ScreenprintSigned 'Eduardo Paolozzi' bottom middle. Edition 2/50 in lower left corner under printed image.

ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 1/30 lower left corner under printed image.

ScreenprintSigned 'Sonia Lawson' lower right under printed image. Numbered XXIII (23), lower left corner under printed image.

ScreenprintSigned 'Sonia Lawson' bottom right under printed image. Numbered 'XX' (20) in bottom left corner under printed image.

ScreenprintSigned 'Sonia Lawson' in the bottom right corner under printed image. Numbered 'XXII' (22) in the bottom left corner under printed image.

Screenprint-

ScreenprintSigned 'Peter Blake' lower right corner under printed image. Edition 15/60, under printed image.

ScreenprintSigned 'Lanceley 69' in lower right corner of print. Edition 141/150, numbered under printed image towards bottoms right corner. Titled 'Some are more equal than other' in centre bottom edge of print.

ScreenprintSigned 'Jamie Boyd' in lower right corner under printed image. Edition A/P in lower left corner under printed image.

ScreenprintSigned 'Bellany' under right corner of printed image. Edition 25/34, numbered under left corner of printed image.

ScreenprintSigned 'Bellany' lower right corner under printed image. Titled 'Celtic Maiden' centred under printed image. Edition 17/80, numbered under lower left corner of printed image.

ScreenprintSigned 'Arthur Boyd' lower right corner under printed image. Edition A/P, lower left corner under printed image.

ScreenprintSigned and dated 'Ceri Richards 69' lower right corner under printed image. Edition 36/100, numbered lower left corner under print.

1926 - ScreenprintSigned and dated

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of the Angela Gee Residency 1983 and 1984Laminated screenprint depicting an early street scene of Bentinck Street in Portland. The left side of the work depicts the row of buildings along Bentinck Street with the 'Gordon Hotel' in the foreground. In the centre of the image two figures on horses ride away from the viewer. On the right is a large tree with with two figures walking below it.Front: Karina Fredericks 84' (lower right) (pencil) Back: 9

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck?, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 Back: 18

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of abstract chess board with chess pieces and blocks of text. The chess board has abstract shaped squares of red and black. The chess pieces appear in the normal form and as images which have been cut into pieces. The blocks of text are red with black text and refer to controversial events in Portland's history.Front: 5/12 Pandora's Box. P. Tsernjavski '84 Back: 45

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 29/ 37 (lower left) a Gee (lower right) (pencil) Back: (no inscriptions)female artists, female artist, angela gee, poster workshop, 150th anniversary, angela gee residency

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of coastline around Nuns Beach and Portland Lighthouse. The work takes the perspective of, sitting in a car parked on the cliff facing the lighthouse. The foreground features the cars steering wheel, dashboard and red bonnet. The majority of the work illustrates the cliffs in various shades of green and brown. In the top right is the Portland Lighthouse and the ocean and rocks below.Front: Terry Priestly 28/30 (lower right) (pencil) Back: 32

Colour screenprint

Donated by Simon Gregg, 2015Screenprint on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection

Purchased, 1972Screenprint on papergippsland, artwork, permanent collection

Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection

Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection

Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection

Purchased with the assistance of John Leslie OBE, 2015Screenprint on papergippsland, artwork, permanent collection