Showing 836 items
matching c 1970
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Marysville & District Historical Society
Postcard (item) - Colour postcard, Colorscans (Publishing) Pty Ltd, The Log Train - Marysville, Pre 2009
A colour photograph of a log train that was used in a sawmill in Marysville in Victoria.A colour photograph of a log train that was used in a sawmill in Marysville in Victoria. The Log Train was originally in use at Anderson's Mill - Marysville. The original log came from a Messmate Stringy bark (Eucalyptus Obliqua), age 134 years; height 53.3 metres; felled in 1970 at Elliots Creek, Mt. Margaret. The volume of the log was 6,000 super feet. The original log was destroyed in the 2009 Black Saturday bushfires. This postcard was produced by Colorscans Publishing as a souvenir of Marysville.Colorscans c PUBLISHED & PRINTED BY COLORSCANS (PUBLISHING) PTY. LTD. 118-120 BRIGHTON STREET, RICHMOND. 3121 Supa-vu/ cards MARYSVILLE - VICTORIA The Log Train was originally in/ use at Anderson's Mill - Marysville./ The log came from a Messmate/ Stringy bark (Eucalyptus Obliqua),/ age 134 years; height 53.3 metres;/ felled in 1970 at Elliots Creek, / Mt. Margaret. Volume of the log/ 6,000 super feet. Photographed and Distributed by:/ K & H. ELLIS - 35 Old Warburton Road,/ Warburton 3799marysville, log train, anderson's mill, messmate stringy bark, eucalyptus obliqua, victoria, colorscans publishing, postcard, souvenir -
Flagstaff Hill Maritime Museum and Village
Gestetner Machine, c. 1922 - 1929
This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. Gestetner” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, office machine, copying machine, gestetner machine, duplicating machine, duplicator, stencil machine, gestetner cyclograph company, cyclograph, cyclostyle, d. gestetner ltd, gestetner durotype stencils, gestetner cyclostyle, printing machine, office technology, durotype stencils, david gestetner, raymond loewy, roneo, rotary duplicatorten, mimeo, mimeograph machine, roneograph copier -
Bendigo Military Museum
Card - CARD, NCO MESS, c.1.1970
The card was used by Peter James Dodd No 217842 while serving in South Vietnam. Refer 2436.2P for his service history.Membership card for Vung Tau N C O / Open Mess, Jan 1970. Cream coloured card with black print. Membership details in blue ink.Jan 1970 No 000840 Member Vung Tau N C O / Open Mess Vung Tau Viet-Nam No 96291 Name: DODD, P J Rank: CPL Unit: 17 Const SQN RAEdocuments - cards, nco mess, vung tau -
Kiewa Valley Historical Society
Photograph of local residents at Tawonga Caravan Park Museum Building, 11th February, 1979
Pictorial record of residents of the Kiewa Valley in the late 1970's and early buildings Pictorial record of residents of the Kiewa Valley in the late 1970's Colour photograph of local residents standing outside the Museum building at Tawonga Caravan ParkHandwritten on back of photograph in blue ink: Q Baldwin, C Joung, Gwen Hobbs, Mrs Van De Wyde, T & M Wallace and Mrs Temple. Taken by C Roper on 11th February, 1979tawonga caravan park, kvhs members, kiewa valley -
Kiewa Valley Historical Society
Photographs x 2- Groups of Kiewa Valley residents on tour of Khancoban area
Demonstrates a pictorial history of social activities undertaken by Kiewa Valley residents during this period possibly 1970’s to 1980’s. Also a pictorial record of residents of the Kiewa Valley during this period. Photographs demonstrate local Kiewa Valley residents enjoying a community visit to the Khancoban area, which holds significance to the early history of the district. Its heritage is celebrated in Banjo Paterson’s epic poem, “The Man from Snowy River”. 2 black and white photographs mounted on buff card. 1. Group of ladies on a tour of the Khancoban area 2. Mixed group of ladies and men on a tour of the Khancoban area 1. Handwritten in black ink below photo 'Mrs Van Der Weyde, Mrs Storey, Mrs Temple 2. Handwritten in black pen below photo 'A.O. Smith, A. Angus, Mrs. Pullin, S. Ross, C. Roper, Mrs Temple, A. E. Campbell (name of last person obscured)kiewa valley residents, clare roper -
