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Mission to Seafarers Victoria
Flyer, Sensory Experiments, 2019
Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects -
Mission to Seafarers Victoria
Article, Herald, Seamen's Institute for the Victoria Missions to Seamen, 30 August 1917
SEAMEN'S INSTITUTE FOR THE VICTORIA MISSIONS TO SEAMEN In architectural style, the new Seamen's Institute for the Victorian Missions to Seamen, in Flinders street Extension which is to be opened early in September by Sir Ronald Munro Ferguson, the Governor-General, may be said to resemble the type adopted by the early settlers in California, and known in recent years by the name of Spanish Mission architecture. This character is particularly sympathetic with the object for which the building has been erected, and is exemplified in a marked degree in the unique chapel tower of oblong shape with its four pinnacles and open bell turret, with an almost rustic cross as terminal point: also in the arcaded Eastern Court cloisters, with simple round arch arcading, and in the chapel roof, which is framed of heavy rough-hewn hardwood timber work left as it came from the saw, and erected green from the forest. but so well framed and bolted that no harm can result from shrinkage. The foundations are constructed of reinforced concrete, and in some places are nine feet wide. The ground is very treacherous, and considering the irregular weights of the one story, two-story, and three-story parts of the building, the result achieved in sta bility is eminently satisfactory. The main hall has a vaulted ceiling of reinforced concrete construction, and, spanning 35f., is the widest span of any floor in Melbourne of similar construction. The chaplain's residence is built above the lecture hall, and consists of a most complete, up-to-date dwelling-house of eight rooms. It is fitted with every modern convenience and labor-saving device. The cupboard in the pantry, for instance, has two faces — one in the diningroom and the other in the pantry. Dishes are washed in the pantry, put into the cupboard, and taken out in the diningroom, ready for the next meal. Special rooms are designed for the many and various works carried out for the sailors by the industrious workers of the mission. One room is shelved and fitted for the reception, sorting, and distribution of books, periodicals, and other reading matter that is parcelled up by willing hands and given to sailors as ships leave port, to beguile the weary hours of leisure on the sea. Any old books or magazines, illustrated papers, and the like are always welcome at the insti tute. Reading matter of this kind can easily be saved and sent along in bundles. The gymnasium is not yet built. This is the only part of the building required to complete the block; and when its concrete dome, with open eye at summit like the Pantheon at Rome is erected, the whole effect of the groups of buildings will be most striking. In the entrance hall is a floor of marble mosaic, with a central feature of a mariner's compass seven foot in diameter, well executed by the Adamant Pavement Company, and the gift of Mr George Russell. The architect has designed a copper ship as a finial for the main gable of the building, and it, like the gymnasium, is awaiting the collection of more funds or the generosity of a special donor. The whole of the woodwork of the in terior of the building, including high dados round the walls of halls, stair cases, billiard and other rooms is car ried out in Tasmanian hardwood, fin ished in a dull beeswax polish, and the floors of the entire building, except the lavatories, which are tiled, are also executed in Tasmanian hardwood. Mr Walter R. Butler, F.R.I.B.A., was the architect, and the work was carried out by Mr A. B. Robertson, builder. PICTURESQUE BUILDING AMID SOMBRE SURROUNDINGSThe article gives a valuable description of the Mission at the end of its construction and before its opening.4 columns article with photograph of the front of the Missionlady fraser, walter richmond butler (1864–1949), architecture, spanish mission, california, reinforced concrete, tasmanian hardwood, gymnasium, norla dome, pantheon, adamant pavement company, george russell, compass, finail, weathervane, chaplain's residence, manse, chapel, courtyard, cloisters, main hall, spannig -
Greensborough Historical Society
Article - Website, Paul Shapiro, Original Futuro house in South Morang, by Paul Shapiro, 02/07/2017
Of Finnish design, the building has been used as a sales booth at the Apollo Parkways estate, and moved to the TUKE Go-Kart Track on McDonalds Road South Morang, where it is being used as a storage building.3 p. text and col. and black and white photographs (digital reprint of original publication)futuro house, apollo parkways -
