.1) & .2) Boots, pair of black leather boots with soles & heels screwed onto uppers. .3) Gaiters .4) GaitersOn soles in relief: SHERPA / REG 215448uniforms-army, costume-male footwear

Used to collect coins from those listening to street musicians, particularly the barrel organ grinder. It was customary to rattle the coins in an attempt to attract further donations.This is a copper, oval-shaped dish with low (about 2cm) sides, part covered in brass, with brass handle and about 15cm in length. Cover displays barrel organ in relief.street musicians; copper

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper

Produced as a souvenir from two Japanese Midget submarines sunk during attacks on Sydney Harbour in WWII. This souvenir was produced to raise funds for the RAN relief fund and King George's Fund For Sailors. It was sold as a souvenir as part of a touring exhibition around the country accompanying a composite midget submarine constructed of the two sunken vessels raised from Sydney Harbour.The souvenir submarine has tangible connections to the Japanese Midget Submarines sunk during attacks on Sydney Harbour in 1942. It is historically significant for its links to defending Australia and for its connections to tourism and fund raising relating to war time efforts.A cut square fragment of metal with possibly some Japanese characters etched on it. Attached to a paper label by a piece of cloth.A Guaranteed Souvenier/ from the Japanese Midget Submarine/ Sunk in Sydney Harbour/ Sunday, May 31st 1942/ G.C. Muirhead - Gould/ Proceeds to Rear Admiral in Charge, Sydney/ RAN Relief Fund and King George's Fund for Sailors.japanese midget submarine, world war ii, sydney harbour, ran relief fund, geelong naval and maritime museum, king george's fund for sailors

Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

Plaque bearing soldier's name: Harold Clifford BrookeCircular medal showing Britannia and lion (haut relief)"HE DIED FOR FREEDOM AND HONOVR" (sic) HAROLD CLIFFORD BROOKE

The art of making glass can be traced back to 2600 BC in Mesopotamia. Egyptians practised making glass around 2500 BC. Artificial glass first appeared in the Egyptian or the Mesopotamian civilization, whereas they used tools made out of volcanic glass obsidian in the Stone Age. Ancient China, however, discovered how to make glass a little later. Glass beads are known to be one of the earliest products made out of glass. Their creation is thought to be primarily accidental. In the later Bronze Age, glassmaking came to a halt. Glass was a luxury material back then. Archaeological excavations suggest the use of glass in England during the middle ages. In the 10th century, stained glass found a place in cathedrals and windows of palaces. After the Renaissance, architectural methods changed substantially, leading to a decrease in stained glass as a building material. Domestic use of glass increased following the industrial revolution. Vessels, glass windows, and glass beads gained popularity in Europe during this period. During the 19th century, many people preferred glass windows and doors as a decorative option. In the late 19th century, some designers brought back stained glass in decorative windows. It was during this period that Mr Tiffany discovered several methods to make domed glass handicrafts. People discovered the true versatility of using glass as a building material only in the 20th century. With glassmaking technology receiving an industrial boom, you could produce several different types of glass. Toughened glass, laminated glass, bulletproof glass, and smart glass all boosted the use of glass in buildings. Today, several skyscrapers, small and big homes, and offices use glass in almost all aspects of construction and design. https://www.aisglass.com/glass-made-step-step-process/The invention and development of glass, both as domestic items and in building, has been nothing short of revolutionary. Prior to the use of glass for windows, the interior of buildings were extremely dark, even during sunny days. The use of glass domestic objects, that could be easily washed, led to improved hygiene.Cylindrical drinking glass with stepped relief around lipNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, glass

Mining accident Relief Fund balance sheet 1894Vic . Govt.government, state, mines act

Silver metal matchbox holder with raised bullet relief.Rising Sun Badge "Australian Commonwealth Military Forces".matchbox holder

See 359Plain white tile with head of bull in bas-relief.'676' '29' '5'ceramics, earthenware

Colour photograph of a Bas relief of Queen Elzabeth II.queen elizabeth ii

Bronze medallion with soldier in relief on obverse and inscription on reversePresented by the residents of Nulla to Pte Con Fitzgerald on his return from the war 20-3-18world war one, wwi, fitzgerald, nulla

Black and white relief print of the head of an old man. Inscribed (L.l) 'A/P for Clif/ Adriane Xmas '85', lower centre 'Manning Clark' and (L.r) 'Rick Amor 85'.rick amor, print, relief, male head, manning clark, clifton pugh

Round plaster relief depicting two female nudes. Nonematcham skipper, relief, jewellery, nude

Oval plaster relief depicting a mother suckling a child. Nonematcham skipper, mould, jewellery, mother and child

Rectangular plaster relief depicting a male and female nude. Nonematcham skipper, mould, jewellery, male, female, nude

Oval plaster relief depicting a male and female nude. Nonematcham skipper, relief, plaster, male, female, nude

Oval silicon relief depicting a female nude bathing. Nonematcham skipper, relief, silicon, female, nude

Oval silicon relief depicting a male and female nude. Nonematcham skipper, relief, silicon, male, female, nude

