This building on the corner of Court House Place and Main Street Bacchus Marsh was a licensed hotel since 1864. Prior to 1864 the building was in use as a saddlery business, established by Joseph Purday and Alfred Smith. In 1864, Purday and Alfred Tanner converted the shop to a hotel. Tanner, followed by his wife Ann, were licensees until 1892. The hotel signage above the door features the Prince of Wales feathers, an acknowledgement of the Prince of Wales Volunteer Light Horse Werribee unit which used the hotel for their meetings. In 1911 the single-storey hotel was demolished and a two-storey brick hotel was built. The identities of the five men and one woman in the photo are not known. The woman at the left of the group is possibly Ann Tanner who was the licensee around the time this photograph was taken. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. A group of five men and one woman can be seen standing in front of the Court House Hotel building, Main Street Bacchus Marsh. A large ornate sign around the roofline bears the words “Courthouse Hotel”. Above the door a sign featuring the Prince of Wales feathers also has the name “Ann Tanner.” One of the men is displaying a document which apparently is of some importance, now lost.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, hotels bacchus marsh, court house hotel bacchus marsh

‘Strike anywhere’ or ‘Waterproof’ matches are still used today all around the world, including many developing countries and are widely used for camping, outdoor activities, emergency/survival /military situations, and stocking homemade survival kits. Anton Schrötter von Kristelli discovered in 1850 that heating white phosphorus at 250 °C in an inert atmosphere produced a red allotropic form, which did not fume in contact with air. It was suggested that this would make a suitable substitute in match manufacture although it was slightly more expensive. Two French chemists, Henri Savene and Emile David Cahen, proved in 1898 that the addition of phosphorus sesquisulfide meant that the substance was not poisonous, that it could be used in a "strike-anywhere" match, and that the match heads were not explosive. British company Albright and Wilson, was the first company to produce phosphorus sesquisulfide matches commercially. The company developed a safe means of making commercial quantities of phosphorus sesquisulfide in 1899 and started selling it to match manufacturers. Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia. On 15th December 1909, Bryant & May, Australia’s first match factory at Church Street, Richmond, Victoria. was opened by The Honorable Alfred Deakin, Prime Minister of Australia, and Mrs. Deakin The Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these red phosphorus sesquisulfide safety matches because of the higher price1 box of unused Bryant & May safety matches 'Greenlite' waterproof Greenlites / waterproof / matches / CONTENTS 47 / MADE IN AUSTRALIA BY BRYANT & MAY / E 2994 photograph of a man and woman beside a camp fire on the beachsafety matches, bryant & may pty ltd, phossy jaw disease, early settlers, moorabbin, bentleigh, cheltenham, lights, lamps, tobacco, white phosphorous, red, phosphorus sesquisulfide, swedish match pty ltd, pitt william, savens henri, cahen emile david , richmond victoria,

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of a performance of A Country Girl by The Kew Light Opera Company in 1957. The performance at which this photo was shot took place in The Alexandra Gardens, Melbourne. Inscribed underneath the photo in the scrapbook by Marion Tilley: "X me. Alexandra Gardens." [The 'me' referred to in the photo is the woman with her back to the camera at left.]performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

There is no information with this item.A black / white photograph / postcard of a young woman standing in front of a boat.on front - "Miss O. Oliver, Glen Douglas, Orbost"photograph-oliver-glen-douglas-orbost

The subject is not formally identified but it appears to be Olive Duncan, a Ladies Harbour Lights Guild member.This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. Sepia photograph of a woman in a cane chair in a garden, with fencing and trees in the background.olive duncan, ladies harbour lights guild, olive hall, lillie duncan, lhlg

Sepia photograph of a car with a woman driver and several people in the back seat. Off for a spin.social life and customs, photographs, transport, motor cars

This photograph is of Toby Nixon (Percival Charles Nixon) and Lexie Nixon, his sister. It was taken at the Roll Call for the "Back To Orbost" celebrations in 1937. Toby Nixon was born on 27.3.1902. He was the of George and Emily Nixon. Married to Grace Forbes, he farmed maize at Jarrahmond as well as wheat at Buchan. He was an active member of the Maize Growers Association, helping to create the Maize Board. He was also a director of the Seed Bean Board for many years. His sister, Lexie, married Edward Fortescue Abbott. (more information in "From White Knowle to Pumpkin Point" by Peter Nixon.) This photograph is associated with the Nixon family which contributed greatly to the history of the Orbost district. Toby Nixon was a well-respected Orbost identity.A black / white photograph of a man and a woman on a horse. Behind them is a foal.

