Phonograph record, black shellac with red octagonal Coronet label. A side: Singing the Blues. B side: Crazy with Love. Artist: Guy Mitchell, with Ray Conniff and His Orchestra.Reference KP-106

B. 25/11/1932 England; d. 14/2/2001. Ordained 1964; Penguin Tas. Methodist Church 1964–67; Dromana 1968–71; Benalla 1972–77; Diamond Valley 1978–1985; Laverton North/Altona 1985–1991; Mill Park 1991–1996. Retired 1996 but continued active ministry in supply situations until his death.Chapman is shown seated, dressed in clerical collar and jumper, patting his cocker spaniel.Reference to Church & Nation.chapman, colin

Reference 15A/1082

Four Legacy widows from the Caulfield Legacy Widows Club.It was used in an issue of The Answer. From the name badges, they are (L to R): Shirley Cornish - Vice President, Mavis Major - Committee Member, Illegible - President, and Pauline Thompson - Secretary. It is believed that the date was 1991 due to the reference number from the photographic studio 911030B-28 means 3 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00651. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of four Legacy widows and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030B-28. Pg 3 in and "Caulfied" in pencil.widows, widows club, committee

This is a reference written by Mabel Klech, Instructress in Dressmaking at Bendigo School of Mines and Industries. It is written for Miss Ivy Jack, certifying that she attended the dressmaking, cutting and designing classes and freely recommending her services to anyone requiring them.Significant in relation to the history and past students of Bendigo School of Mines & Industries and to the type of courses being offered by the school in 1942. Significance has been assessed in-house.White paper photocopy of reference from Mabel Klech, Instructress in dressmaking at the School of Mines and Industries, Bendigo to Miss Ivy Jack, dated 14th October, 1942.On white A4 paper: "School of Mines / Bendigo / Oct. 14th 42. / To whom it may concern, / I have pleasure in / certifying that Miss Ivy Jack has / attended the dressmaking, cutting / and designing classes at this / school during the past two years. / She is pains-taking and / attentive, and to anyone requiring / her services I can freely recommend her. / Yours faithfully / Mabel Klech / (Instructress in dressmaking)"bendigo school of mines and industries, jack, ivy, klech, mabel, dressmaking, reference, 1942, cutting, designing, jack, shirley ivy

A Legacy widow, Beryl Tucker and Legatee Eddie Jowett posing as if they were dancing, for a professional photographer. The photo was featured in the 30 September 1991 issue of the Widows' Newsletter. The article mentions that Legatee Jowett coordinates a month concert at Legacy House on the first Monday of the month. The concerts are free to Legacy widows and the artist are first class professionals. Around 180 widows attend regularly. Legatee Jowett had a regular saying, almost a commandment to the ladies when it was time to leave: "You are never dressed until you are wearing a smile". The reference number from the photographic studio 910902B/8 could mean 2 September 1991.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of Legatee Eddie Jowett and Beryl Tucker, a Legacy widow.Label on the back from Keesing Photographic with Reference No: 910902B/8 and 40% in red pen.widows, concert, answer, eddie jowett

These reference books were used in the Orbost pharmacy by various chemists. . Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. "n Britain, the Medical Act of 1858 charged the General Medical Council with the "production of a book containing the list of medicines and compounds, and the manner of preparing them together with the true weights and measures by which they are to be mixed and prepared". The British Pharmacopoeia thus became the official reference book and superseded other previous manuals" (from .South Australian Medical Heritage Society Inc" These reference books have an association with Orbost. Historical works in pharmacy show the evolution of therapeutics and the development of diverse treatment and are therefore a useful research tool. Five heavy reference books. They contain detailed information on drugs and other pharmaceutical materials with standards for substances. Details of each book are in the catalogue folder.pharmacies-orbost reference-books-pharmacy medicine drugs

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.20-page booklet published by the National Trust (Victoria) on penal establishments in Victoria with specific reference to the Old Melbourne Gaol. "No. 04498"old melbourne gaol, heritage site -- melbourne (vic.)

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.20-page booklet published by the National Trust (Victoria) on penal establishments in Victoria with specific reference to the Old Melbourne Gaol. "No. 04498"old melbourne gaol, tourist guides -- melbourne (vic.)

6034.1 - Vinyl phonograph record with burgundy "Regal" label. Side A: Live for Today. Side B: A Bachelor Gay. Robert Carr (Baritone) with OrchestraReference number G7 432

Phonograph record with yellow and black "M-G-M" label. A Side: "T'ho Voluto Bene", B Side: "Anna" - Soundtrack of the I.F.E. film, "Anna". Artist: Silvano Mangano, vocal, with Instrumental accompaniment. The cover is coloured red and bone.Reference number MGM 5142

Phonograph record, black shellac with a pink Paramount label. Side A: I'm looking for a Four Leaf Clover. Side B: Huckelberry Finn. By Joe's Housewarming Partyreference number EPP- 2 (A)

Phonograph record, black shellac with a grey Columbia "Magic Notes" label. A side: Part 3, Gaîté Parisienne - Ballet Music. B side: Part 4, Gaîté Parisienne - Ballet Music. Artist: The London Philharmonic Orchestra.Reference number DOX - 590

