Produced by the VCE Consultative Committee: Women's Art Register in 1991 at a time when art courses in secondary schools had little material to use in relation to Australian women artists. An invaluable resource for secondary school teachers to broaden the scope of student knowledge about women artist's and thereby offer alternative role models for art students. This slide kit and booklet is a comprehensive, practical resource which provides a rare snapshot of women's art practices in the early 1990s. It is an excellent resource for research and teaching purposesKit containing 74 page booklet and 36 slides, activities, artist's comments and other source materials. Published in 1991 by the Women's Art Register. Artists include Elizabeth Gower, Sally Smart, Wendy Stavrianos, Pam Hallandal, tori de Mestre, Lyn Moore, Deborah Halpern, Tracey Moffat & Jill Orr. Cover image by Jill Orr, 'Walking on Planet Earth'elizabeth gower, sally smart, wendy stavrianos, pam hallandal, tori de mestre, lyn moore, deborah halpern, tracey moffat & jill orr.

Celebrating 110 years of women serving women since the opening of the first women's hospital. Folded A3 printer paper to make 4 pages of A4 content. Purple, red, green and gold accents. Mostly black text. Coloured photos throughout.newsletter, historical site, official event, cultural structures and establishments

The Official post office directory of Victoria (Bailliere's) : containing the names, residences and occupations of the inhabitants of the post towns of the colony, inclusive of Melbourne and suburbs, arranged locally and alphabetically, with cross references / compiled by authority. This directory is a useful resource in researching people and towns of the given area.Red plastic folder with white printed label attached to front cover. Contains printed index in plastic sleeve at front. Three plastic sleeves containing microfiche. Bailliere’s Victorian Directory 1868 Bailliere’s Victorian Directory 1869 Bailliere’s Victorian Directory 1870 Bailliere’s Victorian Directory 1871/72 Bailliere’s Victorian Directory 1875 Bailliere’s Victorian Directory 1880/81 : Ref 919.450025 written on index sheet alongside Victoria College Library stamp.bailliere’s victorian directory 1868, bailliere’s victorian directory 1869, bailliere’s victorian directory 1870, bailliere’s victorian directory 1871/72, warrnambool history

BHS CollectionUniversal Business Directory (UBD Business Directory 20th Edition Bendigo & Districts Black and Gold Cover. Fifty two pages. Circa 1970Universal Business Directories Publication

BHS CollectionUniversal Business Directory (UBD Business Directory 19th Edition Bendigo & Districts Black and Gold Cover. Fifty two pages. Circa 1969Universal Business Directories Publication

BHS CollectionUniversal Business Directories (UBD) Publication UBD Business and Street Directory 33rd Edition Bendigo & Districts Blue and White Cover. Forty pages. 1983Universal Business Directories Publication

BHS CollectionUniversal Business Directories (UBD) Publication UBD Business and Street Directory 35th Edition Bendigo & Districts Yellow and White Cover. Forty eight pages. 1985Universal Business Directories Publication

Two women with possum shins and stolesPhoto mounted by Big Hill Art and Framing

Coloured photo of Women with 3 Boysto be entered

Warrnambool has never done justice to the women who shared their menfolk the hardships of the pioneering days. Silent Lives fills a void in the history of Warrnambool and surrounding districts, during the early decades 1840s to 1910, providing a narrative about some of the people, in particular women, missing so far in our documented history. Elizabeth O'Callaghan has meticulously researched the period, drawing on early newspapers, diaries, letters, unpublished family histories, honour board listings as well as public documents such as hotel licensing and teacher records held in the Public Record Office of Victoria and State Library of Victoria. By their unremitting labours and self-sacrifice the pioneering women of Warrnambool and district helped to lay the foundations of our communities today.This publication is of significance as it documents the lives of 19th century women in Warrnambool and district between 1840 and 1910 covering Aboriginal women, schools and teachers, specialist teachers of art, writing and cookery, sporting activities, political and charitable activities, how the law treated women, medical treatment, and the everyday lives of women and their families. It contains images of art produced by some of these women.A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.Elizabeth O'Callaghan/November 2017warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

This edited collection of women's correspondence constitutes an important historical record of the experiences of Aboriginal women during a crucial period of social change. In particular the letters are valuable for the insight they offer into the impact on Aboriginal communities of government legislation and mission policies and the women's assertion of their entitlement to freedom and agency. Written by 81 different women, the letters cover such issues as children, family, religion, land, housing and material assistance.maps, b&w photographsvictorian aboriginal women, correspondence, government policy

Left to Right, Elenor Musumeci, Jill Riddler, Myriam Scott, Unknown Four women outside standing in front of an entrance sign.Entrance in white raised letters on a grey stone block.biarri

stawell

Collected by Dorothy Brumby in relation to Great Western ResearchGroup portrait of 20 men women and boys with trees in background

Hornbuckle women- Emma (Raileigh), Sarah (Nixon) and Mary (Knox)local identities

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A black and white photograph of two women seated on a park bench. The women are Mrs Wright and her daughter Laura Wright. They are seated in the Sturt Street gardens. Ballarat Town Hall is in the background.Written in pen - Mrs Wright & Laura. Taken in Sturt St Gardens, Ballarat. 16/10/22, F.W.(au)frank wright, mrs wright, laura wright, ballarat, sturt st gardens, ballarat town hall

It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool

Colour photograph of a Christmas tree and a plaque dedicated to the Pioneer Women of Ballarat. sturt street ballarat, christmas tree, pioneer women, ballarat, plaque

Pennant won by the Phillip Island Lifesaving Club in 1957HistoricalBlue felt pennant with yellow binding at top ,with beige writingRoyal Life Saving Society Women Winners Championship of Victoria Country Line & Reel 1957phillip island life saving club, royal life saving clubs, trophies & awards

Date may possibly be 1927 as typing has been changed.HistoricalFramed photograph of group of women, 3 seated.at front, dressed in coats, furs and hats.,Taken at the Ventnor sports 10.4.26. Front row sitting- Mrs John McIlwraith, Mrs M. Evans, Mrs Janet Morrison. Standing- Mrs Morrison [ Fanny West ], Mrs Henderson [Minnie West], Mrs McDonald [ Alice West], Mrs J. Forrest [ Elsie Findlay ],Mrs Charlie West [ Annie Leeson ],Mrs Warren [ Janet Anderson ]ventnor phillip island, west family, forrest family