The Sailors' Rest, located in Ann Street, Williamstown opened on 24 May 1878. An article dating 25 May 1878, in the Williamstown Chronicle, describes the interior of the renovated Wesleyan chuch as depicted on the print: "Inside the building the carpenters and painters have been busily engaged. It has been painted throughout, the lower part of the walls be ing stained blue. There is a form all round the building with tables up the sides, and a number of small round tables are scattered about the roomi. In the centre is a splendid wire stand for pot plants, of which there is a grand display. Pictures adorn, the walls; singing birds warble their sweet strains ; and the silent gold fish of which there are several globes add to the beauty of the display. At the east end of the room is the bar, occupying one corner, while in the other are the shelves which accommodate the books of the Library, while last evening across the end wall was in large illuminated letters-'" The earth is the Lord's and the fulness thereof." On the platform are a piano and harmonium. The room is very presentable whether in day light or illuminated vith gas." Eva Carmichael, one of the two survivors of the Loch Art tragedy, visited here on 19 July 1878. She had stayed with Mr and Mrs Gibson and travelled from Camperdown to Melbourne (15 July 1878) to sail back to Ireland. Article in the Leader, 20 July 1878, Page 19: "The Saitors' Rest at Williamstown was yesterday visited by Miss Carmichael, Mr. T. Pearce and Mr. and Mrs. Gibson. The objects of the institution were explained to them, and after a brief stay they complimented the committee on their arrangement. The attendance has ho largely increased that the receipts now average £80 per month. The print is a rare insight of the Sailors' Rest in Williamstown, depicitng the room filled with plants, birds in cages, the seamen enjoying some board games, and coffee.Illustration depicting the interios of the Williamstown Sailors' Rest in 1878 with decoration (plants, paintings, birds in cages), and sailors at tables busy playing chess, talking, having a drink.sailors' rest, williamstown, 1878, plants, books, library, tables, sailors, games, chess, coffee, seamen, sir william stawell, hugh ronald reid

These photos were taken and put together to commemorate the opening of the new Hall of the Windermere Bran ch no 53 of the ANA Association. 24th September 1908.(from the top, row 1) C.Allen, A.Cox, F.White, T.Stewart, R.W.Charles, R.McKenzie, A.Cox. (row 2) W.Nesbitt, R.Walton, (row 3) D.F.Dickie T.Robinson, J.Robertson, D.Nippard, R.Kerr, W.J.Cox. (row 4) J.S.Feery, H.J.Taylor (Committee), G.White (ex President), S.Coles,(President), W.Harding (Vice President), E.Burrows. (row 5) A.Walker, P.Beaton,(Asisstant Secretary), F.Cox,(Secretary), D.Walton,(Treasurer), R.Harding, (Committee member), W.Walton (Committee member). (row 6) J.Hevey, F.Cox, (Trustee),J.M.Feery, (Committee member), D.Davidson, (Committee member). (row 7 ),M.Baird (Mathew), H.Cox, F.Powell, W.McKartney, W.Wilkins, R.Charles, H.Birkett. Collection of photos set in a dark wooden frame, with "gilt" decoration on inner edge and gold coloured inner frame edge. the photos are on a dark brown cardboard mount. AUSTRALIAN NATIVES ASSOCIATION. Presented by the Members of the WINDERMERE BRANCH No 53.TO COMMEMORATE THE OPENING OF THE NEW HALL.Sept 24th 1908. (under photo ANA Hall) windermere ana hall 1908.windermere branch no 53.

