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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Syd Cuffe, Town Crier, 19/11/1984
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Coloured photo. Syd Cuffe in Town Crier's regalia, including bell, standing beside steam locomotive, with Portland's Station Master, part of a carriage visible on rig.Back: '19 NOV 1984' - stamp top left corner -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: TRAM - SPECIAL
Black and white photo of front view of electric tram rigged with electric light decoration and design showing pick and shovel. In blue/green ink on back 'No 30'.person, individual, basil miller -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Scarce, Keith, 1955
Colour photograph of the W L Sides and Son drilling rig beside the bridge over the Mitchell River, testing for foundations for the planned new bridge. Bairnsdale Victoriabridges, waterways, associations -
Royal Melbourne Yacht Squadron
Centenary Trophy
To mark the Centenary of the Squadron, H.V. (Rusty) Foreman re-donated old trophy of unknown origin in February 1978. For the Squadron’s most consistent Yacht in VYC handicapping, on the Club Course for the Season. It was first won Season 1977-78 by Les R. Williams with Aquarius. Awarded by reviewing the number of races at RMYS and Block Entry races that a yacht competes in and balancing this with the minimum change in VYC handicap during the Season.Pewter Gaff–rigged Cutter Yacht, 500mm long mounted on 100mm high rectangle redwood base. Silver rectangular winners inscription plaques around edge of base.CENTENARY TROPHY PRESENTED BY H.V. (RUSTY) FOREMAN FOR THE MOST CONSISTENT PERFORMER DURING THE SEASON 1978centenary trophy -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Black & White, Mr F. Guumes 1884-1950 & Hand made Harness outfit c1947, c1947
Mr Francis Guumes1884-1950, was born in the Cheltenham district and later bought land in Heatherton Rd, Heatherton, where he and his two sons developed a market garden. Mr Guumes , a self taught leather worker, made every piece of this harness. He entered this outfit in the Royal Melbourne Show c1947 and was awarded 1st Prize in his section. ( H. Stanley 2005)Early settlers in Moorabbin Shire had to be resourceful and self sufficient as they developed market gardens and farms. The community learned to make, repair and invent tools and equipment that was needed on their properties. Black & White photograph, enlarged, showing Mr Francis Guumes, with the rig and leather work that he entered and won 1st prize in the Royal Melbourne Show c 1947guumes francis, royal melbourne show 1947, leatherwork, saddles, harness, draught horses, horse drawn carts, smith j l; smith mary ann, stanley helen, smith vic, , chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, ca. 19th century
This maritime painting is unsigned and the artist is unknown. The ship in this painting is unidentified.Painting is an example of 19th century artwork.Painting, rectangular, watercolour mounted on card. Maritime theme depicts a three-masted ship at sea, sails rigged, bow facing right, hull is black and white. Figures are onboard.flagstaff hill maritime museum & village, maritime museum, maritime village, flagstaff hill, warrnambool, painting, 19th century, ship at sea, seascape, wall decoration, maritime painting -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1970c
Owner, Owen Allan of EdenColour photograph of the fishing boat Richard Allan on slips, having sustained serious damage to the bow section after collision with oil rig supply boat. Lakes Entrance Victoriafishing industry, ships and shipping, waterways -
Glenelg Shire Council Cultural Collection
Administrative record - Port of Portland, 32nd Annual Report 1983, Hamilton Spectator Print, c. 1983
Annual report, Port of Portland, 32nd Annual Report, year ended 30 June 1983. Glossy cover, black, white print, drilling rig 'Nymphea' by night, in Portland Harbour -
Flagstaff Hill Maritime Museum and Village
Craft - Scrimshaw, Hero 1870, Late 20th Century
