WW2 Guidelines for the protection against gas in the field, respirators and passive air defence.Cream cardboard covered booklet Coat of Arms Protection Against Gas and Air Raids Pamphlet No 3 Passive Air Defenceprotection against gas and air raids, ww2

Used by the Military for lower leg protectionMade and distributed by GMHMilitary green cloth Puttee (Strapping) for binding lower legmade in Australiaputtee, ,military, protection

Nicholas Ruthen was a student at Bulla Primary School when the children were celebrating Arbor Week in April 1989. He had planted a tree and had placed a guard around it to give the young plant protection. A non-digital coloured photograph of a boy kneeling on the ground beside a small tree which has a plastic protection around it.arbor week, nicholas ruthen, bulla primary school

Leather gaiters manufactured by Holden and Frost Circa 1900Used by bushmen in the 1900's and made and sold by Holden and FrostPair leather gaiters used for leg protectiongaiters, leather

Gas Mask, gloves and bag. "Chemical Protection equipment"equipment, 2000, raaf

Round yellow metal badge with transparent protection covering the front.Around outside: “WIDOW OF WORLD WAR 1 VETERAN” Centre: “TRAVEL PASS” Below centre: “9579”badge, travel, widow ww1

Environment Protection Authority carries out study of Blackburn LakeEnvironment Protection Authority carries out study of Blackburn Lakerobinson, brian dr, environment protection authority, victoria, blackburn lake committee of management, environment

Donated by Mrs Mercer, MaryWhite baby powder tin with orange trim and blue lettering"Johnson's Baby Powder. Economy Size, purest protection. Johnson & Johnson"

Royal Air ForceOfficial guide for Air Force Personnel320p., hard cover, illus. Cover folds around book for protection.world war ii, military manuals, royal air force

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Two sherds that join to form a Canopic jar which held the stomach removed during mummification. The stomach was placed under the protection of Duamutef, one of the four Sons of Horus, who were charged with protection of the viscera removed during mummification. He was represented as a human figure with the head of a dog. Duamutef was then placed under the protection of the goddess Neith. Small paper label inscribed with 'A11' attached to back of sherd. The inscription, consisting of four columns of text reads: Words spoken by Neith My arms embrace what is in me I protect Nuamutef, who is in me The revered one with Duamutef, (Osiris) the dignitary Tusy true of voice. (translation by Dr Olaf Kaaper)canopic jar, hieroglyphs, james dodgson, aquila dodgson, flinders petrie

Dried red poppy flowers from cemetery Pozieres, France.Frame - light timber frame, glass protection. Dried poppies x 6.framed flowers, france

Volunteers dedicated to the protection and maintainance of indigenous plants, help given by secondary students.nunawading indigenous plants project, native plants, strachan, janine, witherspoon, margaret, blackburn secondary college, blackburn high school, seventh day adventist college, mundell, tina

Document. Legislative Assembly. A Bill to Amend the infant Life protection Act 1890

German medal for war effort for the Fatherland. Brass medal depicting an eagle over a swastika, sword and spade. Edged with a leaf design. Small ring attached at the topFur arbeit zum Schutze Deutsch Lands (For work for the protection of German Lands)numismatics, medals, military, german medals, german military medals

My work has always involved textiles. I began my art practice in the darkrooms of photography, but I often came back to textiles to expose my images on, with either cyanotype or daguerreotype processes. I love way textiles can be manipulated so quickly and how each piece of fabric can have a different feel and weight. I prefer to use old materials with an inherent history that I can repurpose and reinterpret, usually linen, cotton, silk and other natural fibers. My work has increasingly become about texture, an overload of visual complexity and the introduction of hard materials into the soft sculpture medium. Almost anything can be stitched into a piece and so far the inclusion of brass, bronze and copper as small components of the finished work has opened the boundaries of where my practice can go. I use stitches and beads and other things to ‘draw’ and make patterns on each work; I love the detail and the investment in each slow stitch it takes to reveal the final piece.Wangaratta Art Gallery CollectionA black, golden, white, and silver handsewn protection totem encased in a glass dome case.gillian bencke, textile

Olive Green silk-like nylon fabric sleeping bag liner for protection from insectsCGCF Victoria 1964 7210 66 011 5816sleeping bag, sas