Showing 2012 items
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Flagstaff Hill Maritime Museum and Village
Functional object - Crochet Hook, Mid 19th Century
Crochet came from the Old French word crochet, meaning ‘small hook.’ This word comes from Croche. Croche comes from the Germanic word croc. Both mean hook and crochetage, which means a single stitch used to join separate pieces of lace together. People used this term in making French lace in the 1600s and the word crochet describes the hook and the craft. Evidence shows the starting point was the mid-1800s but as early as the late 16th and early 17th century, crocheted braiding was used in clothing and other products. Like on a man’s cape at the Victoria and Albert Museum. Crochet evolved in the early 1700s when stitching material on a tambourine reached Europe after going through India, Persia, North America, Turkey, North Africa and other places around the world. People removed the background fabric used for tambouring. The French named the new technique “crochet in the air.” In the early 1800s, shepherd’s knitting came about, along with the shepherd’s hook. It’s thicker than a modern crochet hook but still with a hooked end. By the mid-1800s, it became known as crochet or slip stitch crochet. In the 60s, the granny square and crocheted home ware appeared and became more popular.A significant domestic item used in crochet or craft work and recovered from the wreck of the Schomberg in the 1970s. For more information regard the wrecking of the Schomberg see note sect this document. The Schomberg has historical significance as one of the first luxurious ships built to bring emigrants to Australia. The collection of recovered artefacts from the Schomberg wreck and held at Flagstaff Hill Museum are significant because of their potential to interpret the story of the Schomberg and its passengers.Crochet hook made from Bovine Bone. It has two sections that screw apart. Recovered from the wreck of the Schomberg. Nonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, crochet hook, crocheterage, craft -
Women's Art Register
Book, Isabelle Anscombe, A Woman's Touch, A. Women in Design from 1860 to the Present Day, 1984
Women interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture -
Wodonga & District Historical Society Inc
Textile - Haeusler Collection Hand Stitched White Lace Doily c.1920s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.White hand stitched lace doily c.1920stextiles, sewing, handiwork, women's history, domestic, craft, family -
Tarnagulla History Archive
Special notices, C.W.A, Early 1940s (Second World War era)
Donald Clark Collection. A series of three special notices issued by the C.W.A to branches about making of items to support the war effort in World War Two. The first two relate to making of camouflage nets, the third relates to knitting socks for soldiers. Original, not copy.women, craft, c.w.a., cwa, war effort, world war two, military -
National Wool Museum
Book - Patons Knitting Book No. 252, Patons and Baldwins, c. 1950s
Twenty eight page black and white pattern book showing graphics and text. Front and back cover show graphics in tones of red and pink. Front cover shows knitted objects and back cover shows knitted children’s toys. front: [printed] Patons / KNITTING BOOK / NO. 252 / 10 ½ d.wool, craft, knitting, patterns, patons and baldwins (australia) ltd, rabbit, bunny -
Lara RSL Sub Branch
Framed Print of Naval Review,Sydney Harbour, 1st October,1988, Naval Review,Sydney Harbour, 1st October,1988, 12/01/1990
The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. This aerial photo shows naval and pleasure craft in Sydney Harbour for the bicentennial celebrations.The bicentennial year marked Captain Arthur Phillip's arrival with the 11 ships of the First Fleet in Sydney Harbour in 1788, and the founding of the city of Sydney and the colony of New South Wales. 1988 is considered the official bicentenary year of the founding of Australia. Rectangular shaped glass covered picture frame showing photo of Naval Review, Sydney Harbour, 1st October,1988Naval Review, Sydney Harbour, 1st October,1988 This 140 degree panoramic photograph was taken from a helicopter by Phil Gray. It shows the visiting warships in the harbour including the USS New Jersey, FNS Colbert and HMS Ark Royal in the foreground.This print is the fourth in the Sydney Harbour Panorama series by Phil Gray who uses Kodak film.Printed in Australia.prints, naval photos, hms ships, sydney harbour, lara r.s.l. -
