Box No2A Brownie camera, model E. Exposure speed 1/30 second with time exposure. Has a carrying handle. Black leatherette covered jute board construction. Made by Eastman Kodak.Brownie No.2A Brownie Use Film No,116 Made in USA By Eastman Kodak Co. Rochester NY.photography, cameras

Black and white photograph of a young girl seated on a veranda. Photograph is in a folder with a picture of a woman holding a camera on one side, with the word "Kodak" printed below the picture, and a price list for enlargements on the back of the folder.On back of photo: "Edie Rees 1902"edie rees, photography

Equipment used by pro diverLight on bracket to be attached to cameraAmphibico 100sunderwater photography, photography

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. Faded black and white photographic positive proof of an unidentified boy, standing on a hillside, and holding a camera. The undated photographic positive was probably taken in the 1950s.melbourne, photography

Ill, p.196.non-fictionA collection of photographs from around the worldgeography - pictorial works, photography

The photos are of EuropeStereoscopes were popular in mid 1850s. It is an instrument which enables a two dimensional image to appear three dimensionalViewer plus 3 boxes each containing 105 stereo photosphotography, viewers

Purchased by Whitehorse Historical Society to record archival objects. Replaced as the recharger was not operating properly - thus camera unreliable for recording purposes.Camera (Kodak) easy share CX7330, 3.1 mega pixels. 37mm 111mm (equiv) AF 3x optical, all glass lenses. Kodak, Retina Aspheric Viewfinder.|Camera to Battery to Camera Transfer lead|Silver case, silver cord attachment.|4181-1 plastic battery box - grey (empty)|4181-2 Canon compact flash TM card FC 16 M|4181-3 Kodak Camera dock clear plastic. A total of 4 items.Kodak. Easy Share CX 7330photography, cameras

Black case containing Siemens movie projector. The carry case has an opening in top for handle to come through and two locking tabs on bottom of two sides and Siemens metal label on side. Camera is dark grey with two folding reel holders, one of which doubles as a carry handle through case top. Camera has electric cord and power switch on bottom right with two other switches. Two sides fold down, probably for cooling. Lens has siemens name on it and is focusable. Reels are driven by spring belts. Number H77702 on small tag on side above switches.SIEMENS ASH BESTER & CO. H77702photography, projectors

Kodak Tele-Ektalite 600 Camera. Instruction Book and film 200 KodakKodak 600photography, photographs / slides / film

History of Australia from Aboriginal occupation, early European contact as a penal settlement, federation, until the mid 20th century. Well illustrated and indexed.social history, photography

Used by the donor's family for family photosCanon MC Camera with separate flash in black case - as well as two lenses in smaller black case complete with instruction book. Total of six items.Canon MCphotography, cameras

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Bedford trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Fodentrucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Bedford trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Bedford trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Leyland Comet trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Austin trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a group of original photographs taken by Doug SMALLPAGE in the 1950s - shows C.O.R. planttransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries

Photo depicts male members of staff examining first piece of Harek tweed to be manufactured. Adrian Boddington Photography.textile industry, textile design, photographs

Les Chandler. Pacifist who was a stretcher bearer on the Western Front. He taught himself every aspect of photography. gallipoli, trench, soldiers, aif, a.i.f, ww1, world war 1

This measuring glass for fluids was used mostly used for medicines but could have been used for measuring photography chemicals. The glass was once owned by Dr W R Angus, who practised in Warrnambool in the 20th century. It was donated by members of his family. Dr Angus enjoyed photography amongst other hobbies. The maker, J.W. Small & Co. was a long established camera and photography business Camera Corner, in 270 Little Collins Street, Melbourne. At the 1887 Melbourne Exhibition the company showcased bicycles as well as a wide range of photography equipment including cameras and any other accessories and needs for the amateur photographer. In 1887 the sole proprietor of the business was Mr Herbert Small. The firm offered the service of developing and enlarging pictures. In 1894 the firm advertised as photographic and lantern material manufacturers. There were branches in Adelaide and Sydney also. The company was still in business in the 1920's, when Dr Angus graduated as a doctor and surgeon.The medicine glass is significant for its association with Dr William Roy Angus, who practice medicine in Warrnambool for several decades. He and his wife were heavily involved in the community. Dr Angus was also connected to the maritime history of Warrnambool, being the last Port Medical Officer. The glass is also associated with the Melbourne company J.W. Small &O Co, which was 'long established' in 1887.Medicine glass (dose cup or measuring glass), for measuring fluids. This glass holds 1 fluid ounce. Wide mouth with pouring lip tapers sharply to narrow centre of the base, which has a round flat foot. Black inscriptions are on the side of the glass, showing fluid ounces and fluid drachmas. An opaque label on the back shows maker details. The other side has a label. The glass was made in England for the Australian company J.W. Small & Co. It is part of the W R Angus Collection. "FLUID OUNCES" "FLUID DRACHMS" "MADE IN ENGLAND / FOR / J.W. SMALL & CO / MELBOURNE, SYDNEY AND ADELAIDE"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, measuring glass, dose cup, medical equipment, medicine glass, medication administration, w.r. angus, j.w. small & co, fluid measurment, photography equipment

Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland

Black yearbook with a full-page image of a girl surrounded by circular fire trails. Coloured writing advertises the contents of the issue and the heading reads Geronimo '98 THE YEAR IN REVIEWGeronimo '98 THE YEAR IN REVIEW INSIDE: Check out our FULL COLOUR centrefold! Artwork Writing Photography The School gets a makeover SPORTS UPDATE Wangaratta Secondary College, The end of an Era A special report from principal, Mr Pech

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

Reproduced records, diary and photography of Vincent Edward Thomas 18602 RAAF, Born Sea Lake 22/6/1919”Clear Plastic covered with cardboard backing with printed paper contentFront cover, “V.E.THOMAS Service number 18602 RAAF”raaf, diaries, records