42 page magazine with coloured cover. Includes Secrets of Successful Painting, Pigments, How to Mix Paint, Brushes, How to Hold a Brush, Estimating a Job, Painer's Problems, Painting a New House, Repainting a House, Painting on Galvanised Iron, Painting a Galvanised Bath, Interior Painting, Enamelling Woodwork and Furniture, Doing up Old Furniture, Paperhanging for Amateurs.painting, home beautiful, homecrafts, trades

A smalll book titled ' Madge Freeman (1895 - 1977). Exhibition of paintings Bendigo Art Gallery 16 March - 26 April 1981. The Gazette Newspaper in association with Northern Offset Printing 1881.artwork, madge freeman, book, booklet, madge freeman, artist, artists, female, person, individual, exhibition, paintings, bendigo art gallery, bendigo artist, bendigo painter, catalogue

An Original painting of Dorothy Angel in the foreground of the painting. In the background there is a patient lying on a bed with five people nearby.Dr Dorothy (Dot) Angel OAM (Order Of Australian Medal) was a young nursing sister who volunteered to serve on one of the Australian Civilian Surgical Teams sent to South Vietnam by the Australian Government from 1964 - 1972. These teams dealt with the Vietnamese casualities of the war itself, but their services were also albe to bolster a very depleted general health care system in the provincial hospitals. Dot served on an Alfrred Hospital team sent to Bien Hoa in 1967painting, vietnam lest we forget, order of australia, nurses - vietnam, bien hoa

Black and white portrait of Frederick John Cato seated holding folded papers. The coloured photo is an A4 print of a painting of Fred Cato in the Canberra National Portrait Gallery. In both photos Frederick is seated and dressed in a suit, vest and tie. Frederick John Cato (1858 -1935) was a grocer, part of the Moran & Cato chain of some years ago. He was born in Stawell and went to 502 (Stawell State School) for many years eventually becoming an assistant teacher. He resigned in 1887 to go teaching in new Zealand. Frederick was a generous man and Cato prizes were presented to pupils attending 502. Stawell benefited in many ways from his generosity. Cato Park was named in his honor. Two photographs of Frederick John Cato. One a black and white photo the other an A4 print of a painting of Fred Cato in the National Portrait Gallery in Canberra.Fred Cato-Photo in National Portrait Gallery-Canberra c. Early 1930sstawell

This work was completed during Harper's Laughing Waters residency at Boomerang House, 2001. The Laughing Waters Artist in Residence Program was run by Nillumbik Shire Council (in partnership with Parks Victoria) 2001-2015. "My painting is about colour and form, and their relationship. I am interested in what one colour does to another colour, the weight of a colour and the feeling of a colour. Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015.The painting is representative of Harper's artistic practice and the vivid colours and abstraction particular to her work. Small-medium sized oil painting of vivid, bold, coloured shapes arranged in a kaleidoscope pattern. There is an array of colours each placed in proximity to each other to create a vibrant, lively atmosphere. Anna Schwartz sticker on back of canvas. harper, untitled, 2002, contemporary, laughing waters, boomerang, abstract

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait

From a family who had three generations that worked for Dennys Lascelles. This image depicts Arthur Ganly as a young man taking a break from painting the inside of one of the Dennys Lascelles wool store buildings. Ganly is third from the left with arms folded smoking a pipe.Grey cardboard backing with black and white attached. Photo depicts six men seemingly taking a break from painting. Five of the men are smoking pipes. The men are covered with paint drops and there are paint buckets on the ground in front of them. Many areas of spotting/foxing across backing and photo.

Capture of Hamel Village July 4th 1918 - card size colour copy from the original painting specially executed for the Australian Comfort Fund by A Pearse War Artist. Other side depicts a colour sketch of a German tank captured by the Australians near Villers-Bretonneux Card with coloured war scene with caption beneathFront - Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans. From original painting specially executed for the Australian Comfort Fund by A Pease, War Artist. Rear - narrative and sketch of a German tank captured by the Australian near Villers-Bretonneux.ww1, hamel village, a pearse, acf

Professor Kate Leslie was ANZCA President from 2010 - 2012. The portrait was commissioned by ANZCA to mark the presidential term of Professor Kate Leslie and was unveiled at the ANZCA staff Christmas event on the 15 November 2013. The artist, Robert Hannaford, is from South Australia and was a political catoonist. He has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Professor Kate Leslie wearing the Presidential medal without the Presidential gown. She has her arms casually crossed in front with legs crossed, and is seated in front of a plain brown background. The painting is set in a wide timber frame.[lower RHS] HANNAFORD '13painting, leslie, kate, anzca president, hannaford, robert