Sewing machine and case. Hand operated portable sewing machine, PFAFF brand. Wood inlaid design. Black machine body has gold floral decorations."PFAFF"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sewing machine, hand operated sewing machine, clothing, clothing manufacture, tailor, industry, garment

In the high tech, fast paced society that we live in, it’s easy to take some things for granted. Case in point: the wood cutting board on which you’ll probably be preparing the evening’s dinner. Have you ever taken the time to think about the history of the cutting board? Where did it come from, and what did ancient civilizations use to cut their meats, fruits and vegetables? Wood throughout the ages Since the dawn of time, wood has been one of the most available materials used by mankind to build tools and lodgings, so it’s not really surprising to know that wood has been used in the preparation of food since the prehistoric ages. Of course, back then, cavemen probably used an unpolished slab of tree trunk to cut the kill of the day on and they probably didn’t think twice about saving it once the meal was over. Chances are they probably threw it in the fire with the rest of the wood needed to kindle it. Advances in technology Throughout the centuries, mankind evolved and started creating machines from steam, electricity and metal. When the circular saw was invented, nicer, cleaner slabs of wood were cut and used as cutting boards. Since soft wood was the most available type of wood at the time, it was the material of choice for to be used for cutting boards. Boards were made smaller since the slab of wood could now be cut to any desired size. Since they were made smaller, they were also used to eat off of and some people referred to them as trenchers. Trenchers were originally pieces of stale hard bread that were used as substitute plates. Wood trenchers quickly became the replacements of the eatable dinnerware. The butcher block: the cutting board’s larger cousin In the industrial ages, many industries rapidly developed, and the butchery industry followed this trend as well. Before the invention of the cutting board, butchers used tree rounds to carve their meat on. The rounds were often too soft and they rapidly became unsanitary. Hard maple wood butcher blocks were the preferred choice of the industry. They were made to be extremely thick and durable, so durable in fact, that a butcher could use the same block for almost his entire career. Cutting boards around the world As cutting boards began to be more and more used in kitchens around North America, the rest of the world crafted such boards from different materials. The East used thick bamboo as their material of choice. Despite its frail appearance, bamboo is quite strong and made durable cutting boards and butcher blocks. Europe used maple in the crafting of their cutting boards while Persia used flat pieces of polished wood in their kitchens. The world then saw cutting boards that were being made from other materials like plastic and they came in all shapes and sizes, but they always served the same purpose, to provide a household with a safe, clean surface on which to prepare meals for their friends and family members. https://www.woodcuttingboards.com/news/quick-history-of-the-cutting-board-47.aspxThe bread board is an example of kitchen equipment used during Victorian times and similar to those used today.Bread board. Wooden, octagonal, plain sanded light wood. Has decoration around edge and indented circular line to delineate round cutting board section.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bread board, cutting board, pastry board, kitchen utensil, kitchen equipment, baking equipment, food preparation

A Julius Marlow shoe box containing a variety of objects - feathers for hair decoration, 2 paper fans, black buttons, empty box, and 3 spectacles in their cases.lydia chancellor, collection, hair decoration, feathers, hair ornaments, fan, buttons, spectacles, glasses, objects, ephemera, costume accessories

Ravenswood Bell. A. Bronzed brass bell, large crack on one side has been mended. Metal clanger. Iron support for bell - wrought iron decoration.place, house, ravenswood run, bendigo advertiser 10.2.1972 page 7.

Exchange note. At sight of this First of Exchange pay to the order of The Bank of Australasia the Sum of - - . Value received in terms of - -. To - -. Date line ends 193-. Decoration on the left edge.business, printers, cambridge press, cambridge press collection, the bank of australasia, exchange note

Cream card with the MGC hymn written in calligraphy in blue ink. It has a blue and gold MGC badge, gold floral decoration and upper case letters in the title.methodist girls' comradeship, the comradeship hymn, methodist church of australasia young people's department

Metal painted black with gold leaf design decoration. Large wheel with handle. Circular base on sewing area. Set on four claw legs. In working order.domestic items, sewing, textile machinery

These notes were collected by Mr Alex Pracz who was a member of the Russian Army. He was a Prisoner of War in Germany.Two bank notes from Germany. 1 Mark which is small, square and green, blue and black. 10 Reichsmark is rectangular with white and green text and decoration.german currency, pow

