Artists Of The Bendigo Goldfields 1852 - 1864. Short notes on the paintings and their artists. This Collections was exhibited at the Bendigo Art Gallery, 9 March - 9 April,1989. The Artists were: Ludwig Becker, Edward Thomas Barnard, Nicholas Chevalier, William Dexter, Alexander Fox, S. T. Gill, Thomas Ham, Theodore King, George Lacy, Frederick Nixon, J. A. Panton, C. Rudston Read, George Rowe, G. J. W. Russell, Edwin Stocqueler, A. J. Stopps, W. E. D. Sturat, Thomas Wright. With Index. 32 pages.David Thomasbook, bendigo, paintings, books, catalogues, and newspapers.

Certificate acknowledging Mr Thomas W. Gaudion's Voluntary Active Service during World War 1.White coloured Certificate from Shire of Lilydale to Thomas W. Gaudion acknowledging Voluntary Active Service during 1st World War, with a red Wax Seal."Shire of Lilydale, Lilydale 1st March 1916 to Mr Thomas Gaudion......" Red Wax Seal in lower left of Certificatecertificates of appreciation

The building is the 3rd in a series of 3 water colours by Stan Thomas. The building is the HQ of the Kangaroo Flat RSL Sub Branch. The Sub Branch was formed on December 18th 1951. Refer Cat No 8231 for the series.Painting, water colour, gold timber frame, painting set in two white card insets showing a brick building with white double doors and a flag out the front with 4 large pot plants, by artist Stan Thomas.On top of the building, "Kangaroo Flat RSL", hand painted on "Stan Thomas"brsl, smirsl, painting, water colour, kangaroo flat

Thomas Henry Deakin (1845-1915), born in Monmouthshire, Wales married Janet (Jessie) Longmore (1851-1939), born in Morayshire, Scotland on 17 April 1878 in Emerald Hill. It is not known when Thomas migrated. His father William also came as he is buried in Melbourne General. His mother Augusta Amelia Phillips may have died in Wales. The couple has 2 sons and 4 surviving daughters, most of whom were born in Emerald Hill. In 1903 the family were living at 437 City Road, Emerald Hill and both Thomas and his son John Henry are listed as bootmakers. By 1914 they have moved to Station Street, Alphington. Thomas is listed as Independent Means; daughter Elsie as a nurse; daughter Jessie as a music teacher and daughter Minnie as a bookbinder. Buried in Melbourne General Cemetery, Section D (Baptist): Transcription "Sacred to the memory of William DEAKIN died 29 Nov 1885 also his son Thomas Henry beloved husband of Jessie DEAKIN died 3 Jul 1915, 70 years also Jessie DEAKIN wife of Thomas Henry DEAKIN died 21 Mar 1939, 87 years."This is part of a large collection of material related to the Deakin, Mair and Young families.A sepia copy of a formal portrait of Thomas Henry Deakin. Taken part in profile, he is formally dressed and has a moustache and beard and a slightly receding hairline.REAR: In blue biro "Grandpa Deakin / (John Henry)" Research and other photos indicate that this is Thomas Henry Deakin not his son John Henry.thomas henry deakin

Copy of original black and white sketch by Stan Thomas, Specimen cottage 1856 Hargreaves Street, Bendigo Paper mounted on cardboardStan Thomas artist

