Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Faded colour photograph of a man sitting at a table with a tea cup and saucer and plate of biscuits. On the wall behind is a shadow box with ornaments and a clock. The man is Frank Wright.frank wright, composer, conductor, brass bands

Glass Painted Advertising sign 'St. Filians'. Gold lettering with black shadowing on a red back ground. Approx. 50cm x 15cm. Black painted frame.

Very fine silver drawing of a shadow puppet on red background. Framed. Possibly presented after a visit to Williamstown High School from Indonesian sister school.williamstown high school, indonesian, artwork

Colour photograph of a group of caught snapper (at least eleven) on the beach at Rosebud possibly in 1960. A pair of bare feet are in shot, and the shadows of two other people are on the sand.

This books details various actions in which ANZAC troops were engaged from the Boer War to World War II224p., black and white photographs, maps. Hard cover book with dust jacket. Dust jacket illustration of shadows of soldiers on green background, title in white writing.anzacs, australian army, boer war, world war i, world war ii

Cellophane packet containing two nylon stockings.Shadow 10 1/2-11 NonRun Stretch St Charles Guaranteed First Quality Fine Hosiery Lindsay's Seal of Approval`.costume, female footwear

This photograph was used in the 150 year Lakes Entrance 1858 to 2008 display as the before picture paired with colour photograph number 03727.1 as the after picture size 10 x 15 cm road now paved with many buildings showingHistoricBlack and white photograph of Palmers Road looking south towards the sand dunes and ocean, teatree along the side of the road photographers shadow in foreground, Lakes Entrance Victoriatopography, sand dunes

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A post card type sepia photo of a family posed informally in a garden. Both the woman and the man are seated with children on their knees. A boy stands between them. In the background is a high paling fence beyond which 2 chimneys of adjacent properties can be seen. The woman is wearing a large brimmed hat so that half her face is in shadow. The man has a moustache and a receding hairline. All the faces are part in shadow.On rear: "MAIR / Dad Gwen Geoff / Mum Beryl" in blue biro. Thought to be Beryl Mair's handwriting. gwynneth mair, david miller mair, dave mair, lily vipond mair, lily vipond deakin, georffrey mair, gwynneth mair, beryl mair, hawthorn, children, families

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 68 Park Street, Hawthorn 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of a woman seated on a veranda with 3 girls. Part of the facade of the house can be seen behind them. The veranda is timber. The door has acid-etched feature windows either side of it. The front is block-fronted and looks to be picked out in 2 paint colours. There are shadows of foliage and from lacework detail on the veranda cast over one side and the top pf the photo. The shadow of the photographer's hat can be seen on the bottom edge.On rear: "L-R" (in lead pencil) Beryl Isabel Mum / Gwen at Barton St" in blue biro. Thought to be Beryl Mair's handwriting. Number 39 in lead pencil.barton street, children, lily vipond deakin, lily vipond mair, beryl mair, isabel mair,, gwynneth mair

This is the 13th edition. Beverly Coultman Smith was a newspaper reporter in Hobart, Tasmania, an A.I.F. officer in the Pacific War, a sub-editor, feature writer, magazine editor and a professional soldier specialising in public relations, staff, medals and records.This item is a useful reference tool for the convict history of Tasmania. A 150 pp paper back book with a cream cover. It is titled, "Shadow Over Tasmania" in red and black print. Diagonally across a map of Tasmania inside a banner is " "The Whole Story Of The Convicts".inside on title page is signature of the author, B. Coultman Smith.tasmania-history penal-colonies tasmania-history book-shadoww-over-tasmania smith-coultman-beverly

Photo shows steam equipment with three iron chimneys attached. A boy and girl are sitting on equipment. View of large rocks, rock face and top of range in the background. Both children are in shadow.quarrying, heatherlie

Slab of rock is known as ' Fallen Giant'.Photo shows large slab of rock with other rock outcrops. The Fyans Valley is below with Mt.William range behind it. Large rock appears to be in shadow. A lone tree is perched on a rock behind.scenery, wonderland range

Off-white, muslin pillow sham with shadow embroidery depicting flowers, leaves, a bow and two butterflies in opposite corners. It has a 10 cm. wide scalloped, white lace border.bed linen., bed accessories.

