Book "Good Talk - The extraordinary lives of ten ordinary Australian women" Edited by Rhonda Wilson. Aqua surround to black and white photo of woman and girl. Title is in pink letters.women, jean brett, florence burke, flo byrne, jenny connor, gwen davis, emily edwards, nellie mclarty, lois nicholl, nellie walsh, lucy wilson

Handwritten notes by H. G. listing names of women, with notes on family connections in some cases and brief list of their achievements including Nellie Ibbott, Charis Pelling, Beautrice Morrison, Ethel Osborne, Mavis Gill, Helen Knights/Harbeck, May Smart, Mrs A.M. Peake. Addressed to Journalist Helen Gillman and includes photocopy of article published about Charis Pelling (04966) Women as a group have frequently been excluded from official histories in the past. These research notes are an effort to compile a list of the contribution of local women, historically, to the development of the Shire of Eltham 2 pagesharry gilham collection, women, nellie ibbott, charis pelling, beautrice morrison, ethel osborne, mavis gill, helen knights, helen harbeck, may smart, a. m. peake

Two women with possum shins and stolesPhoto mounted by Big Hill Art and Framing

Coloured photo of Women with 3 Boysto be entered

Warrnambool has never done justice to the women who shared their menfolk the hardships of the pioneering days. Silent Lives fills a void in the history of Warrnambool and surrounding districts, during the early decades 1840s to 1910, providing a narrative about some of the people, in particular women, missing so far in our documented history. Elizabeth O'Callaghan has meticulously researched the period, drawing on early newspapers, diaries, letters, unpublished family histories, honour board listings as well as public documents such as hotel licensing and teacher records held in the Public Record Office of Victoria and State Library of Victoria. By their unremitting labours and self-sacrifice the pioneering women of Warrnambool and district helped to lay the foundations of our communities today.This publication is of significance as it documents the lives of 19th century women in Warrnambool and district between 1840 and 1910 covering Aboriginal women, schools and teachers, specialist teachers of art, writing and cookery, sporting activities, political and charitable activities, how the law treated women, medical treatment, and the everyday lives of women and their families. It contains images of art produced by some of these women.A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.Elizabeth O'Callaghan/November 2017warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

This edited collection of women's correspondence constitutes an important historical record of the experiences of Aboriginal women during a crucial period of social change. In particular the letters are valuable for the insight they offer into the impact on Aboriginal communities of government legislation and mission policies and the women's assertion of their entitlement to freedom and agency. Written by 81 different women, the letters cover such issues as children, family, religion, land, housing and material assistance.maps, b&w photographsvictorian aboriginal women, correspondence, government policy

Left to Right, Elenor Musumeci, Jill Riddler, Myriam Scott, Unknown Four women outside standing in front of an entrance sign.Entrance in white raised letters on a grey stone block.biarri

Left Mrs Kemp Born England Emphenia Kemp (ne Simpson) Baby Barbara Wettenhall (married Jock Cunningham) Mother Mary (Molly) Wettenhall (ne Kemp)Three women two seated one holding a babyCarrs Plains 1910

It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool

Collected by Dorothy Brumby in relation to Great Western ResearchGroup portrait of 20 men women and boys with trees in background

Hornbuckle women- Emma (Raileigh), Sarah (Nixon) and Mary (Knox)local identities

Badge Department of Defence Department, To Women of Australia, For Duty Donestawell, ww2

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A black and white photograph of two women seated on a park bench. The women are Mrs Wright and her daughter Laura Wright. They are seated in the Sturt Street gardens. Ballarat Town Hall is in the background.Written in pen - Mrs Wright & Laura. Taken in Sturt St Gardens, Ballarat. 16/10/22, F.W.(au)frank wright, mrs wright, laura wright, ballarat, sturt st gardens, ballarat town hall

Pennant won by the Phillip Island Lifesaving Club in 1957HistoricalBlue felt pennant with yellow binding at top ,with beige writingRoyal Life Saving Society Women Winners Championship of Victoria Country Line & Reel 1957phillip island life saving club, royal life saving clubs, trophies & awards

Colour photograph of a Christmas tree and a plaque dedicated to the Pioneer Women of Ballarat. sturt street ballarat, christmas tree, pioneer women, ballarat, plaque

Date may possibly be 1927 as typing has been changed.HistoricalFramed photograph of group of women, 3 seated.at front, dressed in coats, furs and hats.,Taken at the Ventnor sports 10.4.26. Front row sitting- Mrs John McIlwraith, Mrs M. Evans, Mrs Janet Morrison. Standing- Mrs Morrison [ Fanny West ], Mrs Henderson [Minnie West], Mrs McDonald [ Alice West], Mrs J. Forrest [ Elsie Findlay ],Mrs Charlie West [ Annie Leeson ],Mrs Warren [ Janet Anderson ]ventnor phillip island, west family, forrest family

BHS CollectionArticle from the Bendigo Advertiser of Thursday, March 6, 2014. History lives: the women of Bendigo by Jim Evans.Women written in blue pen at top.women, bendigo, jim evans

white matte finish CD-rom on which is a visual presentation of the history of Women's participation in democracy in Victoriavideos, sufferage, feminist movement, voting