Showing 16058 items
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Whitehorse Historical Society Inc.
Pamphlet, Place for a village, 1983?
Historical background of Inala to 1983.Historical background of Inala to 1983.Historical background of Inala to 1983.inala village, salvation army, aged people, middleborough road blackburn south, no. 220 -
Whitehorse Historical Society Inc.
Article, In the right place, at the White time, 2006
Morris Lurie, writer from Box Hill, received the Patrick White award.Morris Lurie, writer from Box Hill, received the Patrick White award.Morris Lurie, writer from Box Hill, received the Patrick White award.lurie, morris, patrick white award -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Yarra Glen & District Historical Society
Sepia postcards, The watering place Yarra Glen
Sepia photograph taken from a point just north of the bridge over the Yarra River at Yarra Glen. A small herd of cattle and a horse are on the river bank and in the water. A horse with rider stands on the bank.On back of postcard at the top "POST CARD". On the left hand side "THIS SPACE MAY BE USED FOR PRINTED OR WRITTEN MATTER”. On the right hand side "ONLY THE ADDRESS TO BE WRITTEN HERE”. In a box in the right hand corner "A HALF-PENNY STAMP TO BE PLACED HERE". Along the left hand margin "Ajax series. Printed in England". horse, yarra river, yarra glen, cattle, horse and rider, river -
Federation University Historical Collection
Book, Center for Transportation Studies, Market Place Trade - Periodic Markets, Hawkers, and Traders in Africa, ASia, and Latin Australia, 1978
Robert H.T. Smith was Chancellor of University of Ballarat (later Federation University Australia)Green hard covered book.markets, retail, robert h.t. smith, hawkers, traders -
Eltham District Historical Society Inc
Photograph, Percy Leason, Cartoon "Yes you are improving the place. I'll have to increase your rent", Percy Leason, 1933
This political cartoon and black and white drawing depicts a man who looks like Mahatma Gandhi (1869-1948) an Indian lawyer, anti-colonist and political ethicist (who employed nonviolent resistance to lead the successful campaign for India’s independence from British rule) pushing a hand push lawn mower in front of a house being renovated. A big man representing a politician stands in the background. Gandhi was involved in the Round Table peace conferences of 1930-1932 organised by the British Government and Indian political personalities to discuss constitutional reforms in India. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. This image was published by Melbourne publisher Thomas Nelson.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image and 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, percy leason, cartoon, comic, mahatma gandhi, india, drawing, political cartoon -
Eltham District Historical Society Inc
Photograph, Jim Connor, Alan Marshall by Marcus Skipper (1995) outside Eltham Library, Panther Place, Eltham, July 2020
Alan Marshall fully protected from the weather and COVID-19 virus with beanie and maskBorn Digitalalan marshall, art in public places, covid-19, eltham library, marcus skipper, pandemic, sculptures, statue -
Eltham District Historical Society Inc
Photograph, Jim Connor, Shillinglaw Cottage, Panther Place, Eltham, 17 Aug 2015
Shillinglaw Cottage looks stable enough now but it was the first colonial building in Australia to be pulled apart brick by brick and reconstructed on a different site. Community outrage prevented the council from demolishing the cottage in 1963 to make way for Eltham’s Shire Offices and local people paid for the cottage to be moved. Originally built by respected local builder George Stebbing in 1859, the cottage is typical of European farmhouses, but is constructed of handmade local bricks in a style known as “Flemish Bond.” The chequered pattern created by the burnt “header” bricks is a unique feature of this style. The cottage’s name comes from its long association with the Shillinglaw family, who loved there for more than eighty years. The Cottage is classified by the National Trust. Tomorrow's history documented todayeltham, jim connor collection, main road, shillinglaw cottage -
Eltham District Historical Society Inc
Newspaper clipping, No place safe enough: North Warrandyte's public shelters fail to meet minimum radiant heat standard: CFA by Saeed Saeed, Diamond Valley Leader, 4 November 2009, p3, 2009
On reverse side of Eltham Festival advertisingNewsprint2009, bushfire, cfa, eltham festival, north warrandyte, township protection plan -
Eltham District Historical Society Inc
Photograph, Possibly an inter-league football team with local Eltham players, place unknown, late 1970s
Steven Stranks - far left seated in front. Striped jerseys; possibly an inter-leagued teamDigital file only scanned by EDHS from item on loanfootball, steven stranks, eltham -
Eltham District Historical Society Inc
Slide - Photograph, Shillinglaw Cottage, 4 Panther Place, Eltham, c.May 1988
35mm colour positive transparency (1 of 23) Mount - Kodak EktachromeProcess Date MAY 88Meltham, main road, shillinglaw cottage -
Eltham District Historical Society Inc
Photograph, Shillinglaw Cottage, Eltham Common, Panther Place, Eltham, 1986
Used for the Society's Banner project.Colour photographactivities, banner project, shillinglaw cottage, eltham common -
Eltham District Historical Society Inc
Photograph, Construction of Eltham Library, Panther Place, Eltham, 1993
Colour photographconstruction, eltham library -
Eltham District Historical Society Inc
