Bendigo 1950s. Bag Pipe Band 5/6/1958. Probably Easter Procession. Easter Monday was 7 April 1958 date on slide may be wrong.Kodachromeevent, easter fair, bendigo easter fair, bendigo 1950s. bag pipe band 5/6/1958. probably easter procession. easter monday was 7 april 1958 date on slide may be wrong

The Queen Mother was undertaking a Royal Tour to Australia in 1958. The letter was in response to a basket of flowers that the members of the Club had sent. Letter sent to the President of the East Kew Women's Club from Olivia Mulholland, Lady-in-Waiting to Queen Elizabeth the Queen Mother, thanking the members for a basket of flowers that they had sent to the Queen Mother. The letter is accompanied by a photograph of the flowers (1974.0017b). The letter, on Government House letterhead is dated 3rd March 1958. The item includes the letter and the envelope. [The photograph of the flowers can be viewed as item 1973.0017b].east kew women's club, quuen elizabeth the queen mother, 1958 royal tour (victoria)

A card with the committee of the Old Colonists' Club for 1958-9old colonists' club, ballarat, w.h. heinz, g.h.w. baker, l.a. blackman, f.c. wray, j.e. chamberlain, c.h. davis, r.a. nicholson, h. godbehear, h.r. sumner, w.m. roper

The construction of the lifeboat ‘Warrnambool’ began 15th September 1909 and was completed almost 12 months later, 1st September 1910. It was built at the Government Dockyard in Williamstown, Victoria, along the lines designed by the Great Britain’s Royal Lifeboat Institution, and included whaleback decks fore and aft, mast and centreboard, and rudder and tiller hung from the sternpost. It could be propelled by both sail and oar. At that time Captain Ferguson was Chief Harbour Master and Mr Beagley was foreman boat builder when he and his fellow workmen built the boat. The boat was described as “… a fine piece of workmanship and does credit to her builders and designers…” It had all the latest improvements in shape, disposition of weight and watertight compartments, and it had space for a large number of people in addition to the crew. It appears that 'H Meiers' whose signature, along with building dates, is pencilled on a concealed timber 'plaque' in the hull, was involved with the building of the lifeboat. It is interesting that the ‘Melbourne Directory’ of 1911, published by Sands and MacDougal, lists McAuley and Meiers, boat builders, Nelson Place foreshore, between Pasco and Parker Streets, Williamstown, (Victorian Heritage Database, ‘Contextual History, Maritime Facilities’), It is probably the company of the person whose name is inscribed on the lifeboat plaque. Flagstaff Hill’s documentation also mentions that the keel was laid at ‘Harry Myers, boat builders, Williamstown, Melbourne’ – the name ‘Myers’ can also be spelled ‘Meiers’, which could be the same person as the Meiers in “McAuley and Meiers” (as mentioned in genealogy lines of Myers). The new lifeboat, to be named ‘Warrnambool’ was brought to town by train and launched at the breakwater on 1st March 1911 using the Titan crane (the old lifeboat built in 1858, was then returned to Melbourne in 1911). This new lifeboat was stationed at Warrnambool in a shed located at the base of the Breakwater, adjacent to the slipway. A winch was used to bring it in and out of the water. The lifeboat ‘Warrnambool’ was similar in size to the old lifeboat but far superior in design, build and sea-going qualities such as greater manoeuvrability. The ‘self-righting, self-draining’ design was “practically non-capsizeable” and even if the boat overturned it would right itself to an even keel and the water would drain away. The hull was built of New Zealand Kauri, using double diagonal planking, laid in two layers at right angles, with a layer of canvas and red lead paint between the timbers to help seal the planking. It has “… plenty of freeboard, high watertight spaces between the deck and bottom… through which pipes lead…” The backbone timbers were made of Jarrah. The lifeboat Warrnambool was one of several rescue boats used at Port Fairy and Warrnambool in early 1900's. In late 1914 the Warrnambool lifeboat and crew were used to help find what was left of the tragic wreckage of the Antares, and were able to discover the body of one of the crewmen, which they brought back to Warrnambool. Between 1951 and 1954 the lifeboat was manned under the guidance of Captain Carrington. He held lifeboat practice each month on a Sunday morning, to comply with the Ports and Harbour’s request that lifeboats be manned by a strong and competent crew, ready for action in case of emergency. In the early 1960’s it ended its service as a lifeboat and was used in Port Fairy as a barge to help dredge the Moyne River, bolted to the Port Fairy lifeboat. Flagstaff Hill obtained the Warrnambool in 1975. In 1984 it was on display at Flagstaff Hill Maritime Village, Warrnambool. On 23rd May 1990 she was lifted from the water and placed in a cradle for restoration. The name ‘WARRNAMBOOL could be seen faintly on the lifeboat before it was restored. It was during the restoration that Flagstaff Hill's boat builder discovered the 'plaque' inside the hull. A copy of the blueprint plans has the name “V.E.E. Gotch” printed on it. His advertisement in Footscray’s ‘Independent’ newspaper of Saturday 11th May 1901 states he is “Principal and Skilled member (Naval Architect) to the Court of Marine Inquiry of Victoria and holds classes for naval architectural drawing and arithmetic.”The lifeboat WARRNAMBOOL is significant for its half century service to the local community as a lifesaving vessel. She was also used to help retrieve the body of a shipwrecked crew member of the ANTARES. Lifeboat "Warrnambool", a wooden, clinker hull, 'self-righting, self-draining design, single mast, pivoting centreboard. Complete with sail and yardarm. A 'plaque' was found inside the hull of the lifeboat, made of untreated wood, disc-shaped with one straight edge (Diam 15.5cm), inscribed by one of the boat builders in pencil script "Life Boat Start building / 15/9/09 - complete 1/9/10 / (signature looks like H Meiers) / Boat Builder)."'Plaque' inside body of boat is inscribed in pencil, script writing "Life Boat Start building / 15/9/09 - complete 1/9/10 / (signature looks like H Meiels) / Boat Builder)." flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lifeboat, life boat, vessel, life saving, 1910 vessel, port fairy, boat builder plaque, rescue boat, beagley, williamstown, government dockyard, v.e.e. gotch, royal lifeboat institution, captain ferguson, meiers, nelson place, non-capsizeable, self-righting, titan crane, double diagonal planking, captain carrington, barge, antares, self righting, crew of twelve, capacity of 30 survivors