Lara RSL Sub Branch
Book, Dawn of D Day, 1959
This book was issued in 1960 and is an impression of the experience of the men who landed in the light of dawn on D Day. An impression of what it was like to be dropped from the sky at morning or ship to shore from a landing craft under fire.Historical recount of D-Day landings and subsequent battlesHardcover - dark blue Front Back and spine. The spine has the title printed. Inside front and back cover have illustrated maps by Charles Green. Photographs, maps and illustrations.wwii, d day, battle of normandy, air drop, american air drop, canadian troops, french civilians, invasion fleet, paratroopers, juno beach, invasion beaches, dropping zones, utah beach, omaha beach -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1942
List of Full Course Students' 1942, Editorial, News, Obituary Ralph Taylor, Editor's Notes, Personal, The Literary Society, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs Black, green and gold soft covered magazine of 62 pages including advertisements. Artwork Mr J. - By Patricia Allen Mr Wilkinson - Possibly By - William Rowe Kirk - By Patricia Allen Cactus - By Patricia Allen Spud - By Joy Martin Gus - By Kenneth Palmer Wilson - By Kenneth Palmer Cut out that sill dive bombing biddy! - By William Rowe Ben - By Kenneth Palmer George - By Patricia Allen Jim - By Patricia Allen Jackie - By Patricia Allen The Yarrawee Creek Ballarat - By William Rowe Man - By Kenneth Palmer Marion - By Patricia Allen Ruth - By Patricia Allen Screecm - By Patricia Allen Jack - By Kenneth Palmer Lino Cut - By Joyce Thompson Alphonso - By Kenneth Palmer Ken - By Kenneth Palmer Slushpuhp - By Joy Martin Round and Round - By Kenneth Palmer and Graham Lawry John D. - By Patricia Allen Ruth - By Patricia Allen Marie - By Patricia Allen Joan - By Patricia Allen Curly - By Patricia Allen Girl - By Kenneth Palmer Fireworks - By Kenneth Palmer Geek - By Kenneth Palmer Marj - By Kenneth Palmer June - By Patricia Allen Joan - By Kenneth Palmer Betty - By Patricia Allen Lois - By Patricia Allen Val - By Margaret Dark Fatty - By Kenneth Palmer John - By Margaret Dark Harold - By Patricia Allen Dick & Tig - By Kenneth Palmer Evans - By Kenneth Palmer Max - By Patricia Allen & Marian Peirce Pro - By Kenneth Palmer ballarat school of mines, magazine, n. wilcock, patricia martin, m.w. lawrence, winsome hender, eveleigh wells, m. pescott, j. w. mcclure, marian peirce, k. r. wylie, francis duffy, d.h. eltringham, patricia allen, john h. calaby, margaret dark, graham lawry, joy martin, kevin mclachlan, p.c. kempe, mr mein, kenneth palmer, fay renfrey, dr pound, ralph (bill) taylor, f. barrow, m. martin, mr cornell, a.g. hale, i.d. mclachlan, w. r. whiteside, denise kidd, patricia goldsmith, t. evans, enid chambers, noreen webster, joan banes, miss king, mrs ilvena, patricia lane, c. w. rowe, joyce thompson, m. linklater, n. murray, g. lehmann, a.m. scott, a. w. wilson, e.j. poppins, w.j. lawry, p.d. fisher, r. mckenzie, m.a. richards, j.r. elliott, a. stanley white, r.g. mccahon, j. sandlant, beryl grinter, joan bryan, p. lawry, norma parkes, m. plover, k. b. stephens, j. m. hucker, p. george, n. f. reeve, c. f. moyihan, p. b. humphrey, e. h. adams, b. j. linklater, r. j. doull, j. waddingham, a. c. wilson, d. d. jones, f. w. wren, e. j. skilbeck, b. r. holloway, w. g. young, s. g. wallis, g. bergin, d. w. hart, h. packham, max coward, william rowe, ralph taylor obituary, bill taylor, f. barrow obituary, honey, ballarat school of mines combined sports association, yarrowee creek, gordon hale, a.w. steane, f.g. procter, gladstone procter -
Eltham District Historical Society Inc
Document - Property Binder, 30 Kerrie Crescent, Eltham
