One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Navy blue and white pinafore picked out with sections of plain blue fabric on the pocket, waist and bodice.Label: "Taniwha / Quality Will Tell"protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pinafore using a fabric coverd with an abstract design in bue, pink and yellow. A plain pink cotton fabric is used to decorate the pocket and the shoulders.Label: "Admiration / All Cotton"protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s

Mr Wehner's family was a prominent family in Orbost from the late 19th C. Hermann Wehner founded Wehner's blacksmiths at Orbost in 1889. Oswald began working with his father in 1910. In 1947, Ossie's son Tom started blacksmithing, retiring in 1991 and closing the business. The building remains in Nicholson Street, Orbost. A photograph is significant because it is of one of Orbost's blacksmiths. The Wehner family of blacksmiths (1889-1991) worked in Orbost and were the last blacksmiths operating until 1991. B/White photograph of a man wearing a leather apron and glasses and standing in front of an anvil. Holding blacksmiths tools. The photo is a copy, not an original.

Photograph shows part of the preserved cable grip car number 1 and trailer car number 1 in a large glass covered display case in Russell Street behind the (then) Melbourne Museum and State Library. The photograph shows the trailer car's draw bar inserted into the grip car's socket held in place with a pin. It also shows the car and grip secured with a safety chain. The trailer coupling was guided into the socket by a chain worked from the trailer platform through a pipe fastened inside the end apron.Yields information about cable tram componentsBlack and white photograph with note on rearIn ink "28" and "K McC"cable trams, russell street, melbourne museum, state library, draw bar, tie rod, pin, safety chain, trailer coupling

Many Ithacan Greeks who migrated to Australia prior to World War 2 worked with family members or friends in food vending industries such as fish shops, fruit shops and cafes. Many of these businesses were located in the Melbourne CBD or in the surrounding inner suburbs. A sepia photograph mounted on brown board of 2 men standing outside a fish shop in a strip shopping centre. The men are wearing aprons over their work clothes.south melbourne, peter drakopoulos.

Panayotis Raftopoulos is standing outside his fish shop and café, the Leura Café in Camperdown. He was one of a number of Ithacans who moved into a regional area in that state and opened a retail food business.While a lot of the Ithacans who settled in Victoria established themselves in fruit retailing and/or cafes, some worked in fish wholesale and retail businesses and a number of them moved out into the regional towns in that state and opened shops and cafes in those towns. The Leura Cafe was one example of this. A black and white photograph of a man wearing a white apron stranding outside a fish and chip shop and cafe.