Showing 22583 items
matching go-a-head
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Department of Health and Human ServicesPhotograph, Bundoora Repatriation Hospital - Day Centre - Mine Head (tower that operates lifts down through the mine shaft) at Sovereign Hill Ballarat - Photographs taken by Patients ( Series 59 ) - Parties & Outings - 1986 To 1992
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Power House Rowing ClubBlack and white photograph, Head of the Lake, 1938, 1938
Digital scan of black and white photograph. Names not recorded.rowing, rowers, lake, sports, sportsmen -
Moorabbin Air MuseumManual (Item) - Eclipse Service Manual No.11 Electric Propeller Governor Control Head Type 493
Ex CAC Collection -
Moorabbin Air Museum
Drawing (Item) - Bolt Head Cylinder Clamp Oxygen Recharging Trolley W11141/19 RAAF, Bolt Head Cylinder Clamp Oxygen Recharging Trolley W11141/19
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Gippsland Art GalleryPhotograph, Robinson, Kiron, Young woman kissing old man while he turns his head away, 2015
Donated by Janina Green, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection -
Gippsland Art GalleryWork on Paper, Scheltema, Jan Hendrik, Study - Man's Head, 1882
Donated by Gerrit ter Beek via Peter Reynders, 2019Pencil on papergippsland, artwork, permanent collection -
Gippsland Art GalleryPrint, Simpson, William (after), Funeral Cortege of Lord Raglan Leaving Head Quarters, 1855
Donated by Charles Nodrum, 2018Lithograph on papergippsland, artwork, permanent collection -
Gippsland Art GalleryPrint, Simpson, William (after), Interior of Lord Raglan's Head Quarters, 1855
Donated by Charles Nodrum, 2018Lithograph on papergippsland, artwork, permanent collection -
Gippsland Art GalleryPrint, Simpson, William (after), The Investiture of the Order of the Bath at the Head Quarters of the British Army Before Sebastopol, 1855
Donated by Charles Nodrum, 2018Lithograph on papergippsland, artwork, permanent collection -
Gippsland Art GalleryWork on Paper, Smeaton, James, Moose Head/Upset/ Hawkelegs, 2000
Donated by Bendigo Art Gallery, 2006Mixed media on papergippsland, artwork, permanent collection -
Gippsland Art GalleryWork on Paper, Stavrianos, Wendy, Head Ancient Gatherer/Torso/Irisama, 2000
Donated by Bendigo Art Gallery, 2006Mixed media on papergippsland, artwork, permanent collection -
Gippsland Art GalleryWork on Paper, Struss, Elsie, Female Head, c.1929-33
Donated from the estate of the artist, 1987Oil pastel on cardgippsland, artwork, permanent collection -
Gippsland Art GalleryWork on Paper, Struss, Elsie, Head Study, c.1929-33
Donated from the estate of the artist, 1987Pencil on papergippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Young Man, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Young Woman, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Woman, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art GalleryWork on Paper, Struss, Elsie, Head Study - Male, c.1929-33
Donated from the estate of the artist, 1987Oil pastel on papergippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Turk, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Male, c.1929-33
Donated from the estate of Wemyss Struss, 2016Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Male, c.1929-33
Donated from the estate of Wemyss Struss, 2016Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art GalleryPainting, Struss, Elsie, Head Study - Male, c.1929-33
Donated from the estate of Wemyss Struss, 2016Oil on canvasgippsland, artwork, permanent collection -
Stawell Historical Society IncPhotograph, Mr Jens Kofoed’s Fountain Head Brewery in Armstrong's Water Well
Water Well Kofoed’s Brewery Armstrong covered in netting and wire stawell -
Stawell Historical Society Inc
Archive, Glenorchy /cemetery /references. Copy Register and Head Stones. Plus 1982 & 1988 Edition
Manila Folder tied with Green ribbon.Glenorchy Cemetery References & 1988 Edition & 1982 Edition Copy Register & H/Stones Witten in top right Corner Written in Center Glenorchy Cemeteryglenorchy, cemetery -
National Wool MuseumDrawing, J.R. Geigy Soc. An. , Basle, Switzerland Head Office and Rosenthal Works
Pen and ink drawing of the J.R. Geigy mill in Basle, Switzerland. Pen and ink drawing, mounted and framed with black wooden frame. Title written in ink below image. Framer's details on label pasted on reverse.textile mills, j.r. geigy soc. an. -
Federation University Art CollectionInk, Acrylic and cotton on stretch fabric, Blanford, Anna, 'I Can't Hear you My Head is in the Sand' by Anna Blanford, 2001
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Federation University Art CollectionWork on paper - Artwork, Wes Walters, 'Wrapped Head' by Wes Walters, 1976
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Donated through the Australian Government's Cultural Gifts Program. art, artwork, wes walters, walters, federation college, available, alumni -
Vision AustraliaAdministrative record - Text, Head Office Annual Report 1983 Lady Nell "Seeing Eye" Dog School & Rehabilitation Centre for the Blind, 1983
President's report including shortages of staff and suitable dogs, the work of the Stawell (founded in 1966) and Beeac (founded in 1970) Auxiliaries, working with Kua Cheng Hock and his dog Stacy in both Australia and Singapore, donation by Rodney Haig of his prize money for Tattersalls award, the purchase of a caravan and workshop to provide services in Queensland, and the success of the hostel and day centre programs. Articles on 'How a Seeing Eye Dog is Trained' by Kim Gration, profile of Phyllis Gration and the establishment of Lady Nell, as well as Patti Gration losing her mobility due to an accident, as well as images of various people with Seeing Eye dogs.1 volume with text and illustrationsannual reports, lady nell seeing eye dog school, harry vanderjagt, phyllis gration, patti gration -
Federation University Art Collection
Artwork, Yasmin Williams, 'Spiritual Head' by Yasmin Williams, 2016
Yasmin WILLIAMS (1991 - ) B. Ballarat, Victoria This works was completed while Yasmin Williams was a student at Federation University Arts Academy in the Bachelor of Fine Arts (Visual Arts).Artist's Statement: Through-out life we have our own different realities of the world we exist in. From childhood to adulthood our perception of the world is reshaped constantly in every way. These pieces of ‘found object’ and earthen artworks are surreal and re-purposed reflections of the reality I have a grasp of, and each found item creates its own narrative, balance and connection with its surroundings. When viewing these works I hope that the viewer is grounded by the earth and stone and helps to create a personal link or relationship with the abandoned objects that once belonged to another person, therefore creating their own narratives and perception of the world.yasmin williams, artwork, available -
University of Melbourne, Burnley Campus Archives
Booklet, Head Office Mail, 2018
administration -
Working Heritage Crown Land CollectionFunctional object - Nail, Nail - small rose head with star
Collection of corroded nails with a rectangular shaft that narrows to a blunt tip.archaeology, historic building, former royal mint