Folder of information including: 1. Newspaper clipping of Real Estate adverisement for 85A Silver Street showing undeveloped land written underneath in pencil "30 Kerrie Cres Eltham". 2. Site Plan and Contours including structure scheme: Proposed residence for Janet R Boddy at Lot 3 Kerrie Crescent, Eltham, 25-9-72 (2 copies). 3. Handwritten notes (on the back of recycled paper for Paul/Boddy Gold Coast Studio offering painting tution in Surfers Paradise) by Janet Boddy to Ivan Stranger designed the house (3 pages). 4. Handwitten notes addressed to Mr L. Nelson, Greensborough requesting faults in the causeway at the Boddy property to be fixed signed possibly by Ivan Stranger (2 pages). 5. Hand drawn profile of a house. 6. Copy of a refined profileof the house as above. 7. Information sheet published by the Shire of Eltham; "General information to propspective builders in the Shire of Eltham" outlining obligations under the town and country planning control. 8. Printouts of a series of photographs and plan of the house, also replicated in Morrison Kleeman brochure, 2022 (3 pages). 9. Colour brochure produced by local Real Estate Agent promoting the sale of 30 Kerrie Crescent, Eltham.Folder of information including: 1. Newspaper clipping of Real Estate adverisement for 85A Silver Street showing undeveloped land written underneath in pencil "30 Kerrie Cres Eltham". 2. Site Plan and Contours including structure scheme: Proposed residence for Janet R Boddy at Lot 3 Kerrie Crescent, Eltham, 25-9-72 (2 copies). 3. Handwritten notes (on the back of recycled paper for Paul/Boddy Gold Coast Studio offering painting tution in Surfers Paradise) by Janet Boddy to Ivan Stranger designed the house (3 pages). 4. Handwitten notes addressed to Mr L. Nelson, Greensborough requesting faults in the causeway at the Boddy property to be fixed signed possibly by Ivan Stranger (2 pages). 5. Hand drawn profile of a house. 6. Copy of a refined profileof the house as above. 7. Information sheet published by the Shire of Eltham; "General information to propspective builders in the Shire of Eltham" outlining obligations under the town and country planning control. 8. Printouts of a series of photographs and plan of the house, also replicated in Morrison Kleeman brochure, 2022 (3 pages). 9. Colour brochure produced by local Real Estate Agent promoting the sale of 30 Kerrie Crescent, Eltham. kerrie crescent, mud brick building, ivan stranger, alistair knox design -
Federation University Historical Collection
Magazine - Booklet, Baxter & Stubbs, Print, Ballarat School of Mines Students' Magazine, 1923
Editorial, In Memoriam: Robert James Dowling, Fumes from the Lab, A trip to America, Arts & Crafts Gossip, Echoes of the Past, Sport, The Junior Techs. Under Arts & Crafts Gossip the writer gives on overview on 'modern books on fine art'. "... In making this decision as to whether his tone values are correct or not the artist always studies his canvas from a distance of several yards. An excellent system of painting is being practised and taught by Max Meldrum. This consists of painting in the orders of the impressions. This method is fully explained in his book, and will be found invaluable by the student desiring to work on sound lines. ...Brown soft covered magazine..1) Stamped "Ballarat Technical Art School" .2) Written on front cover "Hessie Darby"ballarat school of mines, magazine, hessie darby, ballarat technical art school, e. kift, ethel kift, r. t. crosthwaite, c. mcilvena, h. finlayson, e. mckissock, f. russell, c. s. hunt, j. r. pound, a. leask, m. timmings, professor alfred mica smith, robert james dowling, e. j. mcconnon, r. g. cox, edwin a. brophy, raymond fricke, nancy humphries, r. sage, max meldrum -
Greensborough Historical Society
Newsletter, Greenhills and North Greensborough Progress Association, Community News: official journal of the Greenhills and Nth. Greensborough Progress Association and the Apollo Parkways Progress Association. 2nd November, 1976. Edition No. 10/76, 02/11/1976
This edition includes a report on the The Apollo Parkways Progress Association's October 1976 meeting, Arts & crafts issue, A local art/craft who's who, Keeping embroidery alive, Creation pangs, We're hooked!, Warp & weft, Road signs, symbols and your child's art, Hooking your own rug, Cameo of Ron Reynolds, Diamond Valley Arts Society, From the Council Chamber, Letter to the Editor, Nursing Mothers Association, Diamond Valle Repertory, Kinder news, Scout and Guide news. Supplement to "Community News" No. 10/76. Women's Recreational Program. Newsletter, 28 p., illus.greenhills and north greensborough progress association, greenhills, apollo parkways progress association -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, 38TH POST WW2, 1) c.1950's; .2) 1952; .3) 1954
