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Mrs Aeneas Gunn Memorial Library
Book, Jacob Grimm, Grimms fairy tales, 1947
Stories of magic and myth gathered by the Brothers Grimm have been part of the way children learn about the vagaries of the real world.Ill, p.863.Stories of magic and myth gathered by the Brothers Grimm have been part of the way children learn about the vagaries of the real world.fairy tales, folklore - germany -
Mrs Aeneas Gunn Memorial Library
Book, Routledge, The harbours of England, ????
The harbours of England engraved by Thomas Lupton from original drawingsIll, p.122.non-fictionThe harbours of England engraved by Thomas Lupton from original drawingsengland - harbours, maritime history - england -
Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Kilmore Historical Society
MY NOVEL VOL 1, 1867
Leather bound spine and corners with blue marble book board cover Gold writing on spine 'My Novel 1' 7 unnumbered pages ; 375 pages ; 18 cmHandwritten inscription on page 1 '79' Stamp on various pages 'Kilmore Mechanics Institute' Dedication to 'Right Hon Sir Henry Lytton Bulwer'adult fiction -
Kilmore Historical Society
THE LAST OF THE BARONS, 1867
Brown hardboard cover Missing spine, loose back cover xiv ; 464 pages ; 19cm Handwritten inscription on front page '73' 'The last of the Barons' Stamp on various pages 'Kilmore Machines Institute' lord lytton, kilmore mechanics institute library. -
Kilmore Historical Society
GODOLPHIN, 1867
Brown hardboard cover with gold detailing on the spine Blue spine label 'Lord Lytton's Novels - Godolphin' xiv ; 224 pages ; 19cm Handwritten inscription on front page '91' Stamp on various pages 'Kilmore Mechanics Institute' lord lytton, kilmore mechanics institute library. -
Kilmore Historical Society
LUCRETIA: THE CHILDREN OF NIGHT, Lucretia: The children of the night, 1867
Brown hardboard cover with gold detailing on the spine Blue spine label ' Lord Lytton's Novels - Lucretia' xiv ; 336 pages ; 19cm Handwritten inscription on front page '90' Stamp on various pages 'Kilmore Mechanics Institute'lord lytton, kilmore mechanics institute library. -
Kilmore Historical Society
PELHAM; OR ADVENTURES OF A GENTLEMAN, Pelham; or, Adventures of a Gentleman, 1867
Missing front and back cover with gold detailing on the spine Blue spine label 'Lord Lytton's Novels - Pelham' xvi ; 304 pages ; 19cm Handwritten inscription on front page '92' Stamp on various pages 'Kilmore Mechanics Institute'lord lytton -
Kilmore Historical Society
PICTURES FROM THE BATTLE FIELDS, 1855
Red leather cover with gold writing on spine and cover 'Pictures from the battle fields' Loose pages xxxi ; 319 pages ; 32 pages; 19 cm ; IlluHandwritten inscription on first page 'H Grover' Stamp on multiple pages 'Kilmore Mechanics Institute'kilmore mechanics institute library. -
Kilmore Historical Society
The Lancashire Witches, 1854
A romance of Pendle Forest.Faded brown marbled board cover with brown leather binding and corners, Spine repair to front cover with red cloth tape. Internal spine detachment at front and rear. Various markings to pages toward the front of the book. Illustrations. 492 pp.Frontispiece - '181' in red ink. 'Kilmore Mechanics Institute' stamped on various pages throughout.adult fiction, kilmore mechanics institute library. -
Mrs Aeneas Gunn Memorial Library
Book, George. Routledge, Chinese Gordon : a succinct record of his life, 1884
An account of the time of General Gordon in Chinap.252.An account of the time of General Gordon in Chinachina - history, generals - great britain - biography -
Mrs Aeneas Gunn Memorial Library
Book, Routledge Keegan Paul Ltd, Uncle Remus, or, Mr. Fox, Mr. Rabbit, and Mr. Terrapin, ????
Presents the legends, songs, and sayings of Uncle Remus, following the text of the first edition of Joel Chandler Harris' attempt to record traditional black stories of his time.Ill, p.248.non-fictionPresents the legends, songs, and sayings of Uncle Remus, following the text of the first edition of Joel Chandler Harris' attempt to record traditional black stories of his time. african americans - folklore, america - fiction -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, Homer's Iliad, 1890
Homer has been hailed as the father of all poetry, and The Iliad has survived as a masterpiece for all time!. Set against the backdrop of the final days of the Trojan War, the Iliad tells the story of Achilles, a model warrior and paragon of all qualities the Greeks prized most in a young hero. Retired from his commander and king, Agamemnon, Achilles is pulled back into the conflict by the death of his friend, Patroclus.p.320.fictionHomer has been hailed as the father of all poetry, and The Iliad has survived as a masterpiece for all time!. Set against the backdrop of the final days of the Trojan War, the Iliad tells the story of Achilles, a model warrior and paragon of all qualities the Greeks prized most in a young hero. Retired from his commander and king, Agamemnon, Achilles is pulled back into the conflict by the death of his friend, Patroclus. classical literature, homers iliad - translation - george chapman -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, Poems, ????