Small hand-operated black painted metal sewing machine with gold decoration. Placed on a wooden base. Has rectangular wooden lid. Made by Frister & Rossmannsee photossewing, sewing machine, hand-operated, frister & rossmann

The 1st Contingent departed Fremantle on 7 November 1899 and returned on 29 December 1900. The 2nd Contingent departed 3 February 1900 and returned 8 December 1900. Due to the shortage of khaki material, the 1st Contingent uniforms wore their blue militia tunics, blue puttees and a dark blue puggaree on departure. An Anglo Boer War Service of Reconciliation is held annually on the first Sunday in June at the "Fallen Soldiers" (Boer War) Memorial in Kings Park attended by descendants and representative of all combatant nations. The date selected is the closest Sunday to the date of signing of the Treaty or Peace of Vereeniging (31 May 1902). The culmination of the service is the laying of the Emily Hobhouse wreath.Unique series of stereoscopic images showing both the 1st and 2nd West Australian Mounted Infantry Contingents to the Anglo Boer War. Images contain details of uniforms, accoutrements, camp life, civic honours and departure.Decorations High Street Fremantle. Departure 2nd WA Contingent. Published in Australian Stereoscopic Views, WA Series, Photographed and published by Craig and Solin, Fremantle and KalgoorliePhotographed and published by Craig and Solin, Fremantle and Kalgoorliestereoscope, boer war, south africa, capetown

Record of Ballantrae in 1980's. Coloured photograph of "Ballantrae" formerly "La Maisonette" house, built c 1859, lush well-tended garden, carved wooden barge boards and veranda decorationsbuninyong, ballantrae, la maisonette, contes

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Olive green vest with two pocket decorations on the lower front of the vest. Underneath the pocket is the Australian emblem, below which are the Olympic rings and the inscription "BARCELONA 1992."BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

Tea cup wheel thrown with handle, no saucer. Abstract glaze decoration. If you can assist with information on this artist or artwork please use the comment link below. S2 + Engo written in glaze on bottom of cupceramics, teacup

These ivory sticks were used as decorative items to secure hair buns. They were owned by Alice Dinsmore nee Reardon who was born in 1860 in Castlemaine, Victoria and died 18 May 1936 in Albury, New South Wales. She married George Wesley Wadeson Dinsmore. Alice and George Dinsmore were grandparents of Mrs Jean Raper who donated these sticks and many assorted items of jewellery to the Wodonga & District Historical Society.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 small ivory sticks used for hair decorations. One has a brass cap on one end. The other stick has a notched shape on one end.fashion accessory, hair decorations, women's fashion

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Denis Gibbons, in 2004 standing at the Cenotaph in Martin Place, Sydney. He is adorned with his Nikon cameras and his Vietnam War decorations.photograph, cenotaph - martin place sydney, gibbons collection catalogue, em mcquillan collection, denis gibbons, photographer, vietnam war

BHS CollectionBlack and white photo of front view of electric tram rigged with electric light decoration and design showing pick and shovel. In blue/green ink on back 'No 30'.person, individual, basil miller

Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Wertheim sewing machine in carry case, hand operated with two spindles, handle with locking pin, which turns lever between spokes of main handle, hand brake. The machine is table-mounted with a Turkish walnut base. The base can be attached to a cast iron table with a foot treadle as an optional extra. The walnut base has marquetry to the front set out as a measure for material. There is also an accessory box inside the carry case containing 20 additional items for use with the machine. Wertheim brass trademark badge riveted to the body of the machine of a crouching dwarf with a hammer with the name of the company Wertheim and Frankfurt. Gold filigree decoration in gold paint adorns the main body of the machine. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand operated sewing machine, crank handle sewing machine, wertheim, dressmaking, taylor, domestic, clothing, hugo wertheim, joseph wertheim

