Camoflague open mest scarf. Jungle Green Armyscarf, clothing, denis gibbons

This scarf belonged to Olga Black, a longtime Brighton resident. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Victory scarf with the flags of France, the United Kingdom, USA and the USSR. 'Victory' printed in yellow in the centre surrounded by names of countries and regions.scarf, world war ii, second world war, 1945, olga black

Green and white check cotton scarf with tassels on each endscarf, viet cong

Family of heather McNamara.- Mauve silk velvet scarf, lined with darker contrasting satin.clothing, velvet, c 1950's/60's

Timor Leste Scarf, blue wool with red black and yellow writing scarf, timor leste

General purpose open weave cotton scrim as issued in Vietnam war. Used by National Serviceman, Lance Corporal B A Rosenthal, 3rd Battalion, The Royal Australian Regiment 1967-8, Mentioned in Despatches for his command and control during a section ambush in which he was wounded. Unit Citation for Gallantry for his involvement in the Battle of Fire Support Bases Coral and Balmoral.Green crochet cotton scarf used as a sweat rag for soldiers in jungle.scarf, sweat rag, sweat cloth, army scrim, rosenthal

The conduct of the LA games changed many factors in a short space of time. The Americans made their Games a huge financial success, whereas other countries, e.g. Canada, was left with a huge debt. The key to this was SPONSORSHIP which soon replaced the old Australian way of fundraising with pub raffles. It also began to change the atmosphere where the AWC had previously been valued for their generous donation. There was a move by commercial specialist uniform marketing organisations paying sponsorship money to publicise the fact that they were clothing high profile athletes. Old loyalties remained but became tested more and more as time progressed. For example, each uniform was expected to include an Akubra hat, why? Because it always had. For the same reason the uniforms also had Driza-Bone Coats. The day before the Seoul Opening Ceremony it rained in Seoul, so at the Opening Ceremony the Australian Team emerged in their Driza-Bones, made from cotton, not a wool fibre in sight, and the wool growers were footing the bill for over a million dollars. Thoroughly embarrassed, I resolved to avoid this situation next time by having all uniform fabrics pre-treated with Scotchguard prior to garment making.The scarf is brightly coloured in blue, green, yellow, purple and red on a plain cream base fabric. The lines of colour run on an angle across the fabric as jagged, irregular lines with small motifs of Australia, the Southern Cross stars, fish, triangles and a wave pattern, placed throughout. The centre of the scarf is dominated by a depiction of Australia presented in yellow. Within Australia are eucalyptus leaf shapes as well as mountainous shapes and the wave shape that is featured elsewhere on the scarf. The left hand short hem of the scarf has a differing pattern with larger lines running on the opposite angle to the rest of the scarf. Within the larger lines the same motifs are again printed.

Pale Blue, linen/cotton material with fringing at each endWhite cotton tape stitched to corner of scarf with W227689 Houget D . Written in black ink.clothing, scarf

Paper back instruction booklet for Comfort Fund Knitted articles.Australian Comforts Fund, Victorian Division A.C.F. Guide to knitting Standards Socks ---- Scarf, Cap.books, reference

Uniform Sailor jacket, shirt, scarf (bib), silk sash with tie and lanyarduniform, 2010, ran

Photographs of a souvenir scarf depicting the Gallipoli campaign during World War One.gallipoli, sydney, emden, anzac, anzac cove, anzac landing, aif, mmm

Part of Betty Jones collectionBlack chiffon scarf, square. White flower pattern embroidery in one cornercostume, female underwear

Fashion accessoryScarf / Tie of bobbin lace motifs appliqued onto machine made net.

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Faux satin white polyester long sleeved blouse with attached scarf at neck.Label: Den Bruden bru, women's clothing, australian fashion -- 1970s, blouses

Cream silk scarf with embroidered heart and floral decoration, and decorative fringe with tasselsNo visible markingscostume, female, scarf, cream, embroidery, silk, clothes

Navy hat with Wangaratta High School Emblem on the front, and a blue and yellow striped band around the brim (signifying prefecture) and a navy scarf with blue, yellow and green stripes on each ends. Some slight fraying on scarf.WHS honere et labore

A Vietnam Cong black and white checked scarf with red stripe. Open weave cotton.vc, scarf

Black and white Tin Photograph of a woman wearing a dress and a scarf around her headperson, individual, portrait, tin back photograph, woman portrait, female portrait, portrait

Black and white Tin Photograph mounted on cardboard of a young boy wearing a jacket and scarf,person, individual, portrait, tin back photograph, young boy portrait, portrait

Worn by mother or grandmother of Christine Pitt, donorRectangular scarf with navy blue background and printed lace design in two blues and white.costume accessories, female