Kiewa Valley Historical Society
Book - Country Women's Association of Victoria, The Official Annual of The Country Women's Association of Victoria, 1971
The Tawonga branch of the C.W.A. was formed on the 7th Feb. 1946. They had 45 members by the end of the year. A scrap book (KVHS 0750) exists with a list of names of members for each year up to 1988 and articles from the newspaper. The Tawonga branch often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve the health, welfare and education for women and children in the country.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children.Small green cardboard covered book with yellow border and logo (in middle) and with black printing. It has 48 pages.Cover: "The Official Annual of the Country Women's Association of Victoria." Also their Motto and "Forty Third Annual Report / and Balance Sheet / for the Year ending 31st December 1970 / Published 1971 Handwritten on cover: "Tawonga 15 cents each" Inside on cover sheet: handwritten: "30 c to pay to Mrs Courtney"country women's association of victoria. c.w.a.. tawonga. -
Ringwood and District Historical Society
Photograph, At bottom of Mullum Court, C of E building on right. Ringwood. Undated but possibly early 1970's
No date, but other photos in this group are 1971-1973Written on back of photograph, "At bottom of Mullum Court, C of E building on right." -
Ringwood and District Historical Society
Photograph, Opening of the St Pauls Church, Warrandyte Road, Ringwood - c.1970s, circa 1970
... Written on back of photograph, "St. Paul's opening C of E... Pauls Church, Warrandyte Road, Ringwood - c.1970s. Opening of St ...Opening of St. Paul's C of E Church in 1970s, with minister preaching to the audienceWritten on back of photograph, "St. Paul's opening C of E." Circa 1970 -
Ringwood and District Historical Society
Photograph, Roman Catholic Church, Bedford Road, Ringwood Vic. - 1970, 1970
Ringwood Roman Catholic Church in 1970Written on backing sheet, "Ringwood R. C. Church. 1.11.70". -
Ringwood and District Historical Society
Photograph, C of E Opening Service 1970
Written on backing sheet, "C of E opening service - 21.11.70." -
Warrnambool and District Historical Society Inc.
Cards, Post Cards Warrnambool, Early 20th century
These cards have been sent to Christina Lawrance (1889-1970). She was born in Williamstown, Victoria and married James Robertson in 1912. They lived in the Gundagai area of N.S.W. on a property named ‘Nargoon’ (sheep and cattle) and they had five children. One of the daughters, Margaret, married Jeffrey (Bill) Whitehead of ‘Goodwood’ near Hawkesdale and the cards have been passed on to us from a Whitehead descendant. It is not known who sent the cards to Christina Lawrance who would have been 16 or 17 at the time. These cards are of interest because they are of Warrnambool scenes and demonstrate the practice at the time (1906) of sending cards that had photographs of local scenes. The photographs, although printed in great numbers, are of historical interest today. The cards are also of interest because of the recipient’s connection with the Warrnambool area – Christina Lawrance is an important person in the family tree of the Whitehead families today. These are four colour post cards in green, yellow and black tonings. They have photographs of the Hopkins River, Warrnambool and the Hopkins Falls on one side. They all have a penny red Victorian stamp and were posted from Warrnambool in 1906. The address is handwritten in black ink. Addressed to: ‘Miss C. Lawrance, C/O Kirkpatricks Hotel, Mornington, Victoria’whitehead family of ‘goodwood’, christina robertson nee lawrance, history of warrnambool and district -