Scrimshaw is regarded as early folk art and is associated primarily with whaling that was opened up in the Pacific at the end of the eighteenth century by sailors mainly from American, English and French vessels. As a result, some of the best scrimshaw from Pacific whales can be found in collections in these countries. Even though sailors must have had plenty of spare time between periods of whaling scrimshaw on whale teeth seems a rarity before the 1830s. One reason may have been the high price paid for whale teeth ivory in this period making scrimshaw on teeth popular only after the market was saturated and the price dropped. The earliest identified engraver of whale teeth is the English whaling master Captain J. S. King who was active between 1817 and 1823. There have been six ships called the Hero in the Royal Navy and this ship was the fourth named Hero, it was a screw-propelled 91-gun and second-rate. In the rating system of the British Royal Navy, this term is used to categorise sailing warships, a second-rate was a ship of the line which by the start of the 18th century mounted 90 to 98 guns on three gun decks. Earlier 17th-century second rates had fewer guns and were originally two-deckers or had only partially armed third gun decks. The Hero was launched in 1858 and sold in 1971. On July 1860 the Prince of Wales embarked onboard HMS Hero, Albert Edward Prince of Wales, was the eldest son of Queen Victoria, and the future King Edward VII, at the time he was then nineteen years of age, and on route to Newfoundland, Canada and the United States on his first state tour. He was the first member of the British royal family to visit North America. In 1860 the Queen had intended to pay a visit to Canada however stress prevented her from travelling. The then Prime Minister Lord Palmerston suggested that “Bertie” the prince of Wales could represent the Queen and on July 10th 1860, Bertie boarded HMS Hero for a tour of Canada and the USA. On July 23rd the ship arrived at Terranova. By the second week of August, the HMS Hero had sailed up the St. Lawrence River and anchored at Quebec. The Prince was successful with Canadian society visiting Quebec and Montreal during his stay. He went on to visit the United States following an invitation by President James Buchanan. His American journey was regarded as a great success. President Buchanan wrote to Queen Victoria: "He “Bertie” has faced a very difficult task for a person his age and his behaviour in all this has been that of his age and position. He has shown himself honourable, Frank and affable and he won the respect of the sensible and wise people". The scrimshaw is believed to be a modern reproduction of a typical scrimshaw scene and engraved very crudely onto a synthetic substance. Scrimshaw art carved into non-natural material in the shape of a whale tooth. The line artwork images of a three-masted, fully rigged ship and an anchor are coloured black. Inscription is engraved into tooth.Engraved "Hero 1870"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, plastic, resin, replica, prince of wales, british navy vessel, whaling, hms hero, reproduction, carving, engraving -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Golden Hind
This is a ship model of the Golden Hind. About the “Golden Hind” The English galleon “Golden Hind”, a mid-16th century Elizabethan warship, was launched in 1577. It was formerly known as the “Pelican”. The Golden Hind was the flagship of Captain Sir Frances Drake, in which he became the first Englishman to circumnavigate the world 1577-1580. Tonnage 100-150 tons Displacement 300 tons [fully loaded] Speed 8-15 knots Armament 22 guns Crew 80 sailors, 10 officers Built Aldeburgh, Suffolk, then moved to Plymouth, Devon in 1576 Type of ship Galleon; multi-decked ship (5 decks), square rigged, 3 masted sailing ship Estimated size Length - 70 feet (21.3m); Breadth – 19 feet (5.8m); Depth – 9 feet (2.7m) The Pelican set sail in 1577 on an expedition sponsored partly by Queen Elizabeth and Sir Christopher Hatten (whose family crest was a golden hind). His companion ships were the Swan, Marigold, Benedict and the Elizabeth. During this voyage, in 1578, Drake renamed the Pelican as the Golden Hind in honour of is patron. Sir Francis Drake [1544 – 1596] brought the Golden Hind home from his circumnavigation of the globe with looted gold, percelain, jewels and cash worth 35,000,000 million pounds in today’s money. It was the largest treasure every captured at that date. Only two ships returned – the “Golden Hind” and the “Elizabeth”. This Ship model of the galleon Golden Hind, the flagship of Captain Sir Frances Drake, represents the first circumnavigation of the globe by an Englishman.Ship model, the galleon Golden Hind on timber stand. Square rigged with 2 masts each with a flag and crow's nest. 22 guns on decks. Brown hull with green stripes and decorative coloured trimmings. Nameplate "Sir Francis Drake - his ship / The Golden Hind - 1577-1580". Emblem with animal golden hind, Tudor Rose and lamp above. Nameplate "Sir Francis Drake - his ship / The Golden Hind - 1577 - 1580"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model, model ship, galleon golden hind 1577, galleon golden hinde 1577, galleon pelican 1577, 16th century galleon, 16th century warship, sir frances drake, captain frances drake, first englishman to circumnavigate the globe -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, S.S. Schomberg, 1988
