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Glenelg Shire Council Cultural Collection
Painting, Down the Street, 1977
UnknownView of a building on a country street. The building is large, and in 3 sections, two of which may be shops. The building on the corner has a verandah and balcony over the footpath, and may be a pub. Two people lean on the wall to the right of the building. One man in overalls and carrying a bag walks along the centre of the dirt road. Framed in gold painted wooden frame.Front: B Malloch '77 (lower left) (brown paint) Back: 1977 - (yellow sticker, upper right) Mer-ger Galleries, Picture Framing sticker, order no. 1057 (sticker, lower centre) "Dow...E Street" (blue pen on sticker, lower left, torn) -
Dandenong/Cranbourne RSL Sub Branch
Framed Print
Spitfire was painted originally by Barrie Clark. Born in 1943 he was a painter and Biographer. He is currently 77 years of age and still actively working. Supermarine Spitfires were responsible for many victories in the air - war with Germany during World War 11. They were a powerful and very maneuverable aircraft. The Rolls Royce "Merlin" engines - a V12 engine of some 1440 horse power were used to propel the aircraft.Spitfire model V B.Spitfire armament consisted of 8 - 303 in calibre machine guns,4 20 mm cannon,also a pair of 50mm Browning machine guns. With this armament they were a formidable aircraft.Wooden framed print of Mk 5 Spitfire aircraft by Barrie Clark.Barrie A F Clark. painted in bottom left corner of print. Lower centre of print " Spitfire by Barrie Clark ". Vickers Supermarine Spitfire Mk. V B of 243 Squadron Royal Air Force. Spitfire has S N - M on body of aircraft. -
Warrnambool and District Historical Society Inc.
Plaque, Galleywood, C 1990
This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Galleywood was owned by local people and trained by local trainer Jocka Baillie. Galleywood was a crowd favourite of the 1980's winning two Brierly Steeplechases and the Grand Annual in 1986. This famous local hero died at the age of 30 and is buried at the Warrnambool course and commemorated in the mounting yard. This series of plaques were painted by local artist Leslie Lamey. These items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are green front with orange (faded) sleeves with blue band. The cap has pink lines. Six holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1 Galleywood written twice on back of plaque. .2 Grand Annual Syndicate GALLEYWOOD. Winner of the Grand Annual Steeplechase 1986warrnambool, grand annual steeplechase, galleywood -
Phillip Island and District Historical Society Inc.
Anchor, 1920 approximate
Handmade by Bill Kennon for use on M.V. 'Hollydene' during oystering.White painted iron Grappling Anchorlocal history, maritime technology, ship fittings, grappling anchor, hollydene, phillip island -
Flagstaff Hill Maritime Museum and Village
Fire fender
Fire fender metal painted blackflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Seaworks Maritime Museum
Small Vessel rudder
maroon painted rudder with metal attachments.dymo label: Small Vessel rudder -
Emerald Museum & Nobelius Heritage Park
Wooden exercise clubs
Wooden Exercise Clubs painted white -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Charles Douglas Richardson, The Cloud, 1900
Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. A bronze version of The Cloud was cast in 1987 and can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art Nouveauplaster patinated with paint and ground coppersculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers -
Chiltern Athenaeum Trust
Photograph
Henry Rosengren served in WW1Henry Rosengren is on the Chiltern WW1 Honor RollHand painted photograph of Henry Rosengrenchiltern -
Geelong Gallery
Painting - Yellow/blue equivalence (second premiss), BURN, Ian, 1965
Synthetic polymer paint on cotton duck -
Geelong Gallery
Painting - Standing stone, kangaroo grass, bush string, WATSON, Jenny, 2020
Synthetic polymer paint and graphite on canvas -
Gippsland Art Gallery
Painting, Nudelman, Adam, The Darkness Only Lasts a Night Time, 2015
Donated by Mrs Elisa Nudelman through the Australian Government Cultural Gifts Program, 2019Textile, Linen, Paint, Acrylic, Oilgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Piggott, Owen, Octopus, 1973-74
Donated from the estate of the artist, 2016Pigments (I.C.I.) & polymer paint on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Piggott, Owen, Rain Forest, 1960-61
