The photo is of "The Balconies" overlooking the back of the Wonderland Range. The photo of typical of those taken by the Forestry Commission at that time.Photo shows a woman standing on a rocky platform which protrudes out over a well-treed valley. Another rock almost forms a canopy overhead. Part of the rock on which the woman is standing on is in shade, she is in the full sun."No. 5" written in pencil on the back.scenery, lookouts

Donated by Jean BainSepia Postcard of Broadwater - house. Figure of a woman standing on verandah with steps to lawn. A tree at each side of the house.The Rose Series P 3399 "Broadwater", Cowes, Phillip Is. Vic.broadwater cowes, phillip island, jean bain

Photo is of Ellen (Nellie) Knight, wife of Augustus (Gus) Knight. She is standing outside their home at Henham.Photo shows a woman standing in front of a sapling fence with an open gate. There is a house to the right and outbuildings behind the fence.people, knight

Two People inside library, One man and one woman standing either side of a micro fische machine.biarri

Associated with CarisbrookPhotograph of a woman standing beside railway tracks and six people standing on the platform. Two seem to be folding lamps. em22, carisbrook, carisbrook railway station, carisbrook railway platform

The Fitridge family of Mannibadar worked as carriers. This photograph is said to have been taken at the Knight's property.Sepia photograph of four men and a woman standing in front of an early model truck which is loaded with wool bales.fitridge family [carriers], rural activity, transport, trucks, wool bales, knight's property

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill / Sunbury / April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Library collection. During 2000 this was transfered from Mont Park to the Royal Melbourne Hospital.A woman is standing on a creek bank in a bush setting. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

Glenelg Shire Council RecordsFront: Portland City Council 1992/93, Councillors and Corporate Team (upper centre, label) Left to Right/Back Row: Greg Trevaskis (Chief Executive), Cr. Robert Menzel (Deputy Mayor), Trevor Hornby (Director Corporate Services), Cr. Phillip Kelly, Bill Hebb (Director Community Services) and Ross Morgan (Director Technical Services). Middle Row: Cr. Lynn Murrell, Cr. Des Hein, Cr. Bernard Wallace, Cr. Jeffrey Baulch. Front Row: Cr. Darrell Morrison, Cr. Mike Noske (Mayor), Lelia Pop (Town Planner) and Cr. Keith Wilson.

Huttley - Martin FamilyB/W. 2 Suited Men Standing, 2 Seated woman at round table. Cooper St Stawell West"BURNSIDE on sign above door Reverse; L.R. Christian Jane, Alfred Thomas, Euphemia, Bert.huttley, martin

The Lowen family home at East Burwood, shown in about 1925, was removed and the property sold to allow Blackburn Road to continue through to meet up with Burwood Road. (Now Burwood Highway)Black and white photograph of a weatherboard house with a post and wire fence along the drive, and woman standing near the side of the houselowen family houses east burwood

Photograph shows Ivy May Child aged about 19 years holding a goat. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Black and white photograph that has been colorised with green and yellow that shows a young woman , standing in a garden, holding a goativy child, ivy may child, goat, child family

Digital scan of black and white photograph. Names not recorded. Four men and one woman standing with one man seated.

The Alexandra Gardens in Cotham Road, Kew were opened by the Governor of Victoria in 1910. The first curator of the gardens was George Pockett, who with his brother is credited with the layout of the gardens. The gardens were constructed on land originally owned by the King family of 'Madford' in Wellington Street. The land on which the gardens were developed was originally the back paddock of 'Madford' which was purchased by the Borough of Kew in 1906.A rare and early photograph of the gardens showing clearly the changes to the layout and planting during the 1920s. Small, sepia coloured photographic positive of a woman standing beside a path and bridge in the Alexandra Gardens in Cotham Road, Kew.Annotation verso: "Alexandra Gardens Kew 1927"parks and gardens -- kew (vic.), alexandra gardens -- kew (vic.), george pockett

Hardcover book, 189 pages. Front cover of book has a colour image of a man and woman standing in front of a house.fictionRomance novel.olga gillman, romance, fiction

Large Group of Children seated who have enjoyed a performance by Mrs. Attrill's dogs Aussie and Rex. c 1940 -1950. Presumably Mrs. Attrill on right of photo. Lady at back - Black hat and glasses is Miss Gresswell.Black & white photo of a group of young children plus several adults all seated with a woman standing out the front. stawell business

Black and white copy of original photograph of a stone house on the hill and in the foreground horses and cattle grazing and a woman standing with a horse.piggoreet west

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the F19 (later renamed Eastern) Freeway through the Yarra Valley in Kew over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations.Closeup view of earth moving vehicle at the beginning of construction of the Eastern (F19) Freeway in 1971 with woman standing beside mover."Eastern Freeway / Nov 71"ron setford, eastern freeway, f19 freeway

This photograph shows Harold Rodwell and his daughter, Ina, in a paddock full of pumpkins. Pumpkins were grown widely on Orbost farms and used to feed pigs. There was usually a competition for the heaviest or biggest pumpkin at the annual Orbost agricultural Show.This photograph is associated with the history of pumpkin growing in the Orbost district.A black / white photograph of a man and a woman people standing in a large paddock of pumpkins.on front - INA & H, Rodwellrodwell-harold rodwell-ina pumpkins-orbost agriculture-orbost farming-orbost

Waterfall is known as Bridal Veil and is on the Wonderland/Pinnacle walk. The photo is typical of those produced by 'Victorian Railways' for tourism.Photo shows a young woman standing beside a waterfall. A rock overhang appears at top of photo with rock rubble and reeds in foreground.No.65scenery, waterfalls

Small black and white photograph of Conservatory Gardens Bendigo with woman standing beside garden bed, palm trees and statue in background.photograph, landscape, bendigo, bendigo-gardens-conservatory

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

"Otira" was built in 1887 for Mr. Henry Berry, owner of a large wholesale grocery business. In 1923, the property was acquired by the Methodist Church for use as a home mission training college. B & W photograph of a group of 9 men and 1 woman standing on steps at the Otira Methodist Home Missionary Training College.

Black and white photograph of a gentleman wearing suit, collar and tie, standing beside a woman wearing spectacles, and dress with pearl necklace.albert bryant, ginny bryant (née hyatt)