The poems of Lord Byronp.719.non-fictionThe poems of Lord Byronpoetry - english, lord bryon 1788-1824 -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, The poetical works of Robert Burns, 1883
The poetical works of Robert Burns edited with introductory biography and notes by Charles Kent.Index, p.473.fictionThe poetical works of Robert Burns edited with introductory biography and notes by Charles Kent.poetry - scotland, robert burns 1759-1796 -
Mrs Aeneas Gunn Memorial Library
Book, G. Routledge & Sons, Tales of a wayside inn, 1909
The book depicts a group of people at the Wayside Inn in Sudbury, Massachusetts as each tells a story in the form of a poem.p.239fictionThe book depicts a group of people at the Wayside Inn in Sudbury, Massachusetts as each tells a story in the form of a poem. poetry - american, henry wadsworth longfellow 1807-1882 -
Mrs Aeneas Gunn Memorial Library
Book, John Stuart Mill, On liberty
At the time it was published in 1859, John Stuart Mill's On Liberty was a radical and controversial work; it argued for the right of individuals to possess freedom from the state in moral and economic matters. Mill declares that ""Over himself, over his own body and mind, the individual is sovereign"", contrasting this with the ""tyranny of the majority."" He states that an individual can do anything they like as long as it doesn't harm another.Index, p.172.non-fictionAt the time it was published in 1859, John Stuart Mill's On Liberty was a radical and controversial work; it argued for the right of individuals to possess freedom from the state in moral and economic matters. Mill declares that ""Over himself, over his own body and mind, the individual is sovereign"", contrasting this with the ""tyranny of the majority."" He states that an individual can do anything they like as long as it doesn't harm another. political philosophy, individualism -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, The seven lamps of architecture
According to Ruskin, the leading principles of architecture are the “lamps” of Sacrifice, Truth, Power, Beauty, Life, Memory, and Obedience. Ruskin saw Gothic as the noblest style of architecture, but he noted that over time medieval architecture had lost the power to resist innovationt the time it was published in 1859, John Stuart Mill's On Liberty was a radical and controversial work; it argued for the right of individuals to possess freedom from the state in moral and economic matters. Mill declares that ""Over himself, over his own body and mind, the individual is sovereign"", contrasting this with the ""tyranny of the majority."" He states that an individual can do anything they like as long as it doesn't harm another.Index, ill, p.236.non-fictionAccording to Ruskin, the leading principles of architecture are the “lamps” of Sacrifice, Truth, Power, Beauty, Life, Memory, and Obedience. Ruskin saw Gothic as the noblest style of architecture, but he noted that over time medieval architecture had lost the power to resist innovationt the time it was published in 1859, John Stuart Mill's On Liberty was a radical and controversial work; it argued for the right of individuals to possess freedom from the state in moral and economic matters. Mill declares that ""Over himself, over his own body and mind, the individual is sovereign"", contrasting this with the ""tyranny of the majority."" He states that an individual can do anything they like as long as it doesn't harm another. architecture, john ruskin 1819-1900 -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, The Ethics of the Dust
The following lectures were really given, in substance, at a girls' school (far in the country); which, in the course of various experiments on the possibility of introducing some better practice of drawing into the modern scheme of female education, I visited frequently enough to enable the children to regard me as a friend. The Lectures always fell more or less into the form of fragmentary answers to questions; and they are allowed to retain that form, as, on the whole, likely to be more interesting than the symmetries of a continuous treatise. Many children (for the school was large) took part, at different times, in the conversations; but I have endeavored, without confusedly multiplying the number of imaginary speakers, to represent, as far as I could, the general tone of comment and inquiry among young people.Index, notes, p.230.non-fictionThe following lectures were really given, in substance, at a girls' school (far in the country); which, in the course of various experiments on the possibility of introducing some better practice of drawing into the modern scheme of female education, I visited frequently enough to enable the children to regard me as a friend. The Lectures always fell more or less into the form of fragmentary answers to questions; and they are allowed to retain that form, as, on the whole, likely to be more interesting than the symmetries of a continuous treatise. Many children (for the school was large) took part, at different times, in the conversations; but I have endeavored, without confusedly multiplying the number of imaginary speakers, to represent, as far as I could, the general tone of comment and inquiry among young people. john ruskin 1819-1900, ethics -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, The crown of wild olive : three lectures on industry & war