.1) Black & white group photo of the Officers of 38th Infantry Battalion in uniform. Officers are seated & standing with a number of trees in the background. Attached printed label includes the office's names. Dated 1950's. Photo mounted on cardboard. .2) Black & white photo of WO2 Jack Gerdsen in uniform, standing in front of a water landing craft & mountains. .3) Black & white photo of 6 soldiers in uniform, tents in background.On printed labels: .1) “ Officers of 38th Infantry Battalion, Northern Victorian Regiment Puckapunyal 1950's. Includes Officer's names” .2) “WO2 Jack Gerdsen 38th Infantry Battalion, Northern Victoria Regiment, 1 Battalion Royal Australian Regiment, Korea 1952” .3) “Royal Camp Canberra 1954, Ray Gilbert, Maurie Robertson, Maurie Jorgenson, Len Bliss Don Ruxton, Ken Buckanan”photograpy - photographs-mount accessories, military history - army, passchendaele barracks trust -
Bendigo Military Museum
Accessory - IDENTITY DISKS & BADGES, 1943
Alan Telford VX146055 enlisted in the 2nd AIF on 28.9.43 age 20 years. On discharge from the Army 13.2.46 he was a Pte in 41st Aust Landing Craft Coy. Refer 331.8, 332.2, 358.3, 359.3, 360.4P..1) Set of Metal Discs " ID " one round and one six sided joined by string. .2) Brass Blackened " Rising Sun Badge " .3) Brass Blacked " Australia " Shoulder Badge Curved in Shape.1) VX 146055 Telford A RCAL A2 .2) Australian Commonwealth Military Forces .3) Australiaidentity, badges, uniform -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1937
List of Full Course Students' 1937, Editorial, Obituary - Keith Stanley Clarke, Fumes from the Lab, Primitive Papua, A Trip to the North-West Frontier, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior TechsWhite soft covered magazine of 54 pages including advertisements.Signed on front cover by H. Darby.ballarat school of mines, magazine, r. hutchinson, r. mchutchinson, j. sadler, a. nye, m. bayley, r. ewins, j. calaby, k. heriot, r. rickey, w. mcdonald, d. woolcott, j. askwith, s. wyres, b. martin, j. martin, p. hollioke, i. leviston, dr pound, m. bayly, g. proctor, e. gribble, i. shearer, keith stanley clarke, douglas shore, w. s. cantelo, vic. hunt, k. mathes, victor leigh, w. williams, jack mole, g. cornell, k. h. wilkie, g. yorke, g. k. sutton, j. wilkinson, gladys bilney, mr cornell, f. holioke, j. snowball, g. watson, m. shoppee, j. graham, w. monteith, k. waller, i. john, a. horsfall, a. veale, p. harris, p. anderson, l. dimsey, w. walters, m. cornell, g. white, f. hollioke, costello, e. mcdonald, d. flynn, a. leviston, mr chambers, j. hassell, k. bolleman, w. h. mcdonald, m. coward, a. morshead, e. dunstan, w. sewell, r. matthews, n. brazenor, v. pound, l. gladman, b. lamb, j. pittard, v. fisher, g. james, d. woolcock, o. williams, m. booley, g. dunstan, g. bilney, j. dean, m. mcrae, e. brimacombe, j. neyland, n. crouch, r. hocking, j. leach, l. coad, k. gingell, g. aird, m. reynolds, e. thomas, c. schafer, l. taylor, h. charlton, h. bedggood, a. george, w. thomas, l. henderson, g. litchfield, e. mccann, r. davies, e. jones, k. cook, g. leigh, w. j. paterson, p. sullivan, n. palmer, f. hasell, t. phillips, d. mcgregor, a. ritchie, r. allender, g. reynolds, r. cooper, e. juke, mr hillman, f. capuano, j. walker, k. evans, b. rowe, c. burgan, jean perkins, lorna perkins, a. janetski -
Federation University Historical Collection
Magazine - Booklet, Baxter & Stubbs, Print, Ballarat School of Mines Students' Magazine, 1926
Editorial, Personal Column, S.M.B. Ball, Eastern Life and Customs, Fumes from the Lab, Chemical Excursions, Organic Evolution, Obituary - Professor Mica Smith, Arts & Crafts Gossip, Echoes of the Past, Sport, The Junior TechsCoral coloured soft covered magazine.Signed on first page "Harold Jolly"ballarat school of mines, magazine, jones-smith, j. maude, h. jolly, f. wert, r. fricke, f. sheahan, r. collins, v. jeffries, m. sydes, b. rogers, l. b. evans, e. van beck, o. cocks, m. timmings, h. brown, theo. e. leonard, dr. j. r. pound, f. x. collins, ernest v. duncan, rex warrillow, edwin a. brophy, obituary - professor alfred mica smith, e. t. oliver, f.v. middleton, f. larkin, herald shield -
Federation University Historical Collection
Equipment - Object, Abacus, c.1963
