Photograph of a football team and club officialsUnidentified football team photo. The team were premiers in their division in 1931.Allan Studios, 318 Smith St Collingwoodfootball teams, sports -- melbourne

Unidentified football team who were premiers of their division in 1931Allan Studios 310 Smith St Collingwood

CD-ROM of images of recipients of Honorary Doctorates and Awards/medals by Williams Studios, Ballarat.university of ballarat, graduation, honorary doctorate, doctorate, award, medal, strobe driver. robert h.t. smith, jeremy johnson, julie heron, heron, johnson, driver

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Studio photograph of Bert, a cousin of the Figuerola sisters. The photo was in the family photo album of the artist. "Cousin Bert age 12 mths"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Postcard looking east along tree lined Collins St from Elizabeth Street with many now demolished buildings in the view. Buildings at the time include Block Court, Victour, Kodak, Souther Cross, Howey Court. Trams in the view are W2 224, W2 253 (Spencer Street Route 11) and three other W2 class trams. Appears to be an Inspector standing at the west end of the Safety Zone.Yields information about Collins Street early 1970s and the motor car traffic.Postcard - Collins St at Elizabeth St - John Hinde Studios 2 AUS 34trams, tramways, safety zones, traffic, w2 class trams, tram 224, tram 253, victour, kodak, block court, collins st

Black and white photo of Bruno Moretti throwing a basketball to Bryan Tudor.Reserve of photo has a label an a maker's mark. Label states: Bruno Moretti Bryan Tudor Maker's mark states: ALLAN STUDIOS COLLINGWOOD. WHEN RE-ORDERING QUOTE NO. 9259 POS. 5bruno moretti, bryan tudor, wheelchair sport, wheelchair basketball, disabled sports

This work was undertaken by Keith Rash.Sign on strawboard for the show Broadway as shown by Gem Pictures. The work is signed "gem" Studios Ballarat.keith rash, signwriting, broadway, gem studios, gem pictures, signwriting, rash

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This photograph is of Gertrude Foord (1885-1968), an aunt on the Hamilton-Smith family tree. Much of the needlework and textiles in the Hamilton-Smith collection belonged to Gertrude. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Black and white studio portrait photograph of a woman dressed in early 1900s dress, mounted on card.Handwritten inscription in bottom centre: "Love from/Gertrude". photograph, family photographs, photo, 1900s, edwardian, studio portrait, portrait

Annual class photograph, Montmorency High School, Form 10F 1977Colour photograph mounted in protective yellow cardboard folderSchool year 1977; Martin Joyce Colour Studiosmontmorency high school, school photographs

Caption: Greensborough Premiership Team 1931. Front row (L-R) Lyal Clayton, Andy Ferrari, Percy Jurss, Les Collard, Fred King. 2nd row (L-R): Horrie Burkett, Jack Carlon, Joe Brownhill, Tony Crees, Bill McDowell, Bob Bennett, Les Iredale, Vin Broderick, Jeff Collard. 3rd row (L-R): Oliver Ely, Ted Godwill, Chas Aller, ?Nelson, Alf Purcell, Alan Partington, Wal Reid, Alan Splatt, Dave Barber. Back row: Bill Horn, Joe Stock, Rupert Jessop, Mr Holahahn, Norm Poulter, Dolf Purcell, Bill Mills.Records the team - players and support staff - of Greensborough's 1931 Premiership side.Team photograph mounted on board. Accompanied by typed caption.On mount: 'Allan Studios 318 Smith Street Collingwood'greensborough football club, diamond valley football association, premiers 1931

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. Eppalock Ward is one of three wards in the Greater Bendigo municipality which includes the former Strathfieldsaye Shire. Framed black and white head and shoulder portrait with hand coloured detail. Man with profile slightly to right, walrus moustache, image encircled. Photograph is attached to mount card. Hand written title lower centre.Ex. Councillor / F. Orr / Eppalock / The / Yeoman / Studiosshire of strathfieldsaye, councillor orr

There is no information with this item. The Kenny family is associated with the history of Newmerella. This item is associated with WW1.A black / white photograph of four soldiers. Two are seated and two standing behind them. It appears to be a studio portrait.on back - "Dear Mother, Y Kenny"photograph-soldiers kenny-y