This jug was presented as a trophy to the Newmerella football team in 1909. The jug was donated by Carl Dreverman & Co. Carl Dreverman & Co. was an Ironmongers in Nicholson Street, Orbost. Established in 1900 at first as Dreverman and Reynolds, Carl Dreverman took over the store which still exists today in Orbost as Orbost Hardware. The official Newmerella Football Club was probably started in 1913. Simon Gargan was the founder of the Newmerella Football Club.Prior to that teams played socially. This cup was presented to the Newmerella team which defeated an Orbost team.Football clubs in Orbost and district, through their many changes, have always been an important social fabric of the community. Sport is often regarded as an important part of life in rural Australia, contributing to community identity, sense of place, social interaction and good health.A silver plated pear shaped jug presented as a trophy. It has ornate floral decorations on the handle and a hinged lid. It has a circular base. It was possibly designed as a wine jug.W&H inside a pennant On front - Football Season 1909 Presented by CARL DREVERNAN & CO. Walker & Hall ORBOST V. NEWMERELLA won by Newmerella Sheffield England 1594 Patent 79759silver-plate trophy newmerella-football-club dreverman football

The Orbost Methodist Church began services in April 1910, the Rev. E. Hooper as the first minister. Reverend R.W. Little was minister in 1930-31.Ministers at that time batched either in a little room at the back of the church or in Locksley House (near the state school). Sunday School at that time involved a lot of commitment on the part of the teachers towards the children and this was reflected in the efforts they went to to make Sunday School an interesting and enjoyable event. The Sunday School Anniversaries were always a big community event and children usually dressed up for the occasion. The children spent weeks practising hymns and choruses for the occasion and on the Saturday before picked armfuls of flowers from Mrs Hocking's garden ( may blossoms) to decorate the church hall. (ref. Pioneers and Pilgrims Revd Peter Gador-White).For many years the Methodist people of Orbost enjoyed the fellowship of the church and the children, in particular, were socially and spiritually involved. This item is reminiscent of that time.A rectangular cardboard invitation to a service and prize-giving at the Orbost Methodist Sunday School. The print is black on a pale blue background with a black frame and floral decorations in each cornerSpecial Invitation R.W. Little, Ministerorbost-methodist-church sunday-school

This whisky label comes from the bottler of the whisky, Tattersall’s Hotel, Warrnambool. This hotel, at the corner of Liebig Street and Raglan Parade, opened in 1866 and closed in 1996 and was a prominent hotel in Warrnambool during that time. Patrick King was the licensee from 1907 to 1909.This label is of some significance as one of the few labels we have connected to a Warrnambool hotel and one of the few mementoes of a prominent Warrnambool hotel, Tattersall’s. This is a small sheet of paper with gilt edging, lettering in white and black and some decoration which includes leaves and stalks of barley. One corner has been torn away. Watson’s Whisky Bottled by P. King Tattersall’s Hotel Warrnambool tattersall’s hotel warrnambool, patrick king, history of warrnambool

Awarded to Robert Crawford for excellence in French at the Third form; Robert (BD 14/3/1865) entered the school on 9/7/1878 and left 31/12/1881. He was Dux of Ballarat College 1881. Four generations of descendants have attended the school. Green cloth cover with ornate gilt decorations and black pictorials on cover and spine; gilt edges; binding breaking but overall fair condition; black and white illustrations throughout; Book plate inside front cover; Ballarat College crest / French / Third from / First PRIZE / Awarded to / R Crawford / CHRISTMAS 1878 / JOHN GARBUTT M A PRINCIPALrobert-crawford, 1878, ballarat-college, john-garbutt, book-prize,

The portrait is EDGAR FREDERICK DAWSON DCM, No 4472, 57th Batt AIF. Refer Cat No 893 for his Service Details & Cat No 894 for award of the DCM.Heavy timber frame with glass front. Black & white portrait of an WWI Soldier wearing a Sam Brown belt. A decoration can be seen over the left jacket pocket. Bottom R corner: Karma Bendigophotography-photographs, frame accessories, military history - army, dcm