Donated by Helen Burgess former lecturer in Craft at the Ballarat School of Mines and the Ballarat College of Advanced Education. This abacus was purchased while Helen was visiting Asia. http://www.youtube.com/watch?v=CvsnftXXKdw Usage: check wikipediaRectangular abacus, Chinese style rosewood or blackwood with brass fittings on corners and dividing framework,13 rods, 65 lower beads, 26 upper beads. Gift of Helen BurgessManufacturing stamp on lower RHS inside frame: "1963 6" Unidentified Chinese characters on the framework behind the lower beads on both central vertical supports, on the LHS framework and on the centre portion of the lower framework.abacus, abacus chinese, rosewood stained, helen burgess, mathematics -
Sunbury Family History and Heritage Society Inc.
Photograph, Police Helicopter, c Early 1990s
After the police spoke to the students from Bulla Primary School and they had all had a chance to look over the rescue helicopter, the children were taken a safe distance away from the craft and watched it take off.A non-digital coloured photograph of a group of children lined up and looking at a police helicopter in a paddock. There are a number of tall gum trees in the background. police helicopters, policemen, bulla primary schooil -
Flagstaff Hill Maritime Museum and Village
Weapon - Knife, Made on or before September 1891
This sheath knife belonging originally to German seaman Julius Gebauhr and an artifact associated with the story of the survivors of the wreck of Fiji. A three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a varied cargo consisting of cases of dynamite, pig iron, steel goods, various spirits, sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos and other musical instruments. On September 5th, one hundred days out from Hamburg in a squally and boisterous south-west wind, the Cape Otway light was sighted on a bearing differing from Captain Vickers' calculation of his position. At about 2:30 am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed Fiji struck rock only 274 meters from shore. The place is known as Wreck Bay, Moonlight Head. Efforts were made to lower boats but all capsized or became swamped two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after the line broke. The other, 17-year-old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt without a line, which he had cut loose with his sheath-knife when it becomes tangled in kelp. He rested on the beach a while then climbed the cliffs in search of help. At about 10 am on Sunday a party of land selectors including F. J. Stanmore, Leslie Dickson found Gebauer. They were on their travels back from Princetown towards Moonlight Head. Gebauer was lying in the scrub in a poor state, bleeding and dressed only in a singlet, socks, belt and his sheath-knife. His rescues gave him food and brandy and some clothing and gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stanmore and Dickson rode off to try and summon help. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and was set up on the beach below the cliffs. By this time the crew of Fiji had been clinging to the jib-boom for almost 15 hours. Mr Tregear from the Rocket Crew fired the line the light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, as many as five at a time, however, some were washed off. Only 14 of the 24 men who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. The wreck of Fiji has smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6 m of water. Of the 26 men on Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach. They were buried on the clifftop above the wreck. Captain Vickers was severely reprimanded for his mishandling of the ship and his Masters Certificate was suspended for 12 months. At the time there was a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Captain Vickers presented Bill Robe who had dragged the captain out of the surf with his silver cased pocket watch, the only possession that he had left, as a token for having saved his life and the lives of some of the crew. Years later Bill passed the watch to his brother in law Gilbert Hulands as payment of a debt. Since that time it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stanmore for caring for him when he came ashore. The knife handle has a personal inscription on it. A marble headstone on the 200 m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with this sheath knife and Captain Vickers’ pocket watch. Flagstaff Hill’s collection from the wreck of the Fiji and Julius Gebauhr knife is of historical significance at a State level because of its association with the vessel, which is