Showing 1936 items
matching ed-bailey
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Clunes Museum
Financial record - LEDGER
Used in Theo Harden's Boot and Shoe Emporium in Fraser Street Clunes. Received from Anne and Dennis Robinson of 126 Bailey Street, ClunesLeather ledger with green cover and red "Ledger" label on spine. From Harden's Shoe Shop in Fraser Street.local history, books, ledgerbusinesses of clunes -
National Wool Museum
Photograph
Depicts the old Canowie Shed roof clearly showing the skylights.Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
Depicts a close up view of the old Canowie Shed with pens.Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
Ballarat Tramway Museum
Photograph - Digital image - Museum of Victoria Grenville St shelter, 1939
Image is of the decorated tram stop shelter in 1938 at Grenville St. The shelter has been decorated with an outline of a boat. Bailey Bros Butchers in the background.Yields information about the centenary of settlement in Ballarat during 1939Digital image obtained from the Museum of Victorian websiteshelters, ballarat centenary celebrations, grenville st, tramways -
Glenelg Shire Council Cultural Collection
Painting, Julie Kent, Bailey's Rocks, n.d
Oil on canvas. Depiction of Baileys Rocks Casterton. Stacked circular shaped boulders set in amongst a bush backdrop. Trunks of trees are ghost gum grey with various greenery and hints of a blue sky through the trees. Yellow spatters in the in the bottom right quadrant. Black signature bottom right corner. 'Julie Kent' -
Melbourne Tram Museum
Newspaper, The Emerald Hill, Sandridge and St Kilda Times, "Light Rail: A matter where agreement is hard to get", 23/04/1987 12:00:00 AM
Newspaper cutting from The Emerald Hill, Sandridge and St Kilda Times - 23/4/1987 titled "Light Rail: A matter where agreement is hard to get" about the conversion of the St Kilda and Port Melbourne rail lines to Light Rail. Has three sub-articles, quote the General Manager of The Met Mr. Ed Dotson, Mr Patrick O'Connor Public Transport Users Association about the keeping of the Flinders St link and Mr Noel Willis, the President of the Bayside Public Transport Association who was opposed. Has photos of each of the people involved and a B class tram on route 75 in the Burwood Highway.trams, tramways, light rail, st kilda, port melbourne, conversion, east burwood, route 75 -
National Wool Museum
Book, Sheep diseases
"Sheep diseases 2nd ed" - H Marsh, 1958Dr Belschner/ I hope the/references to Australian/ work in this book/ are reasonably accurate./Hadleigh Marsh/ Jan 9, 1959sheep - diseases -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Magazine - The School Paper for grads VII and VIII (1920), c 1920
Issue no 242 - 253 of The School Paper Jan - Dec 1920, 12 Editions. This binder with copies of The School Paper was owned by W Marriott child of one of the pioneer families of City of Moorabbin,Issued by the Education Department of Victoria, printed Albert J Mullett, Government Printer, MelbourneThe School Paper For Grades VII and VIII (1920)EDUCATION DEPARTMENT VICTORIA / SCHOOL PAPER / For Grades V11 and VI11 (1920); Issue no 242 Ed. Dept of Victoria / Poetry Number education, victoria, australian history, victorian education department, marriott william, marriott geoff, market gardeners, pioneers, moorabbin shire, henry dendy special survey brighto 1841, east bentleigh state school no. 2083, wilfred marriott -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Gate 1, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, My Cottage, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph -
Bendigo Military Museum
Album - ALBUM, POSTCARD, WW1, 1914-1919
They are addressed from a George to his wife Louie. WW1. Item in the collection re George Bailey Jackson, refer cat No 3446P for his service details.This is a purchased buckram book. On front it shows gold line dropping down froma horizontal bar. The tips of the gold lines show a Fleur De Lys on each tip. The phrase "Postcard Album" is also printed in gold. Inside are numerous pages cut with various slots to hold postcards. The postcards are brilliant, beautiful and awe inspiring - their colours, cottons etc. Most are sewn, some are hand painted. Some have intricate lace work.A lot of postcards have "To Louie from George" (Louie possibly his wife), Louie was c/o address Nth Ryde, Isle of Wight, England. An early card is addressed to Miss Louie Hobbs, Southampton, England. A lot are about the Army Service Corps.postcards, ww1, passchendaele barracks trust -