Donated from the estate of the artist, 2016Pigments (I.C.I.) & polymer paint on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Tennant, Cherry, Oil Rig—Pipes (Bream Platform), 1989
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Synthetic polymer paint on composition boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Thomas, David, Untitled, 2018
Purchased, 2018Synthetic polymer paint and gesso on boardgippsland, artwork, permanent collection -
City of Ballarat
Artwork, other - Public Artwork, Marley Smith et al, Campsite by Marley Smith and Billy Blackall, 2020
The Campsite mural features Bunjil (wedge-tailed eagle) the creator and spiritual leader for Aboriginal people of this land. The Baarlijan (platypus) is a representation of the local Aboriginal community who have come from different Aboriginal nations and have made Ballaarat their home. The circular motifs represent campsites of different sizes located across Ballaarat, indicating that Ballaarat was and continues to be an important meeting place. Campsite (2020) is a re-commissioned artwork based on the original Campsite Mural installed in Alfred Deakin Place for the Commonwealth Games in 2006. The Campsite mural features Bunjil (wedge-tailed eagle) the creator and spiritual leader for Aboriginal people of this land. The Baarlijan (platypus) is a representation of the local Aboriginal community who have come from different Aboriginal nations and have made Ballaarat their home. The circular motifs represent campsites of different sizes located across Ballaarat, indicating that Ballaarat was and continues to be an important meeting place. Commissioned by the City of Ballarat. Painted mural on six weatherproof sheetsbunjil, baarlijan, aboriginal history, ballarat history, wadawurrung -
City of Ballarat
Artwork, other - Public Artwork - Temporary, Justine McAllister, Little Bridge Street Bus Interchange by Justine McAllister
"This project has extra meaning for me. It’s intended to create a positive effect on the local community” Ballarat-born artist, Justine McAllister's artwork was commissioned to bring a colourful facelift to the Little Bridge Street Bus Exchange precinct from December 2020-December 2021. The artwork installation is part of the extended City of Ballarat early works beautification program, designed to bring a fresh, bold and vibrant aesthetic to the location. painted work onto bus shelter -
Federation University Art Collection
Sculpture, Adrian Mauriks, 'Totem' by Adrian Mauriks, 1998
Adrian MAURIKS (1942-2020) Born Holland Arrived Australia 1957 Adrian Mauriks completed Undergraduate and Post Graduate at the Victorian College Of The Arts, Melbourne, Victoria between 1972 and 1978. In 1978 Adrian Mauriks was appointed to the School of Visual Arts at the Gippsland Institute of Education in Churchill (now Federation University). He lectured in a number of univeristies before retiring in 1996, including the University of Ballarat (now Federation University)Timber made of painted cypress pineadrian mauriks, sculpture -
Flagstaff Hill Maritime Museum and Village
Equipment - Belaying Pin
Belaying pins can be metal but are often made of wood, treated or untreated, plain or with handles. A belaying pin is used to secure the running ropes of the rigging to the ship's rails using holes drilled onto the rails for that purpose. The belaying pins are inserted into holes in the ship’s rail, drilled for that purpose. When the sail has been raised, the ropes are wrapped around the upper and lower sections of the pins in a figure-eight pattern. The shapes of these belaying pins taper from the rounded end of the handle inwards towards the bottom, which allows them to have a firm fit into the holes in the rails. The rigging rope is wound around the pins in such a way that a tug on the pin's handle pulls it out of the hole and quickly frees the rope and the sail.These belaying pins are significant for their association with sailing vessels, particularly vessels of the late 19th and early 20th centuries.Belaying pin, metal, painted brown.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, sailing equipment, nautical equipment, rigging, yards, sails, belaying pin, sailing ship -
Flagstaff Hill Maritime Museum and Village
Equipment - Belaying Pin
