ...Black and white contact print from glass plate negative. Image of stone house with shingle roof and stone chimneys. Verandah with iron support poles and lace work. Vines growing up poles. People standing on verandah and in garden. Dress late 19th, early 20th century.Back: 'Mellons' - blue birophotography, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - beach scene, Portland, n.d
... . Portland beach scene photography ...Displayed at History House.Black and white photograph of Portland Bay mounted on thick cardboard. Eyelet in top of mount. Families on beach. Lighters (wrecked) on beach. Copper in foreground. Children on swing. Pier in background.Back: Donated to History House 24/1/1992 by Vern McCallum.portland, beach scene, photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Julia Street, Portland, n.d
... scene Portland street scene photography ...Displayed at History House.Black and white photo. Looking west to east, Julia Street. First 2 buildings have verandahs and 1 chimney each. Double storey, stone building, 4 upstairs windows, 2 chimneys. Small building between 2 double storey buildings. Double storey blue stone with verandah. Small building. 4 double storey buildings.Front: Portland-Julia Street, Looking west to east. Back: State Library of South Australia. Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No. A/6493.street scene, portland street scene, photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland, Victoria, n.d
... . photography Portland town trade commerce bank ...Black and white photo taken from glass plate negative. Bentinck Street/Julia Street corner. Bank Australasia on right. Bentinck Street from London Hotel to Macs Hotel visible.photography, portland town, trade, commerce, bank -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print - Scenes of Portland, Victoria, 1970s
... scene photography Portland Harbour Portland seafront Julia ...Sheet of 12 contact prints of rephotographed photographs: (a) 5 young women on dam wall (b) sailors (c) Bentinck Street, looking north from Post Office (d) Julia Street looking east from Percy Street (e) Railway line and Duttons (Nuns) Beach towards Whalers Bluff (f) Fawthrop Lagoon (g) sailors (h) Post Office (i) River, bush close to banks both sides (j) Botanic Gardens (k) Town and Port of Portland reproduced from III London News (l) North side, Julia Street looking west, Bank AustralasiaFront: (c) Bentinck Street approx. 1900 (d) Julia Street, portland Nicholls (h) Portland Post Officeportland scene, street scene, photography, portland harbour, portland seafront, julia street -
Glenelg Shire Council Cultural Collection
Photograph, n.d
... Port of Portland Archives portrait photography ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Cresco factory, Portland, c. 1960
... Cliff Street Portland great-ocean-road Photograph - aerial view ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, aerial photography, cresco -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Captain Ian Baird, n.d
... Cliff Street Portland great-ocean-road Photograph - Captain Ian ...Port of Portland Authority archivesFront: (no inscriptions) Back: Capt. Ian Baird (blue pen, lower left)port of portland archives, portrait photography, captain ian baird -
Glenelg Shire Council Cultural Collection
Photograph, n.d
... Cliff Street Portland great-ocean-road Photograph Photograph ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph, n.d
... Archives Port of Portland Archives portrait photography ...Port of Portland Authority Archivesport of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - dutton Way, 1975
... Cliff Street Portland great-ocean-road Photograph - dutton Way ...Port of Portland Authority ArchievesBack: Stamp - K Pridham Officer in charge Ports and Harbours Depot Port Fairy Dutton Way 16.5.75 - blue biro Red Kodak Stampsport of portland archives, colour photography, dutton way -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... Cliff Street Portland great-ocean-road Photograph - David Milner ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, lower centre)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... Cliff Street Portland great-ocean-road Photograph - David Milner ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, lower centre)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, n.d
... of Portland Archives portrait photography woman ...Port of Portland Authority Archivesport of portland archives, portrait photography, woman -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... Cliff Street Portland great-ocean-road Photograph - David Milner ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, upper centre)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... of Portland Archives portrait photography David Milner tugmaster ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner/ Tugmaster (blue pen, centre left)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Jack Stanford and Alex Kinnard, n.d
... Cliff Street Portland great-ocean-road Photograph - Jack ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography, jack stanford, alex kinnard, presentation -
Tarnagulla History Archive
Photograph: Colonial Bank of Australasia (later Union Bank) in Tarnagulla, June 1866
David Gordon Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. -
Tarnagulla History Archive
Photograph: Alluvial workings between Gladstone St and Commercial Road, Tarnagulla, June 1866
David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.