Black and white photograph of a bluestone church, with a large tree casting it in shadow. In front is a stone and metal rail fence, with large metal gates where the two sides of the fence meet on the corner of the block.Front: (no inscriptions) Back: St Stephens Church Portland

Black & white photo of SEC No. 30, arriving Eaglehawk terminus - long shadows. Town Hall Hotel in background. Sunday afternoon, June 1967 - Queens birthday weekend. Photo on Ilford paper.On rear in blue ink 'Eaglehawk Sunday pm, June weekend 1967'trams, tramways, bendigo, eaglehawk , tram 30

The Dry Diggings area is located outside Hepburn Springs in the shadow of Mount Franklin. It was an early goldmining area, but little remains of the thriving town of the 1860s. Colour photograph in digital format of the shape of Australia carved into a rock in the playground of the former Dry Diggings Primary School near Hepburn Springs and Daylesford. The carved area has been filled with white quartz stone. dry diggings, education, rock,

This photograph is of a local identity, known as Dorrie, who lived and studied in the Ararat community in the late 1920s.Black-and-white photograph of a woman holding two horses by their reins outside of a house surrounded by picket fence and trees. Shadows appear in the foreground where the photographer would have been standing with their back to the sun. Rear: "To dear Miss Norman / With fondest love from / Dorrie".horses, homestead, ararat, dorrie, 1920

Under The Shadow Of Bald Hill, a history of Woodstock on Loddon and Woodstock West, published by Woodstock History Committee 1997, printed by D.G.Walker Pty Ltd 182 pages in soft cover with black and white photographs.Ray Wallacehistory, australian, woodstock on loddon, woodstock on loddon-history-family history

J. W. Stares was the pastor of the Prince of Wales Park Methodist Church, 1914 - 1918.Sepia toned studio head and shoulders portrait of Mr. Stares, aged between his late 20s and mid 30s. He is at a slight angle to the camera and is looking past it. His face is in half shadow.In pencil on the back: "MR STARES ?Prince of Wales Park"pastor j. w. stares methodist, prince of wales park methodist circuit, northcote (prince of wales park)

Black and white photograph of three tramway people standing in front of a depot office - includes a man in a Inspectors (could be the Depot Starter) uniform, a conductress and Eric Benson. Shadow of another person taking the photograph.On rear in ink "Eric Benson Tram Driver - Eric Edwin Benson (Jacket Open!)"trams, tramways, crews, inspectors, drivers, conductresses

Glass Etched Plate: Black background with three men on horse back riding along a sand coloured road in colourful traditional dress with shadows on the road. The plate has a red taped border. Box 625glass technology, engraved

Account page from Ashman's, Tailors, Hatters, Corner of Hargreaves and Williamson Streets. Printed in shades of blue, with shadow in some of the printing. Under the name is a picture of Ashman's corner, and a smaller picture of the people in the work room.business, printers, cambridge press, cambridge press collection, ashman's

Slide, Allan Budge Slide Collection: house, Cnr Gladstone & Hoskins Streets. Gables & Lacework.Features dentils on the barge boards, an impressive finial and circular lacework in the gables which creates attractive shadows. Note the eaves brackets.house, public, allan budge slide collection:, allan budge slide collection: house, heritage

B&W photographs of ''The Swinging Sidewalk'' (1988). Sundry annotation and address label of Victorian Arts Council. Two photos (copy) of seven male members of the group with their various instruments against backdrop of their shadows on plain wall.

Colour print of W3 class tram 661 in Wendouree Parade possibly on its first day of operation, 11-10-1980 for the BTPS. Tram 671 is in the shadows. Photographer unknown.Yields information about BTPS W3 671 in Wendouree Parade on its first day of operation.Colour print - on plain papertramcars, btps, wendouree parade, w3 class, tram 661

The rifle range, the standard Figure 11 target shows an unkempt male combatant charging towards the viewer, eyes in shadow, bayonet fixed, looking much like the dehumanized, savage enemy that recruits have been encouraged to imagine.