This 1866 collection of essays on "Work," "Traffic," and "War," begins with a preface condemning the human depletion of nature for what Ruskin saw as valueless gains. In this way, mining the ground for metals, water, and other resources parallels the work of the three lecture topics--all is done for the money. But what Ruskin wants to know is what the ultimate effect and product of their work is?Index, notes, p.132.non-fictionThis 1866 collection of essays on "Work," "Traffic," and "War," begins with a preface condemning the human depletion of nature for what Ruskin saw as valueless gains. In this way, mining the ground for metals, water, and other resources parallels the work of the three lecture topics--all is done for the money. But what Ruskin wants to know is what the ultimate effect and product of their work is? john ruskin 1819-1900, ethics -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, The House of the Seven Gables
The House of the Seven Gables is a gloomy New England mansion, haunted from its foundation by fraudulent dealings, accusations of witchcraft, and sudden death. The current resident, the dignified but desperately poor Hepzibah Pyncheon, opens a shop in a side room to support her brother Clifford, who is about to leave prison after serving twenty-five years for murder. She refuses all assistance from her unpleasant wealthy cousin Judge Jaffrey Pyncheon. A distant relative, the pretty young Phoebe, turns up and quickly becomes invaluable, charming customers and rousing Clifford from depression. A delicate romance grows between Phoebe and the mysterious lodger Holgrave, who is writing a history of the Pyncheon family.p.411.fictionThe House of the Seven Gables is a gloomy New England mansion, haunted from its foundation by fraudulent dealings, accusations of witchcraft, and sudden death. The current resident, the dignified but desperately poor Hepzibah Pyncheon, opens a shop in a side room to support her brother Clifford, who is about to leave prison after serving twenty-five years for murder. She refuses all assistance from her unpleasant wealthy cousin Judge Jaffrey Pyncheon. A distant relative, the pretty young Phoebe, turns up and quickly becomes invaluable, charming customers and rousing Clifford from depression. A delicate romance grows between Phoebe and the mysterious lodger Holgrave, who is writing a history of the Pyncheon family. american fiction, guilt and retribution -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, Scenes of clerical life
The stories that comprise 'Scenes of Clerical Life' display the central themes of what later became the hallmark of George Eliot's writing, namely the impact of religious controversy and social change and the power of love to transform people's lives.p.544.fictionThe stories that comprise 'Scenes of Clerical Life' display the central themes of what later became the hallmark of George Eliot's writing, namely the impact of religious controversy and social change and the power of love to transform people's lives. clergy - fiction, religion -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge, The two paths : being lectures on art and its application to decoration and manufacture, delivered in 1858-9, 19
The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form.Ill, p.232.non-fictionThe following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form. art, design -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge, Modern painters, 19
Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of natureIll, p.372.non-fictionRuskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of natureaesthetics, painting -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, Struwwelpeter, ????
A graphic interpretation of a classic collection of stories originally written in 1844. It follows such themes as the consequences faced by disobedient children, thumb suckers who come to a bad end, and picky eaters who starve from malnutrition. 8 yrs+Ill, p.32.fictionA graphic interpretation of a classic collection of stories originally written in 1844. It follows such themes as the consequences faced by disobedient children, thumb suckers who come to a bad end, and picky eaters who starve from malnutrition. 8 yrs+childrens poetry, stories in rhyme -
Linton Mechanics Institute and Free Library Collection
Book, Lord Lytton (Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton), 'My novel' / by Pisistratus Caxton : or, Varieties in English life / by the Right Honorable Lord Lytton : in two volumes : Vol. I, [n.d.] [1874?]
396 p.fictionjames dodds, original collection, fiction, lord lytton -
Linton Mechanics Institute and Free Library Collection
Book, Adams, Charlotte, Edgar Clifton : or right and wrong : a story of school life, 1895
400 p. : Frontispiece illustration: 'For a moment it rested on the margin of the stream. - P. 129'fictionchildren's fiction -
Linton Mechanics Institute and Free Library Collection
Book, Lord Lytton (Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton), [What will he do with it? : Vol. II : Book VII], [n.d.]
303 p. [Title page missing. Information for catalogue record from first page and spine.] fictionjames dodds, original collection, fiction, lord lytton -
Linton Mechanics Institute and Free Library Collection
Book, Lord Lytton (Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton), Leila, or the siege of Granada; Calderon, the courtier; The pilgrims of the Rhine, [n.d.] [1879?]
164 p. ; 172 p. ['Leila' p. 1-121; 'Calderon' p. 123-164; 'Pilgrims', numbers recommence: xii, 1-172.]fictionjames dodds, original collection, fiction, lord lytton