This model of the clipper ship SS Schomberg was researched and constructed to a scale of 1:64 by David Lumsden in 1988. When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen for £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, and oak-lined library with a piano. Overall she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; Marco Polo and Lightning. In 1852 in the Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately, there were 53 deaths on the voyage, but the great news was off the record passage by Captain Forbes. In 1854 he took the clipper “Lighting” to Melbourne in 76 days and back in 63 days, this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, the Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855 flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000 a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. The land was first sighted on Christmas Day, at Cape Bridgewater near Portland, Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signaled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in 825 metres of water and although the woodwork is mostly disintegrated the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. There have been many other artefacts salvaged from the wreck include ship fittings and equipment, personal effects, a lithograph, tickets and photographs from the Schomberg. This item was retrieved from the shipwreck site during early salvage efforts on the vessel. And was donated to the Flagstaff Hill collection of Schomberg shipwreck artefacts.This artifact is particularly significant in that along with other items salvaged from the wreck have helped in part to having legislation changed to protect shipwrecks, with far tighter controls being employed to oversee the salvaging of wreck sites. This item forms part of the Schomberg collection at Flagstaff Hill maritime museum. The collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered Schomberg shipwreck (VHR S 612). The collection is of additional significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes from society at the time of the wreck.Wooden model of the clipper ship SS Schomberg. The three masts are rigged with lines but have no sails. The model is mounted on pedestals on a timber board, exhibited in a glass case. The scale of this model is 1:64.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model, schomberg ship model, 1855, david lumsden, ship model maker, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen -
Bendigo Historical Society Inc.
Photograph - FOSTERVILLE GOLD MINE COLLECTION: NORTHGATE MINERALS
Colour photo: group of 30 workers dressed in high visibility clothing and helmets, from Northgate Minerals Mine at Fosterville, 2009. People are standing in front of a jumbo drill rig, behind rig is canopy of eucalypt trees. Names from back left: John Keane, Andrew Aitkin, Warren Perrymen, Adrian Gath, Geoff Viney, Khan Oats, Ash Ryan, Dean Maltby, Vaughn Hobden, Gerard Sheppard, Brian Sewell ( standing on jumbo rig ) Simon Doyle, Chris Murrell, Brett Jensen, Tommy Donaldson, Stuart Lynn, Erran Matana, Gwen Aitkin, Chris Fellows, Greg Farmer, Kane Andrea. Sitting at front from left : (unknown) , Andrew Binks, Damien Slow, Jason McKinley, Jeff Norris, Ian Cowan. Photo was formerly in Folder 56.mine, gold, northgate minerals fosterville, fosterville, northgate minerals, crocodile gold, mining, gold -
Glenelg Shire Council Cultural Collection
Film - Film - Fletcher Jones, Warrnambool and Portland views, n.d
Displayed in History House, (Photo cabinet)Super - 8 film reel in yellow canister. Label inside reads:Front: Fletcher Jones, Warrnambool, Joes House and Garden Warrnambool Pop. Is. Jean. Laurie Warrnambool. Views. Hills & Healesville. Portland Views and Oil Rig. -
Port of Echuca
A black and white photograph, 24/09/1984
