Showing 5092 items
matching photography
-
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: STEREOSCOPIC VIEWS, Nineteenth Century
Stereoscopic views. Kilburn Brothers Lilleton N H. 1. Jack Frost at Work. 2. The Hunter's Chorus- Loose the hounds. 3. Jack Frost at Work. 4. Fairy Frost Work.Kilburn Brothers Littleton N H.photography, viewers -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: STEREOSCOPIC VIEWS, Nineteenth Centur
Stereoscopic views. Kilburn Brothers Littleton , N H. 1. Trinity college Dublin. 2. Brooklyn Bridge, scene of the accident , May 30th 1883. 3. Spinning Room , Mechanics Mill, Fall River Mass. 4. Bay Grove Hill, Greenwood Cemetery, Brooklyn, N Y. 5.Crossing the Great Suspension Bridge, by rail. 6. Dining Hall , Grand Union Hotel, Saratoga, Largest Dining Hall in the World. 7. Phantom Leaves. 8. Full Moon. 9. Merced River, Yo-Semite , Cal. 10. I Breathe Inspiration. 11. United States Hotel Park, Saratoga.Kilburn Brothers Littleton N H.photography, viewers -
Wangaratta High School
WSC Yearbook -Geronimo, 1998
Black yearbook with a full-page image of a girl surrounded by circular fire trails. Coloured writing advertises the contents of the issue and the heading reads Geronimo '98 THE YEAR IN REVIEWGeronimo '98 THE YEAR IN REVIEW INSIDE: Check out our FULL COLOUR centrefold! Artwork Writing Photography The School gets a makeover SPORTS UPDATE Wangaratta Secondary College, The end of an Era A special report from principal, Mr Pech -
Glenelg Shire Council Cultural Collection
Photograph, Company Nursery, Dartmoor, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Tintype, Portrait of two young girls
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype -
Bendigo Historical Society Inc.
Photograph - TWO LARGE TREES AT EDGE OF CREEK
Black and white photograph. Textured paper of scene on creek, with two attractive trees at water's edge, possibly Bendigo Creek. Sheep in background. Inscriptions: on front - BR corner printed 'FT Kennedy'. On back - hand written in pencil 'Bendigo' rubber stamp 'Frank T Kennedy'. History: James Lerk 22/;6/2001 'Tom Kennedy was a Bendigo man with an interest in photography. With note 'Photographs from Mrs Ella Bourke, 131 Barnard St Bendigo. Ph 438269'. 'Photographs 'Francis (Frank) Thomas Kennedy'.Frank Tom? Kennedyplace, landscape view, see also 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.159.01, 2001.160.01, 2001.161.01, 2001.15.162.01 -
National Wool Museum
Photograph, Cooper 2-stand self contained shearing plant
Photograph of Cooper shearing plant.Photograph of Coooper shearing plant.Cooper 2-stand self contained shearing plant powered by 1 H.P. electric grinder motor circa 1948 Athol Shmith Studio Illustrative Photography 125 Collins Street Melbourne C.I. Cent. 27 No. ..... Position ....... 2/F/18512shearing machinery, cooper engineering company pty ltd -
Bendigo Military Museum
Photograph - Aerotriangulation Production – Army Survey Regiment, Fortuna, Bendigo, c1979
This collection of 19 photos was most likely taken in 1979 in Air Survey Squadron. The PDP 11/70 minicomputer shown photos .2P to .3P was the operating system introduced in 1977 as the mainframe system for the control of the APC4, aerial triangulation block adjustments, SORA OP Analytical Orthophoto control, APR Analytical Terrain Profile Recorder computation, graphics, and general computing. The Zeiss (Jena) Stecometer analytic stereocomparator for air photography shown in photos .5P to .9P was introduced at Air Survey Squadron in 1963. Aerotriangulation production was expedited using computers for analytical photogrammetric processes. The technician accurately measured between pass, tie, and survey control points on aerial photographs. The OMI/Nistri AP/C-3 analytical plotter shown in photos .10P and .11P was introduced in 1972–1973. Photo .11P shows a coordinatorgraph attached to the AP/C-3. The Zeiss D2 Planimat Stereoplotter shown in photo .12P was used for analytical orthophoto control. Wild PUG4 point transfer devices shown in photos .17P to .19P were introduced in c1968 superseding the PUG2 devices. PUG4 devices were used by technicians to stereoscopically view the photography containing the survey control points and