About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Olive green vest with two pocket decorations on the lower front of the vest. Underneath the pocket is the Australian emblem, below which are the Olympic rings and the inscription "BARCELONA 1992."BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

WW2 Fighter Piolet "Mae West" Flotation Vestequipment, 1941, raaf

Apparel and fashion in Poland has been influenced by the resources available, climate, and also by the other cultures. There are German, Czech, Russian, Lithuanian, Romanian, Austrian and other influences in the traditional dress of each region. Because of these diverse influences, each region of Poland has its own local traditional dress. There are roughly 60 unique costumes attributed to the different areas in Poland.one of a few items of this kind which has survived to present dayswhite top, apron, colorful skirt, vest, garlandtraditional dress, outfit, poland

Apparel and fashion in Poland has been influenced by the resources available, climate, and also by the other cultures. There are German, Czech, Russian, Lithuanian, Romanian, Austrian and other influences in the traditional dress of each region. Because of these diverse influences, each region of Poland has its own local traditional dress. There are roughly 60 unique costumes attributed to the different areas in Poland.one of a few items of this kind which has survived to present dayswhite top, apron, colorful skirt, vest, garlandoutfit, poland

Black & white portrait of Sydney Watson in a suit and vestmayor, portrait, shire, council, municipal, local government

Part of Old Lintonian collection ; No. 73Portrait of a bearded gentleman wearing suitcoat vest and tie.old lintonian collection, john madden?

Black & White studio Photograph young male Jacket & vest.Bartlett Bros Bendigophotograph, person, male

Marching Girls with Light Blues Vests and Hats in Wimmera Stretparades

Marching Girls with light blue Vests and hats in Wimmera Street.parades

Black lined blouse front/lousette or modesty vest with jet beadingcostume, female

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man in suite with Vest and Silk Cravat Thomas Fisher Great Western T. Fisher

Green vest with gold trim stitching and a black WTC logo on the top right.

Carbon copy of a typed letter to Mr. L. Taylor, dated 18/8/57. Letter recommending the Hand Shaker Unit supplemented with the Vest Pocket Unit . The Vest Pocket Unit is OK for table use. Note at the top of the page mentions a typical reply from Frank Stevenson where he recommends the hank Shaker Unit supplemented with the Vest Pocket Unit.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, frank stevenson, mr l taylor, mrs paynter

2 copies of a photograph of a young woman with a comb in her hair and wearing a knitted sleeveless vest.photograph, person, female

Single page double sided pattern, showing a woman wearing a blue and pink knitted vest.front: [printed] THOROBRED / We've fashioned the pleasure of knitting / 1148 / PRICE CODE A / GRANADAthorobred scheepjeswol, fashion, design, knitwear, home made, wool, pattern book

FSN:8465-634-4499 DSA 1 00-69-C-1038 U.S

137-00-490-7362 CG/127418/J 12543 Lot MBA1-5-3

Used as a Vest Pocket ContainerBlue background Tobacco Tin , Medium Strength Capstan Navy Cut.personal effects, smoking accessories, containers, commercial

Greeting card with original photograph on cover featuring a leatherman on a motorbike, with leather chaps, vest, hat and sunglasses.leather

When celluloid was invented and first came to prominence in the 1870s, dolls were nearly all breakable and fragile--bisque and china dolls were easily shattered and papier mache and wax easily ruined. So doll companies started experimenting with celluloid to mould dolls. By the early 1900s, celluloid dolls were plentiful, since celluloid was easily moulded and generally inexpensive. Celluloid is one of the first synthetic plastics. It is a plastic created from wood products that includes cellulose nitrate and camphor. However Celluloid is flammable and deteriorates easily if exposed to moisture, and can be prone to cracking and yellowing with certain formulations. Celluloid dolls were produced as late as the 1950s, but the vast majority were produced from 1900 through the 1940s. The knitted outfit was made by an unrecorded home knitter probably as a present for a child. A very small celluloid doll dressed as a boy in fine hand -knitted hat, vest, jacket and pants.celluloid, dolls, knitting, wool, craftwork, moorabbin, bentleigh, cheltenham, toys

Single page double sided pattern. The front features a woman wearing a knitted vest and pink hat.front: [printed] THOROBRED / We've fashioned the pleasure of knitting / 1137 / PRICE CODE A / COTTON / FIZZthorobred scheepjeswol, fashion, design, knitwear, home made, wool, pattern book

This item was donated as part of the estate of Air Vice Marshal Alan Reed, the first Patron of NVVM. Alan served in the RAAF between June 1952 and November 1990. The only RAAF pilot to fly the Lincoln, Canberra F-4 Phantom and F-111 in RAAF service, he served in Vietnam from 26 May 1968 until 20 November 1968. For most of that time, he was detached to the 12th Tactical Reconnaissance Squadron, US Air Force. Jacket, Dress Vest, Braces, Dress Pants, Dress pants, Gloves. All belonged to Alan Reed Label RHS inner with details:-Hand tailored by kings Tailors 66 Wickham St. Brisbane. uniform, alan reed, airforce, vietnam, raaf, dress uniform

Edward Byam Brown (1880-1966) was Associate Professor in Electrical Engineering at the University of Melbourne. He married Dr Vera Scantlebury in 1926.Black and white photograph showing a man wearing jacket, vest and tie, sitting surrounded by engineering equipment."Assoc. Prof. Edward Byam / Brown / c.1950".associate professor edward byam brown

Scottish figurehead with red tartan kilt, green jacket & yellow vest. Scroll missing on left hand side.Gaelic scroll "A chighearng Bheannaichte" "This ship has the blessing of God"

Small oval head and shoulder portrait of a man wearing a jacket, vest and watch chain. He has a beard.T. M. Cleaves, View Point Eagle Hawkphotograph, portrait, male, portrait of a man, t m cleaves

Brown furry material. Bear shape, Yellow & tan cloth vest. White cloth & red button eyes toys, presents, children, stuffed toy, bear