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

This booklet was produced to advertise Bogong Village and surrounding areas. The photos depict the area's buildings and equipment being used at the time. Bogong Village housed the State Electricity Commission of Victoria's employees working on the Kiewa Hydro Electric Scheme which began in the 1930's and finished in the 1960's. Maisie describes her visit in May 1958 giving an insight into the area including the weather and the roads.The photos indicate what the area around Bogong looked like c1958 towards the end of construction but before the bush grew back after the 1939 fires at Bogong village and after construction of the shopping centre at Mt Beauty. A sno' cat and snow plough are also shown emphasising the change in machinery over the years. This enables comparisons to be made in many areas of study.A fold down booklet postcard size of 9 black and white photos of Bogong village and surrounds and a letter addressed to Mrs. A. Parnell of Sydney from Maisie. Maise's husband has 2 married sisters living near Bogong on farms. The booklet is in a clear plastic sleevePostage stamp arrived in Sydney 28th May 1958.bogong. lake guy. howman gap hostel. mt beauty.bogong high plains.

Wedding dress donated by local resident, Mrs Dorothy Williams. Worn by her on her wedding day in 1958 and the dress worn again by her daughter 07/05/1983 as per photographs.1958 Cream embroidered Nylon wedding dress. Fitted long sleeves to a point at waist, fastened with thirteen self covered buttons. Boat neckline trimmed with frill. Long waisted to a point at centre back. Full gathered skirt to a long train. Bodice lined to waist over a cream satin underskirt. Wedding shoes NA4122costume, female

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Garden at Sogetsu Art Center (1958), Tokyo, JapanMade in Australia / 16tokyo, slide

Bale closer. Was used in Gallery 3 display at the National Wool Museum until 13/7/1998.Treatment form page 1, 23/09/1988 Treatment form page 2, 23/09/1988shearing wool bales, wool bale clips, shearing, wool bales