the mapping aerial photography. The Control points were transferred from the control photography to the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion.This is a set of 19 photographs of Air Survey Squadron personnel operating aerotriangulation equipment at the Army Survey Regiment at Fortuna, Bendigo, c1979. Black and white photos are on photographic paper and were scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technicians. .2) to .3) - Photo, black & white, c1979, PDP-11 minicomputers tasks, unidentified technician. .4) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technician. .5) - Photo, colour, c1979, Zeiss (Jena) Stecometer, unidentified technician. .6) to.9) - Photo, black & white, c1979, Zeiss (Jena) Stecometer, unidentified technician. .10) - Photo, black & white, c1984, OMI/Nistri APC/3-1 analytical stereoplotter, SPR Kristin (Isaac) Skidmore. .11) - Photo, colour, c1979, OMI/Nistri APC/3-1 analytical stereoplotter, unidentified technician. .12) - Photo, colour, c1979, Zeiss D2 Planimat Stereoplotter, unidentified technician. .13) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technician. .14) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technician. .15) - Photo, black & white, c1979, Aerotriangulation tasks, CPL Ken Talbot-Smith .16) - Photo, black & white, c1979, Aerotriangulation tasks, SPR David Jobe. .17) - Photo, black & white, c1979, Wild PUG4 point transfer device, WO2 Brian Mead. .18) - Photo, black & white, c1979, Wild PUG4 point transfer device, CPL Andy Wilson. .19) - Photo, black & white, c1979, Wild PUG4 point transfer device, unidentified technician..5P is annotated ‘OMI-Nistri AP/C Analytical Plotter’ and ’Topo 36’. .12P is annotated ‘Zeiss Jena Stecometer Stereocomparator’ and ’Topo 35’. There are no annotations on the other photos.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, aerotrig, air survey -
Bendigo Military Museum
Photograph - Aerotriangulation Production – Army Survey Regiment, Fortuna, Bendigo, Aerotriangulation Production – Army Survey Regiment, Fortuna, Bendigo, c1970s to 1980s
This collection of 14 photos was most likely taken in the 1970s and 1980s in Air Survey Squadron. The PDP 11/70 minicomputer shown in photo .1P was the operating system introduced in 1977 as the mainframe system for the control of the APC4, aerial triangulation block adjustments, SORA OP Analytical Orthophoto control, APR Analytical Terrain Profile Recorder computation, graphics, and general computing. Technicians used the Wild A9 Stereocomparator shown in photo .2P to accurately measure between pass, tie, and survey control points on aerial photographs. The Zeiss D2 Planimat Stereoplotter shown in photos .3P to .4P was used for analytical orthophoto control. It was introduced in 1972-1973 The Zeiss (Jena) Stecometer analytic stereocomparator for air photography shown in photos .5P to .11P and .14P was introduced at Air Survey Squadron in 1963. Aerotriangulation production was expedited using computers for analytical photogrammetric processes. The technician accurately measured between pass, tie, and survey control points on aerial photographs. Wild PUG4 point transfer devices shown in photos .12P to .13P were introduced in c1968 superseding the PUG2 devices. PUG4 devices were used by technicians to stereoscopically view the photography containing the survey control points and the mapping aerial photography. The Control points were transferred from the control photography to the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion.This is a set of 14 photographs of Air Survey Squadron personnel operating aerotriangulation equipment at the Army Survey Regiment at Fortuna, Bendigo, c1970s to 1980s. Photographs .1P to .13P were on 35mm colour slide film and scanned at 96 dpi. Photograph.14P was printed on photographic paper and was scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1979, PDP-11 minicomputer. .2) - Photo, colour, c1970s, Unidentified technician operating a Wild A9 Stereocomparator. .3) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter. .4) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter, unidentified technicians. .5) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter, SGT Christopher Wardley. .6) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter. .7) to.9) - Photo, colour, c1970, Zeiss (Jena) Stecometer, unidentified technicians. .10) to.11) - Photo, colour, c1988, SPR Toni Wright operating a Zeiss (Jena) Stecometer. .12) - Photo, colour, c1970s, Wild PUG4 point transfer device, SPR John Shepard. .13) - Photo, colour, c1970s, Wild PUG4 point transfer device, SPR David Edwards. .13) - Photo, colour, c1970s, Wild PUG4 point transfer device, SPR David Edwards. .14) - Photo, colour, c1980, Zeiss (Jena) Stecometer, SGT Bruce Hammond.Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, aerotrig, photogrammetry -
Creswick Campus Historical Collection - University of Melbourne
Maps, 1967 - 1972
Maps of various subjects: Gunbower Island 1972. Barmah Forest 1967. Survey maps from aerial photography 1971 _Narnargoon.Tonimbuk. Gilwell & Beenak.Maps -
Magnet Galleries Melbourne Inc
soldier posing, les chandler_a00022.tif
Les Chandler was an avid bird watcher and naturalist who taught himself every aspect of photography so he could capture his obsession. les chandler, aif, a.i.f, ww1, world war 1 -
Magnet Galleries Melbourne Inc
soldier catching bugs, les chandler_a00125c.tif
Les Chandler was an avid bird watcher and naturalist who taught himself every aspect of photography so he could capture his obsession. bug catching, net, soldier, ww1, world war 1, aif, a.i.f -
Magnet Galleries Melbourne Inc
soldier with woman in field, les chandler_a00210.tif
Les Chandler was an avid bird watcher and naturalist who taught himself every aspect of photography so he could capture his obsession.hand coloured photoww1, woman, field, world war 1, aif, a.i.f, soldier -
Bendigo Military Museum
Administrative record - Report on the Block Adjustment of the Gordon Downs and Delemere 1:250,000 Maps, Army Survey Regiment, 1 Sep 1991, .2 Jan 1988
All mapping produced at this time were produced using Aerial Photography. These booklets contain the adjusted mathematical solution to joining this group of photographs together..1 Blue covered booklet with green tape binding. Block adjusted values for Gordon Downs SE 52-10 1:250 000 map Adjustment number 309 Sep 1991 .2 Blue covered booklet with green tape binding. Block adjusted values for Delamere SD 52-16 1:250 000 map Adjustment number 272 Jan 1988royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1900 c
Also a black and white photograph of boats at New Works taken before June 1889 Brooks photography 04660.1 12.5 x 18 cmBlack and white photograph showing three excursion boats near jetty, residences and offices and boardwalk between recently planted marram grass on slope at New Works Lakes Entrance Victoriaboats and boating -
Glenelg Shire Council Cultural Collection
Photograph, A show stand intended for promotional purposes, n.d
Port of Portland Authority archives.Front: (no inscriptions) 6473 (lower right ) (pencil) Back: A show stand intended for promotional purposes. (upper left) (pencil). Photography by The Arthur Studion. Further copies always obtainable at 27 Commercial St, east. Mt Gambier (blue stamp) (lower right).port of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Timber treatment plant, Dartmoor, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: Inside Timber Treatment Plant Dartmoor (upper left, pencil). Photography by The Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt Gambier. (lower right purple stamp), (10 lower right, pencil).port of portland archives -
Federation University Historical Collection
Book - Book - Prospectus, The Working Men's College Melbourne, Prospectus,1900