Rectangular mould and relief of a male and female nude embracing. Nonematcham skipper, mould, relief, resin, male, female, nude

Plaster relief of a male and female nude holding a child. Nonematcham skipper, relief, plaster, male, female, nude, child

Round silicon relief depicting the profile of a woman's head. Nonematcham skipper, mould, silicon, female, head

A tankard mug that was produced in 1946 to honour Legatee Stan Savige service to Melbourne Legacy. See Frank Doolan's account at 01287.10. The mug was produced by EG Greenway Pty Ltd, a pottery manufacturer in Blackburn, associated with Legatee Herb Greenway.Shows the importance of Stan Savige to Legacy that they honoured him by portraying him in a mug.Cream coloured ceramic Toby jug with handle. Relief portrait of Legatee Stan Savige on one side and relief insignia of Legacy Torch and laurel wreath on the opposite side.Under side of mug is etched with Legatee Stan Savige 1946souvenir, founding legatee, stan savige

Plaque was previously located on the front wall of the East Bentleigh Memorial Pool alongside the original City of Moorabbin Memorial Pool plaques. The plaques were removed from the wall when the building was demolished for the GESAC development. The Moorabbin pool plaques were restored and relocated to the rhs wall in the entrance to GESAC. Plaque, bronze rectangular with polished bronze border and relief lettering and brown textured background. The plaque commemorates the official re-opening of the East Bentleigh Memorial Pool by the Mayor, Cr Alan Grossbard in 1997.Polished bronze relief lettering in upper centre of plaque: "OFFICIAL RE-OPENING OF / EAST BENTLEIGH MEMORIAL POOL / ON / 7 DECEMBER, 1997 / BY / HIS WORSHIP THE MAYOR / CR ALAN GROSSBARD" lhs, rhs, centre: CR NOEL ERLICH / CR ALAN GROSSBARD / COUNCILLORS OF THE CITY / CR RUSSELL LONGMUIR / CR VERONIKA MARTENS / CR BARRY NEVE / JIM MACKINNON / DIRECTOR CITY SERVICES / MARGARET DOUGLAS / CHIEF EXECUTIVE"

Worldwide, more than 100 million lambs are castrated, and their tails are docked each year. Numnuts is a technological innovation to improve animal welfare. It combines traditions with innovation. In the mid-1990s it was scientifically shown that the immense pain felt during castration and tail docking could be significantly reduced with the use of anaesthetic. For the next 15 years, the industry said the cost the welfare devices and development were too high. But todays ethical consumer has demanded that sheep have no more pain. Initiated in Glasgow in 2009, Numnuts took nearly a decade to develop. Here you can see five stages of development, from an early prototype to the Numnuts device farmers use today. Each phase of development took years of on-farm trails to achieve the final product. Today there is even NumOcaine, an approved local anaesthetic used by Numnuts. Using the simple elastrator ring and adding an anaesthetic injector, Numnuts delivers pain relief during tail docking and castration. In the world’s first rubber ring applicator with a pain relief delivery mechanism. Through innovation and consumer pressure the wool industry is going through a moment of rapid change.8098.1 - Numnuts tool made with stainless steel and black, orange and grey plastic. 8098.2 - Glass bottle with orange and grey plastic nozzle containing water for injection. 8098.3 - Yellow plastic case containing 12 stainless steel needles 8098.4 - 10 green plastic elastrator rings 8098.5 - Product cardboard box with the product image on the front8097.2 - on label - For animal treatment only WATER FOR INJECTION 100mL 8097.3 - On case - numnuts 12x Veterinary Hypodermic Needles On needdles - 18G 8097.5 - Numnuts targeted pain relief for tail docking and castrationnumnuts, tools, sheep, castration, docking

Cream paper, black ink, handwriting, fancy border 2 sides, letter from Ambrose Murrell to Samuel Lewers, manager of the Bank of New South Wales, Linton. Note requests that the bearer be given the Springdallah and Linton Relief Fund bank book.Text, front: " Prince of Wales Hotel / Happy Valley June 16th 1877 / Mr Samuel Lewers / Dear Sir / Please will you give/ the bearer of this note the / Springdallah and Linton Relief / Fund Bank Book / I am Sir yours truly / Ambrose Murrell / Treasurer / Happy Valley. " Text, reverse: "A. Murrell 16th June 1877. "ambrose murrell, samuel lewers, springdallah and linton relief fund, correspondence

Many Orbost babies were weighed on scales using these weights. Used in early 1930's.The early 20th century saw an emphasis in Australia on the reforming of mothering practices. There was a desire to improve infant mortality rates and produce healthy, well-adjusted citizens.Government organisations, in particular hospitals and baby clinics. encouraged mothers to measure their babies and regulate their feeding patterns. By the 1930s most mothers had been influenced to a greater or less extent by these new approaches to infant care. These weights are representative of that period.Two steel circular 10lb weights used with 106.1 scales used to weigh babies at Orbost Hospital. Gold painted. 10 lbs in relief on top of each weight.weights instruments-weighing orbost-hospital nursing