Australian Queer Archives
Uniform - Textiles, Owen Huckel's Roo BC overlay, c.1970s-1980s, c1975
This motorcycle club overlay belonged to former Roo BC [Roo Bike Club] President Owen Huckel, and dates from the mid 1970s. Prior to joining Roo BC, Huckel was a member and President of Australia's first gay motorcycle club, South Pacific Motor Club or SPMC, established in 1970. Among the Papers of Noel Lewington held by the Australian Queer Archives are two large photograph albums compiled by Huckel documenting his involvement in SPMC and Roo BC, including one which documents a trip to the USA in 1972-1973, comprising 366 photographs, maps, and ephemera documenting club runs with many west coast clubs. Sleeveless denim jacket, with yellow ribbon trim around the sleeve holes, with small patches and a metal badge on the chest, and a large back patch on the back.gay, motorcycle club -
Emerald Museum & Nobelius Heritage Park
Golf Trophy
Emerald Country Club Associates Ladies Championship Trophy from 1937 to 1996Local golf club trophy donated by ex committee member Rosalie LeakeSilver Golf Trophy Cup (Ladies) on wooden base.. engraved with winners from 1937 to 1996 Emerald Country Club Associates E.M..KENNON CUP 1937 Mrs G.L. Elkins 1938 Mrs T.W. Gunnersen 1939 Mrs Norman 1940 Mrs A. Baker 1946 Mrs L.A. Fenton 1947 Mrs A.L. Newold 1948 Mrs C. Bedgood 1949 Mrs A. Baker 1950 Miss P. Massey 1951 Mrs W.H. Symon 1952 Mrs W.H. Symon 1953 Mrs A.L. Newbold 1954 Mrs W.H. Symon 1955 Miss M. Jamison 1956 Mrs W.H. Symon 1957 Miss J. Mellor 1958 Mrs L. Bulmer 1959 Mrs W.H. Symon 1960 Miss J. Mellor 1961 Mrs E. Hoy 1962 Mrs L. Bulmer 1963 Miss D. Smith 1964 Mrs N. Tuxen 1965 Mrs M. Hanger 1966 Mrs A. Howard 1967 Mrs R. Morgan 1968 Mrs P. Young 1969 Mrs J. Little 1970 Mrs J. Fountain 1971 Miss P. Jackson 1972 Mrs J. Little 1973 Mrs J. Houghton 1974 Mrs J. Meldrum 1975 Mrs. B. Barraclough 1976 Mrs J. Meldrum 1977 Mrs F. Gooch 1978 Mrs S. Hunter 1979 Ms F. Fenton 1980 Mrs J. Martin 1981 Mrs C. Grand-Court 1982 Mrs J. Pugh 1983 Mrs M. Ruigrok 1984 Mrs P. Summers 1985 Miss A. Scurry 1986 Mrs P. White 1987 Mrs M. Ruigrok 1988 Mrs P. White 1989 J. Ross 1990 Miss B. Bates 1991 Ms A. Felgate 1992 Ms M. Purbrick 1993 Ms J. Thomson 1994 Ms J Tomson 1995 Ms J Thomson 1996 Mrs R. Leake emerald country club, wm kennon cup, golf trophy 1937 to 1996 -
Eltham District Historical Society Inc
Photograph, George W. Bell, Market Garden, South Eltham, 1960s
Two black and white photographs 1. ploughed land Fabbro's market garden Eltham South c.1960s 2. field of crops 1970farming, market gardens, eltham, eltham south, fabbro, falkiner street, george w bell collection -
RMIT GSBL Justice Smith Collection
Journal series, The Law Book Co. of Australasia Pty Ltd, The Commonwealth law reports : cases determined in the High Court of Australia, 1905
Previous owners: J. McL Emmerson, E. N. BergereNo. of volumes: 244 Volume range: Vol. 1 (1903-1904) - Vol. 239 (2009), An index-digest with table of reported cases to the Commonwealth Law Reports vols. 1-100 (1903-1959) & vols. 1-150 (1903-1982), Index vols. 151-184 (1982-1995) & vols. 185-218 (1995-2004) Vol.4 has 2 parts Editors: Anderson, J. C. (Vol. 1 (1903-1904) - 18 (1914)) Hayball, A. H. (Vol. 19 (1914-1915) - 50 (1933-1934)) Healy, E. F. (Vol. 50 (1933-1934) - 64 (1940-1941)) Sugerman, B. (Vol. 64 (1940-1941) - 70 (1944-1945)) MacFarlan, B. P. (Vol. 70 (1945) - 99 (1957-1958)) Howell, R. A. (Vol. 99 (1957-1958) - 120 (1969-1970)) Merralls, J. D. (Vol. 118 (1968-1969) - 239 (2009)) Lane, P. H. (Index-digests & Indexes)ISSN: 00697133australia. high court -- digests -- periodicals, law reports; digests; etc -- australia -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, FIGUEROLA, Alma, 1970