A colour slide of a class of girls in a dance formation called 'The Rose' in 1958. Appears to be the dance room/gymnasium at Legacy House in Swanston St. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the dance room at Legacy House.Colour slide of girls in a formation called the Rose in Legacy House, in a brown Super Anscochrome cardboard mount.Handwritten on front ''Girls class' in blue pen. On the reverse 'The Rose 1958' in blue pen, 'Girls classes' in black en and 'JDeo4468 12' in pencil.girls classes, ballet, dance

The article describes the memories of the author growing up in Diamond Creek.The article features 8 photographs of sites around Diamond Creek.A one page multi coloured article from the Weekly Review of 12/09/12.Nildiamond creek, cemetary gates, netball court, swimming pool, windmill residence, footbridge, challenger st, a.d. ryans, st johns, 3089

This photograph appears to be associated with Buninyong centenary celebrations in 1958..2) A black and white photograph of a number of people entering a brick building - the Buninyong Council Chambers and Court House. A poliman stands on guard outside. Centenary lights '1858 - 1958' sit on the higher section of the building.buninyong, centenary, anniversary, court house, council chambers, buninyojng court house

Grampians House Changes Hands Grampians House in the centre of Hall's Gap township and one of the biggest guest houses in the area has been sold to Mr and Mrs Hudousek of St. Kilda Mr and Mrs Hudousck will take over Grampians House as from November 17, and Mr and Mrs D Matthews who have conducted it for the past ten years will come to Stawell to make their home here. Mrs Matthews has been actively associated with organisations at Hasll's Gap and is secretary of the current Wildbower (sic) Show. She has retained here interests in Stawell and is president of the Stawell High School Welfare Union. Typed extract from Stawell News 8-10-1958media, newspaper articles, guesthouses, grampian house

Bendigo, bogie tram No. 2 standing alongside the fountain before proceeding to Eaglehawk. Tram fitted with small reflective triangles on front panels, all blinds drawn and gate closed. Has fountain in background and shops on the west side of Charing cross.'7 55 am Wed 3 Sept. 1958, Tram No. 2 at Fountain, Bendigo'tramways, trams, bendigo, tram 2

Awarded First Prize Torchlight Procession 1958Awarded First Prize Torchlight Procession 1958Round crystal bowl, diamond pattern, three legs.Printed card : Central District Fire Brigades Association Demonstration Torchlight Procession "A" Class Brigades FIRST PRIZE Kyneton 1958kyneton fire brigade, trophy, torchlight procession, country fire authority

Book presented to the Southern Cross Lodge from Garabaldi Lodge No. 890 on 13/09/2012garabaldi, garabaldi lodge no. 890

Book. 2 Official Programmes from The Australian Swimming Championships and British Empire Games Trials held at Olympic Swimming Stadium, Melbourne. 15th Feb 1958 & 20th - 21st Feb 1958.person, receipts, gertrude perry collection, the australian swimming championships, british empire games trials, olympic swimming stadium melbourne

laminated black and white photograph (2 identical)St KildaStation Railway Tram 1958

Annual wildflower shows took over the Hall's Gap Hall during spring and, in the 1930's, transformed it into a veritable wonderland. So popular were these displays that they have continued through until present times, the format has altered but the display of flowers remains the same. Ladies' Committees were formed to sell art and crafts during shows, and much of the revenue from these events went towards a future new building. The ticket shows that the admission price in 1933 was 1/- (one shilling). A comparison with Record 387 shows that the price had not risen from that rate in 1938. The Hon. Sec at this time was H. Goodwin Taylor.A ticket for the Grampians Mountains Wildflower Show to be held in Halls Gap Public Hall on 29/09/1933 and 30/09/1933.media, tickets, events, wildflower show

June 16, 1958 issue of Sports Illustrated. Materials: Paper, Inktennis

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Concert programme of the second subscription concert for 1958 of the Kew Philharmonic Society. arthur dear collection, kew philharmonic society, music - victoria, music - kew, kew recreation hall, concert programme

Students identified. Greg McKibbin, Greg Amphlet, Robert Butterworth, John Champion, Ray Keane, Greg Leonard, Alan Waymond, P Vallieu, Glynis Carter, S Murphy, J McLeod, Keith Watson, Billy Thompson, R Gould, Alan Wearne, wes Hannaford.Blackburn South State School, Class of 5B in 1958. 45 studentsblackburn south state school, grade 5b, 1958

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan. (Architect: Kenzo Tange.)Made in Australia / 14japan research trip, slide