Greensborough Historical Society
Poster, Parliament House Victoria, Parliament House Victoria: Vestibule: Encaustic tile floor, 1879_
... A facsimile of an original floor tile design for Parliament... tile design for Parliament House Melbourne. An illustration ...A facsimile of an original floor tile design for Parliament House Melbourne. An illustration by Peter Kerr, architect, of the vestibule pattern using encaustic tiling imported from England in 1879.Facsimile poster, printed in colour on one side.parliament house melbourne -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lifeboat, n.d
Built in 1858 at the Port and Harbour Master's yard in Williamstown Victoria, the Portland Lifeboat was overseen by Harbour Master Charles Ferguson. It is understood to have been constructed from the same moulds used to build the Port Fairy Lifeboat, designed by William White, in 1857. Both boats are similar to the lifeboats designed in England by James Peake and adopted by the Royal National Lifeboat Institution (RNLI) in the UK. The Portland Lifeboat's 9.14 m (30 ft) long hull is double diagonally planked in New Zealand kauri, and many of the planks run from gunwale to gunwale in one piece under the inner keel section. Eucalyptus and oregon were used elsewhere and the local blacksmith made the iron work. The fastenings are copper. There are two flotation or buoyancy tanks at either end, with prominent whaleback style decking. Under the thwarts is a deck with scuppers so that the craft is both buoyant and self draining whenever large waves are taken aboard in rough conditions. The lifeboat was oar-powered with a sailing rig. The original rig was a lug mainsail, but this was replaced with a lug and headsail rig taken from a fishing boat in 1903. The lifeboat was manned by volunteer crews, mostly local fishermen from Portland. They maintained this service until 1915 when the boat was replaced with a new motorised craft. The lifeboat's most outstanding service was to the steamer ADMELLA in 1859 when the ship grounded on a reef off Cape Banks in South Australia, 150 km to the west of Portland. Survivors clung to the rigging in heavy seas for over a week and 89 people lost their lives in the shipwreck. Taken to the scene by the steamer LADY BIRD, the Portland Lifeboat was unable to assist until eight days after the ADMELLA's grounding when the seas abated enough for the lifeboat to manoeuvre close to the ship and rescue the last 19 survivors. Since its retirement in 1915 the lifeboat has been a memorial to those who manned it and those it rescued. For a long period it was on display in the Portland Gardens, first in the open and then under a canopy. In 2008 it was on display inside the Portland Maritime Discovery Centre, still in original condition complete with the rig from 1915. It is one of the oldest vessels of its type in Australia, and the world.Portland LifeboatPhotograph showing the Portland Lifeboatphotography, portland lifeboat, admella -
Glenelg Shire Council Cultural Collection
Book, Ira D. Sankey, Sacred Songs and Solos and New Hymns and Solos, n.d
Maroon cloth binding over carboard covers, with title and author in gold on spine and cover, within framing design. Repairs made to spine with green thread stiching visible on both edges of spine.Front: W.S. Malseed (black ink, front page verso) (numbers in pencil on same page) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Functional object - Drink bottle label, Henty Cordials and Aerated Waters,Portland, Victoria, n.d
Used by the Henty cordial company in Portland.Henty grapefruit drink label with design of a ship of choppy waters in a roundel in upper right corner. Name of drink is in a white banner across lower centre.Front: (text on label includes brand name, flavour of drink, etc...)henty cordial, grapefruit, drink, domestic -
Glenelg Shire Council Cultural Collection
Accessory - Badge - North Portland Cricket Club, n.d
Displayed in History HouseEnamelled badge with gold metal details, letters, backing and pin. Enamelled design. Two gold cricket bats crossed over stumps on red background. Gold writing on blue background.Front: NORTH PORTLAND/ CRICKET CLUB Back: K.G. LUKE/ MELB.badge, numismatics, souvenir, north portland cricket, recreation -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir - North Portland Cricket Club Badge, n.d
Displayed in History HouseEnamelled badge with gold metal details, letters, backing and pin. Enamelled design. Two gold cricket bats crossed over stumps on red background. Gold writing on blue background.Front: NORTH PORTLAND/ CRICKET CLUB Back: K.G. LUKE/ MELB. -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1984
Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations. -
Glenelg Shire Council Cultural Collection
Print, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Glenelg Shire Council Cultural Collection
Book, A Short History of Our Own Times, Vol. 1 of 2 : From the Accession of Queen Victoria to the General Election of 1880, 1881
Brown cloth-covered binding. Front cover decorated with two black framing patterns and a central gilded roundel with decorative design. Title and author on spine in gold lettering. 493pp.history, queen victoria, 1800s -
Glenelg Shire Council Cultural Collection
Book, Editor: Benson, Arthur Christopher and Esher, Viscount, The Letters of Queen Victoria Vol. 1, 1908
Red cloth-covered spine and covers. Impressed design on cover and spine. Gold text and graphics on spine.history, queen victoria, royal history, 1900s, 1800s -
Glenelg Shire Council Cultural Collection
Book, Editor: Benson, Arthur Christopher and Esher, Viscount, The Letters of Queen Victoria Vol 2, 1908
Red cloth-covered spine and covers. Impressed design on cover and spine. Gold text and graphics on spine.history, queen victoria, royal history, biography -
Glenelg Shire Council Cultural Collection
Book, Harleigh Severne, Chums: A Tale for the Youngsters, c. 1892
Brown cloth-covered binding. Front cover has pictures of swords, guns and ancors, with lettering and design in gold. Title and author on spine in black lettering. Gilt-edged pages. 312pp.fiction, childrens literature, 1800s -
Glenelg Shire Council Cultural Collection
Book, Harriet Martineau, History of Peace Vol. 1, 1851
Light-brown coloured leather bound spine and cover corners. Paper covered board covers, marbling design, red, greens and yellow ochre. The History of Peace 1800 - 1845 Gold text and graphics on spine.history, english history, 1800s -
Glenelg Shire Council Cultural Collection
Book - Book Publication - 1984 150th Anniversary of Portland, 1984
A4 size publication 'Portland', made for 1984 150th Anniversary of Portland as Victoria's first permanent settlement. Covers cardboard, content, coloured photographs with black text. Front cover has photographs with black text. Front cover has photographs of Kingsley, historic painting, harbour at sunset, lifesavers, oil rig and yachts Henty Beach; with red border. Back Cover: Glenelg river -
Glenelg Shire Council Cultural Collection
Artwork, other - Collection of ephemera relating to work by cartoonist Bruce Cavalier, n.d
Collection of ephemera relating to work by cartoonist Bruce Cavalier who was the son of Portland Cr. Frank Cavalier. Designed poster for Portland's 150th Celebrations (5398). Laminated version 751 (see other information for list of items). Letter and copy from Margaret Morrison to Gordon Stokes. Photocopies - 11 cartoons Photocopy - sign 'Cavalier Park' " - 2 newspaper articles " - Testimonial Dinner Cartoonists Club " - 3 Eulogies -
Glenelg Shire Council Cultural Collection
Painting - Painting - Oil on Board, Treloar, Sister of Florence Millard, n.d
Painting, oil on board. Floral design red and white flowers, greenish-grey background. Gilded wooden frame. Two eyelets, wire for hangingBack: Picture framer's sticker, white, blue print. DG Coope and son, Bendigo -
Glenelg Shire Council Cultural Collection
Painting, (Untitled - still life), n.d
Painting, oil on board. Floral design, white flowers, green foliage, greenish-grey background. Gilded wooden frame. Two eyelets, wire for hangingBack: Picture framer's sticker, white, blue print. 'DG Coope and son, Bendigo -
Glenelg Shire Council Cultural Collection
Artwork, other - Tiles, Ceramic, n.d
Tile grid, inscribed drawings in clay surface. 352 tilesFront: 'Designed and co-ordinated by Barry Tate, 1985' -lower right corner (inscribed), mounted to brick wall (exterior) at swimming pool -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - opalotype, Thomas Must, n.d
Possibly Portland Town Council. Thomas Must, a wealthy Sydney merchant arrived in Portland in 1845. In 1855 prospect was built for Must to a design by local architect George Mathewson. The two storey home was built in expansive grounds with sweeping views of Portland Bay and the township. The stuccoed house is of Regency/Italianate style with a single storey verandah and single storey kitchen wing. In 1878 the original posted verandah was replaced by new verandah and a conservatory to a design of architect Daniel Nicholson. Nicholson had also been responsible for the design of the Assembly Rooms at the London Inn. Thomas Must was active in the Portland Community. He was a Trustee of the Port Philip Savings Bank, a Justice of the Peace, Treasurer of St. Peters