Photograph, Construction of Eltham Library, Panther Place, Eltham, 1993
Colour photographconstruction, eltham library -
Eltham District Historical Society Inc
Photograph, Construction of Eltham Library, Panther Place, Eltham, 1993
Colour photographconstruction, eltham library -
Eltham District Historical Society Inc
Photograph, Shillinglaw Cottage, Panther Place, Eltham
Colour photographeltham, shillinglaw cottage -
Women's Art Register
Book, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture -
Monbulk RSL Sub Branch
Book, Suzanne Wellborn, Bush heroes : a people, a place, a legend, 2002
More than one quarter of the Australian soldiers chosen to land on Gallipoli at dawn on 25 April 1915 were Western Australians. Four years later, only one in four of them had escaped death or severe injury. But that morning, by climbing the cliffs under a hail of Turkish bullets, they won a permanent place in Australia's most celebrated national legend. At Gallipoli that was all any of the attacking troops won." "The British and French, whose armies also suffered heavy losses at the Dardanelles, regarded the campaign as nothing but a humiliating military disaster best forgotten. In Australia Gallipoli was hailed as 'the proving of a nation's soul' and the day of the landing became sacred.Index, bibliography, notes, ill, maps, p.240.non-fictionMore than one quarter of the Australian soldiers chosen to land on Gallipoli at dawn on 25 April 1915 were Western Australians. Four years later, only one in four of them had escaped death or severe injury. But that morning, by climbing the cliffs under a hail of Turkish bullets, they won a permanent place in Australia's most celebrated national legend. At Gallipoli that was all any of the attacking troops won." "The British and French, whose armies also suffered heavy losses at the Dardanelles, regarded the campaign as nothing but a humiliating military disaster best forgotten. In Australia Gallipoli was hailed as 'the proving of a nation's soul' and the day of the landing became sacred.world war 1914-1918 - campaigns - gallipoli, australian army - soldiers - western australia -
Monbulk RSL Sub Branch
Book, Patrick Lindsay, Our darkest day : the tragic Battle of Fromelles and the digger's final resting place, 2011
This abridged edition of the bestselling 'Fromelles' includes the recent discovery of the largest mass war grave since the Second World War, the recovery of the missing Diggers' remains and the names of those who have been identified, as well as the opening of the new Fromelles (Pheasant Wood) Military Cemetery in 2010.Index, bibliography, ill (maps), p.248.non-fictionThis abridged edition of the bestselling 'Fromelles' includes the recent discovery of the largest mass war grave since the Second World War, the recovery of the missing Diggers' remains and the names of those who have been identified, as well as the opening of the new Fromelles (Pheasant Wood) Military Cemetery in 2010.world war 1914 - 1918 - campaigns - western front - fromelles, war graves - france -
Monbulk RSL Sub Branch
Book, Allen and Unwin, A bastard of a place : the Australians in Papua : Kokoda, Milne Bay, Gona, Buna, Sanananda, 2004
In 1942 and early 1943 Papua New Guinea was 'a bastard of a place' to fight a war. This book gives us the final, all-encompassing story of the five battles that changed Australia forever. The compelling narrative resonates with the voices of both the well-trained AIF volunteer, and the young Militia conscript who triumphed together. The author interviewed hundreds of these soldiers and himself travelled the treacherous terrain and bloody battlegrounds where so many of their mates perished, and reveals the inside story of how Generals MacArthur and Blamey sacrificed many of the senior Australian field commanders as scapegoats to protect their own positions. A Bastard of a Place restores Milne Bay, Gona, Buna and Sanananda to their rightful place beside Kokoda to what they should collectively be for all Australians - sacred ground.Index, bibliography, notes, ill, maps, p.691.non-fictionIn 1942 and early 1943 Papua New Guinea was 'a bastard of a place' to fight a war. This book gives us the final, all-encompassing story of the five battles that changed Australia forever. The compelling narrative resonates with the voices of both the well-trained AIF volunteer, and the young Militia conscript who triumphed together. The author interviewed hundreds of these soldiers and himself travelled the treacherous terrain and bloody battlegrounds where so many of their mates perished, and reveals the inside story of how Generals MacArthur and Blamey sacrificed many of the senior Australian field commanders as scapegoats to protect their own positions. A Bastard of a Place restores Milne Bay, Gona, Buna and Sanananda to their rightful place beside Kokoda to what they should collectively be for all Australians - sacred ground.world war 1939 – 1945 – campaigns – new guinea, world war 1939 – 1945 – campaigns – kokoda -
Monbulk RSL Sub Branch
Book, Cambridge University Press, A place to remember : a history of the Shrine of Remembrance, 2009