Note by T.H. Kneen 19 November 1991, "This part of the Principal's Residence was modified to provide more bedroom accommodation for Mr McLennan's family in 1917."Black and white photograph. Corner of house with Phoenix canariensis in the foreground.On reverse, "1913 The Sear's Studios, 271 Collins Street, Melbourne."principal's residence, mr mclennan, phoenix canariensis

Photograph of a group of four men, three in white shorts & singlets & one in long white trousers & singlet. The names J. Scott, Fr Brown & F. Brown under photograph."Thalma Studios, Hugen & Ilsley. Opp Post Office, Rutherglen"j scott, fr brown, f brown, group photo, sporting events

A photo of three men, the two in uniform are former junior legatees that were helped to achieve admission to Southampton Naval College UK when they visited Legacy in 1964. These two outstanding junior legatees that were featured in the June 1957 newsletter. The article explains that Ron Rudd was a member of Footscray classes. And John Woodley had lived at Harelands. Both won entry to the greatest school of navigation at Southhampton UK, which lead to successful careers and were welcomed to Legacy luncheons when they were back in Australia. It is possible these two junior legatees had returned to Legacy in 1964 when this photo was taken. The man is the centre is Ivan Layton, Executive Officer of Legacy for 30 years. John Woodley's brother, Arthur, was also looked after by Legacy and in 1990 he wrote of his life and how Legacy helped him in a document (see item 00107).Many junior legatees enlisted in the services in the second World War. Some returned and joined Legacy as Legatees. It shows the impact of Legacy on their lives that they lived the belief that the spirit of Legacy is service.Black and white photo of three men, two are in uniform.Printed on front of photo 'Ritter-Jeppesen Studios July 1964'.legatee, junior legatee, john woodley, ron rudd

Black & white studio portrait seated male. Aged approx 30years, suit & vest, Albert chain with vesta box. Faded Eastwood Studios on Front.Eastwood Studiosphotograph, person, male

Zillah Jean Brown, known as Jean, was the granddaughter of a pioneer of the district, Mr Hugh Brown. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of Miss Jean Brown with a doll.The Yeoman Studioshugh brown, mordialloc, jean brown, zillah brown, doll

Fred Davey is in the middle row, 11th from the left. Part of Frederick Gardner Davey DFC No.410533 RAAF Collection. See Cat. No. 3536P for his service record.Photo, black & white of a group of men in RAAF uniform. Group is arranged in rows against a background of trees.Stamped on back in blue ink "Leonard Snowden Studios By Royal Appointment, V7672" "Studios. No1 E.S. Melbourne. All R.A.A.F & W.A.A.F Stations Priv. Res. 101 Glenferrie Rd. Malvern".photography, raaf

Pte. William Bailey, Service No. 8/A 1st AIF 31 Batt. KIA 25 October 1916 in France. Buried AIF burial ground, Flers, France.Photograph - on cream cardboard, sepia, full length portrait of a soldier.R. McGeehan, Photographer, The Central studios 57 Elm Grove, Ripponlea, Melbourne.ww1, portrait

Wedding party; groom, bride, older woman (possibly mother of the bride) plus couple on groom's L/H side. As Ethel is mentioned on inscription the bride could be Ethel Georgina Nightingale(b.1885 - 1946) currently do not have spouse's name. Older seated woman possibly mother of the bride could be Emma Augusta Thompson (1859 - 1949) (Needs further research for confirmation)Sepia photograph on dark grey card of wedding partyMakers mark: The Yeoman Studios Inscription on back: To Dear Ethel with best wishesthompson collection, nightingale

Both born in Stawell and Joe had a Milk Bar in the main street for many years. Photo given to a friend Ted Neyland from whose daughter we received the photo.Portrait of two young men in suits and ties. Mounted in a cardboard surround To Ted from Kitch & Joe 28/9/34 Chapman Studios Stawell

George Evans is the man in the photograph. He arrived in Hobart from England on 1st September 1825 and later came to Victoria in 1836.With a flock of sheep he squatted on land along the Jacksons Creek valley north of Sunbury and built his homestead (known as Emu Bottom) on his holding.George Evans was one of the first European Settlers to take up land along the Jacksons Creek in Sunbury.A non-digital sepia studio photograph of a bearded man sitting on a chair and holding a telescope across his lap.The photograph is mounted on cream cardboard.george evans, emu bottom, squatters