Tait collection: item 33 of 62 This probate document gives details of the will of Thomas Smith, a farmer in the Wangoom district who was a pioneer settler, having arrived in the area about 1848. He erected the Shamrock Hotel in Dennington in 1868 and it was opened for business in 1869 with David Duffy as the first licensee. Thomas Smith was the licensee in 1870 and members of his family (Cornelius, Robert and Mary Smith) held the licence of the hotel until 1880. A codicil to the will gave Mary Smith, Thomas’ daughter, the hotel land and building. This hotel closed in 2011. Thomas Smith signed the original will with a cross (his mark). Other names mentioned in the probate document are Frederick Wilkinson, Master-in-Equity, Ernest Chambers, Solicitor, John Drayton, Clerk to E. Chambers, William Ardlie, Senior, Solicitor, Thomas Goodall, Clerk to William Ardlie, Richard Sheldrick, Clerk to William Ardlie, Walter Davies, Stationer.This is a significant document as Thomas Smith was a prominent owner of land, especially in the Dennington area. The Shamrock Hotel in Dennington was built by Smith and still owned by him when he died in 1880. The will gives important details of the estate of Thomas Smith and adds to our knowledge of his life and work. Document – Probate, 1880/1907 - the Will and Codicil of Thomas Smith, Farmer of Dennington The will has six ruled paper pages of typewritten material. Each page has printed ruled red lines top, bottom and sides and all are tied with green corded string. There are handwritten corrections and signatures, including those of Ernest Chambers, Solicitor of Warrnambool and John Drayton, Clerk to E. Chambers.Thomas Smith Shamrock Hotel, Dennington Ernest Chambers, Solicitor thomas smith wangoom 1848, shamrock hotel dennington, warrnambool history, thomas smith 1880

Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL'S MECHANICS' INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Thomas Heywood The Best Plays of the old Dramatists Edited by A. Wilson Verity Publisher: Vizetelly & Co Date: 1888Label on spine cover with typed text PAT 822 HEY Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, thomas heywood, a. wilson verity

Hard cover book featuring poems and photographs by former local resident of Ringwood, Victoria, Thomas Guest. Tommy Tom Thomas 1951-1958

White painted wooden cross with 'Parker, Roderick Thomas Ross 218346'. An Australian flag and poppy are attachedParker, Roderick Thomas Ross, 218346parker, roderick thomas ross, cross

Pte David John THOMAS was KIA at the Battle of Long Tan. He served in D Coy 6RAR which was awarded the US Presidential Unit Citation for that Battle. Refer Cat No 1870.5 for more service details.Order of Service, 4 pages, folding, printed in purple re the funeral of Private David John THOMAS. Printed on front: 38712 Private David John Thomas 6 Battalion Royal Australian Regiment Killed in Action PHUOC TUY PROVINCE SOUTH VIETNAM 18th August 1966funeral, programmes, 6 rar

Document. Two page letter written by A. H. Thomas to Jack. (surname unknown). Letter is written on paper containing the letterhead of C. J. Bert & Co., Manufacturers Agents, Paper Bag Manufacturers, Paper and Twine Merchants, Cromwell Buildings, 366 Bourke Street, Melbourne. Letter dated 31 Jan 1912. Letter mentions the names Sherwood, LB & Maginnis, Palmer, Bill Gee, Silberberg, Rumer, Harrison, Pianta Bros, Simons, Toy & Nolan, Howell. Also mentions about McArty (engaged to be married), also mentions 'Trafalgar', a runner in the Cup.cottage, miners, a. h. thomas, c. j. bert & co., sherwood, lb + maginnis, palmer, bill gee, silberberg, rumer, harrison, pianta bros, simons, toy, nolan, howell, mcarty, trafalgar

A book titled ' Artists of the Bendigo Goldfields 1852 - 1864 ' by David Thomas. Bendigo Art Gallery, 9 March - 9 April, 1989. Published by the Bendigo Art Gallery, 1989. 32 pgs. (ill.)David Thomasbendigo, gold mining, artists, books, artists, bendigo artists, person, male, female, person, bendigo goldfields, bendigo, goldfields, bendigo history, history, gold, artworks, place, victorian goldfields, victoria, paintings, book

Handwritten letter from the Secretary Thomas Morris of the Walhalla Branch of the Miners Association, dated Aug 2nd 09. The letter congratulating Mr Davis on his daring and heroic act of saving his mate.Thomas Morrismine, gold, joseph davies, joseph davies collection - letter of congratulations, mr davis, walhalla branch of the miners associations, thomas morris