On the 11th of November 1934 over 300,000 people gathered on the slopes of Melbourne's Domain to witness the dedication of the Shrine. It was the largest state war memorial Australia would build and it commemorated the sacrifice of no fewer than 114,000 Victorians who served in the Great War. A Place to Remember charts the Shrine's history from the first fatalities of the Gallipoli landing to the present day. With deft hand and luminous style, Bruce Scates masterfully situates the Shrine in its larger physical, cultural and historical landscape. Archival image and first person vignette mesh with vivid prose to reveal The Shrine then and now; its changing patterns of meaning through the many conflicts in which Australians have fought and died, and the enduring significance of this grand memorial in the heart of Melbourne, for generations to come.Index, bibliography, notes, ill, maps, p.307.non-fictionOn the 11th of November 1934 over 300,000 people gathered on the slopes of Melbourne's Domain to witness the dedication of the Shrine. It was the largest state war memorial Australia would build and it commemorated the sacrifice of no fewer than 114,000 Victorians who served in the Great War. A Place to Remember charts the Shrine's history from the first fatalities of the Gallipoli landing to the present day. With deft hand and luminous style, Bruce Scates masterfully situates the Shrine in its larger physical, cultural and historical landscape. Archival image and first person vignette mesh with vivid prose to reveal The Shrine then and now; its changing patterns of meaning through the many conflicts in which Australians have fought and died, and the enduring significance of this grand memorial in the heart of Melbourne, for generations to come.war memorials - australia, shrine of remembrance - melbourne -
Eltham District Historical Society Inc
Photograph, Russell Yeoman (left) and Joh Ebeli hold the Society Banner at the end of the Parade in Panther Place near the Railway Trestle Bridge, Eltham Community Festival Parade, 8 November 1986, 08/11/1986
[from a contemporary report:] The Shire of Eltham Historical Society's entry in the 1986 Eltham Community Festival Parade included Ben Hall's Cobb & Co. coach along with several vintage motor vehicles and the Society's new Community Banner. Members dressed in in an appropriate costume to ride in one of the vehicles or walk along with them. The assembly point was in Cecil St. at 11.45 a.m. The Society's entry was awarded the major prize for the parade.Colour photographeltham festival, shire of eltham historical society, 1986, russell yeoman, trestle bridge, joh ebeli -
Eltham District Historical Society Inc
Photograph, At the end of the Parade in Panther Place near the Railway Trestle Bridge, Eltham Community Festival Parade, 8 November 1986, 08/11/1986
[from a contemporary report:] The Shire of Eltham Historical Society's entry in the 1986 Eltham Community Festival Parade included Ben Hall's Cobb & Co. coach along with several vintage motor vehicles and the Society's new Community Banner. Members dressed in in an appropriate costume to ride in one of the vehicles or walk along with them. The assembly point was in Cecil St. at 11.45 a.m. The Society's entry was awarded the major prize for the parade.Colour photographeltham festival, shire of eltham historical society, 1986, eileen gibbons, jack hodson, opal smith, sue law, russell yeoman, trestle bridge -
Eltham District Historical Society Inc
Photograph, Russell Yeoman (left) and Joh Ebeli hold the Society Banner at the end of the Parade in Panther Place near the Railway Trestle Bridge, Eltham Community Festival Parade, 8 November 1986, 08/11/1986
[from a contemporary report:] The Shire of Eltham Historical Society's entry in the 1986 Eltham Community Festival Parade included Ben Hall's Cobb & Co. coach along with several vintage motor vehicles and the Society's new Community Banner. Members dressed in in an appropriate costume to ride in one of the vehicles or walk along with them. The assembly point was in Cecil St. at 11.45 a.m. The Society's entry was awarded the major prize for the parade.Colour photographeltham festival, shire of eltham historical society, 1986, russell yeoman, trestle bridge, joh ebeli -
Eltham District Historical Society Inc
Photograph, Fred Mitchell, Alan Marshall by Marcus Skipper (1995) outside Eltham Library, Panther Place, 1996
Digital copy of colour photographfred mitchell collection, 1996, alan marshall, art in public places, eltham library, sculptures, marcus skipper -
Eltham District Historical Society Inc
Photograph, Fred Mitchell, The new Eltham Library, Panther Place, Eltham, 1996
Digital copy of colour photographfred mitchell collection, 1996, eltham library -
Eltham District Historical Society Inc
Photograph, Fred Mitchell, The new Eltham Library, Panther Place, Eltham, 1996
Digital copy of colour photographfred mitchell collection, 1996, eltham library -
Darebin Art Collection
Painting - Sharon West, Sharon West, No Place for a Village, 2006
painting -
Darebin Art Collection
Sculpture - Velislav (Will) Georgiev, Zabelski Han, & Victoria Roxburgh, Velislav (Will) Georgiev, Zabelski Han, & Victoria Roxburgh, Well Place Preston, 2004
Half horse, half human bronze sculpture, the work has a circular formation of rocks as a base and incorporates a water feature. Water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base.Half horse, half human bronze sculpture. The work incorporates a water feature, and water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base. The “bowl” part of the base for this work was relined with concrete pavers in 2004 in an attempt to minimise maintenance. -
Darebin Art Collection
Sculpture - Wendy Watjera Berick (Constructed by Cathy Adams and Urban Colours), Wendy Watjera Berick, Meeting Place, 2003
Wooden poles made from treated pine with painted designs in acrylic paint. The work also includes 12 Redgum “stepping stones” set into the ground in concrete pads.