Black vinyl phonograph record with a grey Columbia "Magic Notes" label. A side: The Denman Quadrilles No 3, B side: Destiny Waltz. Artist Harry Davidson and his Orchestra.Reference number DOX - 918

Phonograph record, black shellac with an orange "His Master's Voice" label. A&B sides: Cavalcade of Famous Artists.Reference Number D.B. 2455

Typewritten proposal regarding alternative treatment for Veterans, listing alternatives to Western Merdicine in favour of Natural & Alternative Therapies seeking permission from the Hon Minister of Veteran Affairs and the Federal Court. Page referring to War Graves of Veterans (dec).References to vartious books availabledocument, medical

In this example, nineteen 33-speed gramophone records are needed for a single title. Labelled with His Master's Voice, and recorded solely for the use of the blind by the Sound Recording Committee by Arthur Bush, they were dispatched via post to members who were in possession of commercial record players. Australian blindness agencies were purchasing overseas titles to expand their libraries for a growing number of users.19 vinyl records :12 in., 33-speed ;in paper sleeves, Reference number JG5433-JG5451audio books, royal national institute for the blind

Seven Legacy widows enjoying themselves at a widow club function, possibly singing. Their names are unknown. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies. Pg 3 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 could mean 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of 7 Legacy widows around a table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609B-2 Pg 3 B in blue pen.widows, widows club, activities

Four Legacy widows from the Caulfield Legacy Widows Club. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). Pg 3 could mean the photo was used in an issue of The Answer. It is assumed that the date was 1991 due to the reference number from the photographic studio 911030A-28 could mean 30 October 1991, along with 00645, 00646, 00647, 00648, 00649, 00650. Photos of the committee members of Widows clubs were taken by a professional photographer.Black and white photo of a Legacy widow and a proof sheet.Label on the back from Keesing Photographic with Reference No: 911030A-28. Pg 3 D in pencil.widows, widows club

Gunyah (aka The Surrey Hall) used in 1889 and after that for Masonic Lodge functions until they built the Emulation Hall in Rochester Road for local functions. There were many local dances both at Surrey Hall in mid 1930s, 1934 and 1935. Also on Saturday night at the Holy Redeemer. Foreword by the Honorable Wendy Baden-Powell.(Lord Baden-Powell's grand-daughter. Dedicated to Mr Jim Richards who followed in the great footsteps of "Rainbow" Simpson. History of scouting in Canterbury beginning with 1st Canterbury Scout Group. Includes many references to local Surrey Hills people.History of scouting in Canterbury beginning with 1st Canterbury Scout Group. Includes many references to local Surrey Hills people.Title Page: (signed by the author) James Nicolas17th camberwell, st paul's anglican church troop, surrey hall, gunyah, rainbow simpson, (mr) toby rechner, (m r) jim willis, (mr) jim richards, (mr) john wilson, (mr) c hammond, (mr) k smith, (mr) d hadaway, (mr) j mason, (mr) - fawcatt, (mr) g burmeister, (mr) george thomas, (mr) charles p middleton, (mr) w mccallum, (mr) h wilks, (mr) robert macfarlane, (mr) john moffat, (mr) gary everitt, (mr) peter milburn, (mr) bruce manks, (mr) wilfred o darby, (mr) - buscombe, (mr) - buchanan, (mr) j sinclair, (mr) f edwards, (mr) ray underwood, (mr) jack sinclair, (mr) don pittard, (mr) don webster, (mr) gerard van veenendaal

Eight Legacy widows enjoying themselves at a widow function. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies (Ref no 929609). Some of the same ladies are in 00655 and 00656. Their names are unknown. Pg 3 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 could mean 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of 8 Legacy widows around a table and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609B-9 Pg 3 C in blue pen.widows, widows club, activities

A widows' function at Legacy House. It was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Keesing Photographers took a series of photos on the same day of various ladies. Some of the same ladies are in 00654 and 00656). The two ladies behind the trading table are Vera Lang and Billie Sims. Keesing Photographers took a series of photos on the same day of various ladies. Pg 11 could mean the photo was used in an issue of The Answer. The date is assumed as 1992 due to the reference number from the photographic studio 920609 means 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of a Legacy widows' function with craft items exhibited on tables and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609A-10 Pg 11 A in blue pen.widows, widows club, activities

Handwritten reference for John Graham. Reference was written by Constable in Charge D. Barry and dated 22nd September, 1897Text: " Linton Police Station / 22nd September 1897 / This is to certify that the bearer John Graham / (junior) who is known to me during the last twelve / years is a sober, steady, honest, industrious, / well conducted, and respectable young man. "john graham, d. barry, linton police station

Museums are changing from being static storehouses for artefacts into active learning environments for people. New forms of museums, new ways of working with objects, new attitudes to exhibitions and above all, new ways of relating to museum publics, are emerging. At the end of the twentieth century, old structures are being replaced to prepare for a new century. Many social institutions are reviewing their roles and potentials, and museums and galleries are among them.incl. bibliographical references; 213p; endpaper: Susan Barnett museums