S T Gill's Bendigo, published by the Bendigo Art Gallery for an exhibitiion 1st September - 17th October 1993. 48 pages with coloured and black and white prints. Authored by David Thomas. Printed by Richard Cambridge Printers.David Thomasbooks, catalogues, art gallery, bendigo-art gallery-exhibitions-gill

Railways Collection--Bulletin 727 article May 1998 - A Job For Life - by Graham Thomas. 13 x A4 loose pages photocopied from 'The Bulletin' - In this article Jack Thomas records his memories of Bendigo North Workshops during 31 years he was employed there as a boilermaker's assistant and the events that led him to seek permanent employment with the Victorian Railways in 1946. Black and white photos include The South Nell Gwynne mine, various photos of the workshops, the original D3 658, D3 619, K171, J Class and R727 steam locomotives, There is a photo of a Coffee Pot crane Locomotive.Graham Thomas.magazine

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 26 Thomas Street, Kew by Margaret Picken.26 THOMAS ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, 26 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.)

Mr. “Brickie” Thomas of Clifton Ave and his wife. (4 snaps). Mr. Thomas was affectionally know as Bricky Thomas. He and his wife were early Stawell resident of 17 Clifton Ave. Stawell. Mrs. Pickering sister (Vera Perry) cared for Mr. and Mrs. Thomas in their later years. Four photographs, three are of an elderly gentleman with a white beard and the fourth of a woman seated in a long dress. The elderly man is seated beside a two-tiered cake on a table and holding what looks to be another cake. 1. Grandpa Thomas. 2. Grandpa Thomas. The man Vera (Perry) worked for. 3. Grandpa Thomas (known as bricky Thomas). They lived in Clifton Ave. 4. Great Grandma Thomas Since the 8th Dec 1923. stawell

F44-1 and F44-2 sepia print of the head and shoulders portrait of Rev. John Thomas, BA. On front: "REV. JOHN THOMAS, B.A., President of the Conference, 1914."rev john thomas ba methodist minister, president methodist conference 1914

Illustration - Black and white. Taken and cut from a book. Head and shoulders portrait of Thomas Henty. Thomas is wearing a high neck light coloured cravat under a dark coloured suit.Front: 'THOMAS HENTY' - printed beneath portrait. Initials 'W.Mc.L.' appear on lower right breast.thomas henty

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Thomas Street, Kew by Margaret Picken.18 THOMAS ST., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, 18 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2065. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 20 Thomas Street, Kew by Margaret Picken.20 THOMAS ST., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, 20 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 22 Thomas Street, Kew by Margaret Picken.22 THOMAS ST., KEW / MARGARET PICKEN '99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, 22 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

FAWCETT'S "RHYTHM ACES" PLAYED FOR ALL THE BALLS AND DANCES DURING THE THIRTIES. L-R .STAN THOMAS, BILL FAWCETT, MADGE FAWCETT, THEO HARDENBLACK AND WHITE PHOTOGRAPH OF RHYTHM ACES DANCE ORCHESTRA. CLUNES TOWN HALL BACKDROP IN THE BACKGROUND. .1 postcard photograph of Rhythm Aces. Names on back of photo. Theo Harden (on right) Madge Fawcettt, Stan Thomas, (? Fawcett? on left - no name on photo) .2 Postcard photograph of Rhythmn Aces (no inscription) .3 Enlarged photo of orchestra .4 Photocopy of photo of orchestra .5 Photocopy of photo of orchestra .1 From the left 4th Theo Harden, 3rd, Madge Fawcett, 2nd Stan Thomaslocal history, document, postcard, bands, dance

Thomas Stanley Wright "MM". Refer 780 for his service details plus his brothers Charles and George KIA, also 781.2P.Thomas Stanley Wright "MM" no. 5242. 6th Batt AIF. Timber frame. mid brown colour. Black and white photograph of a soldier in uniform with cream colour cardboard surround. Full length portrait.Printed in black ink on the back "Pte THOMAS STANELY WRIGHT, MM/6th Battalion, AIF, Regt 5242/enlisted Bendigo 21 years, 7 months old / 8th of February 1916"photographs, framed, wright, mm