From the collection of Bette JonesA square mat with squared scalloped edges worked in cream and brown in hardanger work.nonehandcrafts, embroidery

A newspaper article from 1956 when Melbourne Legacy appealed to the public for the first time for donations. It outlines the work of Legacy. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. From a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in separate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.A reprinted newspaper article about Legacy and it's work.fundraising, history

A brief history of the Distance Education Centre Victoria, previously the Victorian Correspondence School. Contains selected examples of students and their work.Soft cover. 97 pages, illus (some colour). Front cover has a collage illustrating distance education work over 100 years.distance education centre victoria, jenny campbell, victorian correspondence school

This is a hand worked lace panel for laying over a baby's dress for a Christening ceremony. It is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the skill and craftsmanship of the women of these families A hand-worked lace panel with collar and armholes that would be placed over another white baby's gown for a christening or special eventclothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, risstrom l, dairy farms, fruit orchard

Councillor Pauline DeLuca was driving the grader and 'turning the first sod' at the beginning of the upgrade work that was done on the Bulla Community Centre. She was the councillor who represented that area in the former Shire of Bulla. The upgrade work on the local community centre provided a more modern facility for the town's growing population'A non-digital coloured photograph of a lady driving a grader on a work site at the Bulla Community Centre with two sedan cars in the background.bulla community centre., cr. pauline de.luca, shire of bulla, bulla, greene street

Dudley Charles Seymour Courtney , with a fellow worker, was trapped on the Orbost Raailwaay Station roof until rescued by an army duck. These photographs were his. He worked on the railway in Orbost from 1942 - 1952 approximately. During the 1952 flood nearly half of Orbost rail way station is washed away. The stationmaster and four members of his staff were rescued by police using army ducks.This is a pictorial record of a significant event in the history of Orbost.Nine small black / white photographs of a derailed train at a railway station. Derailed trucks and floodwaters can be seen. The photographs have a narrow white frame. Some are portrait and others landscape.on back of 3082.8 - hand-written in blue pen :"The floods worked the line from under the trucks in a couple of hours"floods-orbost orbost-railway-station rescue courtney-dudley-charles-seymour

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed work.art, artwork, andrew beckers, human movement collection

work on paper

work on paperbooklet

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauWhite cotton tray cloth, embroidered with a spray of flowers. Montmellick work? Commercial Broderie Anglais lace applied.tray cloths, household textiles

Part of a 43-photo record of the MMBW�s engineering feat in drilling a 12 inch pipe line up to 40 feet deep through rock hardened by volcanic action associated with geological fault that occurs along the line. The work took place from October 1979 to May 1980 on the southern boundary of Hubbard Reserve, North Ringwood. The collection was presented to the Ringwood Historical Research Group by J Clarke on 9th June 1980.E561 N7 Feb 1980 A43 Work on sewer tunnel below Burlock Avenue. Line of shafts running from manhole in gully to the consecutive groups on top left.

Taken in Beechworth, this photograph was taken from Albert road with a view of the bridge over spring creek. In the foreground, there appears three brothers who worked for Zwar tannery.Black and white rectangular photograph. The image is printed on matte photographic paper. Obverse: NO INSCRIPTION Reverse: 7591 Albert Rd. Italian family, 3 brothers worked for the tannery Copied from the albums of Sergio Santori, Wangaratta. beechworth, albert road, zwar, tannery, spring creek, burke musuem, photograph, black and white

A photo of the Annual demonstration from October 1954. This photo shows the boys gymnastics performing apparatus work on stage. It was printed in the Newsletter in June 1955. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of boys performing the apparatus work during the demonstration from 1954. junior legatees, demonstration, annual demonstration, boys classes

