Framed banner on stand. Frame - timber with decorative detail, brown stain with glass front, frame attached to timber stand. Feet supporting frame with piano hinge and chain. Mount - green felt Banner - blue silk like background, with embroidered foliage, flowers, building and inscription in colour. Yellow silk like fringe.Handwritten on back of frame "Made by M. Bowles. Feb. 1993" Embroidered on banner "Souvenir of Holyland/Mosque of Omar/1941"souvenir, wwii, middle east

Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s

Framed image of unknown WW1 SoldierGold coloured oval frame with sepia photograph of WW1 Soldier wearing capww1, unknown soldier

Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Grey and gold framed photograph with the title and names of students underneath. Grey mount University of Ballarat with logo on banner in the background Levani Delai and Steve Cowley are wearing Fijian academic leisCommenced January 1993 Framers name on versoviosh, viosh australia, occupatonal health and safety, victorian institute of occupational safety and health, harbans narayan, surendra shiudin, jone matau, samuela akuila, atekini duaibe, malaka aaikoti, ronald raj, suresh singh, vimlesh maharaj, levani delai, manasa waqa, ashok nath, steve cowley, tevita kunatuba, setikini lesi

This certificate was awarded to Heindrich Wilhelm Klowss on his confirmation at St Pauls Lutheran Church Natimuk on the 27 November in1898. Original glass/wooden frame. Confirmation certificate in German in its original glass,wooden frame . The frame is gilt and certificate has a cross and floral arrangement.The printed certificate is written in German. In black cursive script Heindrich Wilhelm Klowss g b 13 March1883 confirmation 27 November in St Pauls Natimuk by Pastor L Kaibelconfirmation certificate lutheran, arapiles, natimuk

Framed Photograph and Service History of LT COL L C Maygar VCFormer OC 4 ALH and CO 8 ALHFramed Photograph of LT COL L C Maygar VCService history and replica medalsportrait of lt col l c maygar vc, replica medals and service history

Anne TAYLOR Framed black and white photograph showing a pier over a foggy lake, with reeds in the foreground. If you can assist with information on this artist or artwork please use the comment link below. Frame stamp - Jem Frames, 26 Firebrace St, Horsham Frame sticker - Alphmat Artcare System, Ref 5055, Date 1996art, artwork, anna taylor, photography, foto, lake, water, fog, pier, reeds, landscape, wimmera

Russell Mockridge b1928 d1958 was described 'as the greatest cyclist of all time'. The list of his achievements in this framed photograph indicates just how successful he was on the international cycling stage.Russell Mockridge achieved international notoriety as a cyclist from the mid 1940s until his death in 1958, representing Australia in the Olympic games, the Commonwealth Games, The Tour de France and other international high profile cycling events. Framed photo of listed achievements of Russell Mockridge. This shows printed information together with dates of placings in World events. The printing is in black on white paper, mounted on grey paper and framed in a black frame."Russell Mockridge/GACC 1946-1953/GWCC 1953-1958.russell mockridge; gacc; gwcc;

A framed coloured photograph and a Document. Document is a Tribute to Pte Roost Written by his wife Cheryl Roost Photo - Photograph of gravestone of Pte C W Roost 4 BN RAR 23 December 1968RAR Insignia On Gravestonedocument, photograph, pte c w roost, 4 bn rar, cheryl roost

This photograph was taken on 14.4.2004 at the time of the visit to Orbost by the Governor of Victoria, John Landy.The Orbost Visitor Information Centre is situated in Forest Park on Nicholson Street. The centre is housed in the historic Slab Hut. The hut was an original family dwelling built in 1872, on a site approximately three kilometres upstream from the junction of the Buchan and Snowy Rivers. The Slab Hut is an Orbost Icon. It supports one part time manager and a team of dedicated volunteers.A coloured photograph in a wooden frame. A group of people stand in front of the Slab Hut (Orbost Information Centre) .On frame - NATURAL FEATURED HARDWOOD MADE BY 20.12.98 W. ASHLYN MARLO VIC.slab-hut-committee photograph

Reproduced by kind permission of the Australian War Memorial by Royal Australian Survey Corps 1985. Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.RHS bottom corner: Artist's signatureroyal australian survey corps, rasvy

A four door Chinese screen held together with six hinges. Brown embossed frame. Decorated with white trees, birds & flowers of bone & mother of pearl. When folded it's 94 centimetres high, 27 centimetres wide and nine centimetres deep. When it's unfolded it's 1100 centimetres wide.Embossing all over framehandcrafts, carving, chinese embossed screen