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing materials relating to an early member of the Kew Historical Society, Alma Figuerola, a Victorian artist living in ‘D’Estaville’, Barry Street, Kew. A newspaper article with photographs, published in The Herald (1958) provides evidence for the dating of the press photographs of Alma Figuerola in the Society’s collection. The file contains dated correspondence between the Society and Alma Figuerola relating to her health and to the death of her mother. The file also contains a ‘Sincere Thanks’ card from Carmen and Silvia Figuerola to the Society following Alma Figuerola’s funeral, noting the date of her death on 8 December 1970. The card gives the address of the house, in 1970, as 4 Sir William Street. In the file there is a letter from 1971 pertaining to the return of wedding dresses and other materials stored at D’Estaville for the Society (which at that stage did not have its own archive). A solicitor’s note from 1973 to the Society contains a refutation of the information about the house contained in Dorothy Rogers’ A History of Kew.kew (vic) - history, artists - kew (vic), alma figuerola, d'estaville, 7 barry street (kew)kew (vic) - history, artists - kew (vic), alma figuerola, d'estaville, 7 barry street (kew) -
Geelong Cycling Club
Pennant Flags, 1968
The GCC was very strong during this period. These pennants record 3 Olympians with scratch riders in open company as compatriots.Evidence of the outcome of previous junior competition which had unearthed some of the best cycling talent in Australia.Triangular pennant flags in navy blue felt. The pennants are trimmed in white felt and have the description of the events and winners names embossed in white over the blue felt."VACU/Senior Road Premership/1967/1968/1969/1970/Won by Geelong/R J Hine/D. Wilson/P McDermott/K Gawley/W Keyser/C Dougherty/N Wilson/I Bush"vacu; senior road premiership; 1968; 1969; 1970; geelong cycling club; r.j. hine; d. wilson; p. mcdermott; k. gawley; w. keyser; g. dougherty; n. wilson; i. bush; 1967; -
Geelong Cycling Club
Shield, 1948
Team Road Races were a popular feature of club cycling in the Western District of Victoria during the second half of the 20th century. The shield was initiated by the Camperdown cycling club to record team winners of the races held between the clubs in the Western District of Victoria. This shield has an important place in the history of cycling in the Western District of Victoria. A large wooden shield with silver coloured plated plaques containing inscriptions of team winners of road races in the Western District of Victoria. There is a smaller shield in the centre of the shield depicting a cyclist and above and below this are banner like plaques with inscriptions on them. Many of the inscriptions have worn with age. "Perpetual Shield/Ian Davis - Gift Specialist/Camperdown .... CycleClub/Annual Western District/Teams Championship/1948/Terang ACC/No1 Team/1949/Terang ACC/No 1 Team/1950/Warrnambool ACC/No1 Team/1951/Warrnambool ACC/No1Team/1952/WarrnamboolACC/No1Team/1953/Sebastopol/ACC/1954/Sebastopol/ACC/1955/Geelong/No1 Team/1956/Camperdown ACC/1957/Sebastopol/No1 Team/1958/Geelong ACC/No1 Team/1959/Warrnambool ACC/No1 Team/1960/Geelong ACC/No1 Team/1961/Camperdown ACC/No 1 Team/1962/Geelong Camperdown/No1 Teams/ Equal/1963/Camperdown ACC/No 1 Team/1964/Geelong ACC/No 1 Team/1965/Geelong ACC/No 1 Team/1966/Geelong ACC/No 1 Team/1967/Geelong ACC/No 1 Team/1968/Geelong ACC/No 1 Team/1969/Geelong ACC/No 1 Team/1970/Geelong ACC/No 