The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. A list of Scholarship Governors and Life Governors is included. The former have donated 250 Pounds Sterling and upwards, the later have donated 20 Pounds and over but less than 250 Pounds Sterling. The Patron of The Working Men's College was His Excellency The Right Honourable Lord Brassey. The President of the Council was Professor W C Kernot. The majority of classes were at night and on Saturdays. Tan soft covered book of 112 pages. The thirteenth edition of the Working Men's College (later Royal Melbourne Institute of Technology [RMIT]). It inlcudes the following photographic images: Main Building, Assaying, 1899 council (W.C. Kernot, W.H. Embling, Thomas smith, F.H. Bromley, John Reid, R.H. Solly, E. Findley, D. McIvor, James Robb, John Hancock, C.E. Oliver, A.J. Arnot, James Smith, Joseph Nixon, R.L.Jellery. C.S. Paterson), UNveiling the Ormond Statue, Victorian Lead and Shot Works, Francis Ormond, Telegraphy room, Lecture Theatre, photography, painting class, wool sorting, plumbing, Remington typewriter, W. Ison, H.D. Evans, library, Verdon prize, Denton Hat Mills. working men's college melbourne, rmit, w.c. kernot, w.h. embling, ormond statue, f. ormond, electricity, surveying, architecture, photography, assaying, dressmaking, veterinary science, plumbing, letterpress printing, w. ison, h.d. evans, library, denton hat mills, literary and commercial department, typewriting department, languages, telegraphy, department of music, department of mathematics, department of engineering, 'department of architecture, department of art and applied art, department of mining and metallurgy, department of chemistry, department of household economy, department of agriculture and rural industries, woodworking, carpentry and joinery, turning and fitting, coachbuilding and carriagedrafting -
Federation University Historical Collection
Booklet, Ballarat School of Mines Prospectus A and B, 1916-7, c1917
The Ballarat Technical Art School was part of the Ballarat School of Mines.1) Ballarat School of Mines Prospectus A .2) Ballarat School of Mines Prospectus B Contents includes teaching staff, school hours, curriculum, fee list, Travelling concessions, school library, classification of subjects. scholarships, Full art and Craft Courses (Industrial Design; Figure, Modelling, Painting and Design; Figure Drawing, Modelling, Painting and Design; Fashion Plate Drawing; Black and White Illustration; Modelling; Wood Carving and Lettering; Art Metal Work; Retouching, colouring, &c; Architectural Diploma; Draughtsmen's Courses; Art Teachers' Courses; Outdoor Sketching Classes; Photography; Building Construction and Architectural Drawing; Ticketwriting; Signwriting and Decorating COurse; Dressmaking, Needlework, etc; Preparatory Technical Classes for Girls; Day Commercial Classes; Other Branches of the School's Activities, examination results; Art Teachers' Certificate. Includes an image of W.H. Middleton, President of the Ballarat School of Mines; Staff of the Ballarat School of Minesballarat school of mines, ballarat technical art school, design, modelling, figure drawing, fashion plate drawing, black and white illustration, wood carving, lettering, art metal work, retouching, architecture, architectural diploma, draughtsmen's courses, art teachers' courses, outdoor sketching classes, photography, building construction, architectural drawing, ticketwriting, signwriting and decorating, dressmaking, needlework, art teachers' certificate. -
Robin Boyd Foundation
Functional object - Camera lens
Penleigh Boyd, Robin and Patricia Boyd's son, recalls that "Robin experimented with stereoscopic photography which, when viewed through either polaroid or red/green glasses, produced a three dimensional effect. A special double lens attachment with image splitting mirror was added in front of the normal camera lens to produce a double image similar to the image seen by each left and right eye". Robin experimented with stereoscopic photography when they lived in the 158 Riversdale Road Camberwell.Stereoscopic camera lens in a box with instructions in Japanese and Englishwalsh st miscellaneous, robin boyd -
Bendigo Historical Society Inc.
Document - GOLDEN DAYS HISTORICAL EXHIBITION COLLECTION: ADVERTISING PROGRAM
Original and copy of original: (10410a) golden coloured A5 program. On top of front page 'Royal Historical Society of Victoria, Bendigo and District Branch presents Golden Days Historical Exhibition, R.S.L. Memorial Hall, Pall Mall,Bendigo, 12 to 17th August 1960. Hours 10 a.m. to 10 p.m. Adults 3/- children 6d.' Inside, program lists major displays: antiques, bushranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping, sport.bendigo, history, golden days historical exhibition -
Bendigo Historical Society Inc.