This is a copy of a photograph from the Price Collection. The river and town are unknown. The photograph shows how locks were constructed using long vertical planks to form a wall. One of the cranes is floating on a pontoon.This shows how the river was locked to develop the irrigation industry in the early 20th Century.A copy of a black and white rectangular photograph of a lock being constructed . The river is in the foreground and in the background, cranes and rigs can be seen. A wooden wall dominates the centre of the photograph. Houses and buildings can be seen in the distance.In pencil on the back is written; 'Price / Lock construction? 'Jenkins Print Mildura.'lock construction, price family collection, mildura, jenkins print, irrigation -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: TYPED LETTER DATED 1921
Typed correspondence on printed letterhead of Blake & Riggal 120 William St Melbourne dated 29th August 1921 to Cohn Bros Victoria Brewery re shares in name of Thomas Francis Hyland deceased.bendigo, industry, cohn bros brewery, blake & riggall. thomas francis hyland. cohn bros brewery shares. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1926
Black and white photograph of drilling rig Government number 2 Bore at North Eastern side of North Arm bridge with Rigby Island and Hummocks, Lake and Princes Highway in background Lakes Entrance Victorialighthouses -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, ca. 19th century
Artist is unknown. This maritime painting is unsigned and the artist is unknown. The ship in this painting is unidentified.Painting is an example of 19th century artwork. Painting, rectangular watercolour, mounted on card. Maritime pointing depicts a three-masted ship at sea, sails rigged, bow facing left, hull is black, white and red. Second sailing ship on right in background. flagstaff hill maritime museum & village, maritime museum, flagstaff hill, warrnamool, painting, 19th century, ship at sea, seascape, wall decoration, maritime painting -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/06/1990 12:00:00 AM
Also one colour photograph taken before unveiling and two taken afterwards 04818.1, .2 and .3 10 x 15 cmColour photograph of the Esso oil rig supply vessel Kurnai Tide at Eastern Wharf prior to the official launch and unveiling of commemorative plaque by dignitaries from government, Esso and Koorie Elders at Lakes Entrance Victorialocal government, politics -
Williamstown Historical Society Inc
Model, c1860
Replica of the historic immigration ship Success built in India. It was deserted at Geelong by the crew rushing to the gold fields 1853. Purchased by the Victorian Government to house prisoners until Pentridge prison was built. Internally it was given over to prison cells. On the deck it was reduced to one mast and small huts were placed to house warders and wives. Two children were known to have been born in these deck huts- one of these was Bella Guerin. She became the first Australian women to gain a Melbourne University BA and MA degree . Replica of the famous Success sailing shipWooden model 3 masted barque fully rigged, brown hull, white bulwarks, varnished deck, masts and spar, three life boats up turned over deck, figure head lady in redsuccess model ship hulk prison -
Moorabbin Air Museum
Archive (Item) - Box WP4 Prowse Collection see details under Description section
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Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: TYPED CORRESPONDENCE 1921
Typed correspondence dated 1st Sept 1921 from Blake & Riggal of 120 William Street Melbourne to Cohn Bros Brewery re T F Hyland deceased re share certificates. Signed Blake & Riggall.bendigo, industry, cohn bros brewery, blake & riggall. t f hyland. cohn bros brewery. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/05/2001 12:00:00 AM
Colour photograph of Under Fourteen Girls Basketball team M Newman J LeMastre K Marriott P Downing R Rigs A Roulston winners of recent competition held at Recreation Hall Lakes Entrance Victoriasports -
Queenscliffe Maritime Museum
Postcard - Port Phillip Sea Pilots Postcards
PPSP operating licence was granted to founder George Tobin by Governor Gipps of New South Wales (pre Federation) on condition that “the appointment must not bring any expense on the Government”. The service is unique in that it is fully Australian- owned and operated by its pilots in keeping with the terms of the original appointment.A set of 7 postcards from the Port Phillip Sea Pilots showing Pilot Stations in Queenscliff and Westernport, 3 pilot launches; Hawk II, Petrel, Thorsen and launches welcoming square rigger 'Dar Mlodziezy' in 1988postcards, pilot station building, pilot launches -