National Wool Museum
Photograph
Depicts the old Canowie Shed showing the water tank, windmill, and pens.Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
Depicts the old Canowie Shed with 5 count out pens. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool Museum
Photograph
Depicts Booyoolee Shed, which was built in 1856 and demolished in 1989. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
Heidelberg Golf Club
Photograph, Heidelberg Golf Club: Pennant players, 1990s
Heidelberg Golf Club: Pennant players: Nola Mills, Pauline Bailey, Liz Scanlon, Marg Leonard, Judith Smyth, Jan Harris, Jan Balgowan.Colour photograph and caption in albumladies' golf, pennant, women's pennant -
Eltham District Historical Society Inc
Folder, Eltham Cenotaph upgrade and heritage protection, 2013-2014, 2013-2014
Contents: Council seeks to protect cenotaph, Diamond Valley Leader, Wednesday, July 3, 2013, p5 Council defers RSL war memorial upgrade to seek consultation, Diamond Valley Leader, September 14, 2014 Future safe for war memorial, Diamond Valley Leader, Wednesday, November 13, 2013, p5 Plan to expand memorial; growth in ANZAC Day services inspires RSL proposal by Megan Bailey, Diamond Valley Leader, Wednesday, September 10, 2014 Residents say no to memorial upgrade; Mayor says feedback will be considerd at next meeting by Megan Bailey, Diamond Valley Leader, Wednesday, October 1, 2014 Memorial to be extended; expected to be finished before ANZAC Day ceremony by Megan Bailey, Diamond Valley Leader, December 17, 2014Six newspaper clippingseltham cenotaph, eltham war memorial, montmorency-eltham rsl sub-branch, war memorial garden -
Bendigo Historical Society Inc.
Map - WELLSFORD : COUNTY OF BENDIGO, 6-10-03
Map. Wellsford, County of Bendigo, Bagshot, Ellesmere, Axedale, Hunty, Sandhurst, Strathfieldsaye. Photo-Lithograph ed at the Department of Lands and Survey Melbourne. 6-10-03. (number 21 in map cupboard 1)T.E. McGearsonmap, bendigo, wellsford -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO 3770 COLLECTION: TO PAY
Blue coupon, dated May 30th 1877, asking Mr. Lewis, Treasurer to pay Ed. Jackson the sum of £1/0/0 for 12 days Sick Pay. Signed by Wm Rowe, Secretary.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, ed jackson, wm rowe -
Otway Districts Historical Society
Book, J.K. Loney, Notes on the Otways. G.F. Sydenham, 1987
Notes on the Otways. G.F. Sydenham. J.F. Loney (comp.) 1st ed. J.K. Loney;np; 1987. 36 p.; illus., map. Soft cover. ISBN 0 909191 3 6 0otways; g.f. sydenham; j.k. loney; forests; roads; country roads board; timber; dairying; cape otway lighthouse; -
Otway Districts Historical Society
Book, Adventures with shipwrecks
An account shipwrecks from 1880 to 1958 in the Apollo Bay area.Adventures with shipwrecks. An account of wrecks in the Apollo Bay area. J.K. Loney. 1st ed. Apollo Bay (Vic); J.K. Loney; nd. 20 p.; illus, map. Soft cover.222mm x apollo bay; j.k. loney; shipwrecks;, apollo bay; j.k. loney; shipwrecks; -
Otway Districts Historical Society
Book, G.A. Facey, Otway timber miils & pioneering days, 1977
Dedicated to his father, J.A. Facey, who gave the author a chance to build and operate sawmills in his youth leading to the ownership of his own sawmills.Otway timber mills & pioneering days. G.A. Facey. 1st ed. Anglesea (Vic); G.A. Facey; 1977. ii, 50 p.; illus. Soft cover. ISBN 0 9597510 3 3Signed by author. Address stamped on front page.otway ranges; g.a. facey; j.a. facey; timber; sawmills; -
Otway Districts Historical Society
Book, On Demand Pty Ltd, Pioneers & Suffragists, pre-April 2013
In 1891 Victoria's Premier James Munro, under pressure from the pro-suffrage Woman's Christian Temperance Union, promised to introduce a Suffrage Bill into Parliament if it could be demonstrated that womens' franchise is what the colony's women wanted. After six weeks the suffragists had collected almost 33,000 signatures, the biggest petition ever to be presented to a colonial parliament. The Bill passed the lower house but was rejected by the ultra-conservative Upper House. This book oulines the history of 362 Colac women who signed the petition.Pioneers & Suffragists. Merrill O'Donnell; Stephen Brooks. 2nd ed. Stephen Brooks; Colac (Vic); 2013. x, 350 p.; illus. Soft cover. ISBN 978 0 646 58264 1suffrage bill; 1891; james munro; parliament; colac; women; pioneers; suffragists; merrill o'donnell; stephen brooks;