Showing 231 items
matching women's underwear
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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's underwear combination 'teddy', c1900
This lady’s white cotton combination petticoat , commonly called a 'teddy', is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C . Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's white cotton combination underwear with a buttoned crotch and hand worked decoration on bodice clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's underwear 1/2 slip hand sewn lacework, c1900
This lady’s cotton 1/2 slip with a large lacework flounce and elastic insert at waist is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's white cotton 1/2 slip hand sewn with lacework flounce, and elastic insert at waist clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's combination drawers, c1900
This lady’s cotton combination drawers is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's white cotton combination drawers with buttoned crotchclothing, underwear combination, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's lawn slip c1920, c1920
This lady’s cotton full length petticoat is an example of the dressmaking and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's fine lawn Full Length slip with hand embroidered floral design at centre front bodice and hem and on shoulder straps. The hem has a hand sewn scalloped edge .clothing, underwear combination, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, boy's first underpants, 1907
These white cotton underpants were made for Mr Geoff Maggs by his mother in 1907 as his first underwear at age 2 years old. The Maggs family were early settlers in the Moorabbin ShireThe pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. White, cotton underwear for a 2 year old boy. Made at home on a sewing machine with hand feather stitching and factory-made guipure lace on leg-bands. Buttons at waist, and a tuck pleat to let down as child grows.clothing, brighton, moorabbin, pioneers, dendy henry, dressmakers, market gardners, early settlers, maggs geoff -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's underwear, c1900
This lady's white calico combination underwear is and example of the dressmaking skills of the women of the pioneer settler families in Moorabbin Shire c1900The Blackburn family were early settlers in Moorabbin Shire. Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families Lady's, white, calico, combination underwear c1900clothing, brighton, moorabbin, pioneers, bentleigh, dressmaking, market gardeners, early settlers, blackburn nance, craftwork -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's underwear, c1900
The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This pair of lady’s underwear is an example of the dressmaking skills and craftwork of the women of the pioneer families. The Thompson family were early settlers in Moorabbin ShireA pair of lady's cotton draw-string drawersclothing, craftwork, dressmaking, pioneers, early settlers, market gardeners, moorabbin, brighton -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, lady's white cotton, 1/2 petticoat, c1910
This cotton 1/2 slip with large lace flounce was made by a woman of the early settler families in Moorabbin Shire c1900 and shows the needlework and lace work skills . The Cotton 1/2 petticoat is an example of the dressmaking, and lace work skills of the women of the early settler families in Moorabbin Shire c1900Lady's white cotton 1/2 Petticoat cotton lace flounce, elastic waist and 2 bone buttons at side seam clothing, petticoats, underwear, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards -
Bendigo Historical Society Inc.
Clothing - FAY BRYANT COLLECTION: HANRO NIGHTGOWN AND NEGLIGEE, 1960s
Sheer bri-nylon, over a heavier weight bri-nylon lining. Sleeveless and with a scoop neckline. A braid of padded flowers and leaves outlines the neckline and forms the straps that pass over the shoulders. This braid also forms a “yoke” from which the main body of the nightgown falls in soft gathers. Outer bri-nylon layer is edged with a one cm wide lace edging. Price on swing tag: 65 shillings. Negligee with double layer of soft pink bri-nylon. Scooped neckline with a 6cm wide yoke. Yoke has a braid of padded flowers and leaves that outlines the neckline that is appliquéd as is the matching nightgown. Two pearl buttons fasten the yoke at the centre front. Full length front opening. Double layer short “puff” sleeves are gathered at the shoulder and have an elastic casing at lower edge. Outer layer of sleeve is longer than lining, giving a soft “puff” effect. Hemline has a stitched “shell” finish.Hanro SW (Small Women’s) 100% bri-nylon On swing tag: Created by Hanro, Quality lingerie. Swiss Inspired.costume, female underwear, nightgown -
Bendigo Historical Society Inc.