Belaying pins can be metal but are also made of wood, treated or untreated, plain or with handles. A belaying pin is used to secure the running ropes of the rigging to the ship's rails using holes drilled onto the rails for that purpose. The belaying pins are inserted into holes in the ship’s rail, drilled for that purpose. When the sail has been raised, the ropes are wrapped around the upper and lower sections of the pins in a figure-eight pattern. The shapes of these belaying pins taper from the rounded end of the handle inwards towards the bottom, which allows them to have a firm fit into the holes in the rails. The rigging rope is wound around the pins in such a way that a tug on the pin's handle pulls it out of the hole and quickly frees the rope and the sail.These belaying pins are significant for their association with sailing vessels, particularly vessels of the late 19th and early 20th centuries.Belaying Pin, metal, painted white.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, sailing equipment, nautical equipment, rigging, yards, sails, belaying pin, sailing ship -
Flagstaff Hill Maritime Museum and Village
Equipment - Belaying Pin
Belaying pins can be metal but are also made of wood, treated or untreated, plain or with handles. A belaying pin is used to secure the running ropes of the rigging to the ship's rails using holes drilled onto the rails for that purpose. The belaying pins are inserted into holes in the ship’s rail, drilled for that purpose. When the sail has been raised, the ropes are wrapped around the upper and lower sections of the pins in a figure-eight pattern. The shapes of these belaying pins taper from the rounded end of the handle inwards towards the bottom, which allows them to have a firm fit into the holes in the rails. The rigging rope is wound around the pins in such a way that a tug on the pin's handle pulls it out of the hole and quickly frees the rope and the sail.These belaying pins are significant for their association with sailing vessels, particularly vessels of the late 19th and early 20th centuries.Belaying Pin, metal, painted white.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, sailing equipment, nautical equipment, rigging, yards, sails, belaying pin, sailing ship -
Flagstaff Hill Maritime Museum and Village
Tool - Coopers Flagging Iron, Prior to 1950
A cooper would use a flagging iron to insert reeds around the head of a barrel to tighten the head and stop any leaks. First the cooper removes the full and quarter metal hoops around the barrel, this loosens the staves and insert reeds around the head, prying the stave apart from the head with a flagging iron. Then he replaces the hoops to tighten the staves against the head and the inserted reeds to form a leakproof seal.An age old tool used for many hundreds of years in the making and repairing of wooden barrels and an essential tool in a coopers tool kit.Flagging iron metal painted black Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagging iron, coopers tools, barrel making, repairing barrel leaks, barrel head tightening -
Phillip Island and District Historical Society Inc.
Mural, Wildlife Mural, 2016
Hector originally lived on Phillip Island and drew many locally based cartoons. Julie Box has remained in contact.Painted mural on metal of local wildlife. mural, painting, wildlife, cowes, phillip island, penguins, seals, koalas -
HMAS Cerberus Museum
H.M.V.S Cerberus Mast
Fittings donated with searchlightsPart of H.M.V.S Cerberus- painted white. -
Clunes Museum
Functional object - HAY KNIFE
BLADE WITH TWO PAINTED WOODEN HANDLESlocal history, tools, agriculture -
Trafalgar Holden Museum
Equipment - Horse bit, 1910
Used on horse tackle during the 19th and 20th centuries and manufactured by Holden and Frost Sold by Holden and Frost during c1900 for military agricultural and civilian use black painted metal horse bitNilequine, military, agriculture, civilian c1900, horse bit -
Trafalgar Holden Museum
Functional object - Full single case Hames
Used over leather horse collar to attach to cartImported and sold by Holden and Frost Ca 1900Black painted steel with bracket hookwarranted steel made in England Kangaroo imprint oh hookhames, equine, agriculture -
Pyrenees Shire Council
drawing, Helen Leach, Cockies at Langi Ghiran by Helen Leach, 1999
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Black Cockatoos in forest in oil paintSigned: H LEACH '99 (lower right) Verso: "Cockies at Langi Ghiran" $750 -
Pyrenees Shire Council
painting, Alma Knight, Richards Reserve, Mt Cole by Alma Knight
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Bush scene with trees in oil paintSigned: Alma Knight (lower right)