A black and white photograph of a man and woman at the Ballarat School of Mines Ball. ballarat school of mines, student activities, ballarat school of mines ball, ken f.

Ted and Harriett were the parents of Jimmy Roberts.Sepia portrait, mounted on cardboard of a man seated and woman standing behind.Ted & Harriett Roberts, nee Harrad. Parents of Jimmy Robertslocal identities, ted and harriet roberts, photograph, portrait

Margaret Morrow was born in County Tyrone, Ireland in 1858. Her father was John Morrow, a farmer. She married Samuel Haylock Poulter in 1881 at Heidelberg. Samuel was born in 1853, son of William Poulter Seven children were born to Samuel an Margaret. Margaret, aged 38, died on 02/08/1896 seven weeks after the birth of Edith May, from complications of the birth. She was buried at Eltham by rites of the Church of England. This portrait is presented to the Greensborough Historical Society at the request of Mrs Barbara Lenne (nee Cooke) (1935-2017), great grand daughter of Margaret Morrow and Samuel Poulter.Large timber-framed photograph. Studio portrait of woman. Biographical notes.samuel haylock poulter, margaret morrow, poulter family

Wilfred (Fred) Warren and niece Ida Warren (who later married Robert Greer). They are shown standing in front of Warren's Bakery van, which is parked in front of their house. Warren bakery was started in 1929 by John Warren, his wife Florence, their daughter Ida and an aunt Miss Vine. see Bridging the Gap p.58A man and a woman standing in front of a truck marked "Baker.". There is a house in the background.people, warren, transport, trucks

Kath Mackay was the first female Sergeant and oversaw the Women's Auxiliary and Police women. This diary was issued in 1950 and is a record of her shifts, which included investigations of child-abuse, incest and sexual assault.Official police diary issued to Senior Police woman K.A. Mackay.diary, police women, mackay, katherine 8600, police woman, policewomen, policewoman

Mary Fogarty was a former student of the Ballarat School of Mines. She joined the staff as a teacher of Arts and Crafts at the Ballarat School of Mines Technical Art School. Black and white photographs of the head and shoulders of a woman. She is Mary Fogarty.ballarat school of mines, fogarty, art, women, mary a. fogarty, mary fogarty, university women

Small black and white potograph of Conservatory with a woman in Conservatroy Gardens Bendigo.photograph, building, conservatory, bendigo-buildings-conservatroy

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill / Sunbury / April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Library collection. During 2000 this was transfered from Mont Park to the Royal Melbourne Hospital.A woman is standing on a creek bank in a bush setting. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

This is a photograph of Richard Davis and his wife Ellen Jane nee Hobson who owned Winilba Vineyard in Vineyard Road, Sunbury.A black and white photograph of an elderly couple. The man is standing and the woman is seated.Written underneath the photograph: "Richard Davis and Ellen Jane nee Hobson"vineyards, winilba vineyard, wineries, vintners, davis, richard, ellen jane nee hobson, sue, kevin, george evans collection

Woman on Left man on right in uniform has glasses. Studio Portrait.

Details of murals surrounding the stage of Stawell town hall 1930. This photo is of the left hand side of the stage and also shows three smaller images (floral) on the wings of the stage opening. The artist of the murals was Will Rees.Decorative Mural with a woman playing a musical instrument and smaller paintings to the side.stawell

Alfred and Margaret Rose CooperPhoto of two people man & woman standing in front of a weatherboard house.Grandpa Grandma - Alfred Cooper & Margaret Rose Cooper. stawell

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man and woman in oval Decorates cardCharles & Fanny Best W.H.Watts Ryrie Street, GEELONG.