Clothing - HANRO COLLECTION: NIGHTGOWN, 1960s - 1970s
... Quality Underwear SW Small Women’s..., near hemline reads: Hanro Quality Underwear SW Small Women’s ...White full-length nylon nightgown. A tiny flower design is painted on to the fabric. Bodice has a V shaped cross-over bodice gathered onto a midriff band, 3.5 cms wide at the front and a V neckline at the back. Front and back tie together at the shoulders. A full-length gathered skirt has a 3 cms wide tie at the back waistline.Label on side-seam of skirt, near hemline reads: Hanro Quality Underwear SW Small Women’scostume, female underwear, nightgown -
Churchill Island Heritage Farm
Textile - Lace Piece
This beautiful piece has been hand embroidered with coloured thread onto a machine made net. The net would most likely have been made on a stocking frame or Heathcoat’s Bobbinet machine and the intricate handwork appears to be a mixture of needle run and tamboured embroidery. Needle run lace is simply outlined in thread and then filled in by darning and other stitches. Tamboured lace is made with a very fine metal or bone crochet hook making chain stitch with the net stretched out over a frame. Limerick lace from Ireland is just such a lace where the stitches used on the machine made net vary considerably. According to Pat Earnshaw, a British lace historian, there was one Limerick lace collar that used 47 different filling stitches. The lace industry in Limerick was started by Charles Walker in 1829 when he brought 20 girls from England to set up a lace making school. Many Irish women who learned the craft worked from home but Walker knew that he would get more consistent and cleaner work if he could oversee the work being done so he built a factory for the women. Limerick lace lost popularity after Walker died in 1842 but was revived in the late 1880s and continued to be made into the 20th century but never reached the heights of the Walker period. This delicate example is from the 1920s and was cut from a larger piece which was most likely attached to an item of sleek underwear. The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.Machine made net with coloured hand embroidery. Cut from larger piecelace, churchill island, janet amess lace collection, amess, embroidery, tamboured lace, limerick lace -
Churchill Island Heritage Farm
Clothing - French Buttons, Crochet
These are handmade crocheted buttons on the original card which indicates that they are from France. French crochet buttons and Irish crochet motifs were learned by watching another person. Then the onlooker specialized in that button or motif repeating it many hundreds of times. These buttons could be used to fasten underwear, jackets or gloves among other things. Crochet developed as a craft from the early 1800s and this development was accelerated by the industrial revolution. Crochet hooks were made from metal, the use of cotton as a suitable and cheap crochet thread came into being after the invention of mercerization (1844); women learned to read leading to patterns being developed and the publication of women’s magazines such as Godeys Lady’s Book (1830), Harpers Bazaar (1867) and DMC Guide to Needlework (1886). Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.Hand made French crochet buttons on original card crochet, lace, churchill island, janet amess lace collection, buttons, french, handmade -
Ithacan Historical Society
Photograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WHITE NYLON WOMAN'S PANTIES, 1950's
Clothing. White nylon women's panties with gussett and straight legs, Centre and back of legs trimmed with 2.3 cm lace. Centre front full length panel (20cm wide) with two full length side panels. Lower section of side panels have 14 cm frilled inserts of pleated nylon fabric, with lace trim at top. Elasticized waistband.costume, female underwear, woman's white nylon panties -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: PINK WOMAN'S NYLON PANTIES, 1950's
Clothing. Pink nylon women's panties with gusset and elasticized legs trimmed with 3.5 cm coffee coloured lace with brown frilled edge. Elasticized waistband.Tag on inside seam, ''SW ''.costume, female underwear, woman's pink nylon panties -
Clunes Museum
Costume - CAMISOLE, CIRCA 1850
... history costume female underwear womens - clothing CAMISOLE SEWN ...SEWN LAWN AND BRODERIE CAMISOLElocal history, costume, female underwear, womens - clothing, camisole -
Clunes Museum
Costume - CAMISOLE, CIRCA 1850
... history costume female underwear womens clothing CREAM VOILE ...CREAM VOILE AND GUIPURE LACE LADIES CAMISOLElocal history, costume, female underwear, womens clothing -
Clunes Museum
Clothing - PETTICOAT
... FOUND IN A SHED local history costume female underwear womens ...GARMENT FOUND IN A SHEDPETTICOAT, WHITE MUSLIN, LACE TRIMMED SKIRT AND NECK LINE; DEEP V LACE TRIM ON BODICElocal history, costume, female underwear, womens clothing -
National Wool Museum
Book, Knitting, Woolworths no. 12 Economy Knit Book
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Woolworths and contains knitting patterns for womens bed jackets, under clothes etc.No. 12 "Economy" / KNIT BOOK / BED JACKETS / and UNDERWEAR / including ... / DRESSING GOWNS / BED SOCKS, ETC. / Design No. / 1928 / 6 1/2d.knitting handicrafts - history, woolworths ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 20
This knitting pattern book was published by the Alexandria Mills, Sydney and contains knitting patterns for womens garments.Sun-Glo / KNITTING / BOOK / SERIES 20 / BED JACKETS / AND / UNDERWEAR / PRICE / 6D.knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Woolworths no. 22 Economy Knit Book
This book was produced by Woolworths and contains knitting patterns for baby and children's clothes and for womens bed jackets, under clothes etc.WOOLWORTHS' / KNIT BOOK / "Economy" / Number 22 / UNDERWEAR, / BED JACKETS, / BABY & / CHILDREN'S / WEAR / DESIGN No. 2962 / Instructions on Page 5 / 7d. / NEW DESIGNS, ECONOMICAL AND EASY TO KNITknitting handicrafts - history, woolworths ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Woolworths no. 18 Economy Knit Book