on the Victorian Heritage Register (VHR S 259). The Fiji is archaeologically significant as the wreck of a typical 19th-century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo still evident. Also the story of the heroic attempt by many to save the crew of the Fiji. The knife also represents an aspect of shipping history and fits in well with Victoria's framework of historical themes of living with natural processes as items such as these contribute to a better understanding of Victoria’s cultural history.Knife, metal with black wooden handle. Handle is riveted to knife in 3 places, with shaft of knife between the 2 parts of the handle. The handle also has a carved ring around the end, possibly for attaching a wrist strap. Knife blade is pointed in the centre of the tip and is rusty. The knife has a rectangular metal plaque on handle with inscription. The hand crafted dark brown, soft leather sheath is shaped to fit the knife and joined at the back with cross stitching. The sheath also has a leather belt strap that has come away from the sheath at one end.Metal plaque “FROM JULIUS GEBAUHR/”FIJI” /TO F.J.S.” (F J Standmore recipient)1891, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, knife, fiji, pocket watch, moonlight head, gebauhr, stansmore, wreck bay, sheath knife -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Peter Payne, Early 1930s to 1960s
Half-hull ship models were an important step in the process of building a vessel. Shipwrights or designers would construct a half-hull scale model of a ship before the vessel was built. They used it to ensure that the dimensions would work together and that the ship look balanced. They would often mount the half hull onto a board in their workshop. The half-hull ship models were also used to show prospective buyers how the design would work and look. Given the plywood construction of the model, it is believed to have been made around the 1930s as plywood construction had started in earnest in Queensland around this time and soon became the centre of the industry because of Queensland's attractive rain forest woods used which also included red cedar, silver ash, black bean, Queensland maple and silky oak. It is also believed the model was a design for a clinker-built barge to be built by Peter Payne who operated a boat building works on the Mordialloc Creek, Victoria going out of business in 1973. Records show Peter Paynes' first craft launched in 1962 and the last in 1973 from Mordialloc Creek works. However, he was one of the most prolific builders from the 1930s and produced many more vessels than the records currently show. There is at this point no further record of the subject model or whether a full version was ever built and for whom is not known at this time.A model that demonstrates the boat-building process is believed to have been made by Peter Payne or someone who worked in his yard. P Payne was a very well-known boating personality, vessel captain and boat builder throughout most of the 20th century. Model barge half hull on wooden of plywood laminated construction. Marked "AUXILIARY BARGE 80'x16'x6' 315 TONS 4" - 1 FOOT" "P and H PAYNE?" "22/E/26" flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model half hull, ship half model, shipbuilding, shipwright, ship design, peter payne, boat builder victoria, clinker design, barge -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery, 2x white linen table runners wirh needlework c1900, c1900
The women of the early settler families in Moorabbin Shire c1900 were skilled dressmakers, craft workers and decorated their haberdashery with fine needlework . While the market gardens and farms were established the women made the clothes, haberdashery and napery for their families. The women of the early settler families were skilled dressmakers and craft workers c1900One long and one short white Linen table runners with central hand needlework floral design clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
Greensborough Historical Society
Article - Newspaper Clippings, Watsonia Traders Association, Watsonia Neighbourhood House, 2002-2004
5 articles on the Watsonia Neighbourhood House from Watsonia's Whisper, the newspaper of the Watsonia Traders Association. Articles written by Rosie Bray. The neighbourhood house organises many activities from craft and art to yoga and other wellbeing subjects.5 Clippings from Watsonia's Whisper, black text on green or cream background, colour illus.watsonia neighbourhood house, lambourne road watsonia -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1939