1 Team/1971-1976/inscriptions faded/1977/Warrnambool ACC/No1 Team/1978/Warrnambool ACC/No1 Team/1979/Geelong/N. Wilson/Godfrey/MacAuley/Hose/1980/Geelong/Inscriptions faded/1981/Geelong/G. Williams/N. Williams/D. Libbis/C. Judd/1982/Geelong/G. Williams/R. Bush/ P. Macauley/I. Wood/1983/Colac/P. Forster/P. Rippon/P. Taylor/D. Lunn/1984/Ballarat/Sebastopol/P. Taylor/M. Leverett/D. Keirl/1985/Geelong/D. Williams/G. Fitsimmons/B. Crane/L. Clinnick/1986/Colac/D. Lunn/C.Caspon/D. Allan/P. Jannsen/1987/Geelong/G. Williams/P. Macauley/B. Crane/D. Fitzsimmons/1988/.../1989/.../1990/Colac/C. Cashin/D. Forster/L. Nogera/S. Cropley/1991/Colace/C. Cashin/J. Stirling/S. Cropley/1992/Geelong West/D. Whitford/D. Wilson/P. Evans/M. Varker"perpetual shield; ian davis; annual western district teams championship; terang acc; warrnambool acc; sebastopol acc; geelong acc; camperdown acc; wilson; godfrey; macauley; hose; g. williams; n. williams; d. libbis; c. judd; r. bush; p. macauley; i. wood; colac; p. forster; p. rippon; p. taylor; d.lunn; ballarat; sebastopol; p. taylor; m. leverett; d. keirl; d. williams; g. fitsimmons; b. crane; l. clinnick; d. lunn; c.caspon; d. allan; p. jannsen; p. macaule; b. crane; d. fitzsimmons; c. cashin; d. forster; l. nogera; s. cropley; c. cashin; j. stirling; d. whitford; p. evans; m. varker; -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Exhibitionist Expo, 1970
Boyd discusses the exhibition buildings in Expo 70, Osaka, saying that they fall into two distinct categories, sophisticated or naive. Boyd is critical that Japan did not present a view of the future, which might have been expected of it. This manuscript was published under the title ‘Expo and Exhibitionism’ in 'Architectural Review 'Vol.148, No.882, August 1970.Original manuscript of article titled ‘Expo and Exhibitionism’ published in 'Architectural Review' Vol.148, No.882, August 1970, pp. 99 -100 & 109 &110.Typewritten (c copy), foolscap, 3 pages. (2 copies)osaka, expo 70, expo 67, archigram, metabolism, japanese architecture, kenzo tange, noriaki kurokawa, takamitsu azuma, sumitomo pavillion, takara pavilion, gas pavillion, yoshizawa ryusei, robin boyd, manuscript, ohm2022, ohm2022_31 -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, (captions for photographs), c1970
Captions for photographs in "Living in Australia"Original manuscript for the captions for "Living in Australia", Pergamon Press, 1970Typewritten (c copy), quarto, 16 pagesmccaughey court, lyons house, mcclune house, menzies college, shelmerdine house, john batman motor inn, black dolphin, marks house, lawrence house, boyd house, walsh st, baker house, troedal house, purves house, fletcher house, handfield house, kaye house, domain park flats, robin boyd, manuscript -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - Gong and gavel, 1984
... case: "76mm ARMD C PW 175 ME 1970"... on base of shell case: "76mm ARMD C PW 175 ME 1970" Presentation ...Presentation to the Sergeants' Mess of 8/13 VMR by Cadre Staff member Sergeant RC Tetley when leaving the regiment at the completion of his posting. The presentation of a gift of this type was a common practice in regimental circles.A bespoke object with relevance to the character of an RAAC regiment using as it does a shell case from a fighting vehicle used by 8/13 VMR and indicative of business procedure in Mess meetings.Chairman's gong made of a chrome plated 76mm shell case suspended from a chrome plated metal frame mounted on a stained wooden base. Silver 8th/13th Victorian Mounted Rifles Regiment hat badge is mounted on front side of base. Stained wood and chrome plated metal gavel sits on two rests on rear side of base. Small engraved plaque attached to base at rear.On presentation plaque: "Presented to 8/13 VMR Sgts Mess by 2782108 Sgt RC Tetley Dec 1984"; and markings on base of shell case: "76mm ARMD C PW 175 ME 1970"sergeants' mess, 8/13 vmr, tetley -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Huf grave folder, 1919 circa
