Black & white portrait of Sydney Watson in a suit and vestmayor, portrait, shire, council, municipal, local government

Black & White studio Photograph young male Jacket & vest.Bartlett Bros Bendigophotograph, person, male

Marching Girls with Light Blues Vests and Hats in Wimmera Stretparades

Marching Girls with light blue Vests and hats in Wimmera Street.parades

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man in suite with Vest and Silk Cravat Thomas Fisher Great Western T. Fisher

Black lined blouse front/lousette or modesty vest with jet beadingcostume, female

Green vest with gold trim stitching and a black WTC logo on the top right.

Carbon copy of a typed letter to Mr. L. Taylor, dated 18/8/57. Letter recommending the Hand Shaker Unit supplemented with the Vest Pocket Unit . The Vest Pocket Unit is OK for table use. Note at the top of the page mentions a typical reply from Frank Stevenson where he recommends the hank Shaker Unit supplemented with the Vest Pocket Unit.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, frank stevenson, mr l taylor, mrs paynter

2 copies of a photograph of a young woman with a comb in her hair and wearing a knitted sleeveless vest.photograph, person, female

FSN:8465-634-4499 DSA 1 00-69-C-1038 U.S

137-00-490-7362 CG/127418/J 12543 Lot MBA1-5-3

Greeting card with original photograph on cover featuring a leatherman on a motorbike, with leather chaps, vest, hat and sunglasses.leather

When celluloid was invented and first came to prominence in the 1870s, dolls were nearly all breakable and fragile--bisque and china dolls were easily shattered and papier mache and wax easily ruined. So doll companies started experimenting with celluloid to mould dolls. By the early 1900s, celluloid dolls were plentiful, since celluloid was easily moulded and generally inexpensive. Celluloid is one of the first synthetic plastics. It is a plastic created from wood products that includes cellulose nitrate and camphor. However Celluloid is flammable and deteriorates easily if exposed to moisture, and can be prone to cracking and yellowing with certain formulations. Celluloid dolls were produced as late as the 1950s, but the vast majority were produced from 1900 through the 1940s. The knitted outfit was made by an unrecorded home knitter probably as a present for a child. A very small celluloid doll dressed as a boy in fine hand -knitted hat, vest, jacket and pants.celluloid, dolls, knitting, wool, craftwork, moorabbin, bentleigh, cheltenham, toys

Used as a Vest Pocket ContainerBlue background Tobacco Tin , Medium Strength Capstan Navy Cut.personal effects, smoking accessories, containers, commercial

Scottish figurehead with red tartan kilt, green jacket & yellow vest. Scroll missing on left hand side.Gaelic scroll "A chighearng Bheannaichte" "This ship has the blessing of God"

Small oval head and shoulder portrait of a man wearing a jacket, vest and watch chain. He has a beard.T. M. Cleaves, View Point Eagle Hawkphotograph, portrait, male, portrait of a man, t m cleaves

Brown furry material. Bear shape, Yellow & tan cloth vest. White cloth & red button eyes toys, presents, children, stuffed toy, bear

worn by the designated ambulance co-ordinator at a disaster or mass casualty eventFluorescent white plastic vest with Ambulance Maltese cross logo centre front. Comes in a blue vinyl bag. Ambulance Coordinatorambulance co-ordinator

Hand tinted tintype photograph showing a seated man with a beard, moustache and whiskers wearing a coat and vest. Cheeks are rosypatrick quinn, kelly gang, ned kelly, edward kelly

Churchill Island Heritage Farm has a large collection of photographs. Photograph of a white ute loaded with farm machinery and equipment, with a man in a blue vest and hat and a woman standing near the tray.[catalogue number written on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of two sailboats and a dingy pulled up near the shoreline. Two men in vests stand on the mud.Stamped on reverse 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No. 1978(541-4)'churchill island, amess

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse pulling a hay raker with a person in a high-vis vest watching from the right hand side of the frameCatalogue number written on reverse in pencil Written in pen on reverse 'Young horse pulling C.I. hay rake Churchill Island Easter Festival 30/3/2013'churchill island, photograph

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Olive green knit vest with gold buttons. On the left breast is the Australian emblem with the Olympic rings and "Barcelona 1992" underneath it.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

Department of Defence brown, lined, leather, buttoned, with khaki wool & 4 buttons down front“G H ALLISON 1946” Jerkin leather Size No 1 Wearers height 5' 3" to 5' 6" Wearers breast over jacket 34 " to 41"uniforms - army, costume - male uniform, vest,

local manufacture either a seemstress or a mother. Time Circa 1920s to 1940s. Distance from towns with haberdasheries would force local manufacture of garments by highly skilled women.Historical period Circa 1920s to 1940s was before easy access to branded manufactured clothes. Majority of basic clothing was hand made either family or skilled friends and neighbours This is Garment is cross referenced to KVHS 0249 and KVHS 0248 and details the growth of a young childGarment has sleeveless top attached to pantaloons at waist and open crotch and going down inner leg seam to 8cm from bottom. Bottom section of each leg adorned with crocheted lace and two pin tucks around bottom of the legs. Top back of garment has three "Mother of Pearl" buttons and narrow 8 mm wide shoulder cross reference to KVHS 0249 and KVHS 0240 straps. Machine stitched cream in colourvest, underwear, child's clothing

Pale blue and white diamond patterned sleeveless tabard vest. Diamonds 14cms x 6.5cms. Vest is in two panels, joined at the shoulders, with a 9.5 x 2cm tab attached to the vest, front and back at the hipline with two small pearl buttons. Boat shaped neckline. Formerly owned by Margaret (Nell) Timbs nee Heider who worked at Hanro in the Finishing Department about 1935. Donated by her daughter Yvonne Knipe who worked at Hanro in the Office from 1961, then at John Brown until 1968.Hanro Swiss Inspired Dupont ORLON SW Stamped on the back RHS hemline MEDIUMScostume, female, knitted vest