Photograph - HOSKING AND HUNKIN COLLECTION: INFORMATION ON FAMILY MEMBERS, 1800s
HOSKING AND HUNKIN COLLECTION: Information on family members 11402.25f Photo copy of three photos: Emily Hunkin 3/3/1878 William and Emily Hunkin 3/3/1878 ?? William? Emily Mary baby? 1888 11402.25g Information sheet on 'Photography in the 1850s' by Betty Knight The article refers to the Louis Daguerre's Daguerreotypes of photos, however the photos are actually called 'Tin Types' which is a different process. https://en.wikipedia.org/wiki/Tintype The article has written on it 'he had mausi and flute on lap and great singer' 'B.K's father's brother'photo -
Uniting Church Archives - Synod of Victoria
Photograph, c1960
Howard Dunn was an active Methodist and a UCA layman. He worked for the Synod in later life and particularly with photography. He was well-known for his energetic approach to all things.Black and white glossy photograph of Mr. Howard Dunn speaking from a piece of paper into a microphone. He is dressed in a suit and waistcoat and has a ribbon pinned to his lapel.On ribbon: "OFFICIAL" Handwritten on the back: "Mr. Howard Dunn"howard dunn uniting church in australia layman, methodist church of australasia -
Bendigo Historical Society Inc.
Equipment - LYDIA CHANCELLOR COLLECTION: CAMERA
An Eastman Kodak camera - ' No 3-A Folding Pocket Kodak. Model B-4. US Patents. Sep. 26. 1894, Jun. 21. 1888, Sep. 20. 1888, Sep. 9.1902, Oct. 8. 1901, Jan. 21. 1902, Apr. 29. 1902, Oct.19. 1909. Other Patents Pending. Manufactured by EASTMAN KODAK Co. Rochester, N.Y. Made in U.S.A.'photography, cameras - still, kodak, lydia chancellor, collection, photography, camera -
Federation University Historical Collection
Booklet - Exhibition Catalogue, Final Exhibition 1993, Ballarat University College, Visual Arts, 1993
Booklet to accompany third year student exhibition of Bachelor of Visual Arts students. Includes staff list, individual student names and photographs within their studio spaces at the Mt Helen Campus. It also includes student contact details and some artist statements. Introduction by Associate Professor Ian Hemingway, Head, School of Visual and Performing Arts, Ballarat University College. List of subject areas and staff names. Ceramics, Drawing, Graphic Design, Painting, Photography, Printmaking, Sculpture, Art History / Art Theory. At this time, the School offered the three-year Bachelor of Arts, Visual Arts; Bachelor of Arts, Performing Arts, a one year Graduate Diploma of Visual Arts and a one year Graduate Diploma of Music Education.Saddle-stitched book. 68pp cover black and white text pages on gloss stock, plus 4pp single colour cover on textured card.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, ceramics, drawing, graphic design, painting, photography, printmaking, sculpture, art history / art theory, mt helen campus -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 'Trojan' Log Carriage with 'Sel-Set' and Feedworks at Dartmoor, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: "Trojan" Log Carriage with "Sel-Set" & Feedworks at Dartmoor (upper left, pencil). 19 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt Gambier (lower right, purple stamp).port of portland archives -
Stawell Historical Society Inc
Photograph, Stawell Town Hall
Stawell Town Hall 1980'sStawell Town Hall with Australian Flag FlyingOn reverse EarthFocus PO Box 535 Brighton South Australia 5048 Affix Stamp Here [Barcode In Number] Post Office Preferred Stawell Victoria - A feature of this western Victorian town is its Town Hall with a working display of miners on its facade. Photography: Peter Clayton. stawell -
Federation University Historical Collection
Photograph - Photograph - Black and White, Boy With Pumpkin, c1990s
This image was taken as a part of Paul Lambeth's photography class at the Ballarat School of Mines. Teh exercise including lighting and large camera format with the photographer taking a portrait with a piece of fruit or vegetable. Black and white photograph adhered to card depicting a young man holding a pumpkin.photograph, boy, pumpkin, paul lambeth, tafe