The folder containing the photograph of Sergeant Huf's grave in Egypt was sent to his father. The card is inscribed 'Cpl' but Huf had been promoted to Sergeant just prior to his wounding and evacuation from Gallipoli on HMT "Royal George". He died of his wounds at sea and was buried in Egypt. This folder was part of a collection of items donated to Albury RSL by his surviving sister Miss Edna Huf of Albury about 1970 and passed to the 8/13th VMR Collection. Part of a unique collection of items relating to a single Australian soldier who died in the Gallipoli campaign, WWI, and kept by a sibling till close to her death and passed to a local military collection for keeping.Green-grey heavy paper folder containing photograph of grave marker of 533 Sergeant CW Huf 7th Battalion AIF who died of wounds sustained at Gallipoli on 13 May 1915. Sgt Huf was 20 years of age.Inside cover "Huf C.W,/ 533 Cpl / 7th Bn / Chatby Mil Cem / Alexandria / Egypt" and on back cover "(Father) C W Huf / Australia"huf, grave, photograph, chatby military cemetery -
Kew Historical Society Inc
Photograph - Artists of Kew Exhibition, 1950-1960
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of a group of adults attending an exhibition entitled Artists of Kew. Two people have been identified in the photograph - Cr WHS Dickinson and Alma Figuerola at centre. The location of the exhibition is at the old Kew Town Hall in Walpole Street. Both Miss Figuerola and Cr Dickinson were foundation members of the Kew Historical Society.Reverse: "Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figrierola [sic] to his left". "KH-97" kew historical society - members, alma figuerola, cr whs dickinson, exhibitions - kew (vic), southesk - cotham road - kew (vic), kew town hall - walpole street -
Kew Historical Society Inc
Photograph - Cousin Bert aged 12 months, Model Studios, 1920s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Studio photograph of Bert, a cousin of the Figuerola sisters. The photo was in the family photo album of the artist. "Cousin Bert age 12 mths"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Alma Figuerola and Rebecca, K Lerfiniere Ross
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'.alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Alma Figuerola, K Lerfiniere Ross, 1950-1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Professional photograph by K Lerfiniere Ross of the artist Alma Figuerola holding her pet pekingese dog, 'Rebecca'. "Proof only. This proof remains the property of the photographer K Lerfiniere Ross and must be returned No 137-1"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Portrait, 1960s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Alma Figuerola, 1940s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Cropped photo shot of Alma Figuerola at an art exhibition. The photo was in her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph - Rebecca and Alma Figuerola, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola, sitting on a rustic seat in what is probably her garden at her home D'Estaville, in 1950. She is nursing her pet pekingese 'Rebecca'. The photo was included in her personal photo album. "Rebecca and Alma, 1950"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Kew Historical Society Inc
Photograph, Rebecca and Alma, 1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola in the garden of what is probably her home D'Estaville, with her pet pekingese 'Rebecca'. The photo is from her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)