Four Pair Kid Gloves various colours and textures. Light cream. Embroidered cuffs buttoned with a stud. The McClure family stawell clothing material

Portrait of a young lady wearing high necked gown. Photograph mounted in textured card which has serrated edges."Mary Isabel Blamire"mary isabel blamire

Annual reports and financial statements 1968 - 1969 for the Portland Golf Club. Twelve pages, grey textured card covers.portland golf club, recreation, sport, local club, administrative record, accounts

Silcrete and quartzite can create sharp flakes and have been important materials for stone tool making by Aboriginal AustraliansTwelve pieces of partially worked stone by Aboriginal people. Flakes or core, silcrete or quartzite. 8968.1 - Silcrete, pale material is anatase 8968.2 - Silcrete 8968.3 - Silcrete 8968.4 - Quartzite 8968.5 - Quartzite 8968.6 - Quartzite - heavily cemented on metamorphosed sandstone 8968.7 - Silcrete 8968.8 - Quartzite 8968.9 - Silcrete in sandy texture (others muddy texture) 8968.10 - Quartzite 8968.11 - Silcrete - part course, part fine, not neatly layered 8968 - 12 Silcrete - two textures - partly muddy, partly sandy stone, aboriginal, aborigines, stone tools, silcrete, quartite, flakes, tools

Very early representation of Clarendon College crest. According ot the Argus Thursday 4 October 1934 the crest of Clarendon College was arranged by the Rev Robert kennedy and Mrs Kennedy who founded the school in 1876. the lamp of knowledge stand on a shield which contains a book and star. the book is the open Bible and the star a symbol intended to guide to way in the search for truth.Unique itemSilver lapel pin with crest featuring uninscribed motto scroll and shield with lamp at top and open book and star on textured faceclarendon-college, crest, mrs kennedy, rev-robert-kennedy

Rectangular black dish made of glass. Dish is decorated with a map of Port of Tacoma in gold. Back of dish is covered in textured glassPort of Tacoma on recto side PMA0162/1

Textured glass perfume bottle, marked ''Extract White Rose''on paper label. With glass stopper. Old catalogue number U2650personal effects, containers, perfume

A laryngoscope is an instrument used to view the larynx (voice box), which is the opening to the trachea and lungs. It consists of a “blade,” which goes into the patient’s mouth, and a handle. Prior to 1943 when Macintosh introduced his curved blade, most laryngoscope blades were long and straight. The straight blades were used to directly hold the epiglottis. Macintosh’s curved blade works differently: it indirectly opens the epiglottis by applying pressure to a space between the root of the tongue and epiglottis, called the vallecula. The flange running along the left lower edge of Macintosh’s blade was also a novel innovation. It was designed to move the tongue to the side, which improved the view of the larynx and made more room for a breathing tube. The Macintosh Laryngoscope remains one of the most popular blades worldwide. (Source: Wood Library Museum) This laryngoscope was previously owned by John Mainland, as evidenced by the name etched into the handle. Mainland graduated from the University of Melbourne in 1950 with a Bachelor of Science degree. After researching and completing his medical degree, Mainland entered into the field of anaesthetics, training at the Royal Women's and Royal Children's Hospitals, later Alfred Hospital, in 1959. He completed training in 1964 and remained at the Alfred Hospital. During his career, he also became the first anaesthetist appointed to the position of Professor in Victoria. His other achievements include manufacturing a respiratory monitoring module that accompanied astronauts on the United States moon landing and developing a stimulator to lessen the risk of deep vein thrombosis in surgical patients. Mainland became a Fellow of the Australian and New Zealand College of Anaesthetists in 1992, retiring from the profession in 1997.Oblong shaped handle with textured grip. Attached is a laryngoscope blade in a cruved shaped with light tube running through one side.Etched into top of handle: J.F. MAINLAND •Stamped into top of handle: REGD TRADE MARK / PENLON / MADE IN ENGLAND •Stamped into base of handle: CLOSE [arrow] •Etched into base of blade: MAC / 4 •Stamped into side of blade: REGD TRADE MARK / PENLON / MADE IN ENGLAND •Stamped into side of blade: STAINLESSmacintosh, robert reynolds, new zealand, laryngoscope, mainland, john, alfred hospital, moon landing

Huttley - Martinwhite Textured Card. Oval portrait of a young Woman, with curly hair. dark dress with white ruff, neck ornament/closure.Christopher B Herbet Jinnie Stawell huttle, martin

This is the program from the 2011 Emerging Writers' Festival. The program provides information about the events and programs involved in the festival, programmed by Artistic Director Lisa Dempster. The festival ran from May 26 until June 5th, 2011.Small white booklet with blue font and colourful textured painted splotches containing the program information for the 2011 Emerging Writers' Festival.2011 emerging writers' festival, lisa dempster, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

From James Hopkins whose father Alfred Hopkins ran at StawellPaper cover featuring a b/w photo of a runner belwo which is a red banner with white text Stawell Athletic Club logo in top left.(2 Copies) Textured Light Blue Card Cover with Stawell Athletic Club logo Textured Dark Green card cover with Stawell Athletic Club logoStawell Athletic Club Logo Stawell Athletic Club Official Souvenir Commemorating 75th Anniversary 1877-1952 Ligh Blue Inside - R.K Chapman (in Ink) Dark Green Inside - A.J. Pawsey (in ink)stawell sport, stawell gift centenary

