Black and white photograph of a sketch of Port Campbell SS with children lining up outside. Sketch done by Miss Kitchen who was a teacher at the schoolBlack and white photograph of sketchMiss Kitchen sketch of first Port Campbell schoolport campbell, schools, education, miss kitchen

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and buds of the Manna Gum and favourite food of the Koala - drawn by Dr R T Patton - University of Melbourne.Manna Gumlocal history, illustrations, pen & ink, leaves and buds of manna gum, black & white sketch, phillip island flora, koalas, john jenner, bryant west, dr r t patton

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and buds of the Swamp Gum - a favourite food of the Koala - drawn by Dr R T Patton, University of Melbourne.Swamp Gumlocal history, illustrations, pen & ink, leaves & buds of swamp gum, black & white sketch, phillip island flora, koalas, dr r t patton, john jenner, bryant west

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and bud of the Blue Gum. A favourite food of the Koala. Drawn by Dr R T Patton, University of Melbourne.Blue Gumlocal history, illustrations, pen & ink, leaves and bud of blue gum, black & white sketch, phillip island flora, koalas, dr r t patton, john jenner, bryant west

Laser copy of original sketch of teacher, Elsie Shannon by George Rosenkranz, former German POW, a survivor from HSK "Kormoran". The original given to Elsie who had the sketch copied for the MuseumPhotocopied watercolour sketch of one room rural school in timbered background, surrounded by barbed wire and netting fence in the barbs of which Elsie is caught. Tents in the background for Army personnel at Graytown POW Camp."Graytown- Erinnerungen", "Elsie" at State School No. 1005.graytown pow camp, hsk "kormoran", george rosenkranz

Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225. Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.4/418 Genoese MS. M6 RE MG. in Burgundy P2 S7 1st stockweaving, carpet

This work covers the history of the building that houses the Navarre Museum. From its construction as the Presbyterian Church through to the present day.Clear Palstic cover over white page with black print and colour photgraph of a buildingNavarre Museum An Historical Sketch A Work In Progress of the Navarre & District Historical Society Inc.stawell

Possibly associated with the Ballarat Technical Art School.Blue line sketch of a plant in Art Nouveu designblueline, art nouveau, plant

Black and white photo of Sketch of Mitcham Memorial Hall.membray, bryan, mitcham memorial hall

First owner of Fairfield House was George Francis Morris. This sketch is believed to be the concept sketch from the architects.Early coloured sketch of Fairfield House with a horse drawn carriage in front of the house.At bottom right of sketch: "Gordon & Gordon, Architects" fairfield cellars, fairfield house, wine industry, morris family

Black and white sketch of Schwerkolt Cottage by L.Miller. Sketch is on the front of a greeting card loaned for copying by Rosalie Whalen. A scan has been done of the actual and is included with the copy of the card.schwerkolt cottage, miller. l, whalen, rosalie

sketch, photograph, people

Hand drawn sketch in pencil of grave site with cross belonging to J.T. TOBIN NX 73062 2/15 Field Regiment WW2 who died from illness on 12/9/1943 in BURMA/MYANMARHand drawn sketch in pencil of grave with cross on cream coloured paper Rear side - black square with three rows of dots coming to a pointNX73062 J.T.TOBIN 12.9.43 Rear side - Tavoy Golden Temple at Night - Korselj.t. tobin, 2/15 field regiment, ww2, burma

Original painting photographed.Colour photograph of a cartoon sketch of group of men some in theatrical costumes.Nil.hay camp, camp 2, tatura, dunera, photography, photograph, slides, film

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch map of Westernport Bay region showing probable drainage directions of the ancient river system. Drawn by Dr G Baker from original maps by E S Hills D.Sc.local history, illustrations, pen & ink, westernport bay region, black & white sketch, physiography, dr g baker, e s hill d.sc, john jenner, bryant west

Sketch from Readers Digest of internees disembarking from the "Dunera", bound for Hay.

shipwreck at Barwon HeadsSS ORUNGAL shipwreckPencil sketch, post card and B&W photo of SS ORUNGAL agroundReverse - " NIL ".historical references

Sketches made in POW Camp 13 by von Gruenewaldt as the Army sappers dismantle the camp and POW's are repatriated back home. Lt. D. H. Hall wrote his signature bottom left corner. On back of sketch. Jenks with best wishes Splinter.Artist/cartoonist von Grueneweldt POW Camp 13. South African Group. Sketch entitled The Sappers Farewell. Seasons greetings 1946-1947 G. E. Murchison. signed D. H. Hall Lt. bottom left corner. "Morgen 1st Auch Ein Tag" bottom right corner.Jenks With Best Wishes Splinterhans walter von gruenewaldt, pow camp 13, army sappers, pow repatriation

The original sketches were used by Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose.Timber frame with glass front containing four A4 size photographs of sketches. Four sketches by Emil wittenberg depicting conditions on the "Dunera" and in internment camps at Hay and Tatura.The "Dunera" Story. Sketches by Emil Wittenberg."dunera", hay internment camp, tatura internment camps, world war ii, internment camps, emil wittenberg, sketches

The original sketches were used by the Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose by the Society.Four A4 photographs of colour sketches mounted in a timber frame with glass front. Photo of sketches displaying life on the "Dunera" barracks, bunks and toilet facilities in the internment camps.The "Dunera" Story, Sketches by Emil Wittenberg."dunera", hay internment camp, internment camps, tatura, camp 2, world war ii, emil wittenberg

Painting depicting a four piece mural of an abstract design. Inscribed in chalk on frame lower left 'Sketch for Ceramic Mural'. Inscribed on reverse of frame "Donald Laycock/ Design for a Mural 1954'.donald laycock, painting, ceramic mural

WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Poetical Sketch-Book, Australia Author: Thomas K Hervey Publisher: Edward Bull Date: 1829Label on spine cover with typed text R.A. 821 HER Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Fly paper has stamp from Warrnambool Public Museumwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, the poetical sketch-book, australia, the poetical sketch-book, thomas k hervey

One of a series of sketches in 1943 by war artist Geoffrey Mainwaring while covering the war in the Pacific. Mainwaring went on to take charge of the Art department at the School of Mines Ballarat, SMB now Federation University.war, landing craft, mainwaring, ballarat smb, sketch, war in the pacific, new guinea, war artist