Federation University site plan made for the Ballarat College of Advanced Education Printed architectural plan of the Mount Helen campusprinted with location names and symbolssite plan, federation university, ballarat college of advanced education, mount helen campus, campus plan

A piper from the University of Ballarat Pipe Band leads the 2008 University of Ballarat Graduation Procession. Chancellor Robert Smith wears blue robes, and Mayor Judy Verlin walks beside him. university of ballarat, graduation, robert smith, chancellor, judy verlin, terry lloyd, academic procession, piper, federation university pipe band, robert h.t. smith

University of Ballarat later beame Federation University Australia.1 Courier - full edition 104 pages 12 pages of Courier - installation of the University of Ballarat Chancellor, Professor Geoffrey BlaineyUni installs Chancelloruniversity of ballarat, geoffrey blainey, courier, bill pryor, grampians puma, richard mcgarvie, lesley mcgarvie, norm white, david james, mary hickey, nina valentine, academic procession, federation university

Red ink on paper featuring an unofficial emblem representin the six Ballarat College of Advanced Education schools.ballarat institute of advanced education, ken clements, academic registrar, emblem, logo

Black ink on white paper.ballarat institute of advanced education, ken clements, academic registrar, emblem, logo

Black ink on white cardballarat institute of advanced education, ken clements, academic registrar, emblem, logo, henry moritz, lesley clements, victoria institute of colleges, ballarat civic hall, r.e. parry

black ink on green cardballarat institute of advanced education, ken clements, academic registrar, founders hall

black ink on orange cardballarat institute of advanced education, ken clements, academic registrar, founders hall, bi-centennary, bi-centenary logo

Four CD-ROMs with photographs of the University of Ballarat graduations for 2009. It include Honorary Doctorates (Christine Nixon, Steve Bracks, mace bearers and granduands)robert h.t. clark, steve bracks, christine nixon, honorary doctorates, graduations, academic procession, todd walker, jennifer jones o'neill, mary hollick

Four colour photographs in black card folder academic regalia, graduation, ballarat college of advanced education

Ballarat College of Advanced Education is a predecessor institution of Federation University Australia. Blue and white soft covered booklet designed to assist staff fully exploit library services and guide users through procedures. The cover was designed by Graham Hawley of the Faculty of Arts.mt helen library, e.j. barker library, ballarat college of advanced education, library, librarians, law collection, audio-visual collection, deakin collection, geology collection, catalogues, microfiche catalogue, card catalogue, inter-library loans, film, loans, reciprocal borrowing, counter reserve, technical services, weeding, cataloguing, library policies, donations

This is a first edition.Light grey cloth covered hard covered book of 473 pages. On the spine is gold lettering on a dark brown rectangular background. There are photographs and diagrams throughout the book.Written in pencil on fly - M Can; (pound symbol) 8-10-0 Stamped on fly - Department of Mining University of Melbourne.interfacial phenomena, book, j t davies, e k rideal, chemical engineering, physics of surfaces

Maroon colored cover with gold border, contains graduation ceremonies, Tuesday 5th, Wednesday 6th & Thursday 7th May photo 758 Sue McPhan and Jan Goyne. university of ballarat, graduation, founders hall, david caro, jan goyne, sue mcphan, kerry cox, mary akers, janet dore, academic regalia, bill pryor, frank williams, jack harvey, david james

Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance

booknon-fictionA collection of essays by international academics and critics addressing the meaning, forms, effects and places of postmodernism.theory, modernity, feminism, avant-garde, cross-disciplinary art, museology

non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices

non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture

Index, bib, maps, p.814.non-fictionAt the end of World War II, the Cabinet Office commissioned an eminent academic, Professor William Mackenzie, to undertake a comprehensive secret history of Special Operations Executive. Given access to both personnel and surviving wartime files, Mackenzie's report was a reference document to be used by intelligence agenices in a future conflict, its audience the very elite of Whitehall insidersworld war 1939-1945 - espionage, world war 1939 – 1945 – secret operations – britain