Donated by the Presentation Sisters of Mt Carmel ConventBlack and white photogaph of an Archbishop, unframed & unmounted. Archbishop is probably Coptic Orthodox, flowing beard, glasses."God Bless Mr. Peterson. Archbishop _ [illeg.]" On Back: "Hollywood Studios Pty Ltd"orthodox priest

Black & White studio photograph baby in christening dress seated in cane chair. Printed Front. Kalma Studios The Mall Bendigo opposite P OKalma Studio. The Mall Bendigophotograph, person, baby

Original photo held by Ron BEDFORD (Ballarat) and scan taken 24.05.2011Black and white photo of Port Melbourne YMCA football team 1946, VFA sub-district (under 20). Players are identified on the photo."Lorraine Studios" stamp on rear in red. 159 Bay St Port Melbourne. Phone MX2763sport - australian rules football, s bigg, k jordan, k fennessy, b watts, mustan, r murray, w murray, m maher, a sortell, c seddon, r ralph, r marasceau, v thompson, lavery, j woods, t williams, foote, b balitho, i bedford, a foote, n fehr, r bedford, r newman, l saw, a freeman

Collingwood Technical School trained apprentices in many trades. These photographs depict some of the machines and machine parts built in class. Captions : 1. Marking off and checking castings 2. Examples of other machine parts, etc., being made in Youth Employment classes in engineering machine shop. 3. Cutting the traversing screw for a 5 ¼ inch lathe. 4. Grinding lathe spindle. 5. Cutting helical flutes in a shell end mill. 6. Arbor Press. Another valuable machine produced by Youth Employment and senior technical evening students. 7. Milling angular slides of lathe saddle. 8. 5 ¼ inch lathe product of Collingwood Technical School. These are high quality professional photographs taken circa 1940. 8 black and white photographs mounted on brown card. Photographs depict various aspects of lathe work.Each photograph has a hand written caption on the front. Also handwritten in black pen "Allan Studios".collingwood technical school, cts, apprentices, students, lathes, machinery, machine parts, nmit,

Snapshot in time of tall ship and the relaxed clambering about the rigging by sailors. The C.B. Pedersen is also referred to as a Training Ship for Swedish seamen and cadets. A reference in Annual reports and in Jottings from our log notes that classes in Swedish amongst other languages were offered by the LHLG to members and some of the earliest photographs note Swedish sailors relaxing. The first officer and captain of the C.B. Pedersen are depicted in photograph (0706) on permanent display. In the Sydney Morning Herald, Tuesday 27 April 1937, page 12: "The C. B. Pedersen was built in 1891. It has visited Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist Violet Teague was one of the passengers. She painted during the voyage and exhibited her work in 1938. Built in 1891 the C.B Pedersen, a four-masted steel barque (2142 tons) was used as a training Barque. The ship foundered in April 1937, the crew was saved. Several other photographs of the C.B. Pedersen taken by the same studio are held at the State Library of Victoria.Training of seamen has always been of of keen interest to the Mission to Seamen and many cadets have been welcomed over the 20th Century when widespread training was undertaken by a number of seafaring nations. Black and white photograph of 9 men hanging from ropes in the rigging. One man is upside down, another is holding his hat out. The mast is off to the right-hand side of the photograph and there are several ropes and chains.On the back of the photograph in the top left-hand corner is an ink stamp with the text "Peckham Photographic Studios/Geo Beachcroft/Propr./21 Charlotte St./Richmond/Victoria, Australia". In black pen is the text "Hanging on up aloft/C.B.Pedersen".richmond, chains, rope, seafarers, rigging, peckham photographic studios, geo beachcroft propr, cb pedersen, tall ships, captain hjalmar dahlström, windjammer

Photograph of two world war one soldiers taken in Melbourne Jim Mc Intyre and Harold JenkinsBlack and white photo of two soldiers Front - Jim Mcintyre and Harold Jenkins Rear - Whitney Bros Electric Studios Melbourne Australia Beryl Kennyjim mcintyre, harold jenkins photograph