Textiles. Woven thread design, edged with a 2.5 cm fringe. A deep coffee coloured linen, with a woven deign in the centre 8 cm square, surrounded with a 2 cm wide border, woven in a different texture. This in turn is edged on each side, with a slanted woven thread, then a .7 cm band of a separate texture before the outer fringe.textiles, domestic, square linen doyley

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

Dennys, Lascelles Limited: Wool Industry Study Tour of Japan and Hong Kong, March 1970. Part of the NWM Woolbroker's Office exhibit until late 1990's.Three copies. Report, 15pp: Small booklet, cream, soft textured cover with title and date in black ink. Stapled twice at left. Dennys, Lascelles Limited : Wool Industry Study Tour of Japan and Hong Kong, March 1970wool stores wool marketing, dennys, lascelles limited, wool stores, wool marketing

Dennys, Lascelles Limited: Chairman's Address, Annual Meeting of Shareholders, August 1967. Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies. Report, 7pp: Small booklet, cream soft textured cover with title and date in black ink. Stapled twice at left. Dennys, Lascelles Limited :Chairman's Address, Annual Meeting of Shareholders, August 1967wool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

Dennys, Lascelles Limited: Chairman's Address, Annual Meeting of Shareholders, August 1964. Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies. Report, 7pp: Small booklet, cream soft textured cover with title and date in black ink. Stapled twice at left.Dennys, Lascelles Limited: Chairman's Address, Annual Meeting of Shareholders, August 1964wool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

Dennys, Lascelles Limited: Chairman's Address, Annual Meeting of Shareholders, August 1969. Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies. Report, 7pp: Small booklet, cream soft textured cover with title and date in black ink. Stapled twice at left. Dennys, Lascelles Limited :Chairman's Address, Annual Meeting of Shareholders, August 1969wool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

This may have a WW 1 military item (?). It seems to be an oil canister from a gun cleaning kit. It could be from a spare parts tool kit for a Bren Gun.This item is linked to WW1 ans is a reminder of those who played a role in that conflict.A small rectangular shaped metal container with screw top lid. It has one flat side and the lid has a textured grip. The dipstick unscrews.container-metal

Booklet to accompany third year student exhibition of Bachelor of Visual Arts students. Includes staff list, individual student names and photographs within their studio spaces at the Mt Helen Campus. It also includes student contact details and some artist statements. Introduction by Associate Professor Ian Hemingway, Head, School of Visual and Performing Arts, Ballarat University College. List of subject areas and staff names. Ceramics, Drawing, Graphic Design, Painting, Photography, Printmaking, Sculpture, Art History / Art Theory. At this time, the School offered the three-year Bachelor of Arts, Visual Arts; Bachelor of Arts, Performing Arts, a one year Graduate Diploma of Visual Arts and a one year Graduate Diploma of Music Education.Saddle-stitched book. 68pp cover black and white text pages on gloss stock, plus 4pp single colour cover on textured card.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, ceramics, drawing, graphic design, painting, photography, printmaking, sculpture, art history / art theory, mt helen campus

Membership card for Diamond Valley Community Hospital. Members could obtain reduced in-patient fees on presentation of this card.Textured card, salmon on front, white on inside, folded once, with receipt pasted in. With covering letter to Noel Withers from the donor, Bob Manuell"F. Squire, Gladstone Rd Briar Hill, 17/6/42, Life 30 pounds. [Issued by] P Stubley"diamond valley community hospital

This low kneeling stool was used for prayer and was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This kneeling stool is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. The Church originated in Bristol, England when a Seamen's Mission was formed in 1837. The stool is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this stool to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Stool; kneeling stool with textured vinyl cover and wooden base, with 4 wooden legs. The stool is part of the St Nicholas Mission to Seamen's Collection.flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, prayer, church furniture, prayer stool, worship

Dennys, Lascelles Limited: Chairman's Address, Annual Meeting of Shareholders, August 1972. Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies. Report, 7pp: Small booklet, pale green soft textured cover with title and date in black ink. Stapled twice at left. Dennys, Lascelles Limited :Chairman's Address, Annual Meeting of Shareholders, August 1972wool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering

Huttley Martin Familyfawn folder cardboard with textured front. B/W Studio Portrait -Bride in veil, dress, necklace, white stockings and shoes, holding bouquetW.J. Chapman Stawellhuttley, martin

Matte sepia toned head and shoulders studio portrait of Rev. F. H. Williams who is looking directly at the camera with his body facing to his right. He is wearing his clerical collar. The photograph is tipped on beige textured card which has been mounted on tan textured paper. The Rev Williams' name is written on the front of the photograph in script."Rev. F. H. Williams"rev f h williams methodist minister, prince of wales park methodist circuit, northcote (prince of wales park)

This is an example of a container commonly used in homes in the early to mid 20th century. A large brown glass vinegar bottle. It has a long neck and is textured glass with a smooth rectangle on the front for labelling. It possibly had a cork top seal.on front - in rectangle "VINEGAR" on base - AGM and logo F317 M/container bottle-vinegar agm