Mission to Seafarers Victoria
Domestic object - Ashtray, Mid 20th centuary
Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of; objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers.One of the reasons the gift has been accepted is because there are a number of items that relate to images or records of visits in the collection. Crews of ships such as the Orontes and the Orsova were regular donors to the Mission in the 20th centuryHeavy rectangular cast brass ashtray. Upper side: A relief of a rigged steamship that extends beyond the right hand side margin of the ashtray. A stylized anchor forms part of the shelf for a cigarette. This extends beyond the bottom left corner.Underside: Indistinct marking by biro pen 'DONA...'ashtray, nicholas garlick (1926-2009), sailors, seamen, seafarers, ship, nick garlick, ship engineer, smoking -
Williamstown Historical Society Inc
Wool painting, Coogee, circa 1889
Wool painting a hobby for men - Long stitch embroidery/tapestry. Fred J Webber produced this painting when he was fourteen years old.Wool painting of bay steamer "Coogee" passing from right to left with full rigged ship in distance off her starboard bow. Frame has ornate border. Ship has black hull and funnel - structure faded red coogee wool painting ship -
National Wool Museum
Book, Haddon Rig: the first hundred years
"Haddon Rig: the first hundred years" - Suzanne Falkiner, 1981. A history of the Falkiner-run Haddon Rig sheep stud in NSW.sheep breeding - history merino sheep - history, haddon rig merino sheep stud, sheep breeding - history, merino sheep - history -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Victoria
Ship model, Victoria with full ship rig. 3 masted, with 2 deck houses, 2 boats on top of forward house. Yellow hull decoration. Mounted in case with painted backdrop and ocean. Timber case painted black, glass face and brass trim. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model -
Royal Melbourne Yacht Squadron
Charles Marshall Memorial Trophy
Originally presented to the St Kilda 14ft Sailing Club in memory of Hon Life Member, Past Commodore Charles Marshall of the Royal St Kilda Yacht Club and long time President and Honorary Life Member of the 14ft Sailing Club. It was first won season 1954-1955 by Noel Brooke skippering the 14-footer dinghy Charles Marshall. On the disbanding of the Dinghy Club in 1966, the trophy was re-donated to the RMYS for competition in the Off-the–beach Heron Class, First won by A. Neale with Gypsy. On the decline of the Heron class it was then re-allocated 1970-71 for the Gwen 12 Class to be first won by Geoffery and Phillip Hughes with Concorde II. Season 1975-76 it was allocated for a combined division event over three heats to be won by Hugh Kesterton with Cygnet. Later it was allocated for 1st, 2nd and 3rd divisions aggregate over the Watts, Bennell and Dick Lean races based on the VYC handicap system. Again amended to be awarded for best result gained in the Bert Watts, Doc Bennell and Dick Lean events as a series.Silver fully rigged racing sloop, mounted on shaped rectangular wooden base, 250 x 140mm, with silver shaped description plaques centred both sides. The whole is enclosed in a Glass case with silver winners inscription plaques attached around base of case.CHARLES MARSHALL MEMORIAL TROPHY PRESENTED TO ST KILDA 14FT SAILING CLUB BY MR & MRS HUGH. S. HAWES. 1955 CHARLES MARSHALL MEMORIAL TROPHY PRESENTED TO ROYAL MELBOURNE YACHT SQ FOR THE HERON CLASS BY MR & MRS H. S. HAWES. 1966trophy, charles marshall, memorial trophy -
Flagstaff Hill Maritime Museum and Village
Lithograph, The Schomberg
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oak with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Lithograph of the Schomberg. The vessel is partially rigged with a buoy in the foreground. Behind the vessel are a number of small boats. The writing on the lithograph states "The Schomberg, GALOP Dedicated to Mrs Charles Schomberg (of Liverpool) by Chas D'Albert" Two names BRANDARD and M & N HANHART.IMP on bottom of lithograph.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brandard, lithograph, m & n hanhart.imp -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Carpenter M and V, 1/06/1989 12:00:00 AM
Colour photograph of wharf at Bullock Island showing oil rig supply vessel Lakes Tide and dredge Sandpiper at moorings Fishermans Coop building in background Thunderbird at New Works jetty in distance. Taken from dredge April Hamer Lakes Entrance Victoriaboats and boating, jetties