Church at Bridgewater and the first Chairman of the Portland Borough Council. Prospect was Thomas Must’s home until his death in 1905. The building has been considerably altered over the years and much of the original Italianate character has been lost. Subsequent owners include B. Cunningham, G.S. Beresford (who changed the property’s name to Waterford), and long-term Liberal Senator Sir Magnus Cormack. Cormack was President of the Senate from 1971 to 1974. In 1976 the Prospect became an aged accommodation centre.Wooden Frame - light brown. Gold inner frame. Fawn mount. Man with long white beard and hair facing right wearing dark jacket.Front: (no inscriptions) Back: (no inscriptions)photography, opalotype, thomas must -
Glenelg Shire Council Cultural Collection
Functional object - Seal, Portland Borough, c. 1855
Item from the Borough of Portland (1855-?)Iron seal with rectangular base oval insignia centred in cross-bar designFront: Borough of/Reg/No/Portland (in reverse) circular sealborough of portland, 1800s, seal, administration -
Glenelg Shire Council Cultural Collection
Functional object - Doll's sugar bowl, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, PortlandA sugar bowl. The lid has relief design and gold highlights, and there are small areas of green glaze.dolls, toys, childhood, children -
Glenelg Shire Council Cultural Collection
Leisure object - CUP - From Childs Tea Set, n.d
White china cup, gold lustre trim and floral designBack: 'MADE IN JAPAN' -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Historic Buildings, Portland Town Hall, 1974
From the Victorian Heritage Register: The foundation stone of the original Portland Town Hall was laid by William Learmonth on 21st September, 1863 following a competition and subsequent public controversy over the permitted entry of architect John Barrow. The conservative classical design of municipal surveyor Alexander Ross was preferred and this axially planned design with central council chamber and side offices fronted by a fine axed pedimented gable entablature of basalt and Tuscan Doric pilasters was completed by 24th may 1864. The old Town Hall is one of a distinguished group of public buildings in Portland and an interesting example of conservative classical architecture of the first years of settlement in western Victoria. The basalt structure was partially erected of stone from the Portland stockade and has significant historical associations with local Government administration in the district. The Town Hall is the most impressive work of Alexander Ross, a surveyor architect whose career remains largely undocumented. The old Town Hall at Portland has been discreetly extended at the rear to provide additional meeting room accommodation. The premises are no longer used for local government administration.A4 sized certificate demonstrating Portland Town Hall's special significance to the state of Victoria & inclusion on the Historic Building Register. Singed by Robert Maclellan, Minister for planning & Historic Buildings Council Chairperson. Red seal attached, bottom right.portland town hall, history house, heritage register, historic buildings, certificate -
Glenelg Shire Council Cultural Collection
Functional object - Sticker - Portland - a whale of a place, n.d
Record of the Glenelg Shire CouncilUnused oblong shaped sticker with the text 'Portland a Whale of a Place Victoria" and design incorporating boat sails, whale and the sea, printed blue ink on a white backgroundsouvenir, tourism, portland whales -
Glenelg Shire Council Cultural Collection
Headwear - Bonnet, c. 1930
Belonged to Mrs Jane Rose, Portland (Mother of donor) and worn during the 1934 centenary celebrations in PortlandCotton bonnet, white fabric with all over indigo design, bonnet has frill and tucks, worn during the 1934 centenary celebrations.celebrations, 1934, centenary, bonnet, clothing, hat, headwear -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Badge - Waterside Workers Union Badge, WITTENBACH & CO, n.d
Belonges to Thomas EverettEnammelled silver badge, royal blue 'outerbelt' design and text. 'Waterside Workers Fed. of Australia', circling internal initials W in royal blue, WFA in aquaFront: Waterside Workers Fed. of Australia W.W.F.A. Back: 88772 0R 887/2 stamped into the metal -
Glenelg Shire Council Cultural Collection
Print - Label - Henty: Ice Creamy Soda, n.d
(Previous collection, Exhibitions, Prizes, etc.) Displayed at History House. Used by Henty cordial company in Portland (?)Label with design of a ship of choppy waters in a roundel in upper right corner. Name of drink is in a white banner across lower centre.Front: (text on label includes brand name, flavour of drink, etc...)