Editorial, Personal, Literary Society, S.M.B. Old Boys', Fumes From the Lab, Arts and Crafts, Senior Sport, Commercial Notes, Junior Tech, Junior Tech Sport, House Notes, List of Full Course Students' 1939 Blue, green and gold soft covered magazine of 70 pages including advertisements.j. bickart, r. mchutchinson, e. gribble, m. coward, n. rigney, o. raisbeck, g. myers, f. malseed, e. fitzgerald, m. linklater, j. wilkinson, m. dolan, j. woolcock, b. martin, g. downing, h. j. hassell, n. tatlock, a. wilson, h. trevenan, w. hender, dr pound, a. r. gordon, mr procter, a. helm, r. desnoy, frank ponsonby, g. t. myers, h. christensen, enid johnston, k. h. wilkie, isobel boustead, a. h. gilpin, w. m. lonie, violet d'angri, m. hayes, marian peirce, mr hillman, k. gingell, g. crouch, r. menhennett, j. menhennett, mr cornell, e. mann, a. vaughan, d. jelbart, a. moorhouse, d. gilmore, p. richards, j. nott, r. monteith, j. martin, f. jelbart, k. waller, a. gilpin, b. robinson, d. coad, m. dalla, u. kersey, j. cooper, p. coombs, l. stapleton, u. chisholm, l. peoples, l. stephens, j. hall, h. patterson, a. brown, v. evans, j. hallidale, c. clogan, d. ditchfield, j. daniel, e. theobald, g. james, w. row, winsome hender, c. w. rowe, j. hosie, e. stephens, i. mclachlan, r. stoneman, m.gleeson, k. stoneman, h. tonkin, f. harland, r. bulluss, t. davis, r. gladman, m. thomas, e. salter, d. mcgregor, a. spence, g. taylor, j. pyke, r. allisey, i. clow, r. p. flower, l. taylor, b. neale, j. norman -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1940
List of Full Course Students' 1940, Editorial, News, Obituary, Farewell, Old Boys. Old Boys' Association, The Literary Society, Rationing, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs. Blue, green and gold soft covered magazine of 70 pages including advertisements.ballarat school of mines, magazine, s. moss, b. martin, a. gordon, g. sutherland, g. myers, a. kersey, j. hassell, e. boustead, a. janetski, g. mounter, e. scott, g. downing, m. dark, a. ward, a. helm, l. griffin, a. henderson, j. wilkinson, j. martin, dr pound, m. coward, m. mein, g. g. procter, g. yorke, j. evans, b. sargeant, w. h. middleton, jack burt, arch. collins, v. leigh, ken mathes, g. berriman, j. elsworth, h. maddern, a. mcphee, m. wilson, eric rumpff, t. jones, j. sutherland, a. day, f. whitworth, r. young, a. c. hannah, a. leviston, m. mccallum, w. m. lonie, r. costello, james h. pound, j. r. woolcock, w. g. coates, i. boustead, p. martin, lorna mccartney, j. fisher, mr hillman, a. scott, k. gingell, m. lawrence, l. diamond, mr cornell, d. menhennett, j. coad, c. plumb, g. angwin, e. eltringham, j. mcclure, g. crouch, p. richards, f. jelbart, r. monteith, a. gilpin, d. gilmore, d. jelbart, i. mclachlan, mr evans, f. badenhope, j. gibbs, j. menhennett, w. kearney, a. daff, l. george, h. patterson, u. chisholm, b. robertson, a. howard, l. mcpherson, j. mccarthy, m. kerr, l. stephens, l. halliday, j. daniel, j. horsey, l. morish, c. clogan, m. cartledge, e. bell, w. hender, max coward, c. w. rowe, l. smythe, t. davies, b. saunders, j. cox, j. medwell, i. grigg, g. lehman, j. fletcher, r. stoneman, k. bridges, k. sperber, m. hetherington, v. browning, b. neale, g. harrison, n. pitts, k. silvey, mr hosie, l. sutherland, w. rowe, i. mclaughlan, linocuts, isibel boustead, betty delima, audrey janetski, joan zilles, wattle tea rooms, glad proctor, joe wilkinson, sheila moss, fifi malseed, bessie sargeant, adeline helm, maureen mcrae, bettina george, ernest gribble, william rowe, jessie daniel, pat martin, jean fisher, gladys wakeling, hester darby, world war two, d.i. johnstone, w.h. middleton obituary, port pirrie, modern art, goodfellows cordial -
Unions Ballarat
Alphabetical register of members. Federated Clothing and Allied Trades Union of Australia, Ballarat Sub-branch, ca 1917-ca 1930
Federated Clothing and Allied Trades Union of Australia was formed in 1907 from amalgamation of a number of small craft-based unions that had been in existence since the mid-1800s. Around this time, membership of these types of unions was predominantly male.Records names of members of Federated Clothing and Allied Trades Union of Australia for the period ca 1917 to ca 1930.1 bound volume. Paper.membership, fcatu, federated clothing and allied trades union of australia, craft unions, unions, btlc, ballarat trades hall, textile, clothing and footwear union of australia, tcfu -