Over the summer of 1984/85 extensive regeneration work was carried out to establish the “Last Hoot”. It was a big job and took all summer to complete the work which included throwing rocks of the run, digging in cross drains and spreading the area with hay. All work was done manually. Though difficult physical work, those who dedicated their time and labour to the task have interesting memories of that time, including arriving to load up hay bales only to find the cattle from the high plains had walked across the dam wall to come and enjoy a fabulous feast! The Hoot Ski Trail has two sections. Fast Hoot is a 341 metre blue downhill run located near Falls Creek. The Last Hoot is a one km blue ski run (piste) trail which can be used in both directions. It finishes at Slalom Plaza in Falls Creek Village. Snowlands Lodge is near the bottom of the trail in Slalom Street. One of its most popular features is “The Last Hoot” Restaurant.This article is significant because it documents the work carried out to establish a popular ski trail at Falls Creek, VictoriaThis newspaper article reports on the work carried out to prepare for a new ski trail the "Last Hoot" at Falls Creek over the summer of 1984/85.In image L to R Debbie Howie, Larraine Boulton, Nina Frueauf, Rob McEwan, Eric Napierthe last hoot, deb howie

This is an example of a newspaper article about Melbourne Legacy from 23 April 1965. The article was published just prior to Anzac Day. It outlines the work Legacy has been doing and how demand for its services and associated costs have risen. The photo shows boys and girls being entertained at a "Punch and Judy Party. It's just one of the services for the children of comrades who died."Brings to life the activities provided for the widows and the work of Melbourne Legacy and the way they approached the public for support in 1965.Newspaper article outlining Legacy's work and the need for support from the wider community 23 April 1965.legacy promotion, history

David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Six stretched canvases making up the work 'Ring of the Nibellings'. art, artwork, david noonan, oil on canvas, alumni

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseau Set of partially worked doilies. They are comprised of daisy wheels of two sizes. A central circular motif is surrounded by smaller motifsdoilies, household textiles

The children at Bulla Primary School were celebrating Arbor Week in 1989 by improving the school garden. Three boys are digging a hole for a pole which will support a sign while their teacher Mr. Jolly is holding the post in an upright position. During that week the children worked on various parts of the school garden.A non-digital coloured photograph of three children digging in a garden with four others looking on and an adult supervising thew work.arbor week, mr. jolly, gardens, bulla primary school

Commissioned by the Friends of Wombat Hill Botanical Gardens and gifted to the Hepburn Shire in 2012. Historical Significance - In 1848, Irish immigrant John Egan took up land on the future town site then known as Wombat Flat. He and a party of searchers found alluvial gold in 1851 on ground now covered by Lake Daylesford initiating the local gold rush. Other finds quickly followed. With the finding of alluvial gold a town site was surveyed and founded in 1852. Initially called Wombat, it was renamed Daylesford. Cultural and Artistic Significance - Miriam Porter's 'Wombat' is a symbol of the Wombat Hill Botanical Gardens where visitors and locals alike love being photographed. Large scale solid redgum wombat sculpture.Artist intends to sign the work with 'M' on one leg.daylesford, hepburn shire, public art, miriam porter, wombat, art, sculpture, red gum, australian wood, australia, tourist attraction

Pencil on paperSignature and date on back of work. Tertiary inscription: '205888'sketch, drawing, landscape, trees

A traditional Baby's long white calico Christening gown with cut-work and pintucks on the front yoke and fastened at back by a mother of pearl button and draw string at neck with long waist ties. The women of the early settler families in Moorabbin Shire were skilled dressmakers and craft workers and made the clothes for their families. There were times when prices for produce were not good and families struggled to support their families until prosperity returned. However they still made simple materials special by their dressmaking and craft work skills The early settler families followed the religious traditions of their Churches. This Baby's long white calico Christening gown is an example of the simple dressmaking skill of a woman making a special garment with inexpensive material and her cut- work decoration. A Baby's long, white calico Christening gown with pintucks,cut-work, lace, long sleeves, long waist ties and a draw string neck. clothing, brighton, moorabbin, pioneers, dressmaking, lace work, cut work, christening gowns, methodist church, religious services, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire blackburn nance, dairy farms, fruit orchards