Professor Arthur Barrington (Barry) Baker was the first Australian anaesthetist to gain a DPhil in anaesthesia. He completed his DPhil at Oxford University at the Nuffield Department of Anesthesia in 1971, titled, Physiological Responses to Artificial Ventilation. The Waveform Ventilator is the machine developed to illustrate his DPhil. The waveform ventilator was used in several scientific studies on 'the effects of varying inspiratory flow waveforms and time in intermittent positive pressure ventilation (IPPV)', published in the 'British Journal of Anaesthesia'. Professor Arthur Barrington Baker had an extensive career in research and clinical practice including holding the position as the Nuffield Professor of Anaesthetics at Sydney university (1992 - 2005) and also as the Dean of the Australian and New Zealand College of Anaesthetists (ANZCA) (1987-1990).The variable waveform ventilator is of national significance, due to its association with Professor Arthur Barrington Baker (Prof. Baker) the first Australian academic anaesthetist, and the representation of historical social themes and research and design, in anaesthesia. Historic significance – It is a rare type of ventilator in good condition and well provenanced. It is a tangible record of the beginning of the long established and distinguished career of Prof. Baker, the first anaesthetist in Australia to gain a DPhil. Prof Baker has a strong involvement in the Australian and New Zealand College of Anaesthetists (ANZCA) organisation. The object is a product of Prof Baker’s Doctorate of Philosophy (DPhil) on respiratory physiology and is associated with the prestigious Oxford University and the well-known Nuffield Department of Anaesthetics. It also represents the social theme of migration to England from Australia in the 1960s and 1970s to access and experience academic and artistic opportunities limited in Australia at the time. Scientific Value – The object is of scientific value as it offers major potential for education and interpretation in anaesthesia. Although ventilators are common equipment, this specific design and construct prototype is one of a kind, designed and used specifically for research purposes. A rectangular shaped object on a trolley with four wheels. The top half of the object consists of two panels, one of cream coloured painted wood, the other black plastic, both containing several dials of different shapes and sizes. The wood surface also contains several gauges and a safety pressure clear plastic box. The plastic surface also contains a pin board. The bottom half of the object consists of two shelves. The whole object's perimeter is lined with perforated metals. The top wooden surface has several metal pieces of equipment and a long tube. The rear of the object contains numerous types of tubing and wire, a gas cylinder and two leather straps with buckles. The bottom half of one side of the objects has 3 electrical power outlets.Waveform Generator, Drs Colliss N Cowie, Dr Baker Dr Murray Willson, Dr Babbington, Safety Pressure, Error POS F/B, Position, Feedback, Set Balance, Reset, Full Stroke, Velocity, Converter Current, line Pressure, Low Pressure, Bias Pressure, Start, Stop, Stop, Reset Press, Max Press, W/G Output, A/CRO B/2.baker, arthur barrington, baker, barry, professor, academic anaesthetist, oxford university, nuffield department of anaesthesia

Certificate presented to student at the end of the school year as recognition of high achievement in their studies.Black and white copy of certificate mounted on board.See jpg for all details.williamstown high school, 1954, certificate honours, academic awards, penelope tilbrook

This volume was created by William Mephan. It is handwritten in black ink in a calligraphical style. It contains a record of student who reached a pass result, scholarships awarded, noted staff retirements and new appointments. Details included varied each year. Some years house and school captains and sports results were listed. Extra curricular activities such as plays were detailed. Newspaper clippings, programs and other ephemera are also in this book.Paper and card book, with leather spine and corners. Contains glued in documents, photographs, newspaper clippings.record book, 1946, 1940's, 1950s, 1960s, academic awards, sport awards, williamstown high school

This book was used in pencil drawing classes in primary schools.A book with a grey cover and black lettering and drawings. It was used as a drawing book with a pencil drawing on the first page.Top LH corner written in pencil "PHILLIPA WHITE"white, phillipa, primary school, teaching, state education, george evans collection

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.