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This particular plant is Correa reflexa variety angustifolia – Grampians Correa. It is endemic to the Grampians and listed as rare. It has been propagated by the Marriotts and planted in the new Endemic Garden at the WAMA site. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSmall painting of red/yellow Correa reflexa angustifolia showing 2 flowers and 1 in bud, painted on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, von mueller, baron von mueller, henrietta d'alton, wama, wildlife art, halls gap, painter, goauche

Painted by Dr Otto Rubitschung for Christmas 1942Kakadu - Tatura - Weihnnachten, 1942. Oil painting of a white cockatoo by Dr Otto Rubitschung, a German Templer from jaffa, Palestine, who was interned in Camp 3. The painting is mounted on plywood board.Painting of sulphur crested white cockatoo. Claws around a brown bough. Gold edge around painting. Unframed.Dr O.R. front bottom left hand corner. On the back "Schwefelgelb Schopfiger, Weisser Australischer "Kakadu" Tatura. Weihnachten 1942" painting, oil, hoefer, tatura, ww2 camps, illustrations, dr o rubitschung

Black and White Photograph of a painting of Falls of Clyde Inscription on the reverse side reads "taken from a painting in the office of Associayrd Oil Co in San Francisco. She is shown here as I have described her even showing the smokestack from the pump room with the black A on a white stack. She is shown here passing Point Bonita northern entrance to the Golden Gate. from a negative loaned to me by the San Francisco Maritime Museum.". SH 096 Ships F - H.On the back of the photograph "taken from a painting in the office of Associayrd Oil Co in San Francisco. She is shown here as I have described her even showing the smoke stack from the pump room with the black A on a white stack. She is shown here passing Point Bonita northern entrance to the Golden Gate. from a negative loaned to me by the San Francisco Maritime Museum."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, falls of clyde, associayrd oil co, point bonita, golden gate, san francisco maritime museum, painting, russell & co.

The portrait was commissioned in 1884, near the end of Stawell's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Justice Molesworth. The total cost of all three paintings was 1200 pounds. Sir William Stawell arrived in Victoria in 1842; he quickly established a reputation for himself at the Bar. After the separation of the Port Phillip colony from New South Wales, Sir William served as the attorney general in the first representative government and was the leading prosecutor in the Eureka trials. Sir William was appointed as Chief Justice of the Supreme Court in 1857, serving 29 years in the post. In addition the township of Stawell was named after the recently appointed Chief Justice in 1858. The portrait is of historical significance as a portrait of Sir William Stawell.Full length portrait in oils of Sir William Stawell. Stawell is seated and dressed in his judicial robes. Signed and dated 1887 lower right hand corner of the painting. Plaque identifying subject. The Hon. Sir W.F. Stawell.K.C.M.C Chief Justice of the Supreme Court 1857-1886judges, william stawell

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This work and subject matter was painted for the artist's alma mater, the Ballarat School of Mines (now Federation University Australia). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colourful acrylic on canvas painting depicting the Port Phillip Gold Mining Company, Clunes.art, artwork, john collier, port phillip cold mine, clunes, clunes, available, alumni, mining

Painting in glass-fronted frame.Reflections (Ringwood Lake) by May Freeland, 59 Lucknow Street Mitcham.

Framed oil painting on canvas.Front - Hugh Coleman - Pres. R.R.C. 1954-58. Back - "Hugh Coleman, Foundation member & president, Ringwood Rifle Club No54. June 1954. Past Headmaster Ringwood Primary School.

Photograph of a watercolour by Eltham artist Bob Smith painted in 1980. The view is from around the rail line looking up Main Street with the Greensborough Hotel centre right. Posted on FaceBook by Dave Wilkes-Johnson, 20.8.2021.Colour digital photograph of paintinggreensborough hotel, main street greensborough

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a painting of the Schooner "Stephen"local history, photography, photographs, maritime technology, boats, schooner "stephen", black & white photograph, shipping, sailing ships, schooners, stephen, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a painting of "Terrible Billy"local history, photography, photographs, "terrible billy", black & white photograph, terrible billy, phillip island, early associates, john jenner, bryant west

Mounted print of "Greensborough 1889 painted by Arthur Elliott". Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.A view of rural Greensborough 1889.Print of painting, mounted on masonite.main street greensborough, arthur elliott

Acquired in Fort Worth, Scotland in August 2019.Allied Memorial to World War II commandos in locations where commando training was undertaken.A4 size framed paintingPrinted by Mark Leggett

A painting of a proposed gymnasium building. ballarat school of mines gymnasium, ballarat school of mines, gymnasium, corbould hall, ballarat school of mines