Born: Mount Duneed, Victoria, Australia 1867; Lived and worked: England 1897-1919; Died: Olinda, Victoria, Australia 1943Heidelberg SchoolLedger Gift, 1977Harbour scene with large ships, buildings, water and a grey sky. Timber frame.Recto: Signed "A Streeton" in dark grey oil in l.l.c of composition; Date obscured by framing; Not titledpainting, seascape, maritime, ships, dock, clouds, sky, industrial

The certificate of gratitude was present to Mr A Ransom by the Greek Government. It was awarded to Australian servicemen who served in Greece against overwhelming number of German air and land troops.Piece of white paper with black writing, enclosed in a brown wooden frame. Attached to document is a bronze medal with a stripped ribbon. One band of navy blue, one band of light blue and one band of navy blue.certificate of gratitude, mr a ransom, greek government, australian servicemen, greece, german air and land troops

Framed Photograph showing Divisional Colour Patches and Generals from the Great War.Record of the Australian Imperial Force in the Great War 4th August 1914 - 28th June 1919.Rectangular shaped glass covered picture frame surrounded by a wooden borderRecord of THE AUSTRALIAN IMPERIAL FORCE In the GREAT WAR 4th Aug 1914-28 June 1919 photographs, lara r.s.l., australian imperial force, world war 1, record of great war

The Melbourne Road level crossing is now the location of the pedestrian underpass. Hall Street is seen to the right and the two-storey brick building remains to present day One of several photos at Newport taken the same day in the early 1950s when George Coop was a secondary school student. This photo is a 35mm copy (1962) of an original print of the c.1951 negative - possibly to use up the last frame after photographing several other early VR prints.Digital TIFF file Scan of 35mm Ilford FP3 black and white transparencygeorge coop collection, hall street, level crossing, melbourne road, newport railway station, y-103, y-class steam locomotive

Six framed diagrams of loom operation. The original framed works were deaccessioned, with digital images remaining in the collection.Six digital TIFF files, depicting four framed and two unframed diagrams of loom mechanics and operation, each showing a different process:textile mills, textile machinery, diagram, loom, gordon institute of tafe

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death

Metal frame with stand containing black and white photograph of a group of soldiers from HQ Coy 38 Bn taken n Seymour in July 1941."David HUGHES" "B/35 Mis Hughes” (Back of Frame).38th bn, seymour, photographs

In a black frame a coloured photograph of a HMAS Vampire crewman relaxing on shore in amongst tropical trees. Bottom left hand side reads Voyages To Vietnam Collection, bottom right hand side reads Copyright Graham CloverVoyages To Vietnam Collection. Copyright Graham Cloverphotograph, hmas vampire, cerberus collection

Art Collection. William Anderson is an Australian printer and sculptor. He was born in Scotland in 1951.The painting depicts a white background with a dark circle in the centre. In this dark circle are white-outlined circles and lines, as well as cogs and mechanical parts. These parts vary in shades of grey. The frame is dark timber with a white mount and glass covered.Front: 7/18 Visual Diagram of a Clock William Anderson 69' (Starting from lower left side of clock, progressing to right, lead pencil.) Back: (no inscriptions)

Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art

Soldier at this time is not specifically known.Heavy timber frame, glass front, border surrounding a black & white photo of an Australian Soldier seated behind a water cooled machine gun. Soldier is holding controls & looking along the top of the gun. Alongside is an ammunition box with belt fed ammunition going to the chamber. Written on frame rear: "Bernie Hinton"photography-photographs, frame accessories, military history - army, portraits

Cut out image in thick carboard. Jockey leading a horse. The jockey holds the horse by the reigns as he stands by the horse's head. He holds a riding crop. There is a low brick wall and bushes. Above the horse is a sign which reads - H.L. Vivian, Saddler. The cutout is painted in silver. It is framed in a wooden frame, cream mountboard.Front: 'H.L. VIVIAN SADDLER' Back: Holland's Picture Framing stampadvertising, saddler, portland business, vivian, horse

Kenneth Flecknoe was president of the Ballarat School of MInes School Council. He was a member of the Council from 1975 to 1988. He was the President from 1981 to 1988.Framed coloured photograph on canvas of Kenneth Flecknoe in a suitBrass plaque attached to frame: "Kenneth Joynson Flecknoe Member SMB Council 1975-1988 President 1981-1988"president, ballarat school of mines, kenneth flecknoe