This book was produced by Woolworths and contains knitting patterns baby clothes and for womens bed jackets, under clothes etc.WOOLWORTHS' / "Economy" / KNIT BOOK / No. 18 / UNDERWEAR / BED JACKETS / BABY WEAR / DESIGN No. 2461 / Instructions on Page 3 / 7D / NEW DESIGNS, ECONOMICAL AND EASY TO KNITknitting handicrafts - history, woolworths ltd, knitting, handicrafts - history -
Kew Historical Society Inc
Clothing - Black Polished Cotton Skirt, 1890s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian long black cotton skirt with a short pleated frill at the hemline. The skirt is lined with a thick brown cotton fabric. It is joined with steel hooks and eyes. The skirt is slightly longer at the back. The skirt was owned by one of the donor's maternal ancestors.australian fashion, women's clothing, skirts, outerwear, micky ashton -
Kew Historical Society Inc
Clothing - Two Piece Black Silk Damask Dress, 1890s
... , underwear and costume accessories. women's clothing australian ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk damask outfit comprising a flared skirt and a short bodice. The high necked bodice reflects changing fashions at the turn of the 20th Century in that the silk fabric on the bosom is lightly gathered. The sleeves are pleated at the elbow. The skirt is lined with a black cotton lining. The neckline of the bodice includes a narrow band of pale cream lace. The outfit was owned by one of the donor's maternal ancestors.women's clothing, australian fashion - 1890s, mourning wear, micky ashton -
Kew Historical Society Inc
Clothing, Black Silk, Lace & Jet Cape, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black watered silk cape with a wide border of machine made lace. The cape is extensively adorned with beads of black jet. Two long pieces of black lace fall from the neck at centre front. The cape was owned by one of the donor's maternal ancestors.capes, australian fashion, women's clothing, victorian fashion -
Kew Historical Society Inc
Clothing, Women's Beaded Black Silk & Tulle Bodice, 1900s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black cotton bodice with narrow sleeves. The creator of the bodice has made extensive use of beading at the front and on the sleeves. The bodice is unusual in that it includes an overlay at the front of black sequined tulle over a cream silk insert. The bodice has a black velvet waistband. The edging of the bodice includes pin tucking. Two long 'swallow tails' of lace (sic) hang from the neck of the bodice at the front. The bodice was owned by one of the donor's maternal ancestors.australian fashion, women's clothing, bodices, lace, victorian fashion, micky ashton -
Kew Historical Society Inc
Clothing, Black Silk Taffeta & Guipure Lace Pelerine, 1890s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk taffeta cape featuring extensive use of high quality guipure lace on the front and at the back. While the lace is in excellent condition, there is extensive splitting of the silk fabric. The cape was owned by one of the donor's maternal ancestors.capes, women's clothing, australian fashion, victorian fashion, costumes, micky ashton -
Kew Historical Society Inc
Clothing, Ecstasy, Pink Silk Beaded Dress & Coat, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre. It belonged to her mother Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Two-piece pink silk outfit comprised of a round necked, knee length dress and plain matching silk coat. The dress is scalloped at the waist and bordered with pink glass beads. The dress has the label “Ecstasy Creation : a fine fabric”.“Ecstasy Creation : a fine fabric”.women's clothing, mcintyre collection, australian fashion - 1960s, cocktail dresses -
Kew Historical Society Inc
Clothing - Black, Red and Beige Suede Skirt, Prue Acton, 1971
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This particular skirt, by one-time Kew resident Prie Acton, was sourced by Margaret Robinson. A-line suede leather midi-length skirt featuring "bull's eye" and zig-zag appliques at hemline. Skirt is black coloured.Label inside back waistband: Prue Acton / AUSTRALIA women's clothing, australian fashion, prue acton, skirts, costumes, 1970s fashion, melbourne fashion designers, margaret robinson -
Kew Historical Society Inc
Clothing - Silk Organza Wedding Dress, Oggi Fashion House, 1971
Fashion by Oggi, as the sign above the door proclaimed, was located at the Paris End of Collins Street, on the south side, virtually opposite Lilian Weightman’s Le Louvre boutique. Janet Brock, who at the time was working in the Central Business District of Melbourne, had stopped to admire a mauve version of the dress that was displayed in the window, and, on making inquiries from the proprietress, ordered a made-to-measure cream-coloured copy. Her marriage occurred shortly after the death of her father, and took place on 18 December 1971 at the Kew Presbyterian Church in Cotham Road, where the Rev. Peter Mackie was the celebrant. The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street. The wedding dress, reaching just below the knee, is lined in silk with a double outer layer of organza. The striking decoration of the monochromatic cream dress is achieved through the use of wide ruffled organza frills at the neck, on the sleeves and at the flared hem of the dress. The dress has a discrete v-neckline with small, self-covered buttons at centre front. At the back, the dress is closed with a nylon zip. In addition to the elaborate stiffened frills, the dress features a wide fabric belt with a double bow, worn at the front. oggi - 103-105 collins street - melbourne (vic), women's clothing, wedding dresses, janet (brock) walker, australian fashion - 1970s