Glenelg Shire Council Cultural Collection
Headwear - Top Hat, n.d
Grosgrain ribbon is a type of fabric that has a ridged appearance and is made from silk or synthetic materials. It is regularly used in sewing and crafts, as well as in fashion applications such as millinery and trimming. This type of ribbon is also frequently used to make bows.Denton Hat Mills was built in stages from 1888 until the 1940s. It was Australia's first steam powered hat factory and exported many hats. It remained at hat factory until 1971. Black felt top hat, sides of brim slightly rolled, edged with grosgrain ribbon. Grosgrain ribbon around base of crown. Brown leather headband inside, maker's stamp in leather. 'HENRY' in black texta either side. Set of small pin-holes either side of crown -
Federation University Art Collection
Painting, Searle, Ken, 'Ballarat' by Ken Searle, 1998
Ken SEARLE (1951- ) Born Sydney, New South Wales Ken Searle worked on this commission through 1997 and 1998. Further works and sketches relating to this commission are held by the Art Gallery of Ballarat. Searle is a self-taught artist who first exhibited his paintings and drawings in the mid-1970s and is known for large, and often whimsical, paintings, of suburban and industrial areas in several Australian cities. From 1998 to 2001 Searle worked as a consultant at the school in the Aboriginal community of Papunya, Central Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting highlighting the artist's favoured aspects of Ballarat. Interested with scenes of suburbia for over twenty years, Ballarat is his first portrayal of a whole city. Searle’s view of Ballarat presents a deliberately untidy city seen from a number of viewpoints. Local scenes are portrayed no matter how pretty or garish, the subject matter providing a snap shot in time. Funded through the Commissions Program of the Visual Arts/Craft Fund, 1998 art, artwork, ken searle, ballarat -
Ballarat Tramway Museum
Photograph - Block Mounted Photograph, Carolyn Dean, 7/11/1992 12:00:00 AM
Colour photograph, of BTM horse tram No. 1 travelling southbound in Wendouree Parade on its 1st operational day. Photo taken 7/11/1992. Photo used in annual report and on horse tram brochure. Photograph mounted on a block of craft wood or similar with a curved edge that has been painted black. Has two support or hanging holes on rear. See also Reg. Item 719 for a postcard size version of this photograph.On rear in pencil "DS z R"trams, tramways, horse trams, wendouree parade, btps, tram 1 -
Bendigo Historical Society Inc.
Document - Y.M.C.A. Y'S WORKBOX, DISPLAY & DEMONSTRATION OF UNUSUAL CRAFTS, 28 October 1984
Events, Y.M.C.A., Y's Workbox, Display & Demonstration of Unusual Crafts, Sunday October 28. 1984, at the YMCA Stadium, Mundy Street, Bendigo, 10am-5pm.Crafts including; Bobbin Lace, Marquetry,Tatting, Leadlighting,Vietnamese Wood Carving, Decoupage,Model Vintage Cars,& Tanks,Embroidery,Pen Etching,Material Mats, Ribbon Flowers,Wooden ''Dummies'',Machine Embroidery, Candlewicking on Calico,Wooden Dolls, Porcelain Dolls, & many more. C.Marrone.C.Marroneevent, exhibition, bendigo y.m.c.a. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, City of Moorabbin Historical Society No.5 Vol. 5 August 1965, City of Moorabbin Historical Society, Newsletter No. 5 Vol. 5 August 1965, 1965
This is Newsletter No 5 Vol . 5 produced in August 1965 by Mr T. A. Sheehy CMHS for members and visitors The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961). Topics; South East Regional History Group; 'The Three McQueens' ; This is Newsletter No. 5 Vol. 5 of the CMHS August 1965 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 L 26cm x W 21cm page 1 printed both sides CITY OF MOORABBIN HISTORICAL SOCIETY / AFFILIATED WITH THE ROYAL HISTORICAL SOCIETY OF / VICTORIA AND THE CHELTENHAM ARTS AND CRAFTS SOCIETY / President ; Mr R Ashley ...... / editor of Newsletter Mr T.A. Sheehy .... Secretary Mrs F. Neville / / VOLUME 5 No.5 NEWSLETTER August 1965 -
Flagstaff Hill Maritime Museum and Village
Craft - Scrimshaw, Bringing in the Whale, 1980s
When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum