Showing 743 items
matching satin
-
Flagstaff Hill Maritime Museum and Village
Textile - Tea Cosy
Crocheted linen tea cosy with grey satin lining.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tea cosy, crotched, teapot cover, tea service, linen -
National Vietnam Veterans Museum (NVVM)
Headwear, Headdress
Blue circular satin embroidered headdress with leather sweatbandheaddress -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1900
Brown Half Length Fur Coat. Satin Linedstawell clothing material -
Queen Victoria Women's Centre
Banner, Shilling Fund Banner, c.1996
Used for several QVWC events including grand opening weekend, and fundraising events. Cream satin banner with purple text 'Shilling Fund' -
Kilmore Historical Society
Bridesmaid Dress, 1983
Made by Jean Wilson for Beth Wilson. Wedding of Heather Wilson to Darren KnightRed satin bridesmaid dress with white lace detailing. -
Mont De Lancey
Fan
Black ostrich feather folding fan with satin bow.fans, folding fans -
Uniting Church Archives - Synod of Victoria
Uniform - Regalia, Methodist Order of Knights Degree of Sincerity
The white of this shield is Degree of Sincerity and the green collar is Degree of Service and with the blue triangle being for the Degree of Sincerity. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Shite cotton shield with a green collar. This shield has dark and blue satin ribbons forming a cross. At the intersection of the cross there is a blue satin triangle with a red heart inside it. methodist order of knights -
Whitehorse Historical Society Inc.
Clothing - Wedding headdress & veil, 1978
Made for and worn by Jeanette Margaret Bennett for her wedding at Uniting Church, Riversdale Road, Wattle ParkWide, white 1978 headband padded and covered with nylon net, and decorated with satin flowers. Veil trimmed with 4 cm wide satin ribbon|NA3596 wedding dresscostume, female headwear, female ceremonial -
Flagstaff Hill Maritime Museum and Village
Textile - Tablecloth, late 19th century
The linen tablecloth has been hand worked using satin stitch embroidery and drawn thread work. This tablecloth is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. Most of the items in this Collection are in the Lighthouse Keeper’s Cottage at Flagstaff Hill. The majority came from the simple home of Vera’s Giles’ parents, Henry Giles and his wife Mary Jane (nee Freckleton), whose photographs are in the parlour. They married in 1880. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the construction of the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook. She attended Mailor’s Flat State School, and later worked there as a student teacher, before (as family legend has it) she became a governess at “Injemira” where her grandfather, Francis Freckleton, owned the land. The Giles family of six, some of whom were born at Mailor’s Flat and the younger at Purnim West, lived at “The Maam”, Wangoom before moving to New South Wales in 1895, where Henry built bridges for about 7 years. Henry died in 1933 and Mary Jane died in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Tablecloth, white linen, part of the Giles Collection. Large white rectangular tablecloth, hand embroidered using white thread. Floral design in satin stitch and drawn threadwork. Cloth has additional white cloth iron-on label.Iron-on label, hand written in black pen "LHK B22". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, giles family, cooramook, 19th century linen, 19th century household goods, 19th century handcraft, 19th century manchester, 19th century table linen, 19th century tablecloth, giles family collection, 19th century household linen, warrnambool breakwater construction -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: SATIN RIBBON COVERED HORSE SHOE, 1960's
Clothing. Gathered satin ribbon covered horse shoe with a 1cm wide satin ribbon bow at the top of the horse shoe. A .5 cm wide, 16 cm long ribbon loop attaches to the top of the horse shoe shape. A satin petalled flower trims each side of the lower edge.costume accessories, female, satin ribbon covered horse shoe -
Brighton Historical Society
Cloak, 1920s
Unlined taupe silk cloak with two wide horizontal bands of black satin and lozenge-shaped black cord detailing. Black satin tie collar with black tassels at ends.1920s, cloak, art deco -
Sir Reginald Ansett Transport Museum
Headwear - Hat, Fedora
Black felt wide brimmed hat with grey satin ribbon.flight attendant, hostess, fedora, stewardess -
Flagstaff Hill Maritime Museum and Village
Dress
Figured satin, long evening dress, black, circa 1930flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
National Vietnam Veterans Museum (NVVM)
Headwear, Headdress
Red circular satin embroidered headdress with blue leather sweatbandheaddress -
Chinese Museum
costume trousers
These trousers were obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions. These are part of a 'fish warrior' costume.These trousers are significant for their links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Pale blue satin/silk trousers with elastic waist and ankles.young chinese league, melbourne, victoria, australia, processions, helmets -
Clunes Museum
Domestic object - JEWELLERY BOX
BRENDA TREMBATH'S JEWELLERY BOXSQUARE, HINGED LEATHERETTE JEWELLERY BOX LINED WITH SATIN AND VELVET INSIDE: W.S. McNEE & CO JEWELLERS AND OPTICIANS. MARYBOROUGH.local history, costume, accessories, jewellery, trembath, perry -
Whitehorse Historical Society Inc.
Clothing - Scarf, C 1950's/60's
Family of heather McNamara.- Mauve silk velvet scarf, lined with darker contrasting satin.clothing, velvet, c 1950's/60's -
Rutherglen Historical Society
Programme - Satin Programme for a concert, 1893 (Exact)
Prepared by Committee of the Rutherglen and Murray Valley Agricultural and Horticultural SocietyProgramme printed in black on once-white satin. Fringed sides. "With the compliments of the Committee of the Rutherglen and Murray Valley Agricultural and Horticultural Society" / "A Grand Concert / In Aid of the Funds of the Society / Will Be Held on Wednesday Evening, October 18th 1893 in the Town Hall Rutherglen. Accompanist: Mr. J.R. Rusden / Stage Manager Mr. C. Nash / Programme - Part 1 (and followed by full program)rutherglen & murray valley agricultural & horticultural society, music, concerts, performances -
Kew Historical Society Inc
Clothing - Coral Satin Evening Coat, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening coat is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Coral coloured, satin full length lined evening coat.australian fashion - 1960s, evening wear, evening coats, mcintyre collection -
Vision Australia
Flag - Object, 1982 Fespic Games banner
Souvenir mini banner from the 1982 Fespic Games in Hong Kong.White satin mini banner with black writing and red fringingFespic Games 1982 Hong Kong Oct. 31st to Nov. 7th 1982recreation, royal blind society of new south wales -
Mont De Lancey
Wedding dress, 1900
Worn by Mrs. Alice Gibson (nee Pinniger) in 1900. Accompanied by photograph taken at Westbury, Wattletree Road, Malvern. 5th September 1900.Two piece wedding dress. Cream brocade trimmed with satin.wedding dresses, wedding clothing -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: PINK SATIN AND VELVET HAT (POSSIBLY ''GOING AWAY'' HONEYMOON HAT), 1960's
Clothing. Pink satin, flat-shaped crown, with a flat pink satin bow across the back. Pleated pink velvet and satin, are alternately swathed around the crown. A slightly raised peak at the centre front, to from the face. LIned with black fabric, with an oval centre, and pleated around the oval, to line the sides.costume accessories, female, pink and velvet hat -
Clunes Museum
Banner
SILVER ANNIVERSARY BANNER PRESENTED TO CLUNES AUXILIARY ROYAL VICTORIAN INSTITUTE FOR THE BLINDBLUE SATIN GOLD FRINGE BANNER SILVER ANNIVERSARY AUXILIARY BANNER PRESENTED TO CLUNES LADIES AUXILIARY FOR THE BLIND BY THE R.V.I.B R.V.I.B SYMBOL - LIGHTHOUSE - ON BLUE SATIN WITH GOLD SILK FRINGEroyal victorian institute for the blind, clunes auxillary of the rvib -
RMIT Design Archives
Textile - Woman's dress, Norma Tullo, Garment Designer, Shirley Lyle, Textile Designer, Woman's Dress
This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion -
Bendigo Historical Society Inc.
Clothing - HELEN MUSK COLLECTION: BLUE SILK JACKET. PART OF A TWO PIECE ENSEMBLE
Mid-thigh length jacket of royal blue silk fabric with a metallic thread forming a tinsel like pattern. Fully lined with blue satin. Front opening has a 5 cm border of blue satin. No fastenings. Three quarter length sleeves have 5cm borders of blue satin at the wrist. See 11400.507 .costume, female evening, blue silk jacket -
Port Melbourne Historical & Preservation Society
Clothing - Wedding dress, Barbara GARDINER, Alice Mott Hegarty, 1958
Worn by Barbara GARDINER (nee HEGARTY) at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Half petticoat ivory brocade satin waist section, plain satin underskirt and net overskirt with ribbon roses decoration, and blue ribbon bow. Petticoat is a full circlecelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: PINK SATIN FULL SLIP PETTICOAT, 1950's
Clothing. Pink satin full slip petticoat with shaped top at bustline. Shoe string satin shoulder straps. front top edge and hem trimmed with 4 cm coffee coloured lace.costume, female underwear, pink satin full slip petticoat -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's long cream silk gloves, c1930
Ladies' evening gloves or opera gloves are a type of formal glove that reaches beyond the elbow. Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive full-length gloves are custom-made of kid leather. Many other types of leather, most usually soft varieties of cowhide, are used in making full-length gloves; patent leather and suede are especially popular as alternatives to kidskin. Satin materials were extremely popular, and there are mass-produced varieties as well. Carole Pedersen-Green was a founding member of CMHS. Her family were early settlers in Moorabbin ShireA pair of lady's long cream silk machine lace gloves with open fingers and thumb piece C 1930 They are the classic OPERA length, with the mousquetaire wrist openingclothing, gloves, formal wear, craftwork, lace making, dress etiquette, satin, silk, moorabbin, bentleigh, cheltenham, fashion, evening gloves., lace -
Hamilton Pastoral Museum
Symbolic Decoration Bookmark, 1934
Black Bookmark x2 Pulpit and Lectern Cotton -Satin White TastlePX $ -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Lady's Beige Bloomers c1950, c1950
Gertrude Augusta "Gussy" Moran was an American tennis player who was active in the late 1940s and 1950s. Dress designer Ted Tinling created a daring ensemble for the lanky American tennis player. The white dress offered a sculpted bodice, a tight waist and an unusually short skirt. Moran asked him what would happen if the breeze blew her skirt around Tinling then gave her a pair of silk lace underwear. Women around the world were very impressed and made copies of these bloomers commonly known as 'Gorgeous Gussys'A good example of the fashion c1950 when fancy underwear became popular after tennis player Gertrude Moran wore frilly pants under her tennis skirt.A lady's beige satin bloomers with lace and elastic . Known as 'Gorgeous Gussys' clothing ,underwear, dressmaking, early settlers, market gardeners, post world war 2 estates, moorabbin, bentleigh , ormond, moran gertrude, gorgweous gussy, tinling teddy, tennis, reed gladys,