Bendigo Regional Arts Centre - Information re Donating Chair to Capital Theatre Donation Forms (x2) (Cost of each seat in main Theatre is $200).

Colour photograph. Musicians on stage. Other people sitting on chairs in front of stage facing audience. Piano accordion. Lute. Violin. Harmonica. Mouth organ.entertainment, music, bush band

Colour photograph. People sitting in camp chairs. Photo framed by tree branches foliage. Back of Photo reads: 'Buda' Castlemaine 23rd March 2002.photo, group, mixed group

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and fellow artist John Farmer, admiring what may be Max Meldrum's painting 'Chair'. The photograph is from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Colour photograph. Shilling Fund launch. Janet England, Chair of Trust, addressing the audience. Level four Victoria room QVWC building. Candles in foreground.fundraising events, official events, historic buildings, charitable organisations

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. An unidentified woman seated on a chair outside. There is a house partially hidden in the trees on the right of the scene.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families

Black and white group photograph of Diploma II Students 1973, 2 very slightly different poses. Seated on chairs and standing in front of the Administration BuildingOn reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No.(3,8)."diploma ii, students, 1973, diploma ii 1973 group

Black and white group photograph of Diploma I students in 1973 seated on chairs and standing in front of the Administration Building. 2 very slightly different poses.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No.(9, 10)."diploma i, students, 1973, diploma i 1973 group

Mr and Mrs John Wearne. Photograph is part of Old Lintonian collection ; No. 16Photograph of a seated bearded gentleman wearing suit, with a woman in two piece costume wearing spectacles standing beside him with right hand on the back of the chairon back: "Mr and Mrs Wearne No. 16"mr and mrs john wearne, old lintonian collection

Ornate timber ceremonial chair featuring carving of the Geelong coat of arms c1860. Until recently the chair was in the foyer of City Hall, it is now held in safe keeping at the Geelong Heritage Centre. geelong, mayor

Small, full length portrait of a lady standing beside a chair with her right hand resting on the back of the chair. She is wearing a dress with a voluminous skirt, frills at the top of the sleeves and a large buckle at her waist. Photographer's name and address printed on the back with a Coat of Arms, floral decorative work and two birds. Some dates on the back are 1862 and 1867 for medallions won in London and Melbourne.C. Nettleton, 1 Madeline Street, North Melbournephotograph, portrait, female, portrait of a lady, c nettleton

Cream coloured folded card. On the front : Royal Historical Society of Victoria Bendigo Branch - Dean Backhaus Centenery Celebrations German Masked Costume Ball. At the centre a drawing of a wooden chair and underneath the words ''Chair used by Dean Backhaus hwen from a tree stump'' Programme, City Hall, Bendigo Saturday, 4th September, 1982. On the inside the programme with listing 16 songs.entertainment, dance, rhsv bendigo victorian ball

Beryl SebireA dark brown wooden chair with a decorative carved back support at the top with four turned spindles for more support as well as two extra carved rails near the bottom. The seat has a pastel coloured covered embroidered cushion connected to the base of the seat. There is braid around the edge of the cushion attached by upholstery pins or studs. The chair has four decorative legs and no arm rests.chairs, mothering chair, furniture

Black and white photograph with a white border. Image is taken from inside the main hall of the Mission to Seafarers Melbourne depicting the stage with its curtains, the floorboard, chairs.window, jukebox, main-hall, wainscote, wood-panelling, arch, chairs, mission to seafarers, mission to seamen, music, floorboards, flowers, flying angel club, stage, curtains

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. The other reason for creation could be the 1956 MTS centenary celebrations. The photograph was take before 1957 as the bell from the SS Morton Bay is not on the wall yet.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne mid 20th C.Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sidesclub, celia little room, sailors, literature, armchairs, flowers, artworks, magazines, reading, seamen, mission to seamen, mission to seafarers, seamen's mission

Studio portraits of Annie May Medhurst as an infant.Annie May was born into the Medhurst family and later married into the Partington family, both pioneer Greensborough families.2 photographs of infant Annie May Medhurst. Smaller photo is a studio portrait of child sitting in hay. Larger photo is a postcard of infant sitting on small chair.Small photo, front: Allan 270 Smith Street Collingwood. On backAnnie May Medhurst (Partington) 1884-1965. Faye's G'mother Larger photo, back: Annie May Partington. Auntie Dolly. Melinda's G.Grandmother.medhurst family, partington family, annie may medhurst, annie may partington

Phot copy of Rose Series Post card no 4895 Titled Morningside GrampiansFront view of house, Woman and child on verandah, Man standing under tree, two people seated on deck chairs under tree Bungalow on right of photoThe Rose Series P 4895accommodation, guesthouses, morningside

Black and white photo of an elderly man with white hair and a beard sitting on a chair. He is wearing a three-piece suit and is holding a hat against his knee.Written on the front of the photo in ink: Mr George Miller Moyston. Photo by Ernest Trevan Moyston

Black and white photograph of the furniture, paintings, statuettes, hanging light with small chandelier, jars/urns, chair with decorative pillow, indicating the extravagance of an internal room at Fortuna.buildings, house, fortuna villa, internal room at fortuna.

Sepia photograph of two children. Photo on green mount board. The older girl is standing and the smaller child is standing on a chair. Both have wide collars on their dresses.Fraser, 30 Bridge St. Ballaratphotograph, portrait, female group, portrait of two children, fraser ballarat

Gilbert Rule Collection: photo of baby sitting on elaborate cane chair. Child has white dress on. Written on rear of photo in pencil "Gladys Rule, Bendigo".Chancellor, Bendigoperson, individual, gilbert rule

Carte de Visite Photographed by Bent at Batchelder's Centre of Pall Mall Sandhurst. B & W Photograph of a young child in a white dress standing beside a chair.Bent

Photocopy of undated W Wotherspoon catalogue. Business Cnr of Barnard and Wattle Streets established in 1859. Beds, Mattresses, chairs, chest of drawers, blinds, etc sold.commerce, advertising, furniture, bendigo 19th century business.

Sepia photograph. Photograph is of Dr Olga Bolitho as a baby, seated in a high chair in a garden, 1926. Writing in biro on the back of the photograph reads 'Olga Bolitho 1926'.

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a woman wearing a long white semi-sheet wrapper, in front of the writing desk in Amess House, with her right hand resting on a wooden chair.catalogue number on reverse in pencilchurchill island, photograph

Two photographs of Richard Jones , MD. 1, A side profile, sitting in a chair, reading a paper. 2, A 45 degree profile looking at the camera and holing the paper.Alice Mills , Melbourneperson, individual, richard jones, richard jones